Practical art of motion picture sound
- David Lewis Yewdall.
- 3rd ed.
- Amsterdam [The Netherlands] ; Boston : Elsevier/Focal Press, c2007.
- Physical description
- viii, 582 p. : ill. ; 24 cm. + 1 DVD (4 3/4 in.)
At the library
Archive of Recorded Sound
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Library has: 1 DVD
Library has: 1 v.
|TK7881.4 .Y48 2007||Unknown|
- Yewdall, David Lewis, 1950-
- Chapter 1 The Empowerment of Sound--
- Chapter 2 Our Amateur Beginnings--
- Chapter 3 Formerly titled The First Tuesday Night in February--
- Chapter 4 Success or Failure: Before the Camera Even Rolls--
- Chapter 5 The Challenging Battlefield of Production--
- Chapter 6 From the Set to the Laboratory--
- Chapter 7 Picture Editorial
- and the use of the Sound Medium--
- Chapter 8 Temp Dubs and Test Screenings:
- A Critical Objective View--
- Chapter 9 Spotting the Picture
- for Sound and Music--
- Chapter 10 Custom Recording Sound Effects --The Real Fun and Adventure--
- Chapter 11 The Sound Librarian : the curator of an audio empire--
- Chapter 12 Sound Design
- Myths and Realities--
- Chapter 13 Sound Editorial : Sync-sync
- Chapter 14 Dialog Editors
- Hollywoods Unsung Heroes--
- Chapter 15 ADR -and- Looping
- Getting the Lips to Flap in Sync--
- Chapter 16 FOLEY : The Art of Footsteps, Props and Cloth Movement--
- Chapter 17 Nonlinear
- the Digital Workstation--
- Chapter 18 The Music Composer
- Audio Collaboration or Mud and Destruction--
- Chapter 19 The Rerecording Stage
- Predubbing and the Final Mix--
- Chapter 20 5.1
- Audio Restoration and Emerging Audio Technologies--
- Chapter 21 The venerable Nagra IV-S ( analog )--
- Chapter 22 The new recording hot-rod the Nagra V (digital)-- Glossary of Terms.
- (source: Nielsen Book Data)
"Practical Art of Motion Picture Sound" embraces the subject of sound for films. Based on the experience of the author and other top sound craftspeople, this book provides numerous real-life examples and relevant technical data. It also is firmly grounded in practical techniques and it will show you an appreciation of all the processes involved in creating motion picture sound, from how to achieve great sound despite a small budget and less-than-perfect recording conditions to steps you will need to take to create an artful audio experience. This edition is completely revised and expanded, and the most popular sound editing systems, Pro Tools and Final Cut Pro, are covered in-depth. The accompanying new DVD presents demonstration material as well as a large library of sound effects, while numerous charts, illustrations, and photographs help to demonstrate techniques and common industry practices. Among other topics, "Practical Art of Motion Picture Sound, Third Edition" includes: preproduction planning; production tips; sound design; sound editing; ADR and looping; using Pro Tools; using Nagra's analog and digital systems; and custom recording sound effects. It includes an accompanying DVD with an ADR/Looping practice session, video interview with Ray Harryhausen, and more than 1000 photos and charts with audio clips. It is written by an experienced craftsman and professor who brings his experience in the movie biz as well as in front of the classroom to life. It gives a complete overview of film sound, including motion picture protocol, budgeting info, and technical information about recording.
(source: Nielsen Book Data)
- Supplemental links
- Table of contents only
- Publication date
- "Interactive DVD, with an ADR/Looping practice session, video interveiw with Ray Harryhausen, and more then a thousand photos and charts with audio clips".--Cover
- Includes index.
- System requirements: Windows XP; Pentium IV or higher processer; 256 MB RAM for Windows XP; 800 x 600 screen resolution; DVD-ROM drive; Microsoft Windows Media Player 9+ series with MPEG-2 Codec and A3C Codec.
- System requirements: Apple Power Macintosh; Macintosh OS version 10.1 or later; 128 MB of available RAM; 800 x 600 screen resolution.
- 9780240808659 (alk. paper)
- 0240808657 (alk. paper)
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