LEADER 03659cam a2200373 a 4500
008 061222s2007 ncuach b 001 0beng
a| 9780786428748 (softcover : alk. paper)
a| 0786428740 (softcover : alk. paper)
a| DLC c| DLC d| BAKER d| BTCTA d| C#P d| YDXCP
a| ML419.S93 b| C37 2007
a| Carlin, Bob. =| ^A1443384
a| The birth of the banjo : b| Joel Walker Sweeney and early minstrelsy / c| Bob Carlin.
a| Jefferson, N.C. : b| McFarland, c| c2007.
a| ix, 193 p. : b| ill., facsims., ports. ; c| 26 cm.
a| Includes bibliographical references (p. 185-190) and index.
a| African American roots -- The origins of black face minstrelsy -- The birth of a banjoist -- On the road in Great Britain -- Back in the United States : touring with a minstrel band and final days -- The Virginia minstrels and the dawn of the minstrel show -- Ethiopian serenaders : British minstrelsy after Sweeney -- The banjo in Australia -- Minstrel touring in the American south -- P.T. Barnum's black face adventures -- Sweeney's repertoire -- Joel Walker Sweeney and the "invention" of the 5-string banjo -- Sweeney's influence -- Sam Sweeney : war years with J.E.B. Stuart.
a| "A professional banjo player, Joel Sweeney introduced mainstream America to a music (and musical instrument) which had its roots in the transplanted black culture of the southern slave. Beginning with the banjo's introduction to America and Great Britain, the book provides an overview of early banjo music. An appendix contains a performance chronology"--Provided by publisher.
a| Sweeny, J. W. q| (Joel Walker), d| 1813-1860. =| ^A1955392
a| Banjoists z| United States v| Biography. =| ^A1869806
a| Minstrel shows x| History. =| ^A1040008
a| Banjo x| History. =| ^A996514
3| Table of contents only u| http://www.loc.gov/catdir/toc/ecip077/2006102897.html
a| DATE CATALOGED b| 20070615
b| Joel Walker Sweeney was, in essence, the Elvis Presley of the 1840s. A professional banjo player, Sweeney introduced mainstream America to a music (and musical instrument) which had its roots in the transplanted black culture of the southern slave. Sweeney, an Irish-American born midway between Richmond and Lynchburg, Virginia, sampled African American music at a young age. He then added more traditional southern sounds to the music he heard, in essence creating a new musical form. The only avenue available to a professional banjo player was that of traveling minstrelsy shows and it was this route which Sweeney used to bring his music to the attention of the public. Beginning with the banjo's introduction to America and Great Britain, the book provides an overview of early banjo music. The volume then discusses the evolution of American minstrelsy (i.e., black face) and the opportunities it provided for artists such as Sweeney. Correcting previous fallacies and misconceptions (such as Sweeney's supposed development of the five-string banjo), the work discusses Sweeney's roots, his music and his contribution to the physical development of the instrument. An appendix contains a performance chronology. The work is also indexed. 1| Nielsen x| 9780786428748 x| 20160528
a| exclude from BorrowDirect b| HathiTrust ETAS
a| ML419 .S93 C37 2007 w| LC c| 1 i| 36105123243763 d| 12/7/2015 e| 12/3/2015 l| STACKS m| SAL3 n| 2 r| Y s| Y t| STKS-MONO u| 6/8/2007 z| DIGI-SCAN