Edin Vélez papers and videos, 1970-1994
- Physical description
- 6 linear feet
Finding aidOnline Archive of California
All items must be viewed on site
Request items at least 2 days before you visit to allow retrieval from off-site storage. You can request at most 5 items per day.
|M0933 SERIES 2 BOX 2||In-library use|
|M0933 SERIES 2 BOX 3||In-library use|
|M0933 SERIES 2 BOX 4||In-library use|
|M0933 SERIES 2 BOX 5||In-library use|
|M0933 SERIES 2 BOX 6||In-library use|
|M0933 SERIES 2 BOX 7||In-library use|
|M0933 SERIES 2 BOX 10||In-library use|
- Velez, Edin.
- Finding aid
- Finding aid available online
- Correspondence, scripts, business papers, original artwork, and production stills related to videos. Twenty completed video works, nearly half of which are out of distribution, 51 hours of video documentation including "Behind the Scenes," a 19-hour documentary of the production process for two key works: A MOSQUE IN TIME and MEMORY OF FIRE, and a 32-hour documentary of Japanese Butoh dance, and last, video copies of television interviews with Vélez for Spanish, Argentinian, and Japanese television.
- Earliest date
- Latest date
- Open for research; material must be requested at least 36 hours in advance of intended use.
- Video materials may need to be duplicated before being used.
- Purchased, 1997.
- A pioneer in video art, Vélez, together with Gary Hill and Bill Viola, was at the forefront of the generation that established video as an art form in the 1970s. Educated at the University of Puerto Rico, where he was influenced by Marshal McLuhan, Vélez subsequently moved to New York where he studied at Global Village. Vélez has been credited with the development of "a new transequential language of representation," in which multiple scenes are superimposed and juxtaposed within the frame. In this respect, Vélez's production notes on his video pieces provide a unique and invaluable resource on how he was able to make these advances using analog formats -- nearly a decade before digital formats made layered imagery a standard practice in video production. In his numerous videos, Vélez has explored other cultures -- from the Cuna Indians of Panama to the Butoh dancers of Japan -- using his unique video aesthetic and language to explore intercultural dialogue and self-reflexive ethnography. Above all, Vélez's videos attest to the impossibility of a one-to-one translation across cultural boundaries. (Extracted from notes by Chon Noriega, Dept. of Film and Television, UCLA)
- Cumulative index or finding aid
- Unpublished guide available.
- Included Work
- Behind the scenes
- Meaning of the interval
- Dance of Darkness
- The Date
- A Mosque in time
- La Fura dels baus
- On the road to Atitlan
- Mother Mallard's portable masterpiece company
- Tule, the Cuna Indians of San Blas
- Meta Mayan
- Meta Mayan II
- As is
- Oblique strategist
- Oblique strategist too
- Memory of fire
- Dance of darkness
Browse related items
Start at call number: