Woven fabric structure design and product planning

Responsibility
J. Hayavadana.
Publication
Boca Raton : CRC Press, [2015]
Copyright notice
©2015
Physical description
1 online resource : text file, PDF
Series
Woodhead Publishing India in textiles.
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Description

Creators/Contributors

Author/Creator
Hayavadana, J., author.

Contents/Summary

Bibliography
Includes bibliographical references and index.
Contents
  • Dedication
  • Preface
  • Introduction to fabric structure
  • The process of fabric formation
  • Important parts of loom
  • Heald shafts
  • Sley or lay
  • Shuttle
  • Shuttle box
  • Picker
  • Reed
  • Warp beam
  • Back beam
  • Breast beam
  • Cloth beam
  • Passage of warp through loom
  • General features of fabric
  • Group I: Classification with respect tothreads per unit area
  • Group II: Classification with respect to weave
  • Elements of fabric
  • Body vs selvedge
  • Face vs back
  • Warp and weft
  • Width and weight
  • Expression of weight
  • Weave
  • Threads/unit area (reed pick) and cover
  • Yarn crimp (woven fabric)
  • Fabric shrinkage
  • Method of notation of structure or design
  • Weave repeat
  • Selection of reed and its importance
  • Elements of fabric structure
  • Design or interlacement fashion (discussion iswith respect to weaving only)
  • Draft or drawing plan or drawing in draft
  • Lifting plan or peg plan
  • Type of relation among elements of fabric structure
  • Construction of elements of fabric structure
  • Construction of draft from design
  • Notation for draft calculation of numberof heald shafts and methods of draft indication
  • Construction of design from draft and peg plan
  • Construction of peg plan from design and draft (Fig. 1.10)
  • Construction of draft from design and peg plan
  • Types of draft in weaving
  • Straight draft
  • Point draft
  • Skip draft
  • Broken draft
  • Sateen draft
  • Divided draft
  • Grouped draft
  • Curved drafts
  • Combined draft
  • Practical aspects of fabric designing
  • Illustrative example for calculations in weaving
  • Exercises for students
  • Multiple choice questions-- select the correct answer
  • Write answers to the following in 2 or 3 sentences
  • Essay type questions-- write answers to the following
  • References
  • Classification of weaves and study of plain weave
  • Characteristics of weaves
  • Classification of weaves
  • Classification of single-layered fabrics
  • Rib and cord effects in plain weave(without weave modification)
  • Modifications of plain weave
  • Necessity
  • Modification of plain in warp way - warp rib[Figs. 2.1(a)-(f)]
  • Weaving arrangement
  • Applications of warp rib
  • Commercial significance of ribs production
  • Production of weft rib or moreen[Figs. 2.2(a)-(d')]
  • Hair cords
  • Matt, hopsack or basket weaves and fabrics
  • Modification of matt: fancy matt and stitchedhopsack (Figs. 2.4-2.7)
  • Poplin and repp fabrics
  • Figured repps
  • Classification of plain cloths
  • Basis of classification of plain cloths
  • Based on construction
  • Based on weight
  • Based on cover factor
  • Based on weight factor
  • Approximately square plain cloths
  • Light-weight square plain cloths
  • Cotton dairy cloth
  • Cotton cheesecloth
  • Cotton cloth for electrical insulation
  • Cotton tracing cloth
  • Cotton filter cloth
  • Cotton typewriter ribbon fabric
  • Bleached linen cambric
  • Spun viscose dress fabric
  • Filament nylon blouse andlingerie fabric
  • Filament nylon overall fabric
  • Medium-weight square plain cloths
  • Cotton sheeting
  • Heavy-weight square plain fabrics
  • Light-weight cotton duck
  • Heavy-weight cotton duck
  • Thorn-proof tweed
  • Warp-faced plain cloths
  • Terylene shirting
  • Acetate dress poult
  • Cotton poplin
  • Cotton canvas for sports shoes
  • Cotton canvas for conveyor belts
  • Weft-faced plain cloth
  • Cotton limbric
  • Cotton casement cloth
  • Cotton-mohair lining fabric
  • Voile fabrics
  • Twill weaves and their modification
  • Twill weaves
  • Principle of construction
  • Characteristics of twill weaves
  • Classification or types of twills
  • Balanced and unbalanced twills
  • Construction of right hand (z) andleft hand (s) twills
  • Stage-by-stage construction of twills
  • Effect of change in footing
  • Angle of a twill
  • Modification of twill weaves
  • Rearranged twills on sateen base
  • Transposed twills
  • Combined twills
  • End-to-end combined twills
  • Weaving arrangement
  • Pick-to-pick combination
  • Steep and flat twills
  • Pointed or wavy or zigzag twills
  • Weaving arrangements
  • Herringbone twills
  • Diamonds and diaper twills
  • Weaving arrangement
  • Broken twills
  • Skip twills
  • Special twill from plain derivatives
  • Twist-twill interaction (emphasizing a twill)
  • Commercial twills [Figs. 3.18(a)-(e)]
  • Three-end twills
  • Four-end twills
  • Five-end twill
  • Exercises for students
  • Sateen and satin weaves
  • Introduction and characteristics
  • Types of sateen
  • Construction of sateen
  • Examples on weft sateen
  • Construction of warp satin weaves
  • Draft and peg plan for sateens or satins
  • Modification of sateen
  • Satin stripes
  • Satin checks
  • Colour-and-weave effects
  • Principles of colour-and-weave effects
  • Examples on colour and weave effect
  • Development of coloured stripe forplain with 1:1 colouring
  • Development of patterns with compoundcolouring
  • Development of dogstooth and houndstooth
  • Stepped twill
  • Birds eye view
  • Stripe and check effect
  • Glen checks
  • Exercises
  • I. Choose the correct answer from the alternatives given
  • II. Answer the following questions
  • Huck-a-back weaves
  • Scope of huck-a-back weaves
  • Characteristics of huck-a-back toweling fabrics (requirements of water absorption)
  • Systematic construction of huck-a-back weave
  • Point paper representation [Figs. 6.1(a)-(j)]
  • Modification of ordinary huck-a-back
  • Weaving arrangements
  • Beaming, counts of yarns and typeof loom
  • Drawing and denting arrangements
  • Research studies on huck-a-back weave
  • Honeycomb weaves
  • Features of honeycomb
  • How it absorbs water?
  • Classification of HC
  • Construction of ordinary HC
  • Simple ordinary HC (OHC)
  • Ends leaded HC [Figs. 6.2(d)and (dc)]
  • Picks leaded HC [Figs. 6.2(e)and (ec)]
  • Straight drafted HC
  • Brighton HC
  • Why honeycomb is called athree-dimensional structure?
  • Ornamentation in HC
  • Distinction between OHC and BHC
  • Reference
  • Mock leno and distorted effects
  • Scope
  • Counts of yarn
  • Construction of design for perforated fabrics(principle of turn down)
  • How exactly the openness is produced(weaving
  • rrangement) [Figs. 7.1(d) and (e)]
  • Ornamentation of mock leno
  • Distorted thread effect
  • Exercise
  • Answer the following questions in not more than six sentences
  • Crepe surface and crepe weaves (Oatmeal)
  • Construction of crepe weaves
  • On staeen base [Figs. 8.1(a) and (b)]
  • By reversing small tufts (principle of turn down)
  • By superimposing
  • By combining a plain weave with a floating weave
  • Production of crepe yarns
  • Control of crepe figure
  • Dimensional stability
  • Examples of crepe fabrics
  • Bedford cords and piques
  • Scope
  • RTP
  • Warp way
  • Weft way
  • Classification of bedford cords
  • Simple or plain-faced bedford cords[Figs. 9.1(a)-(e)]
  • Bedford cord with alternate picks
  • Wadded bedford cords
  • Wadding ends and their arrangementin weaving
  • Twill-faced bedford cords [Figs. 9.1(i)-(k)]
  • Denting
  • Drafting
  • Welts or piques
  • Types of threads and their arrangement (RTP)
  • Classification of piques
  • Simple or plain pique(single face or groundand cutting picks)
  • Loose back and fast back piques
  • Wadded and backed pique
  • How exactly the wadding picks are madeto lie at centre [Figs. 9.2(e) and (e')]
  • Waved piques
  • Weaving arrangements for piques
  • Denting
  • Drafting
  • Loom equipment
  • Distinction between bedford cords and piques
  • Exercises
  • Answer the following questions in two to four sentences
  • Ornamentation of fabrics
  • What is meant by ornamentation?
  • Principles of ornamentation
  • Approaches for ornamentation of plain cloths
  • Use of colour
  • Use of fibres varying in geometry and substrate
  • By varying twist
  • By Varying count, sett and twist
  • Cockled, blistered and seersucker effects
  • Tension differences: seersucker
  • Differential shrinkage
  • Special finishes
  • Index.
  • (source: Nielsen Book Data)
  • Dedication. Preface. Introduction to fabric structure. Classification of weaves and study of plain weave. Twill weaves and their modification. Sateen and satin weaves. Colour-and-weave effects. Huck-a-back weaves. Mock leno and distorted effects. Crepe surface and crepe weaves (Oatmeal). Bedford cords and piques. Ornamentation of fabrics. Index.
  • (source: Nielsen Book Data)
Publisher's summary
The book deals with the structural details of the woven fabric which has glimpses of primary, secondary, and tertiary weaves. The book has a number of examples on each topic and a few chapters have been given with objective type of questions.
(source: Nielsen Book Data)

Bibliographic information

Publication date
2015
Copyright date
2015
Series
Woodhead Publishing India in textiles
ISBN
9789380308975 (electronic bk.)
9380308973 (electronic bk.)
9380308248
9789380308241
DOI
10.1201/b18876

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