Rome 1600 : the city and the visual arts under Clement VIII
- Clare Robertson.
- New Haven : Yale University Press, 
- Copyright notice
- Physical description
- ix, 449 pages : illustrations (some color), maps (some color) ; 29 cm
- Robertson, Clare, author.
- Includes bibliographical references (pages 402-435) and index.
- Clement VIII and Aldobrandini Patronage
- The Cardinal Nephew : Pietro Aldobrandini
- Palaces, Villas and Gardens
- Churches and Chapels
- Lives of the Artists
- 1. Pietro Aldobrandini's Collection of Copied Paintings and Antique Sculpture in 1603
- 2. The Palaces of Rome during the Reign of Clement VIII, with an Index
- 3. The Household of Cardinal Pietro Aldobrandini, January 1610.
In 1600 Rome was the center of the artistic world. This fascinating book offers a new look at the art and architecture of the great Baroque city at this time of major innovation-especially in painting, largely owing to the presence of Annibale Carracci (1560-1609) and Caravaggio (1571-1610). Rome was a magnet for artists and architects from all over Europe; they came to study the remains of antiquity and the works of Michelangelo, Raphael, and Bramante. The sheer variety of artists working in the city ensured a diversity of styles and innovative cross-influences. Moreover, 1600 was a Jubilee year, offering numerous opportunities for artistic patronage, whether in major projects like St. Peter's, or in lesser schemes such as the restoration of older churches. Clare Robertson examines these developments as well as the patronage of the pope and of major Roman families, drawing on a range of contemporary sources and images to reconstruct a snapshot of Rome at this thrilling time.
(source: Nielsen Book Data)
- Publication date
- Copyright date
- 9780300215298 (hardback)
- 0300215290 (hardback)
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