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92 catalog results

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1. Neural synthesis, nos. 6-9 [electronic resource] [1993]

Description
Music recording — 1 online resource.
Summary
  • Neural synthesis no. 6 (31:40)
  • Neural systhesis no. 7 (31:34)
  • Neural synthesis no 8 (31:47)
  • Neural ysnthesis no. 9 (32:04)
Online

2. Neural synthesis, nos. 6-9 [sound recording] [1993]

Description
Music recording — 2 sound discs : digital, stereo. ; 4 3/4 in.
Summary
  • Neural synthesis no. 6 (31:40)
  • Neural synthesis no. 7 (31:34)
  • Neural synthesis no. 8 (31:47)
  • Neural ysnthesis no. 9 (32:04).
Online
Music Library

3. Rainforest--version I [electronic resource] : Sliding pitches in the rainforest in the field [2008]

Description
Music recording — 1 online resource.
Online

4. Live electronic music [sound recording] [2004]

Description
Music recording — 1 sound disc : digital ; 4 3/4 in.
Summary
  • Anima Pepsi (23:37)
  • Toneburst (17:58)
  • Dialects (28:37).
Online
Music Library

5. Three works for live electronics [electronic resource] [2008]

Description
Music recording — 1 online resource.
Summary
  • Pulsers (20:26)
  • Untitled (19:37)
  • Phonemes (31:55)
Online

6. Rainforest [1990]

Description
Music recording — 1 online resource (1 sound file) Sound: digital. Digital: audio file.
Summary
  • Rainforest I (21:50)
  • Rainforest IV (51:53).
Online

7. Three works for live electronics [sound recording] [1996]

Description
Music recording — 1 sound disc (72 min.) : digital ; 4 3/4 in.
Summary
  • Pulsers (20:26)
  • Untitled (19:37)
  • Phonemes (31:55).
Online
Music Library

8. Pulsers [sound recording] ; Untitled [1984]

Description
Music recording — 1 sound disc (41 min.) : analog, 33 1/3 rpm, stereo. ; 12 in.
Summary
  • Pulsers
  • Untitled.
Online
Archive of Recorded Sound

9. David Tudor & Gordon Mumma [electronic resource]. [1969]

Description
Music recording — 1 online resource.
Summary
  • Rainforest : performance with the Merce Cunningham Dance Company / David Tudor (20:10)
  • Very small size mograph 1962 : two pianos (:26) ; Small size mograph 1964 : piano four-hands (2:09) ; Gestures II. Section X ; Section 7 : two pianos (1960-1961) (2:00) ; Medium size mograph 1964 : two pianos (6:04) ; Very small size mograph 1963 : piano four-hands (:15) ; Very small size mograph 1962 : four pianos, four-hands (:27) / Gordon Mumma
  • Rainforest : first concert performance / David Tudor (41:35)
  • Song without words : in memoriam David Tudor : solo piano (1996) / Gordon Mumma (3:06)
Online

10. David Tudor & Gordon Mumma [sound recording]. [1969]

Description
Music recording — 1 sound disc : digital ; 4 3/4 in.
Summary
  • Rainforest : performance with the Merce Cunningham Dance Company / David Tudor (20:10)
  • Very small size mograph 1962 : two pianos (:26) ; Small size mograph 1964 : piano four-hands (2:09) ; Gestures II. Section X ; Section 7 : two pianos (1960-1961) (2:00) ; Medium size mograph 1964 : two pianos (6:04) ; Very small size mograph 1963 : piano four-hands (:15) ; Very small size mograph 1962 : four pianos, four-hands (:27) / Gordon Mumma
  • Rainforest : first concert performance / David Tudor (41:35)
  • Song without words : in memoriam David Tudor : solo piano (1996) / Gordon Mumma (3:06).
Online
Music Library

11. Rainforest II [electronic resource] [1972]

Description
Music recording — 1 online resource.
Online

12. David Tudor [videorecording] : Bandoneon ! (a combine) [2009]

  • Tudor, David, 1926-1996.
  • [New York] : E.A.T. and ARTPIX ; [San Francisco] : distributed by Microcinema International, c2009.
Description
Video — 1 videodisc (39 min.) : sd., b&w ; 4 3/4 in.
Summary
The third in a series of dance, music and theater performances from 1966, involving engineers and scientists from Bell Telephone Laboratories. An archival video that reconstructs the performance of John Cage's Variations VII and uses interviews with the artists, engineers and performers.
Online
Art & Architecture Library (Bowes), Media & Microtext Center

13. Music for piano [sound recording] [1956]

Description
Music recording — 2 sound discs : digital ; 4 3/4 in.
Summary
  • Disc 1. Music for piano no. 27 (7:40) ; Music for piano no. 22, 21,26, 36 (8:37) ; Music for piano no. 27, 21, 32, 36 (10:08) ; Variations I (2:08) / John Cage ; Duo for pianists I / Christian Wolff (4:04 ; 4:06) ; Piano piece for David Tudor III / Sylvano Bussotti (7:16) ; Winter music / John Cage (5:01) ; Piece for four pianos / Morton Feldman (7:30)
  • Disc 2. Variations II ; Music for piano no. 27, 21,32, 35, 36 (12:21) ; Music for piano no. 21, 22, 26, 29, 34, 36 (13:10) / John Cage ; Duo for pianists I / Christian Wolff (10:13) ; David Tudor O-Ton : Interview-Ausschnitt John Cage und David Tudor im Gespräch mit Mogens Andersen.
Online
Music Library

14. Music of changes [2014]

  • Cage, John, composer.
  • [Place of publication not identified] : Hat Hut Records, [2014?]
Description
Music recording — 1 online resource (1 sound file) Sound: digital. Digital: audio file.
Online

15. Indeterminacy [electronic resource] : New aspect of form in instrumental and electronic music : Ninety stories with music [1959]

  • Cage, John.
  • Washington, D.C. : Smithsonian/Folkways, p1992.
Description
Music recording — 1 online resource (91 min.)
Online

16. Variations IV [sound recording] [1966 - 1968]

Description
Music recording — 2 sound discs : analog, 33 1/3 rpm, stereo. ; 12 in.
Summary
  • Introduction
  • Arrivals (U PM to 8 PM)
  • Small talk (8 PM to 9 PM)
  • After 3 martinis (9 PM to 10 PM)
  • Departures (10 PM to 11 PM)
  • v. 2. Introduction. Part I. Part II.
Online
Archive of Recorded Sound

17. Five piano pieces for David Tudor [1959]

Description
Music score — [3] p., 4 l. 35cm.
Online
Music Library

18. John Cage and David Tudor : correspondence on interpretation and performance [2013]

Description
Book — 1 online resource Digital: data file.
Summary
  • 1. The music of chance
  • 2. Correspondence, 1951-3
  • 3. Determining the determinate
  • 4. Determining the indeterminate
  • 5. Correspondence, 1958-62
  • 6. (In)determining the indeterminate
  • 7. Correspondence, 1965-89
  • 8. 'Late' realizations
  • 9. Praxis and poiesis in indeterminate music.
  • (source: Nielsen Book Data)
John Cage is best known for his indeterminate music, which leaves a significant level of creative decision-making in the hands of the performer. But how much licence did Cage allow? Martin Iddon's book is the first volume to collect the complete extant correspondence between the composer and pianist David Tudor, one of Cage's most provocative and significant musical collaborators. The book presents their partnership from working together in New York in the early 1950s, through periods on tour in Europe, until the late stages of their work from the 1960s onwards, carried out almost exclusively within the frame of the Merce Cunningham Dance Company. Tackling the question of how much creative flexibility Tudor was granted, Iddon includes detailed examples of the ways in which Tudor realised Cage's work, especially focusing on Music of Changes to Variations II, to show how composer and pianist influenced one another's methods and styles.
(source: Nielsen Book Data)
Online

19. John Cage and David Tudor : correspondence on interpretation and performance [2013]

Description
Book — 1 online resource Digital: data file.
Summary
  • 1. The music of chance
  • 2. Correspondence, 1951-3
  • 3. Determining the determinate
  • 4. Determining the indeterminate
  • 5. Correspondence, 1958-62
  • 6. (In)determining the indeterminate
  • 7. Correspondence, 1965-89
  • 8. 'Late' realizations
  • 9. Praxis and poiesis in indeterminate music.
  • (source: Nielsen Book Data)
John Cage is best known for his indeterminate music, which leaves a significant level of creative decision-making in the hands of the performer. But how much licence did Cage allow? Martin Iddon's book is the first volume to collect the complete extant correspondence between the composer and pianist David Tudor, one of Cage's most provocative and significant musical collaborators. The book presents their partnership from working together in New York in the early 1950s, through periods on tour in Europe, until the late stages of their work from the 1960s onwards, carried out almost exclusively within the frame of the Merce Cunningham Dance Company. Tackling the question of how much creative flexibility Tudor was granted, Iddon includes detailed examples of the ways in which Tudor realised Cage's work, especially focusing on Music of Changes to Variations II, to show how composer and pianist influenced one another's methods and styles.
(source: Nielsen Book Data)
Online

20. Indeterminacy: new aspect of form in instrumental and electronic music [1960 ... 1969]

  • Folkways Records. 196-.
Description
Music recording — 4s. 12in. 33.3rpm
Online
SAL3 (off-campus storage)

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