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The must-read, pocket-sized Big Think book of 2020 It feels like the world is falling apart. So how do we keep hold of our optimism? How do we nurture the parts of ourselves that hope, trust and believe in something better? And how can we stay sane in this world of division? In this beautifully written and illuminating polemic, Booker Prize nominee Elif Shafak reflects on our age of pessimism, when emotions guide and misguide our politics, and misinformation and fear are the norm. A tender, uplifting plea for optimism, Shafak draws on her own memories and delves into the power of stories to reveal how writing can nurture democracy, tolerance and progress. And in the process, she answers one of the most urgent questions of our time.
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Translation of Elif Shafak's Turkish novel, The Forty Rules of Love

Set across Istanbul and Oxford, from the 1980s to the present day, Three Daughters of Eve is a sweeping tale of faith and friendship, tradition and modernity, love and an unexpected betrayal. Peri, a wealthy Turkish housewife and mother, is on her way to a dinner party at a seaside mansion in Istanbul when a beggar snatches her handbag. As she wrestles to get it back, a photograph falls to the ground - an old polaroid of three young women and their university professor. A relic from a past - and a love Peri had tried desperately to forget. The photograph takes Peri back to Oxford University, as nineteen year old sent abroad for the first time. To her dazzling, rebellious Professor and his life-changing course on God. To the house she shares with her two best friends, Shirin and Mona, and their arguments about identity, Islam and feminism. And finally, to the scandal that tore them all apart. Shirin, Peri and Mona, they were the most unlikely of friends. They were the Sinner, the Believer and the Confused.
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'There were six of us: the master, the apprentices and the white elephant. We built everything together...' Sixteenth century Istanbul: a stowaway arrives in the city bearing an extraordinary gift for the Sultan. The boy is utterly alone in a foreign land, with no wordly possessions to his name except Chota, a rare and valuable white elephant destined for the palace menagerie. So begins an epic adventure that will see young Jahan rise from lowly origins to the highest ranks of the Sultan's court. Along the way he will meet deceitful courtiers and false friends, gypsies, animal tamers, and the beautiful, mischievous Princess Mihrimah. He will journey on Chota's back to the furthest corners of the Sultan's kingdom and back again. And one day he will catch the eye of the royal architect, Sinan, a chance encounter destined to change Jahan's fortunes forever. Filled with the scents, sounds and sights of the Ottoman Empire, when Istanbul was the teeming centre of civilisation, The Architect's Apprentice is a magical, sweeping tale of one boy and his elephant caught up in a world of wonder and danger.
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When Jahan travels to 16th-century Istanbul as a stowaway carrying the gift of a white elephant for the sultan, little does he know the journey on which he is about to embark. As he settles into life in Istanbul, Jahan's fortunes are shaped by chance encounters. In the palace gardens he meets Mihrimah, the beautiful and mischievous princess, and loses his heart in an instant. Later he catches the eye of Grand Architect Sinan, who chooses Jahan as his apprentice and changes the young boy's destiny for ever. Full of magic, colour and societal upheaval in the architectural renaissance of Turkey, this is the sweeping tale of plagues, wars, forbidden romance and the simple love between a boy and his elephant.
(source: Nielsen Book Data)

Translation of Turkish novel Iskender by Elif Shafak.

From the Orange Prize long-listed and award-winning author of The Forty Rules of Love and The Bastard of Istanbul Elif Shafak, Honour is a novel of love, betrayal and clash of cultures. 'My mother died twice. I promised myself I would not let her story be forgotten.' And so begins the story of Esma a young Kurdish woman in London trying to come to terms with the terrible murder her brother has committed. Esma tells the story of her family stretching back three generations; back to her grandmother and the births of her mother and Aunt in a village on the edge of the Euphrates. Named Pembe and Jamila, meaning Pink and Beautiful rather than the names their mother wanted to call them, Destiny and Enough, the twin girls have very different futures ahead of them all of which will end in tragedy on a street in East London in 1978. A powerful, brilliant and moving account of murder, love and family set in a Kurdish village, Istanbul and London. "Vivid storytelling ...that explores the darkest aspects of faith and love". (Sunday Telegraph). "A gorgeous, jewelled, luxurious book". (The Times). "Rich and wide as the Euphrates river along whose banks it begins and ends, Elif Shafak has woven with masterful care and compassion one immigrant family's heartbreaking story - a story nurtured in the terrible silences between men and women trying to grow within ancient ways, all the while growing past them. I loved this book". (Sarah Blake, author of The Postmistress). "A powerful book; thoughtful, provoking and compassionate". (Joanne Harris, author of Chocolat). Elif Shafak is the acclaimed author of The Bastard of Istanbul and The Forty Rules of Love and is the most widely read female novelist in Turkey. Her work has been translated into more than thirty languages. She is a contributor for The Telegraph, Guardian and the New York Times and her TED talk on the politics of fiction has received 500 000 viewers since July 2010. She is married with two children and divides her time between Istanbul and London.
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An acclaimed Turkish novelist's personal account of balancing a writer's life with a mother's life. After the birth of her first child in 2006, Turkish writer Elif Shafek suffered from postpartum depression that triggered a profound personal crisis. Infused with guilt, anxiety, and bewilderment about whether she could ever be a good mother, Shafak stopped writing and lost her faith in words altogether. In this elegantly written memoir, she retraces her journey from free-spirited, nomadic artist to dedicated by emotionally wrought mother. Identifying a constantly bickering harem of women who live inside of her, each with her own characteristics-the cynical intellectual, the goal-oriented go-getter, the practical-rational, the spiritual, the maternal, and the lustful-she craves harmony, or at least a unifying identity. As she intersperses her own experience with the lives of prominent authors such as Sylvia Plath, Virginia Woolf, Alice Walker, Ayn Rand, and Zelda Fitzgerald, Shafak looks for a solution to the inherent conflict between artistic creation and responsible parenting. With searing emotional honesty and an incisive examination of cultural mores within patriarchal societies, Shafak has rendered an important work about literature, motherhood, and spiritual well-being.
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Listen to Elif Shafak's "The Forty Rules of Love" reviewed on NPR In this lyrical, exuberant follow-up to her 2007 novel, "The Bastard of Istanbul, " acclaimed Turkish author Elif Shafak unfolds two tantalizing parallel narratives--one contemporary and the other set in the thirteenth century, when Rumi encountered his spiritual mentor, the whirling dervish known as Shams of Tabriz--that together incarnate the poet's timeless message of love. Ella Rubenstein is forty years old and unhappily married when she takes a job as a reader for a literary agent. Her first assignment is to read and report on "Sweet Blasphemy, " a novel written by a man named Aziz Zahara. Ella is mesmerized by his tale of Shams's search for Rumi and the dervish's role in transforming the successful but unhappy cleric into a committed mystic, passionate poet, and advocate of love. She is also taken with Shams's lessons, or rules, that offer insight into an ancient philosophy based on the unity of all people and religions, and the presence of love in each and every one of us. As she reads on, she realizes that Rumi's story mir-rors her own and that Zahara--like Shams--has come to set her free.
(source: Nielsen Book Data)