Contents: Introduction: music, material culture and archaeologies-- Sarah Records (1987-1995) and the everyday-- Ghost Box Records (2004-): materiality, technological mediation and the birth of ghosts-- From collecting to curating and reissuing the recorded past: Finders Keepers (2004-) and reissue record labels-- YouTube archivists, e-collectors and digital flaneurs: the internet and the future of phonography-- Conclusion: the afterlife of music objects-- Select bibliography-- Index.
(source: Nielsen Book Data)
Media, Materiality and Memory: Grounding the Groove examines the entwinement of material music objects, technology and memory in relation to a range of independent record labels, including Sarah Records, Ghost Box and Finders Keepers. Moving from Edison's phonograph to digital music files, from record collections to online archives, Roy argues that materiality plays a crucial role in constructing and understanding the territory of recorded sound. With its innovative theoretical approach, the book explores the implications of materialisation in the fashioning of a musical world and its cultural transmission. A substantial contribution to the field of music and material culture studies, Media, Materiality and Memory also provides a nuanced and timely reflection on nostalgia and forgetting in the digital age. (source: Nielsen Book Data)