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• Poétique
• L'image dans la poésie de Pasternak
• "Il Tratto di Apelle", manifeste littéraire du modernisme russe
• L'instant et le temps dans la poésie de Pasternak
• [L'humour dans la poésie de Pasternak]
• [Trois poèmes "futuriens" de Boris Pasternak]
• [Le poète et la philosophie]
• Le héros pasternakien
• The Legend of the Poet and the Image of the Actor in the Short Stories of Pasternak
• Le "héros métonyme", ou les débuts de Pasternak romancier
• Prose et poésie
• "Écrire avec les pieds..." (sur la prose de Pasternak)
• Pasternak et son temps
• [Une clef pour Sauf-conduit]
• L'image de la Révolution de 1905
• Pasternak et la Révolution française
• Pasternak et la révolution
• L'antimodernisme de Pasternak
• La réception du Docteur Jivago en France et dans le monde francophone]
• Pasternak et les autres
• Balzac
• Proust
• Le Pouchkine de Pasternak
• Pasternak, témoin de l'actualité de Tolstoï
• Akhmatova
• [Le poète et le critique : Boris Pasternak et Wladimir Weidle]
• Les deux Pasternak : le peintre et le poète
• Travaux de Michel Aucouturier sur Pasternak
• Principales éditions citées.

"Si Boris Pasternak (1890-1960) est bien connu du public francophone, grâce à plusieurs monographies et à un important travail de traduction, son oeuvre proprement dite n'a jamais fait l'objet en France d'un ouvrage spécifique. C'est cette lacune que vient combler ce recueil de Michel Aucouturier. Réunissant pour la première fois vingt-trois articles, écrits entre 1961 et 2012, le livre aborde successivement la poétique de Pasternak, la spécificité du héros pasternakien, l'inscription du poète dans l'époque, l'étude de ses rapports avec la littérature française et russe (Balzac, Proust, Pouchkine, Tolstoï, Akhmatova)."--Page 4 of cover.

• The character of philosophical influence in Pasternak's early prose
• Similarity and contiguity in Pasternak's early poetics and their philosophical underpinnings
• Arguing with the sun in "The mark of Apelles"
• "Letters from Tula" : "Was ist Apperzeption?"
• Contextualizing the intellectual aims of 1918 : from "Letters from Tula" to The childhood of Luvers
• "The long days" in The childhood of Luvers : chronology of a permeable self
• "Stranger" in The childhood of Luvers : disruptions in chronology and the collision with other worlds
• Pasternak's symbolic world : prose and philosophy.

• Il dottor Živago come romanzo storico
• Da Ženia Ljuvers a Jurij Živago
• La vita come "conoscenza morale"
• Nella dacia di Pasternak
• "In ogni cosa voglio giungere" / Boris Pasternak ; traduzione di Vittorio Strada.

• General preface to the series
• Foreword
• Abbreviations
• Transcription
• 1. A portrait of the artist
• 2. Music and Marburg
• 3. A commitment to Futurism
• 4. My Sister Life: the summer of 1917
• 5. Poetry under the Soviets: Themes and Variations
• 6. Pasternak and the new Russian prose
• 7. 'From lyrical thinking to the epic'
• 8. Safe Conduct, Rilke and Mayakovsky
• 9. Second Birth and Georgia
• 11. A fresh start in poetry: On Early Trains
• 12. Doctor Zhivago
• 13. The poems of Yury Zhivago
• 14. The final stage: An Essay in Autobiography: When the Weather Clears: The Blind Beauty
• 15. The place of Pasternak
• Notes
• Chronological table
• Select bibliography
• Index.
• (source: Nielsen Book Data)

An attempt to interpret and appraise the work of Boris Pasternak as lyrical and narrative poet, writer of prose fiction, and verse translator (notably from Shakespeare). Pasternak belonged to an unusually gifted generation of Russian poets who began writing in the years that preceded the First World War and the Russian revolution of 1917. Henry Gifford discusses Pasternak's choice of vocation, and then examines the poetry and stories of the 1920s and 1930s, his work as translator, his two autobiographies, the novel that brought him world fame and much personal anguish, Doctor Zhivago, his late poems and his unfinished play, The Blind Beauty. Pasternak is seen in relation to his most eminent contemporaries among the Russian poets, and to the common crisis they had to face. All the poetry quoted in Russian has a plain prose translation. This critical study is not intended only for the specialist student of Russian literature: it should have an appeal for all readers who are concerned about the survival of poetry in the present age.
(source: Nielsen Book Data)