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Book
vi, 492 p., [16] p. of plates : ill. ; 23 cm.
Drawing equally from Viennese operetta, Parisian cabaret, vaudeville, and Tin Pan Alley, the American musical theatre has thrived in an unprecedented variety of forms and styles as our truest hybrid art. From Show Boat and Oklahoma! to West Side Story, Fiddler on the Roof, and A Chorus Line, the musical has attracted our finest actors, composers, writers, directors, and choreographers. The greats and near-greats are finally brought together in this essential reference guide to over 2,000 personalities, productions, and songs of the musical theatre in both New York and London from the late nineteenth century right up to Sweeney Todd and Evita. Scholars, professionals, critics, and devoted fans alike will find a wealth of fascinating information on the backgrounds, plots, casts, scores, and credits of the leading musicals; biographies of their artists; and complete lists of Broadway, off-Broadway, and London productions, long runs, and awards. With a complete bibliography and discography.
(source: Nielsen Book Data)
Music Library
Book
336 p. : ill. ; 24 cm.
  • Z comme zarzuela -- Zarzuela, style et genre de la -- Zarzuela, petit historique de la -- Zarzuela, chronologie de la -- Zarzuela, bonne recette de -- Voix -- Vives, Amadeo -- Villana, La -- Viento es la dicha de Amor -- Viejecita, La -- Vert, Juan -- Verbena de la Paloma, La -- Valverde, Quinito -- Valverde, Joaquin -- Usandizaga, José Maria -- Turina, Joaquin -- Trio Albéniz-Granados-Falla, le -- Trilogie de Madrid -- Toros -- Tonadilla -- Théâtres -- Tempranica, La -- Teatro por boras -- Teatro de la Zarzuela -- Soutullo, Reveriano -- Sorozâbal, Pablo -- Soriano Fuertes, Mariano -- Séville -- Serrano, José -- Salir el amor del mundo -- Saldoni, Baltasar -- Saint-Sens, Camille -- Rodriguez de Hita, Antonio -- Rodrigo, Joaquin -- Revoltosa, La -- Penella, Manuel -- Pedrell, Felipe -- Pan y toros -- Padilla, José -- Oudrid, Cristébal -- Opéra espagnol -- Nuits et minuit -- Nietzsche, Friedrich -- Nieto, Manuel -- Nebra, José de -- Moreno-Buendia, Manuel -- Moreno Torroba, Federico -- Millân, Rafael -- Melodrama et mel6logo -- Marqués, Miguel -- Marina -- Madrid -- Luna, Pablo -- Luisa Fernanda -- Lépez Torregrosa, Tomâs -- Lleé, Vicente -- Livrets et librettistes -- Literes, Antonio -- Leyenda del beso, La -- Labradoras de Murcia, Las -- Jùpiter y Semele -- Italiens de la zarzuela, les -- Inzenga, José -- Hidalgo, Juan -- Hernando, Rafael -- Guridi, Jesils -- Guerrero, Jacinto -- Grande, zarzuela -- Granados, Eduardo -- Gran Via, La -- Golondrinas, Las -- Giménez, Gerônimo -- Genres et sous-genres -- Genovés, Tomâs -- Género chico -- Gaztambide, Joaquin -- Garcia Leoz, Jesùs -- Garcia, Manuel -- Fiesta de San Antôn, La -- Fernândez Caballero, Manuel -- Eterna cancién, La -- Durén, Sebastiân -- Don Gil de Alcal6 -- Dolorosa, La -- Discothèque -- Chueca, Federico -- Chica, zarzuela -- Chapi, Ruperto -- Celos aun del aire matan -- Carnicer, Ramén -- Campo, Conrado del -- Calleja, Rafael -- Bruja, La -- Bretén, Tomâs -- Bibliothèque -- Basili, Basilic -- Baroque, zarzuela -- Barcelone -- Barbieri, Francisco Asenjo -- Arrieta, Emilio -- Amériques et Philippines -- Alonso, Francisco -- AAA.
"Portée par les plus grands chanteurs, de Piler Lorengar à Teresa Berganza, de Plâcido Domingo à Alfredo Kraus, glorifiée par des personnalités comme Camille Saint-Saëns ou Friedrich Nietzsche, la zarzuela demeure toujours dans nos contrées une belle inconnue. Ce n'est pourtant pas faute d'une longue et florissante carrière, qui parcourt près de quatre siècles, d'une production pléthorique où se chiffrent plus de 20 000 titres dans une facture qui embrasse toutes les formes, et environ 500 compositeurs autant différents par le style que l'ambition... Tout cela illustre la diversité de la zarzuela, comme aussi la difficulté à l'enfermer dans des schémas. Il convenait donc d'offrir enfin aux mélomanes francophones une présentation claire de ce théâtre lyrique intrinsèque à l'Espagne, mais également à l'Amérique hispanique et jusqu'aux Philippines. C'est l'objectif de ce livre, le premier guide pratique en français pour aborder et découvrir l'essentiel de ce versant opératique ibérique, de ce merveilleux conte musical aux mille épisodes, à travers une centaine d'entrées par ordre alphabétique et pris à rebours, comme l'esprit du monde irrévérencieux de la zarzuela avec, au passage, des surprises inédites et un sort fait aux idées reçues. Inclus : plus de 100 entrées illustrées, l'évocation de quelque 500 ouvrages, 200 compositeurs et 40 librettistes, mais aussi le portrait détaillé d'une cinquantaine de musiciens emblématiques, l'analyse de 22 oeuvres-clés, et le choix critique de près de 300 enregistrements."--P. [4] of cover.
Music Library
Book
1045 p. port. 24 cm.
  • Pt. 1. Dictionary of operas and operettas.--Pt. 2. Composers and their operas.--Pt. 3. Libretti.
Music Library, SAL3 (off-campus storage)
Book
308 p. ; 21 cm.
Archive of Recorded Sound
Book
192 p. illus. (part col.), ports. 21 cm.
Music Library
Book
714 p. ; 24 cm.
SAL3 (off-campus storage)
Book
vi, 488 p. ; 24 cm.
SAL3 (off-campus storage)
Book
xix, 529 p. ; 25 cm.
Provides information on almost 1300 musical stage works written and produced from the 1870s to the 1990s and involving contributions by black librettists, lyricists, composers, musicians, producers or performers. Collaborations between black and white talents are also covered.
(source: Nielsen Book Data)9780313266577 20160528
Music Library
Book
7 v. : ill. ; 26 cm.
  • Bd. 1. Werke, Abbatini-Donizetti
  • Bd. 2. Werke, Donizetti-Henze
  • Bd. 3. Werke, Henze-Massine
  • Bd. 4. Werke, Massine-Piccinni
  • Bd. 5. Werke, Piccinni-Spontini
  • Bd. 6. Werke, Spontini-Zumsteeg
  • [Bd. 7]. Register / Konzipiert und zusammengestellt von Uwe Steffen.
Music Library
Book
693 p. : ill. ; 20 cm.
  • Albéniz, Isaac (1860-1909) -- Albert, Eugen d' (1864-1932) -- Arpège, arpeggiando -- Arrau, Claudio (1903-1991) -- Authenticité -- Bach, Johann Sebastian (1685-1750) -- Barcarolle -- Bada, Béla (1881-1945) -- Bayreuth -- Beethoven, Ludwig van (1770-1827) -- Bellini, Vincenzo (1801-1835) -- Berg, Alban (1885-1935) -- Berlioz, Hector (1803-1869) -- Bernstein, Leonard (1918-1990) -- Bizet, Georges (1838-1875) -- Boito, Arrigo (1842-1918) -- Borodine, Alexandre (1833-1887) -- Boulanger, Lili (1893-1918) -- Brahms, Johannes (1833-1897) -- Britten, Benjamin (1913-1976) -- Bruckner, Anton (1824-1896) -- Bülow, Hans von (1830-1894) -- Busch, Fritz et Adolf (1890-1951 et 1891-1952) -- Busoni, Ferruccio (1866-1924) -- Callas, Maria (1923-1977) -- Cantate -- Chabrier, Emmanuel (1841-1894) -- Charpentier, Gustave (1860-1956) -- Chausson, Ernest (1855-1899) -- Chopin, Frédéric (1810-1849) -- Chostakovitch, Dimitri (1906-1975) -- Cimarosa, Domenico (1749-1801) -- Clarinette -- Claudel, Paul (1868-1955) -- Clavier -- Cor -- Couperin, François, dit "le Grand" (1668-1733) -- Danse -- Debussy, Claude (1862-1918) -- Delalande, Michel-Richard (1657-1726) -- Deller, Alfred (1912-1979) -- Disque -- Donizetti, Gaetano (1797-1848) -- Dowland, John (1563-1626) -- Dukas, Paul (1865-1935) -- Duparc, Henri (1848-1933) -- Dutilleux, Henri (né en 1916) -- Dvorik, Antonin (1841-1904) -- Einem, Gottfried von (1918-1996) -- Enesco, Georges (1881-1955) -- Expression -- Fauré, Gabriel (1845-1924) -- Ferrier, Kathleen (1912-1953) -- Fischer-Dieskau, Dietrich (1925-2012) -- Franck, César (1822-1890) -- Fugue -- Furtwângler, Wilhelm (1886-1954) -- Gluck, Christoph Willibald von (1714-1787) -- Glyndebourne -- Gounod, Charles (1818-1893) -- Grieg, Edvard (1843-1907) -- Hahn, Reynaldo (1874-1947) -- Hândel, Georg Friedrich (1685-1759) -- Harmonie -- Haydn, Joseph (1732-1809) -- Hindemith, Paul (1895-1963) -- Humperdinck, Engelbert (1854-1921) -- Impromptu -- Ineffable -- Interprétation -- Janàëek, Leog (1854-1928) -- Karajan, Herbert von (1908-1989) -- Korngold, Erich Wolfgang (1897-1957) -- Ktenek, Ernst (1900-1991) -- Lalo, Edouard (1823-1892) -- Legato -- Legge, Walter (1906-1979) -- Lekeu, Guillaume (1870-1894) -- Lied -- Lipatti, Dinu (1917-1950) -- Liszt, Franz (1811-1886) -- Loewe, Carl (1796-1869) -- Lully, Jean-Baptiste (1632-1687) -- Magnard, Albéric (1865-1914) -- Mahler, Gustav (1860-1911) -- Manuscrit -- Marais, Marin (1656-1728) -- Martin, Frank (1890-1974) -- Mascagni, Pietro (1863-1945) -- Massenet, Jules (1842-1912) -- Maurel, Victor (1848-1923) -- Melchior, Lauritz (1890-1973) -- Mélodie -- Mendelssohn-Bartholdy, Félix (1809-1847) -- Menuhin, Yehudi (1916-1999) -- Messe -- Mesure -- Meyerbeer, Giacomo (1791-1864) -- Milhaud, Darius (1892-1974) -- Moderne, modernité -- Modulation -- Monteverdi, Claudio (1567-1643) -- Moussorgski, Modeste (1839-1881) -- Mozart, Wolfgang Amadeus (1756-1791) -- Nocturne -- Offenbach, Jacques (1819-1880)
  • Opéra -- Oratorio -- Orchestre -- Paganini, Niccolô (1782-1840) -- Parodie -- Partition -- Pergolesi, Giovanni Battista (1710-1736) -- Pfitzner, Hans (1869-1949) -- Piano -- Poulenc, Francis (1899-1963) -- Prokofiev, Sergueï (1891-1953) -- Prosodie -- Proust, Marcel (1871-1922) -- Puccini, Giacomo (1858-1924) -- Purcell, Henry (1659-1695) -- Quatuor -- Quintette -- Rachmaninov, Sergueï (1873-1943) -- Rameau, Jean-Philippe (1683-1764) -- Ravel, Maurice (1875-1937) -- Récital -- Reger, Max (1873-1916) -- Rimski-Korsakov, Nikolaï (1844-1908) -- Rossini, Gioachino (1792-1868) -- Rott, Johann Carl Maria (dit Hans) (1858-1884) -- Roussel, Albert (1869-1937) -- Rythme -- Saint-Saëns, Camille (1835-1921) -- Salzbourg -- Scarlatti, Domenico (1685-1757) -- Schoeck, Othmar (1886-1957) -- Schônberg, Arnold (1874-1951) -- Schreker, Franz (1878-1934) -- Schubert, Franz (1797-1828) -- Schumann, Robert (1810-1856) -- Schwarzkopf, Elisabeth (1915-2006) -- Série -- Serkin, Rudolf (1903-1991) -- Sforzando -- Sibelius, Jean (1865-1957) -- Silence -- Smetana, Bedfich (1824-1884) -- Sonate -- Soprano -- Sostenuto -- Souffleur -- Soupir -- Strauss I, Johann et Strauss II, Johann (1804-1849 et 1825-1899) -- Strauss, Richard (1864-1949) -- Stravinsky, Igor (1882-1971) -- Symphonie -- Szymanowski, Karol (1882-1937) -- Tchaïkovski, Piotr Ilitch (1840-1893) -- Tessiture -- Timbre -- Tonalité, ton -- Toscanini, Arturo (1867-1957) -- Trémolo (tremolando, tremolato) -- Trille -- Trio -- Valse, ou la mélancolie de tourner -- Verdi, Giuseppe (1813-1901) -- Vibrato -- Violon -- Violoncelle -- Vivaldi, Antonio (1678-1741) -- Wagner, Richard (1813-1883) -- Walter, Bruno (1876-1962) -- Weber, Carl Maria von (1786-1826) -- Weill, Kurt (1900-1950) -- Wolf Ferrari, Ermanno (1876-1948) -- Wolf, Hugo (1860-1903) -- Zandonai, Riccardo (1883-1944) -- Zemlinsky, Alexander von (1871-1942).
"Cet ouvrage est le livre d'une vie. Une vie d'écoute et donc de passion. D'aussi loin que je me souvienne, la musique fut pour moi comme une évidence. Du côté de ma mère, tout le monde avait chanté, joué du piano, été à l'opéra. Du côté de mon père, il y avait eu deux très bons professionnels. Enfin, les Soeurs m'ont fait un don, entre tous inestimable: elles m'ont appris à poser ma voix sur mon oreille. L'enfant solitaire que j'ai été n'a pas eu de mal à apprendre du Chérubin de Mozart et, quand on n'a personne pour qui chanter (ou même à qui parler), eh bien, on chante aux brises. Enseignant je fus, ce qui oblige à mieux savoir ce qu'on sait et mieux aimer ce qu'on aime. Rassure-toi donc, lecteur: de Glyndebourne à Salzbourg, de Bach à Dutilleux, tu trouveras ici tout ce qu'il faut pour te plaire tant le vagabondage de l'auteur est insatiable."--P. [4] of cover.
Music Library
Book
xxiv, 367 p. ; 24 cm.
  • Editor's Foreword - Jon Woronoff Preface Acronyms and Abbreviations Chronology Introduction The Dictionary Bibliography About the Author.
  • (source: Nielsen Book Data)9780810867659 20160607
In the last decade of the 19th century, modernist sensibilities reached a critical mass and emerged more frequently in music as composers began employing dissonance, polyrhythm, atonality, and densities. Conversely, many 20th-century composers eschewed modernist devices and wrote accessible works in a tonal idiom, which drew chiefly on classical, romantic, and folk models. Then the postmodern sensibility followed, with its enthusiasm for the unprecedented availability of virtually every type of music, and it engendered numerous sub-groups, including multiculturalism, minimalism, multimedia, and free improvisation. Historical Dictionary of Modern and Contemporary Classical Music focuses on modernist and postmodern classical music worldwide from 1890 to the present. This is done through a chronology, an introductory essay, an extensive bibliography, and over 400 cross-referenced dictionary entries, with more than 60 entries explaining the methods, styles, and acoustic and electronic media peculiar to new music, and over 350 entries giving essential information on the lives and work of the people who have composed and performed that music. Those entries also include pop, jazz, and rock composer/musicians whose work either overlaps the realm of classical music or else is so radical within its own field that it merits discussion in this context. This book is a must for anyone, musician or non-musician, student or professional, who seeks to research and learn more about any significant aspect of modern and contemporary classical music worldwide.
(source: Nielsen Book Data)9780810867659 20160607
Music Library
Book
202 p. : music ; 16 cm
Music Library
Book
159 p. : ill. ; 15 cm.
Music Library
Book
v, 753 p. : music ; 22 cm.
This broad-ranging dictionary offers comprehensive coverage of the world of classical music and includes entries on terminology, genres, composers and works from early music to the present day. Compiled with the assistance of eminent professors of music, it is an authoritative but accessible guide to the subject.
(source: Nielsen Book Data)9780550103222 20160528
Music Library
Book
xvi, 233 p. : ill. ; 21 cm.
This work contains over 1500 entries covering and exploring Eastern and Western musical cultures, spanning from Europe to India and Japan; from Indonesia and Oceania to South and North America, a wide range of definitions, descriptions and identifications of musical terms from ancient to contemporary music, from popular to classic, from world music to jazz. It includes essays on the music of India, North America, Latin America, Africa, East Asia, South Asia, the Islamic world, European folk and traditional music, Pop/Rock, Jazz, and the European classical music.
(source: Nielsen Book Data)9788877780904 20160528
Music Library
Book
213 p. ; 20 cm.
  • Preface-- Oxford Dictionary of Musical Works A-Z-- Appendix 1: Nicknamed Compositions by Author-- Appendix 2: Index of Composers-- Appendix 3: Glossary of Terms.
  • (source: Nielsen Book Data)
Anyone who listens to or plays classical music often wants to put the pieces they encounter in context - to check information ranging from who wrote the piece, or the date of its first performance, to how it acquired its title, or whether it was commissioned for a specific person or occasion. General dictionaries of music only cover a limited number of musical works, and include very little detail. The new Oxford Dictionary of Musical Works provides short articles on over 1750 musical works from earliest times to the present day, providing a comprehensive but handy reference. Entries encompass a broad spectrum of genres - from opera, ballet, choral and vocal music, orchestral, chamber and instrumental pieces, to nicknamed works, collections, national anthems, hymn tunes, and traditional melodies.Each entry outlines the genre to which the piece belongs; the librettist or author of the text, including any literary source; the number of acts or movements; the scoring - including details of the instrumentalists and vocalists needed to perform the piece; how it came to be commissioned; the place and date of its first performance; any subsequent arrangements or revisions; and any additional important or entertaining information.
(source: Nielsen Book Data)
Music Library
Book
xxvii, 978 p. : ill. ; 26 cm.
This classic reference work, a one-volume music dictionary, has been brought completely up to date in this new edition. Combining authoritative scholarship and lucid prose, this is an essential guide for musicians, students and everyone who appreciates music. Long admired for its wide range as well as its reliability, "The Harvard Dictionary of Music" includes entries on all the styles and forms in Western music; comprehensive articles on the music of Africa, Asia, Latin America and the Near East; descriptions of instruments enriched by historical background; and articles that reflect today's beat, including popular music, jazz and rock. Throughout this new edition, existing articles have been fine-tuned and new entries added so that the dictionary fully reflects current music schoalrship and recent developments in musical culture. Encyclopedia-length articles by notable experts alternate with short entries for quick reference, including definitions and identifications of works and instruments. More than 220 drawings and 250 musical examples enhance the text making this an aid for all music lovers.
(source: Nielsen Book Data)9780674011632 20160528
Music Library
Book
53 p. : ill., music ; 22 cm.
Music Library
Book
85 p. ; 24mo.
Music Library
Database topics
Music
Provides definitions, pictures, audio and video examples to help illustrate terms.

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