- Mauceri, John, author.
- First edition - New York : Alfred A. Knopf, 2019
- Description
- Book — 1 online resource (210 pages) : illustrations
- Summary
-
- Introduction
- Why music?
- The heart of the matter
- Harnessing (human) nature
- Time: real and imaginary
- Invisible structures
- Pay attention!
- The first time: weaving the web of continuity
- The concert experience
- Your playlist, your life
- Online
-
- EBSCOhost Access limited to 1 user
- Google Books (Full view)
2. Gateways to understanding music [2019]
- Rice, Timothy, 1945- author.
- New York, NY : Routledge, 2019.
- Description
- Book — 1 online resource.
- Summary
-
- Introduction / Part I Music History to 1500 /
- Chapter 1 Music of Small-Scale Societies /
- Chapter 2 Ancient and Medieval Religious Music /
- Chapter 3 Ancient and Medieval Secular Music / Part II Music History from 1500 to 1900 /
- Chapter 4 Music from the European Age of Discovery (1500-1600) /
- Chapter 5 Music from the Age of Global Commerce (1600-1750) /
- Chapter 6 Music from the Age of Enlightenment and Revolution (1750-1800) /
- Chapter 7 Music from the Early Nineteenth Century (1800-1850) /
- Chapter 8 Music from the Late Nineteenth Century (1850-1900) / Part III Music History during the Long Twentieth Century /
- Chapter 9 Music from the Turn of the Twentieth Century (1890-1918) /
- Chapter 10 Music from the Interwar Period (1918-1939) /
- Chapter 11 Music during World War II and its Aftermath (1939-1950) /
- Chapter 12 Music from an Age of Disenchantment and Protest (1950-1975) /
- Chapter 13 Music and Community (1975-1994) /
- Chapter 14 Music Today / Where Do We Go from Here?
- (source: Nielsen Book Data)
(source: Nielsen Book Data)
- Online
-
- EBSCOhost Access limited to 1 user
- Google Books (Full view)
3. Discovering music [2018]
- Todd, R. Larry, author.
- New York : Oxford University Press, [2018]
- Description
- Book — xxxvi, 611 pages : illustrations (chiefly color) ; 26 cm
- Online
Music Library
Music Library | Status |
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Stacks | |
MT90 .T54 2018 | Unknown |
4. Music : an appreciation [2018]
- Kamien, Roger, author.
- Twelfth edition. - New York, NY : McGraw-Hill Education, [2018]
- Description
- Book — xxxiii, 600 pages : color illustrations, music ; 29 cm
- Summary
-
- PrefacePart I Element
- s1. Sound: Pitch, Dynamics, and Tone Colo
- r2. Performing Media: Voices and Instrument
- s3. Rhyth
- m4. Music Notatio
- n5. Melod
- y6. Harmon
- y7. Ke
- y8. Musical Textur
- e9. Musical For
- m10. Performance
- 11. Musical StylePart II The Middle Age
- s1. Music In The Middle Ages (450-1450
- )2. Gregorian Chan
- t3. Secular Music in the Midde Age
- s4. The Development of Polyphony: Organu
- m5. Fourteenth -Century Music: The "New Art" in Italy and FrancePart III The Renaissance
- 1. Music in the Renaissance (1450 - 1600)
- 2. Sacred Music in the Renaissance
- 3. Secular Music in the Renaissance
- 4. The Venetian School: From Renaissance to BaroquePart IV The Baroque Perio
- d1. Baroque Music (1600-1750
- )2. Music In Baroque Societ
- y3. The Concerto Grosso And Ritornello For
- m4. The Fugu
- e5. The Elements Of Oper
- a6. Opera In The Baroque Er
- a7. Claudio Monteverd
- i8. Henry Purcel
- l9. The Baroque Sonat
- a10. Arcangelo Corell
- i11. Antonio Vivald
- i12. Johann Sebastian Bac
- h13. The Baroque Suit
- e14. The Chorale And Church Cantat
- a15. The Oratori
- o16. George Frideric HandelPart V The Classical Perio
- d1. The Classical Style (1750-1820
- )2. Composer, Patron, And Public In The Classical Perio
- d3. Sonata For
- m4. Theme And Variation
- s5. Minuet And Tri
- o6. Rond
- o7. The Classical Symphon
- y8. The Classical Concert
- o9. Classical Chamber Musi
- c10. Joseph Hady
- n11. Wolfgang Amadeus Mozar
- t12. Ludwig Van BeethovenPart VI The Romantic Perio
- d1. Romanticism In Music (1820-1900
- )2. Romantic Composers And Their Publi
- c3. The Art Son
- g4. Franz Schuber
- t5. Robert Schumann
- 6. Clara Wieck Schuman
- n7. Frederic Chopi
- n8. Franz Lisz
- t9. Felix Mendelssoh
- n10. Program Musi
- c11. Hector Berlio
- z12. Nationalism In Nineteenth-Century Musi
- c13. Peter Ilyich Tchaikovsk
- y14. Bed rich Smetan
- a15. Antonin Dvora
- k16. Johannes Brahms
- 17. Georges Bize
- t18. Giuseppe Verd
- i19. Giacomo Puccin
- i20. Richard Wagner
- 21. Gustav MahlerPart VII The Twentieth Centur
- y1. Musical Styles: 1900
- -19452. Music and Musicians in Society since
- 19003. Impressionism and Symbolis
- m4. Claude Debuss
- y5. Maurice Rave
- l6. Neoclassicis
- m7. Igor Stravinsk
- y8. Expressionis
- m9. Arnold Schoenber
- g10. Alban Ber
- g11. Anton Weber
- n12. Bela Barto
- k13. Dmitri Shostakovic
- h14. Music in Americ
- a15. Charles Ive
- s16. George Gershwi
- n17. William Grant Stil
- l18. Aaron Coplan
- d19. Albert Ginester
- a20. Musical Styles Since
- 194521. Music Since
- 1945: Five Representative PiecesPart VIII Jaz
- z1. Jazz Styles
- 2. Ragtime
- 3. Blue
- 4. New Orleans Style
- 5. Swing
- 6. Bebop
- 7. Jazz Styles since 1950Part IX Music for Stage and Scree
- n1. Musical Theater
- 2. Leonard Bernstein
- 3. Music in Film Part X Roc
- k1. Rock Styles
- 2. Rock in American Society
- 3. The BeatlesPart XI Nonwestern Musi
- c1. Music in Nonwestern Culture
- s2. Music In Sub-Saharan Afric
- a3. Classical Music Of India
- 4. Koto Music of Japan AppendixesGlossaryAcknowledgmentsPhoto CreditsIndex.
- (source: Nielsen Book Data)
(source: Nielsen Book Data)
- Online
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MT90 .K34 2018 | Unknown |
- Swafford, Jan, author.
- New York : Basic Books, [2017]
- Description
- Book — xiii, 321 pages ; 22 cm
- Summary
-
For many of us, classical music is something serious-something we study in school, something played by cultivated musicians at fancy gatherings. In Language of the Spirit, renowned music scholar Jan Swafford argues that we have it all wrong: classical music has something for everyone and is accessible to all. Ranging from Gregorian chant to Handel's Messiah, from Vivaldi's The Four Seasons to the postmodern work of Philip Glass, Swafford is an affable and expert guide to the genre. He traces the history of Western music, introduces readers to the most important composers and compositions, and explains the underlying structure and logic of their music. Language of the Spirit is essential reading for anyone who has ever wished to know more about this sublime art.
(source: Nielsen Book Data)
- Online
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MT90 .S99 2017 | Unknown |
6. In performance [2016]
- Bailey, Wayne, 1955- author.
- Oxford : Oxford University Press, [2016]
- Description
- Book — xxv, 358 pages : illustrations (some color), music ; 26 cm
- Online
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MT90 .B22 2016 | Unknown |
- Gallardo, Alfonso, author.
- Primera edición. - [México, D.F.] : Ediciones y Punto, 2015.
- Description
- Book — 193 pages
- Online
SAL3 (off-campus storage)
SAL3 (off-campus storage) | Status |
---|---|
Stacks | Request (opens in new tab) |
MT7 .G35 2015 | Available |
8. The enjoyment of music [2015]
- Forney, Kristine author.
- Twelfth edition, [full version]. - New York : W. W. Norton & Company, [2015]
- Description
- Book — xxxi, 571 pages, A1-A67 pages : illustrations (chiefly color), map, music ; 29 cm
- Summary
-
The Enjoyment of Music continues to teach students how to listen and connect to any kind of music. After more than fifty years of successfully preparing students for a lifetime of informed listening, the Twelfth Edition raises the bar with an expanded repertory of appealing music, an exciting new listening and assessment pedagogy, and the richest and most user-friendly online resources available to students today.
(source: Nielsen Book Data)
- Online
Music Library
Music Library | Status |
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MT90 .M23 2015 | Unknown |
9. Listen [2015]
- Kerman, Joseph, 1924-2014 author.
- Eighth edition. - New York, N.Y. : W. W. Norton & Company, Inc., [2015]
- Description
- Book — xxxvii, 442 pages : illustrations (chiefly color), color map ; 28 cm + 1 audio disc (4 3/4 in)
- Online
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Music Library | Status |
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Stacks
|
|
MT6 .K365 2015 | Unknown |
10. Music : an appreciation [2015]
- Kamien, Roger, author.
- Eleventh edition. - New York, NY : McGraw-Hill Education, [2015]
- Description
- Book — xxxix, 584 pages : illustrations, music ; 29 cm
- Summary
-
- Part I: Elements 1 Sound: Pitch, Dynamics, and Tone Color 2 Performing Media: Voices and Instruments 3 Rhythm 4 Music Notation 5 Melody 6 Harmony 7 Key 8 Musical Texture 9 Musical Form 10 Performance 11 Musical Style Part II: The Middle Ages 1 Music an the Middle Ages (450-1450) 2 Gregorian Chant 3 Secular Music in the Middle Ages 4 The Development of Polyphony: Organum 5 Fourteenth-Century Music: The "New Art" in Italy and France Part III: The Renaissance 1 Music in the Renaissance (1450-1600) 2 Sacred Music in the Renaissance 3 Secular Music in the Renaissance 4 The Venetian School: From Renaissance to Baroque Part IV: The Baroque Period 1 Baroque Music (1600-1750) 2 Music in Baroque Society 3 The Concerto Grosso and Ritornello Form 4 The Fugue 5 The Elements of Opera 6 Opera in the Baroque Era 7 Claudio Monteverdi 8 Henry Purcell 9 The Baroque Sonata 10 Arcangelo Corelli 11 Antonio Vivaldi 12 Johann Sebastion Bach 13 The Baroque Suite 14 The Chorale and Church Cantata 15 The Oratorio 16 George Frideric Handel Part V: The Classical Period 1 The Classical Style (1750-1820) 2 Composer, Patron, and Public in the Classical Period 3 Sonata Form 4 Theme and Variations 5 Minuet and Trio 6 Rondo 7 The Classical Symphony 8 The Classical Concerto 9 Classical Chamber Music 10 Joseph Haydn 11 Wolfgang Amadeus Mozart 12 Ludwig van Beethoven Part VI: The Romantic Period 1 Romanticism in Music (1820-1900) 2 Romantic Composers and Their Public 3 The Art Song 4 Franz Schubert 5 Robert Schumann 6 Clara Wieck Schumann 7 Frederic Chopin 8 Franz Liszt 9 Felix Mendelssohn 10 Program Music 11 Hector Berlioz 12 Nationalism in Nineteenth-Century Music 13 Peter Ilyich Tchaikovsky 14 Bedrich Smetana 15 Antonin Dvorak 16 Johannes Brahms 17 Giuseppe Verdi 18 Giacomo Puccini 19 Richard Wagner 20 Gustav Mahler Part VII: The Twentieth Century and Beyond 1 Musical Styles: 1900-1945 2 Music and Musicians in Society since 1900 3 Impressionism and Symbolism 4 Claude Debussy 5 Maurice Ravel 6 Neoclassicism 7 Igor Stravinsky 8 Expressionism 9 Arnold Schoenberg 10 Alban Berg 11 Anton Webern 12 Bela Bartok 13 Dmitiri Shostakovich 14 Music in America 15 Amy Beach 16 Charles Ives 17 George Gershwin 18 William Grant Still 19 Aaron Copland 20 Alberto Ginastera 21 Musical Styles Since 1945 22 Music Since
- 1945: Eight Representative Pieces Part VIII: Jazz 1 Jazz Styles: 1900-1950 2 Ragtime 3 Blues 4 New Orleans Style 5 Swing 6 Bebop 7 Jazz Style Since 1950 Part IX: Music for Stage and Screen 1 Musical Theater 2 Leonard Bernstein 3 Music in Film Part X: Rock 1 Rock Styles 2 Rock in American Society 3 The Beatles Part XI: Nonwestern Music 1 Music in Nonwestern Cultures 2 Music in Sub-Saharan Africa 3 Classical Music of India 4 Koto Music of Japan Appendixes 1 Glossary 2 Tone Color and Harmonic Series 3 Bibliography and Selected Reading Acknowledgments Photo Credits Index.
- (source: Nielsen Book Data)
(source: Nielsen Book Data)
- Online
SAL3 (off-campus storage)
SAL3 (off-campus storage) | Status |
---|---|
Stacks | Request (opens in new tab) |
MT90 .K34 2015 | Available |
11. The essential listening to music [2013]
- Wright, Craig M.
- Australia ; United States : Schirmer/Cengage Learning, c2013.
- Description
- Book — xxii, 261 p. : ill. (some col.), maps (some col.) ; 26 cm. + 1 sound disc (digital ; 4 3/4 in.)
- Online
Music Library
Music Library | Status |
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Stacks
|
|
MT6 .W94 E8 2013 | Unknown |
12. Music listening today [2013]
- Hoffer, Charles R.
- 5th Ed. - Boston, MA : Schirmer/Cengage Learning, c2013.
- Description
- Book — xix, 427 p. : ill. (chiefly col.), music ; 28 cm. + 2 sound discs (digital ; 4 3/4 in.)
- Summary
-
- Part I: THE NATURE OF MUSIC.
- 1. Music Listening and You.
- 2. Rhythm.
- 3. Melody and Harmony.
- 4. Dynamics, Timbre, and Organization.
- 5. Orchestral Instruments.
- 6. Other Musical Instruments. Part II: EARLY, MEDIEVAL, AND RENAISSANCE MUSIC.
- 7. Early Western Music, 500 B.C.-A.D.
- 1200.
- 8. Late Medieval Music, 1100
- -1450.
- 9. Renaissance Music, 1450
- -1600. Part III: BAROQUE MUSIC, 1600-1750 .
- 10. The Baroque Period.
- 11. Oratorio and Cantata.
- 12. Opera in the Baroque.
- 13. Baroque Instrumental Music: Suite and Sonata.
- 14. Baroque Instrumental Music: Concerto and Fugue. Part IV: CLASSICAL MUSIC, 1750
- -1820.
- 15. Classicism and Classical Music.
- 16. Sonata Form.
- 17. The Concerto.
- 18. Classical Opera.
- 19. Chamber Music.
- 20. Piano Sonatas.
- 21. The Symphony and Beethoven. Part V: ROMANTIC MUSIC, 1820
- -1900.
- 22. Romance and Romanticism.
- 23. Early Romantic Music.
- 24. Romantic Piano Music.
- 25. Program and Ballet Music.
- 26. Romantic Opera.
- 27. Romantic Instrumental Music.
- 28. Nationalism. Part VI: THE TWENTIETH CENTURY AND BEYOND.
- 29. Music in the Twentieth Century and the Future.
- 30. Impressionism and Post-Romanticism.
- 31. The Mainstream.
- 32. Primitivism and Expressionism.
- 33. Neoclassicism and Tone Row Music.
- 34. Concert Music in the United States.
- 35. New Sounds and New Techniques. Part VII: POPULAR MUSIC AND JAZZ, 1750-PRESENT.
- 36. Early American Music.
- 37. Popular Music and Jazz Before
- 1950.
- 38. Popular Music Since
- 1950.
- 39. Music for Stage and Film. Part VIII: MUSIC AROUND THE WORLD.
- 40. Folk and Ethnic Music.
- 41. Folk Music of Europe and the Americas.
- 42. Music of Africa and the Middle East.
- 43. Music of Asia.
- (source: Nielsen Book Data)
(source: Nielsen Book Data)
- Online
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MT6 .H565 M87 2013 | Unknown |
13. Listen [2012]
- Kerman, Joseph, 1924-2014.
- 7th ed. - Boston : Bedford/St. Martin's, c2012.
- Description
- Book — xxix, 442 p. : ill. (some col.) ; 28 cm + 1 videodisc (DVD : sd., col. ; 4 3/4 in.)
- Summary
-
- Preface: To the instructor
- Introduction: To the student
- unit I. Fundamentals. Prelude: A musical thunderstorm / by Richard Wagner ; ch. 1. Rhythm, meter, and tempo ; ch. 2. Pitch, dynamics, and tone color ; ch. 3. Scales and melody ; ch. 4. Harmony, texture, tonality, and mode ; ch. 5. Musical form and musical style
- unit II. Early music: an overview. ch. 6. The Middle Ages ; ch. 7. The Renaissance ; ch. 8. The early Baroque period
- unit III. The eighteenth century. ch. 9. Prelude: The late Baroque period ; ch. 10. Baroque instrumental music ; ch. 11. Baroque vocal music ; ch. 12. Prelude: Music and the Enlightenment ; ch. 13. The symphony ; ch. 14. Other classical genres
- unit IV. The nineteenth century. ch. 15. Beethoven ; ch. 16. Prelude: Music after Beethoven: Romanticism ; ch. 17. The early Romantics ; ch. 18. Romantic opera ; ch. 19. The late Romantics
- unit V. The twentieth century and beyond. ch. 20. Prelude: Music and Modernism ; ch. 21. Early Modernism ; ch. 22. Alternatives to Modernism ; ch. 23. The late twentieth century ; ch. 24. Music in America: jazz and beyond
- Appendix A. Time lines
- Appendix B. Musical notation
- Glossary of musical terms.
- Online
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MT6 .K365 2012 | Unknown |
14. Music listening today [2012]
- Hoffer, Charles R.
- 4th ed. - Boson, MA : Schirmer/Cengage Learning, c2012.
- Description
- Book — xxxi, 383 p. : ill ; 28 cm. + 2 sound discs (digital ; 4 3/4 in.)
- Online
SAL3 (off-campus storage)
SAL3 (off-campus storage) | Status |
---|---|
Stacks
|
Request (opens in new tab) |
MT6 .H565 M87 2012 | Available |
15. The world of music [2012]
- Willoughby, David.
- 7th Connect ed. - New York : McGraw-Hill, 2012.
- Description
- Book — xvii, 342 p. : ill ; 26 cm.
- Summary
-
- World of MusicTable of Contents Part One: Preparation for Listening
- Chapter 1: Introducing the World of Music The Infinite Variety of Music: A Global Perspective The American Mainstream and Ethnic Diversity Music in Culture Music Labels: Help or Hindrance? Artists and Artistry The Business of Music Manufacturing and Merchandising Performance of Music Music Publishing and Copyright Laws Music in Advertising Music in the Community Summary
- Chapter 2: The Nature of Music: Vocabulary for Listening and Understanding Definitions of Music Music as a Science Expressive and Functional Qualities of Music Music Is Sound and Silence Music Moves through Time Music Is an Art Music Is Universal Music Is a Means of Expression Music Can Be Functional Music Is a Changing Art The Creative, Performing, and Listening Experiences Participating in Active Listening The Elements of Music 26 Melody Harmony Rhythm Loudness Tone Quality Interaction of the Elements To Create a Style: Musical Concepts Texture Genres and Forms Melodic Growth and Character Goals for Listening Summary Part Two: Listening to American Music: Folk, Religious, Jazz, and Pop
- Chapter 3: Folk Music Traditions Goals for Listening The Roots of Traditional Folk Music Types of Folk Music The Blues Folk Music: An Expanded View The Urban Folk Revival Urban Blues Summary
- Chapter 4: Religious Music Traditions Goals for Listening The Roots of American Protestant Music Psalm Singing and Psalters Lining Out, Singing Schools, and the Shape-Note System Traditional Black Gospel Music White Gospel Music: Revival and Evangelical Hymns Popular Contemporary Styles Summary
- Chapter 5: Jazz Styles Goals for Listening What Is Jazz? The Jazz Style The Feel of Swing Instruments Improvisation The Roots of Jazz Jazz Styles New Orleans and Chicago Jazz Stride and Boogie Woogie Swing and Big Band Jazz Bebop Cool Jazz, Hard Bop, Soul Jazz, and Free Jazz Modern Jazz, Fusion, and Smooth Jazz Summary
- Chapter 6: Popular Music Goals for Listening The Definition and Scope of Popular Music Pre-Twentieth Century Twentieth Century and Beyond Tin Pan Alley Vaudeville Musicals Film Radio and Recordings Country Music Hillbilly Cowboy Songs and Western Swing Bluegrass The Nashville Sound Contemporary Country Early African American In'uences Motown Gospel Rhythm and Blues Soul Contemporary Styles Rock Rap/Hip-Hop Other Genres Summary Part Three: Listening to World Music
- Chapter 7: Music of the Americas Goals for Listening Native American Music Style and Context Assimilation and Preservation Ethnic Music in the United States Reggae Latino Music Cajun and Zydeco Music Music of South America, Mexico, and the Caribbean Indigenous Folk Culture Musical Instruments Folk Songs and Dances Religious In'uences Summary
- Chapter 8: Music Beyond the Americas Goals for Listening Music in India Classical Music Popular Music Music in Japan The Performance Context Musical Genres Gagaku Kabuki Koto, Shakuhachi, and Shamisen Music in Sub-Saharan Africa Music in Context Instruments Rhythm Popular Music Music in Eastern Europe Indonesian Gamelan and Popular Music Jewish Music Cultural Context Liturgical Music Klezmer Music Celtic Music Instruments Artists Altan Clannad Solas The Chieftains Summary Part Four: Listening to Western Classical Music
- Chapter 9: Music to 1600 Goals for Listening The Beginnings of Western Music (until 1450) Gregorian Chant Notation Polyphonic Music The Renaissance (1450-1600) Choral and Vocal Music Mass Motet Madrigal Instrumental Music The Reformation Featured Composers Josquin des Prez Giovanni Pierluigi da Palestrina Giovanni Gabrieli Summary
- Chapter 10: Music of the Baroque Period (1600-1750) Goals for Listening Musical Characteristics Texture Major-Minor Tonal System Continuo Word Painting Other Musical Characteristics Instruments Musical Forms and Genres Opera Orchestral Works Chamber Music Keyboard Works Choral Music Featured Composers Johann Sebastian Bach George Frideric Handel Other Notable Composers Summary
- Chapter 11: Music of the Classic Period (1750-1820) Goals for Listening Musical Characteristics Instruments Genres Instrumental Vocal, Choral, and Opera Forms Sonata Form Theme and Variations Minuet and Trio Rondo Featured Composers Franz Joseph Haydn Wolfgang Amadeus Mozart Ludwig van Beethoven Summary
- Chapter 12: Music of the Romantic Period (Nineteenth Century) Goals for Listening Musical Characteristics Forms and Genres Instrumental Forms and Genres Opera and Ballet Keyboard Forms and Genres Songs Featured Composers Johannes Brahms Frederic Chopin Felix Mendelssohn Franz Schubert Pyotr I'yich Tchaikovsky Giuseppe Verdi Richard Wagner Other Notable Composers Summary
- Chapter 13: Music of the Twentieth Century Goals for Listening General Characteristics Stylistic Developments and Featured Composers Impressionism: Claude Debussy Experimental Music: Igor Stravinsky Atonal Music and Serialism: Arnold Schoenberg Electronic Music: Edgard Varese Chance Music: John Cage Nationalism: Bela Bartok Nationalism: Charles Ives and Aaron Copland Additional American Composers Amy Cheney Beach Ruth Crawford Ellen Taaffe Zwilich Ulysses Kay Henry Cowell George Gershwin William Grant Still Neoclassical Music Minimalism Traditional Sounds Summary Appendix A: A List of Recommended DVDs and Videos Supporting the Philosophy of The World of Music Appendix B: Classi'cation of Instruments according to Methods of Tone Production Glossary Bibliography Credits Index.
- (source: Nielsen Book Data)
(source: Nielsen Book Data)
- Online
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MT6 .W533 W7 2012 | Unknown |
- Forney, Kristine.
- 11th ed. - New York : W.W. Norton & Co., c2011.
- Description
- Book — 1 v. (various pagings) : ill. (chiefly col.), col. maps, music ; 29 cm.
- Summary
-
Easy to read, easy to teach, The Enjoyment of Music has been the most trusted introduction to music for over five decades. The eleventh edition reflects how today's students learn, listen to and live with music. With an accessible, student-friendly treatment of the subject, it emphasises context to show how music fits in the everyday lives of people throughout history and connects culture, performance and technology to the lives of students today. The new edition features a streamlined and memorable narrative, more cultural and historical context and in-text features that encourage and develop critical thinking skills.
(source: Nielsen Book Data)
- Online
SAL3 (off-campus storage)
SAL3 (off-campus storage) | Status |
---|---|
Stacks | Request (opens in new tab) |
MT90 .M23 2011 | Available |
- Greenberg, Robert, 1954-
- New York : Plume, 2011.
- Description
- Book — ix, 334 p. : ill., music ; 21 cm
- Summary
-
- Understanding and listening to music
- A mad dash through the roots of Western music
- The music of the medieval church
- A necessary and invigorating excursion into the worlds of music theory and terminology
- Emotional exuberance and intellectual control : the paradox of Baroque art
- Play it, don't say it : the rise of instrumental music
- National styles : Italy and Germany (or, Why German music will never hit your eye like a big pizza pie and Italian music will never go from best to wurst)
- Fugue it!
- Opera : the Baroque expressive revolution in action
- Opera goes to church
- A new liturgy comes of age : Lutheran Baroque sacred music
- Instrumental form in Baroque era music
- Baroque era musical genres
- Enlightened is as enlightened does : an introduction to the Classical era
- Putting it all together : Classical era musical form, part one
- Classical era musical form, part two
- Classical era orchestral genres, part one
- Classical era orchestral genres, part two
- Send in the buffone : opera in the Classical era
- A revolutionary artist for a revolutionary time : Ludwig van Beethoven
- Beethoven's compositional innovations : when the going gets tough, the tough innovate
- Isn't it Romantic? : the music of the nineteenth century
- Structural problems : formal challenges in early Romantic music
- Going beyond Beethoven : Hector Berlioz's Symphony fantastique and the program symphony
- Nineteenth-century Italian opera : Rossini and bel canto
- Giuseppe Verdi : it's all about the people-- dramatic truth in Italian opera
- Nineteenth-century German opera : von Weber and Wagner, nationalism and experimentation
- Of thee I sing : musical nationalism in the nineteenth century
- Romantic nationalism, Russian style
- A modern music for a modern world
- Revolutions, evolutions, and "-isms" galore : the making of a new music in the early twentieth century
- From Russia with rhythm : Igor Stravinsky
- No waltz in the park : Arnold Schoenberg's Vienna and Expressionism
- Postlude.
- Online
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MT6 .G76 2011 | Unknown |
18. Music [2011]
- Campbell, Michael.
- Student ed. - Boston, MA : Schirmer Cengage Learning, c2011.
- Description
- Book — xvi, 424, [48] p. : col. ill. ; 28 cm.
- Summary
-
In both content and design, MUSIC aims to meet the course challenges of cost, brevity, and relevance to students. Created through a "student-tested, faculty-approved" review process with hundreds of students and 200 faculty, MUSIC is an engaging and accessible solution to the diverse lifestyles of today's learners. MUSIC integrates classical works and vernacular music by introducing a broad range of styles and genres from the Middle Ages through the twenty-first century and the connections and contrasts between them. The result is a well-rounded view of musical life in each era. MUSIC is designed to meet the needs of instructors who want to give their students an inexpensive and brief text that has an appealing magazine style with short chapters that can easily be read in a sitting, as well as a strong technology component. The text is accompanied by an audio CD set, an interactive eBook, and a CourseMate website with streaming music, interactive listening guides, interactive demos of musical elements, interactive style comparisons, quizzing, flashcards, and more.
(source: Nielsen Book Data)
- Online
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MT90 .C35 2011 | Unknown |
19. The musical experience [2010]
- Chiego, John J.
- 2nd ed. - Dubuque, IA : Kendall Hunt Pub. Co., c2010.
- Description
- Book — xxv, 289 p. : ill. (chiefly col.), col. maps ; 26 cm.
- Online
Music Library
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MT90 .C55 2010 | Unknown |
20. The world of music [2010]
- Willoughby, David.
- 7th ed. - Boston : McGraw-Hill Higher Education, c2010.
- Description
- Book — xvii, 342 p. : ill. (chiefly col.), music ; 26 cm.
- Summary
-
- Preface PART ONE: Preparation for Listening
- Chapter 1. Introducing the World of Music
- Chapter 2. The Nature of Music: Vocabulary for Listening and Understanding PART TWO: Listening to American Music: Folk, Religious, Jazz, and Pop
- Chapter 3. Folk Music Traditions
- Chapter 4. Religious Music Traditions
- Chapter 5. Jazz Styles
- Chapter 6. Popular Music PART THREE: Listening to World Music
- Chapter 7. Music of the Americas
- Chapter 8 Music Beyond the Americas PART FOUR: Listening to Western Classical Music
- Chapter 9. Music to 1600
- Chapter 10. Music of the Baroque Period (1600-1750)
- Chapter 11. Music of the Classic Period (1750-1820
- Chapter 12. Music of the Romantic Period (Nineteenth Century)
- Chapter 13. Music of the Twentieth Century *
- Chapter 14. Music in the Twenty-First Century --* available on the text's Online Learning Center at www.mhhe.com/willoughby7e Appendix: Classification of Instruments According to Methods of Tone Production.
- (source: Nielsen Book Data)
(source: Nielsen Book Data)
- Online
Music Library
Music Library | Status |
---|---|
Stacks | |
MT6 .W533 W7 2010 | Unknown |
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