%{search_type} search results

The findings of this book are drawn from a conference held in 2013 in Kaunas, Lithuania, titled "Music and Technologies 2", which provided a continuous discussion on the interdisciplinary music research developing currently at such important forums as the CIM (Conference on Interdisciplinary Musicology) and the ISMIR (International Society for Music Information Retrieval). This book consists of a collection of articles written by musicologists and musical performers, sound engineers, and educators from Europe and the USA. Leading contemporary ideas in the field of music technologies are explored, as are some aspects of the cognition of classical and contemporary music.
(source: Nielsen Book Data)

An overview of approaches to working with musical scores in the age of computer-and especially Internet-applications. The Virtual Score examines a broad range of approaches to working with musical scores in ways suited to electronic distribution. The first section, on musical representation and interchange, discusses early music and its multiple editorial stances, scores in Braille musical notation (with and without NIFF), the GUIDO format for "adequate" (as opposed to comprehensive) music representation, Extensible Markup Language (XML) and music, and the latest methods for distributing scores online. The second section discusses retrieval and/or analysis of data from encoded melodies. The final section discusses the use of image-processing software to restore lost features of primary sources of music prints and manuscripts, to archive the original and/or restored images, and, in some cases, to facilitate electronic access to the images.
(source: Nielsen Book Data)

Fourteen articles by different authors describe digital audio and computer music systems made possible by advances in digital signal processing theory, hardware design, and programming techniques. They focus on models that combine time-domain and frequency-domain representations (grains, wavelets, .
(source: Nielsen Book Data)

• Elektronische Datenverarbeitung in Musikdokumentation und Musikwissenschaft, eine Einleitung, by H. Heckmann.--Electronic processing of musical materials, by T. E. Binkley.--Symbolisierung einer Melodie auf Lochkarten, by R. Meyland.--A keypunchable notation for the Liber usualis, by M. Gould.--The Ruge-Seignelay catalogue: an exercise in automated entries, by J. LaRue and M. W. Cobin.--Some criteria and techniques for developing computerized thematic indices, by H. B. Lincoln.--The canon in the Musical offering of J. S. Bach: an example of computational musicology, G. D. Logemann.--A multiplepass transcription and a system for music analysis by computer, by E. Regener.--IML-MIR: a data-processing system for the analysis of music, by T. D. Robison.--On melody-registration and Mona, by I. Bengtsson.--Methode zur Untersuchung aperiodischer Vorgänge in der Akustik, dargestellt an einer Klavieranalyse, by H. P. Reinecke and D. Droysen.--Application of computer techniques to the analysis of Byzantine Sticherarion melodies, by N. Schiødt and B. Svejgaard.--Musikanalyse, eine exakte Wissenschaft? By W. Reckziegel.

• A hitherto unknown or a recently discovered, by W.S. Mitchell.--Symposium I: The structure of atonal music: practical aspects of a computer-oriented research project, by A. Forte. A stylistic investigation of the masses of Josquin Desprez with the aid of the computer: a progress report, by L. Lockwood. Music documentation of the future, by B.S. Brook. Discussion.--Symposium II: The Ford-Columbia input language, by S. Bauer-Mengelberg. The plaine and easie code by B.S. Brook. ALMA: alphameric language for musical analysis, by M.J. Gould & G. W. Logemann. A computer-oriented music notation including ethnomusicological symbols, by J. Wenker. A musical input language and a sample program for musical analysis, by R. Jackson & P. Bernzott. An essay toward specificiation of a music reading machine, by M. Kassler. Discussion.--Symposium III: Western-European music of the Christian era before
• 1400: research and publication, by L. Dittmer. New directions for style analysis, by J. LaRue. History of theory by E. Lippman. Utopian proposals, by L. Lockwood. Sytlistic change and the history of ideas, by C.V. Palisca. Musical biography and thematic cataloguing: 2 opposing aspects of musicology in the 21st century, F. Zimmerman. Discussion.--Bibliography: computer applications to music and musicology.

Many multimedia music content owners and distributors are converting their archives of music scores from paper into digital images, and to machine readable symbolic notation in order to survive in the business world. Interactive Multimedia Music Technologies discusses relevant state-of-the-art technologies and consists of analysis, knowledge, and application scenarios as surveyed, analyzed, and evaluated by industry professionals. Interactive Multimedia Music Technologies exemplifies the newest functionalities of multimedia interactive music to be used for valorizing cultural heritage, content and archives that are not currently distributed due to lack of safety, suitable coding models, and conversion technologies. Interactive Multimedia Music Technologies explains new and innovative methods of promoting music and products for entertainment, distance teaching, valorizing archives, and commercial and non-commercial purposes, and provides new services for those connected via personal computers, mobile and other devices, for both sighted and print-impaired consumers.
(source: Nielsen Book Data)
Presents innovative methods of promoting music and products for distance teaching and commercial and non-commercial purposes for both sighted and print-impaired consumers.
(source: Nielsen Book Data)