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Sound recording
1 sound file
Collection
Films Arts Foundation Collection
Sound recording
1 sound file
Collection
Films Arts Foundation Collection

3. Breaking into post-prod [1994] Online

Sound recording
1 sound file
Collection
Films Arts Foundation Collection
Sound recording
1 sound file
Collection
Films Arts Foundation Collection
Sound recording
1 sound file
Collection
Films Arts Foundation Collection
Book
152 pages ; 22 cm.
SAL3 (off-campus storage)
Sound recording
1 sound file
Collection
Films Arts Foundation Collection
Book
1 online resource (1 volume) : illustrations
  • Introduction 1. Editing and Montage: Definition and Scope of Practice 2. Development of Techniques and Theories 3. Spaces, Functions and Possibilities of Editing 4. Cuts, Transitions and Audiovisual Grammar 5. A Theoretical Model of Editing 6. Technological Beginnings and Evolution of Editing 7. Filming with Editing in Mind 8. Editing in Practice 9. Psychological and Perceptual Bases of Editing 10. Research on Editing and Its Effects Bibliography and References.
  • (source: Nielsen Book Data)9781138244078 20170821
Editing and Montage in International Film and Video presents a theoretical and practical approach to the art of editing. In this book, Luis Fernando Morales Morante explores the international history, technology, theory, practical techniques, psychology, and cognitive effects of editing across a range of media from around the world, featuring case studies from film, dramatic television, news media, music videos, commercials, and mobile-delivered formats, from the films of Sergei Eisenstein to Michael Jackson's "Thriller" to coverage of the 2012 U.S. presidential elections. The book includes self-study exercises throughout to help readers put theory into practice.
(source: Nielsen Book Data)9781138244078 20170821
Book
1 online resource (1 volume) : illustrations
  • I. So You're an Assistant, Now What? 1. Deep Assessment 2. Cut, Cut, Cut! II. Discovering the Rules 3. Theory 4. Practical Uses 5. Additional Skills III. Guidelines for Editing Non-Fiction 6. Getting the Facts Right 7. Capturing the Action IV. Words of Wisdom 8. Editor's Paths.
  • (source: Nielsen Book Data)9781138691339 20170502
In JUMP*CUT, the follow-up to the authors' acclaimed Make the Cut, leading film/TV editors and industry veterans Lori Jane Coleman ACE and Diana Friedberg ACE offer editing techniques, insider tips and unwritten rules that contribute to making a great production. They provide both seasoned and aspiring editors with the tools needed to jump*start the next stage of their editing careers, or to break into this challenging industry. Using a mix of practical techniques and career-focused advice, JUMP*CUT covers best practices for editing dramatic motion pictures, episodic television, documentaries and reality TV, taking into account music, sound effects, and dialog. The book is rounded out by interviews with many leading Hollywood editors, including Alan Heim ACE, Michael Tronick ACE and Mary Jo Markey ACE, who share their years of experience and unique paths through the industry.
(source: Nielsen Book Data)9781138691339 20170502

10. 16mm Film Cutting [1975]

Book
1 online resource (1 volume) : illustrations.
  • The Job of Cutting-- Cutting Films Shot with Sound-- Multi-track Equipment-- Synchronisers-- Joining Films-- Animated Viewers-- The Film in the Camera-- Locating Scenes and Takes-- Joining with Tape-- Continuity Cutting-- Optical Effects-- Extending and Fine Cutting the Action-- Superimposed Titles-- Cutting with Wild Sound-- Preparing Sound Effects-- Matching Sound and Picture-- Narration: Pre Recording Matching-- Dubbing: Practice-- Combined Prints-- Preparing the First Show Copy-- Faults Difficult to Remedy-- Moving from Gauge to Gauge-- Recording Film on video-- .
  • (source: Nielsen Book Data)9781136045691 20160711
The film editor can make or break a film. What ends up on the cutting room floor, and why? 16mm Film Cutting is a step-by-step guide to film cutting which shows you how to achieve professional results.The practical side of the editor's job is clearly described and illustrated; breaking down rushes and making a simple join, identifying shots, first assembly, avoiding errors, preparing special effects, instructing the labs, compiling sound tracks and all the other stages in producing the final film. 16mm Film Cutting is an indispensable aid to editors and assistants working in all areas of 16mm film production.
(source: Nielsen Book Data)9781136045691 20160711
Book
279 pages: illustrations; 21 cm.
East Asia Library
Book
xx, 259 p. : ill. ; 23 cm.
This title helps you learn how to use images and sound to tell a motion picture story. This guide reveals how editing affects a motion picture's pace, rhythm, structure, and story, and spells out exactly what an editor does. The tools, methods, and processes of movie editing in any medium are revealed so that readers working with film, video, or digital equipment can apply the principles to all their work, from studio theatrical releases to short for the Internet. Chapters cover the full language of editing, from composite shots and flash cuts to dissolves, reverse angles, and more, a well as various schools of editing thought, including Russian montage, cinema verite, avant-garde cinema, Italian neorealism, and Hollywood continuity.
(source: Nielsen Book Data)9781581158816 20160615
Green Library

13. Editing [2012]

Book
191 p. : ill. (some col.) ; 26 cm.
Green Library
Book
1 online resource (1 v.) : ill.
  • Preface Introduction Titles and Definitions Who Cuts the Film? Smooth Cutting- The Ideal The Cutter Begins You've Got to Have a Reason The Action Cut- and What Makes It Work Keep It Fresh and Fast with the Overlap Trying a Little Harder Cutting Dialogue The Reaction Is What Really Counts If You Can't Make It Smooth, Make It Right Knowing Your Audience Dissolves: Why, How, and If Editing- Simple and Pure More of the Same Rescuing the Actor Where It All Began- The Montage Epilogue Filmography.
  • (source: Nielsen Book Data)9780240517384 20160711
On Film Editing explains, in simple terms, the principles of film editing, using examples and anecdotes. Written in an informal "how-to-do-it" style, renowned director Edward Dmytyrk shares his expertise and experience in film editing in an anecdotal and philosophical way. In On Film Editing, Dmytryk contends that many technicians and professionals on the film crew-- from the cameraman and his assistants to the producer and director-- must understand film editing to produce a truly polished work. In this book he explains in layman's terms the principles of film editing, using examples and anecdotes from almost five decades in the film industry.
(source: Nielsen Book Data)9780240517384 20160711
Book
xxi, 346 p. : ill. ; 24 cm.
Green Library
Video
1 online resource (12 min.)
After the success of the pioneering Art of Documentary Filmmaking workshop held in Yangon, Myanmar in 2005, Anglo-Burmese filmmaker Lindsey Merrison and four experienced documentary editors from Europe and Australia returned in 2006 to mount The Art of Documentary Editing. Some of the young Burmese men and women on this residential course had previous experience of editing but several had never touched an edit suite in their lives.
www.aspresolver.com Alexander Street Anthropology
Video
1 videodisc (75 min.) : sd., col. with b&w sequences ; 4 3/4 in.
A journey through the history of motion picture editing. Led by visionaries of the art and contemporary masters of the craft, the film voyages beyond the cutting edge, unlocking the future of montage and exploring editing as a universal language shaping our perceptions of the world around us.
Media & Microtext Center
Book
xviii, 249 p. : ill. ; 26 cm.
Green Library
Book
147 p. ; 20 cm.
Green Library
Book
1 online resource (177 p.) : ill.

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