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• Disco
• 1. puntate
• 1. Ouverture
• puntate
• 2. Due nell'orchestra
• puntate
• 3. Verso la scuola ideale
• puntate
• 4. Recondita armonia
• puntate
• 5. Mille e una voce
• puntate
• 6. Non tanto per cantare. Disco
• 2. puntate
• 7. Dentro l'eroica
• puntate
• 8. Fuga a più voci
• puntate
• 9. Nuovo mondo
• puntate
• 10. Ballabile
• puntate
• 11. Come teatro
• puntate
• 12. Rondò.

This boxed set includes 2 videodiscs of the television series C'è musica & musicia, devised in 1972 by Luciano Berio for the RAI with Vittoria Ottolenghi as curator and Gianfranco Mingozzi as producer. It is accompanied one book.

This new Met production transfers the opera's tragic events from a decadent 16th-century Italian court to the glitzy, depraved setting of the Las Vegas strip circa 1960.

• No. 1 in B flat major, op. 38 "Spring" (31:07)
• No. 2 in C major, op. 61 (37:20)
• Symphony no. 3 in E flat major, op. 97 "Rhenish" (32:17)
• No. 4 in D minor, op. 120 (30:11)

• Symphony no. 9 in C major, D 944 'Great' (51:20) / Franz Schubert (1797-1828)
• Symphony no. 4 in D major op. 120 (33:40) / Robert Shumann
• Parsifal, Good Friday Music (Enchantment du Vendredi Saint, Karfreitagszauber)(11:10) / Richard Wagner (1813-1883)
• Bonus (2:30): Introductions to the Shubert and Schumann symphonies by William Pierce (voiceover with photo gallery).

Boston Symphony Orchestra; Leinsdorf. Recorded at the Sanders Theatre, Harvard University, on 26 March 1963 (Schubert), 13 Novermber 1962 (Schumann), and at the Symphony Hall, Boston, on 7 January 1964 (Wagner).

• Chroma
• Infra
• Limen.

"The diversity of Wayne McGregor's astonishing talent is demonstrated through Chroma, Infra and Limen, each created for The Royal Ballet, for whom he is resident choreographer. Intimate yet universal, light yet dark, frenetic yet lyrical, McGregor pursues his passion for exploring the inner workings of the human body and mind, his many-layered and beautiful dances providing visual, sensual and kinaesthetic stimulus for the viewer"--Original container.

• Symphony no. 1 in E minor, op. 39
• Symphony no. 2 in D major, op. 43
• Symphony no. 5 in E -flat major, op. 82
• Symphony no. 7 in C major, op. 105.

• Act I: Introduction
• Act I, Scene
• 1: Westwärts schweift der Blick (A young sailor, Isolde, Brangäne)
• Act I, Scene
• 2: Frisch wht der Wind der Heimat zu (A young sailor, Isolde, Brangäne, Kurwenal, Tristan, chorus)
• Act I, Scene
• 3: Weh, ach wehe! Dies zu dulden! (Isolde, Brangäne, chorus)
• Act I, Scene
• 4: Auf! Auf! Ihr Frauen! Frisch und froh! (Kurwenal, Isolde, Brangäne)
• Act I, Scene
• 5: Begehrt, Herrin, was Ihr wünscht (Tristan, Isolde, chorus)
• Act I, Scene
• 5: Tristan! - Isolde! - Treulose Holder! (Isolde, Tristan, chorus, Brangäne, Kurwenal)
• Act II: Introduction
• Act II, Scene
• 1: Hörst du sie noch? (Isolde, Brangäne)
• Act II, Scene
• 2: Isolde! Geliebte! - Tristan! Geliebter! (Tristan, Isolde)
• Act II, Scene
• 2: O sink hernieder, Nacht der Liebe (Tristan, Isolde)
• Act II, Scene
• 2: Einsam wachend in der Nacht (Brangäne)
• Act II, Scene
• 2: Lausch, Geliebter! - Laß mich sterben! (Isolde, Tristan)
• Act II, Scene
• 2: So stürben wir, um ungetrennt (Tristan, Isolde, Brangäne)
• Act II, Scene
• 3: Rette dich, Tristan! (Kurwenal, Tristan, Melot)
• Act II, Scene
• 3: Tatest du's wirklich? Wähnst du das? (Marke, Tristan)
• Act II, Scene
• 3: O König, das kann ich dir nicht sagen (Tristan, Isolde, Melot)
• Act III: Introduction
• Act III, Scene
• 1: Kurwenal! He! Sag, Kurwenal! (A shepherd, Kurwenal, Tristan)
• Act III, Scene
• 1: Dünkt dich das? (Tristan)
• Act III, Scene
• 1: Der einst ich trotzt' (Tristan, Kurwenal)
• Act III, Scene
• 1: Noch ist kein Schiff zu sehn! (Kurwenal, Tristan)
• Act III, Scene
• 1: Bist du nun tot? Lebst du noch? (Kurwenal, Tristan)
• Act III, Scene
• 2: O diese Sonne! Ha, dieser Tag! (Tristan, Isolde)
• Act III, Scene
• 2: Ha! Ich bin's, ich bin's, süßester Freund! (Isolde)
• Act III, Scene
• 3: Kurwenal! Hör! Ein zweites Schiff (A shepherd, Kurwenal, a steersman, Brangäne, Melot, Marke)
• Act III, Scene
• 3: Tot denn alles (Marke, Brangäne)
• Act III, Scene
• 3: Mild und leise wie er lächelt (Isolde)
• End credits

• Car men
• Silent cries
• La cathédrale engloutie.

Car Men: Exactly 20 years separate Jiri Kylian's solo Silent Cries and his black-and-white film, Car Men, made in 2006 in collaboration with the Dutch filmmaker, Boris Paval Cone. What unites the two works is the sheer expressiveness of the dance on the one hand, and the distinctive facial gestures and body language of the dancer Sabine Kupferberg on the other. Kupferberg is the one who pulls the strings in Car Men, victim and plotter in equal measure, prepared at all times to stand up to life's problems – as well as to her three co-actors Escamillo, Don Jose and Micaela – with humor and enigmatic wit. And so at the end of Kylian's unusual, slapstick-like tragicomedy, she simply abandons her three colleagues, self-assured and incorrigible – just like her role model Carmen.
Silent Cries: This video records a performance of Jiri Kylian’s ballet, Silent Cries, danced by the Nederlands Dans Theater.
La Cathédrale Engloutie: This video records a performance of Jiri Kylian’s ballet, La Cathedrale Engloutie, danced by the Nederlands Dans Theater.

• Déjà vu
• Solo
• Kammerballett
• The old man and me
• Frank Bridge variations
• Two pieces for HET.

A collection of dances choreographed by Hans van Manen and performed by 2 Dutch dance companies.

• Six dances (sechs tanze)
• Sweet dreams
• Sarabande
• No more play
• Petite mort
• Falling angels.

The ballets represented in the Black and White series are arresting examples of Jiří Kylián's style and fully justify his reputation as one of the most inventive and daring choreographers on today's dance scene. The vitality of his work is underpinned by a musicality so innate that his dancers and the music they move to seem to spring from the same impulse.

• Firebird
• Pulcinella.

Firebird: Recorded live from the Theatre du Chatelet in Paris, the Kirov Ballet brings to life, once again, the full glory of the Ballets Russes. The Firebird was the fruit of a close collaboration between Mikhail Fokine, composer Igor Stravinsky and stage designer Alexander Golovin. Based on motifs from various Russian fairy tales, this ballet tells of Prince Ivan and the beautiful and mysterious Firebird, This Kirov staging of Fokine's The Firebird recreates the scenery and costumes created for the original production.
Pulcinella: This video records a performance of the ballet, Pulcinella, danced by the Scapino Ballet to music by Igor Stravinsky. This production is based on the traditional comedia dell'arte and mimics the slapstick style of the 19th century Italian farce.

Johann Sebastian Bach was undoubtedly the greatest musical thinker of his age. Dubbed 'the Old Testament of music' by the conductor and pianist Hans von Bülow, The Well-Tempered Clavier is acknowledged to be one of the most significant works ever written for the keyboard. Each of these 24 preludes and fugues encapsulates its own mood, and Bach's delight in mixing technical strictness with freedom of expression has made this work an indispensable element of Western culture for centuries. Sir András Schiff is heralded as one of the finest Bach interpreters today, and this first complete performance at the prestigious BBC Proms was summed up as 'stupendous' by The Independent.

Ze'eva Cohen: Creating A Life In Dance is a model of how an artist can survive in the dance world by carving out an independent path for herself. Primarily narrated by Cohen, the half hour documentary spans 70 years, encompassing her life as a young dancer in Israel, work in the U.S. as soloist with Anna Sokolow's Dance Company, pioneering 12 year solo repertory concerts, choreography for diverse dance companies, as well as work at Princeton University, where she founded and directed the dance program from 1969 to 2009. Following the documentary, this video includes the 28 minute Passing It On: Four Princeton Alumni Look Back - conversations with Jose Mateo '74 (Jose Mateo Dance Theatre), David Rousseve '81 (David Rousseve/REALITY), Jill Sigman '89 *98 (jill sigman/thinkdance), and Mariah Steele '06 (Quicksilver Dance), who reflect on Ze'eva's teaching and profound influence on them and their subsequent careers as dancers and choreographers. Performances include Negotiations (1996), If Eve Had A Daughter: Mother's Tongue/I Love You (1996), Ariadne (1985), Rainwood (1977), and Mothers of Israel (1975) - a few of the full length iconic representations of Ze'eva's 40-year career.

Ze'eva Cohen: Creating A Life In Dance is a model of how an artist can survive in the dance world by carving out an independent path for herself. Primarily narrated by Cohen, the half hour documentary spans 70 years, encompassing her life as a young dancer in Israel, work in the U.S. as soloist with Anna Sokolow's Dance Company, pioneering 12 year solo repertory concerts, choreography for diverse dance companies, as well as work at Princeton University, where she founded and directed the dance program from 1969 to 2009. Following the documentary, this video includes the 28 minute Passing It On: Four Princeton Alumni Look Back - conversations with Jose Mateo '74 (Jose Mateo Dance Theatre), David Rousseve '81 (David Rousseve/REALITY), Jill Sigman '89 *98 (jill sigman/thinkdance), and Mariah Steele '06 (Quicksilver Dance), who reflect on Ze'eva's teaching and profound influence on them and their subsequent careers as dancers and choreographers. Performances include Negotiations (1996), If Eve Had A Daughter: Mother's Tongue/I Love You (1996), Ariadne (1985), Rainwood (1977), and Mothers of Israel (1975) - a few of the full length iconic representations of Ze'eva's 40-year career.