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Among the contributors, Lynda Boose explores the structural implications of Western culture's central daughter-father kinship exchange stories; Leah S. Marcus examines the politics of daughter-father relations in a historical study of Mary I and Elizabeth I as daughters of Henry VIII; and Diane F. Sadoff treats "good girl" novelists George Eliot, Elizabeth Gaskell, and Anne Bronte. Hortense J. Spillers focuses on the incest theme in works by Ralph Ellison and Alice Walker, while David Willbern examines Sigmund Freud's strange alteration of testimonies by women describing seduction by their fathers. Representing a wide range of fields, the authors give special emphasis to daughter-father relationships in British and Americna literature. They discuss the lives and works of such authors as Richardson, Hawthorne, Christina Rossetti, Dickinson, Thackeray, Yeats, Woolf, and Plath. In an afterword, Carolyn G. Heilbrun widens the scope of discussion to suggest that questioning conventional parent-child relationships "may lead to quite other concepts of the family, moving further and further from the oedipal or nuclear family and the system that family-construct inevitably produces.".
(source: Nielsen Book Data)

Some folk are impossible to buy for. Mama said it's because they are usually the ones who are impossible to know... Before is set in Clerys of Dublin, on the very day this iconic department store shuts - for good. Pontius is inside, trying to choose a gift for his estranged daughter, whom he hasn't seen for almost 20 years. He will meet her in an hour. This father's journey is both beautiful and strange, from the isolation of his Midlands home to the madness of O'Connell Street. Before is a new play with much music, which follows the runaway international success of Fishamble's Pat Kinevane Trilogy (Forgotten, Silent and Underneath), which have won Olivier, Scotsman Fringe First, Herald Angel, Argus Angel, Adelaide Fringe and Stage Raw LA awards. This edition was published to coincide with the original production which was first produced by Fishamble: The New Play Company in November 2018.
(source: Nielsen Book Data)

My dad is a superhero. No one else knows 'cos it has to stay a secret. Alistair McDowall's play is a funny and poignant one-man show that thrusts us into the life of Britain's only part-time superhero. Struggling to balance his family responsibilities and more conventional job with defeating super-villains and rescuing families from burning buildings, Captain Amazing represents how all parents strive to be heroes in the eyes of their children. Discover this man's origins, his family life, and how even the invincible aren't immune to tragedy. Captain Amazing received its world premiere at the Edinburgh Festival Fringe 2013, starring Mark Weinman, and directed by Clive Judd. It was revived for a national tour from March 2014. '[He] is the kind of man you wouldn't look twice at in the street: balding; stooped; tentative. He's skating over the surface of life, marking time with his job at B&Q, barely acquiring possessions, not speaking to his alcoholic father. And then he meets a woman who does look twice at him; who gives birth to their daughter, Emily, and suddenly Emily is convinced that her beloved father is a superhero.' Daily Telegraph.
(source: Nielsen Book Data)

• Volume
• 1. One rainy day in May
• volume
• 2. Into the forest
• volume
• 3. Honeysuckle & pain
• volume
• 4. Hades
• volume
• 5. Redwood.

From the universally acclaimed, genre-busting author of House of Leaves comes a new book as dazzling as it is riveting ... A page-turner from start to finish, ranging from Southeast Asia to Mexico to Venice, Italy, and Venice, California, with characters as diverse as a therapist-in-training whose daughters prove far more complex than her patients, an ambitious East-L.A. gang member hired for violence, two scientists on the run in Marfa, Texas, a recovering addict in Singapore summoned by a powerful but desperate billionaire, a programmer near Silicon Beach whose game engine just might augur far more than he suspects, and at the very heart a 12-year-old girl who one rainy day in May sets out from Echo Park to get a dog only to find something else ... something that will not only alter her life but threaten the world we all think we know and the future we take for granted.

Nathan Staples is a man in pain: consumed by loathing and love in roughly equal measure. He is sustained only by his devotion to his estranged wife and their teenage daughter, who thinks he's dead having not seen him for 15 years. His path to grace is strewn with obstacles and challenges.
(source: Nielsen Book Data)

It all starts with the death of Martijn van Vliet's wife. His grief-stricken young daughter, Lea, cuts herself off from the world, right up until the day that she hears a snatch of Bach being played on a violin by a busker. Transfixed by the sweet melody, she emerges from her mourning, vowing to learn the instrument. Lea's all-consuming passion is matched by talent, and she becomes one of the finest players in the country - but as her fame blossoms, her relationship with her father only withers. Desperate to hold on to Lea, Martijn is driven to commit an act that threatens to destroy both him and his daughter.
(source: Nielsen Book Data)

Interconnected stories depicting the last years of a WWII bomber pilot, his relationship with his daughter as both child and adult, and his drift into infirmity and death. When life dwindles to its irrevocable conclusion, recollections are illuminated, even unto the grave. Such is the narrative of Paradise Field: A Novel in Stories , whose title is taken from a remote airfield in the American Southwest, and while the father recalls his flying days, his daughteraEURO"who nurses the old manaEURO"reflects as well. Pamela Ryder's stories vary in style and perspective, and time lines overlap as death advances and retreats. This unique and shifting narrative explores the complexities of a relationship in which the fatheraEURO"who has been a high-flying outsideraEURO"descends into frailty and becomes dependent upon the daughter he has never really known. The opening story, i?1/2Interment for Yard and Garden, i?1/2 begins as a simple handbook for Jewish burial and bereavement, although the narrator cannot help but reveal herself and her motives. From there, the telling begins anew and unfolds chronologically, returning to the adult daughter's childhood: a family vacation in France, the grotesqueries of the dinner table, the shadowy sightings of a father who has flown away. A final journey takes father and daughter back to the Southwest in search of Paradise Field. Their travels through that desolate landscape foreshadow the father's ultimate decline, as portrayed in the concluding stories that tell of the uneasy transformation in the bond between them and in the transcendence of his demise. Taken together, the stories in Paradise Field are an eloquent but unsparing depiction of infirmity and death, as well as solace and provocation for anyone who has been left to stand graveside and confront eternity.
(source: Nielsen Book Data)

"Loo is twelve when she moves back to the New England fishing village of her early youth. Her father, Hawley, finds work on the boats, while she undergoes the usual heartaches of a new kid in school. But lurking over Loo are mysteries, both of the mother who passed away, of the grandmother she's forbidden to speak to. And hurtling towards both father and daughter are the ghosts of Hawley's past. Before Loo's birth, he was a professional criminal engaged in increasingly elaborate and dangerous underworld schemes. Life on the road was harsh - Samuel Hawley took "twelve bullets" in his brutal career. The scars have healed, but there is a reckoning still to come"-- Provided by publisher.

'Reunion' is a short, but touching play which shows the meeting between a father and daughter after nearly twenty years of separation