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• Einleitung
• Handwerker
• Bildung und Theologie
• Magistraten-Laufbahn
• Militärkarriere
• Kaufleute
• Junker
• Oberschicht
• "Patriziat"
• Privilegien
• Zusammensetzung
• Lebensweise
• Landhäuser
• Kulturelles und festliches Leben
• Persönlicher Auftritt
• Bildung und Reisen
• Finanzen
• Zu den Biographien
• Ursprung
• Linie I
• Stammvater Ulrich (I) 1552
• Stamm Johannes (2) 1536-1575
• Stamm Jakob (3) 1538-1605
• Ast Georgr (9) 1566-1626
• Zweig Rudolf (17) 1589-1657
• Johann Caspar (79) 1705-1768
• Die Familienstiftung
• Zweig Caspar (18) 1594-1660
• Zur Frühgeschichte des Berichthauses
• Zweig Johann Jakob (128) 1769-1840
• Zweig Jakob (34) 1633-1680
• Ast Johann Jakob (10) 1569-1638
• Ast Rudolf (11) 1571-1622
• Ast Heinrich (12) 1575-1630
• Zweig Jacob (25) 1602-1668
• Zweig Heinrich (26) 1617-1669
• Stamm Hans Heinrich (4) 1540-nach 1600
• Stamm Peter (5) 1544-1611
• Linie II bis linie V
• Anhang
• Dank
• Abkürzungen und Siglen
• Anmerkungen
• Literatur und Quellen
• Genealogie
• Erste Zürcher Linie, blühend
• Zweite Zürcher Linie, um 1570 erloschen
• Dritte Zürcher Linie, 1793 erloschen
• Vierte Zürcher Linie, 1578 erloschen
• Fünfte Zürcher Linie, 1694 erloschen
• Abbildungsnachweis
• Register der Namensträger
• der Ehefrauen
• der Tochtermänner
• Beilage : Zusammenstellung der ersten Zürcher Linie.

Conventional accounts of the Scramble for Africa tend to focus on European diplomacy and acts of African 'resistance'. We rarely find detailed accounts of what it meant to individual Africans to be turned almost overnight into colonial subjects. "An African Family Archive" presents a unique case: a letterbook ("Grand Livre Lolame") written in English by the Lawsons of Aneho, a small town on the coast of Togo. Although the Lawsons were not the only family in Africa to have kept an archive since the mid-nineteenth century, this is probably the first attempt to publish such a source in its entirety. This fascinating collection of over 700 documents allows us to follow the Lawsons week-by-week through events such as, the transition from participation in the Atlantic slave trade to 'legitimate trade' and the efforts of King G. A. Lawson III to prevent Aneho ("Little Popo") and its surroundings from becoming part of a French or German colony. The letterbook remains in the private possession of the Lawson family to this day. Containing documents ranging from the early nineteenth to early twentieth centuries, this volume sheds significant light on this period and will be of essential interest to students and researchers of African history.
(source: Nielsen Book Data)

本书在学术研究视阈的探索中, 明确提出"六朝东山谢氏"说.

• Zum Geleit
• Vorwort
• Stammvater Andreas Wegelin-Schegg (um 1550-60-1614) und die Nachfahren von Stadtpfarrer Bartholome Wegelin-Zollikofer (1621-1684)
• Von Ravensburg nach St.Gallen
• Im Dienste der Kirche
• Am Hofe Friedrichs des Grossen
• Christoph Wegelin-Spengler (1617-1682), der erste Kaufmann in der Familie
• Vorteilhafte Heiraten
• Hilfe für die "Frommen, Sparsamen und Rechtschaffenen"
• Ein Wegelin wird Bürgermeister
• Bestelltes "Hochzeitscarmen"
• Andreas Wegelin-Schlumpf (1720-1763) und die Gerichtsherrschaft "Thurberg"
• Das geschenkte Schloss
• Ehevertrag zwischen zwei Familien
• Postdirector Wegelin
• Der Verkauf des "Thurberg"
• Die Familie von Bankier Emil Wegelin-Wild (1831-1908)
• Die Wegelin und die älteste Schweizer Bank
• Vermögensverwaltung wird wichtiger
• Plötzliches Ende
• Der Arzt Carl Wegelin-Stein (1832-1878) und seine Nachkommen
• Todbringende Cholera
• Mitbegründer des St.Galler Kantonsspitals
• Hochzeitsessen im "Nothveststein"
• In den Fussstapfen des Vaters
• Vom Gerichtsschreiber zum Präsidenten des Kantonsgerichts
• Der Vaterstadt St.Gallen verpflichtet
• Was bleibt?
• Dank
• Anhang
• Stammtafel Wegelin (Übersicht)
• Zeittafel Familie Wegelin
• Quellenangaben
• Archive
• Literatur
• Bildnachweis
• Anmerkungen.

Chronicles that retrace the path of two young people of Lusitanian origins who made Brazil their homeland and built family and roots.

Despite this famous protestation in a letter to his friend William Jackson, Gainsborough was clearly prepared to make an exception when it came to making portraits of his own family and himself. This book, and the major exhibition it accompanies, features a dozen portraits of his daughters Mary and Margaret, the same number of himself and his wife Margaret (though, perhaps tellingly, only one of the couple together), as well as works depicting four of his five siblings, his handsome nephew Gainsborough Dupont (who became his studio assistant) , an aunt and uncle, several in - laws and - last, but not least - his beloved dogs, Tristram and Fox. Spanning more than four decades, Gainsborough's family portraits chart the period from the mid - 1740s, when he plied his trade in his native Suffolk , through his time in Bath ( 1758 - 74 ), when he established hi mself with a rich and fashionable clientele , to his most successful latter years at his luxuriously appointed studio in London's We st End. Alongside this story of a provincial 18th - century artist's rise to fame and fortune runs a more private narrative, ab out the role of portraiture in the promotion of family values, at a time when these were assuming a recogni s ably modern form. In the first of three introductory essays, David H. Solkin writes on Gainsborough himself, placing his family portraits in the context of earlier practice - including that of the Flemish master Peter Paul Rubens and British portraitists from Mary Beale to Joseph Highmore . Ann Bermingham explores Gainsborough's portraits of his daughters, with particular reference to two finished double portraits painted seven years apart and the tragic story arising from them. Susan Sloman discusses Margaret's role as her husband's business manager, its effect on the family dynamic and hence the visual representation of its members.
(source: Nielsen Book Data)