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• Introduction: mock-documentary and the subversion of factuality
• factual discourse and the cultural placing of documentary
• recent transformations of the documentary genre
• a cousin for the drama-documentary - situating the mock-documentary
• building a mock-documentary schema
• a suggested genelogy
• degree one - parody
• degree two - critque and hoax
• degree three - deconstruction.
• (source: Nielsen Book Data)

The authors examine the mock-documentary through the specific relationship which the form constructs with documentary. This is part of a wider discussion of the increasingly fragile association between factual codes and conventions and the discourses which underpin the documentary genre. Their analysis includes detailed discussions of a number of key mock-documentary texts ranging from Woody Allen's "Zelig", Peter Greenway's "The Falls" and the Beatles spoof "The Rutles" through to such classic examples as "Bob Roberts", "This is Spinal Tap" and "Man bites Dog".
(source: Nielsen Book Data)

With insight and levity, COMPLAINTS OF A DUTIFUL DAUGHTER chronicles the various stages of a mother's Alzheimer's Disease and the evolution of a daughter's response to the illness. The desire to cure the incurable-to set right her mother's confusion and forgetfulness, to temper her mother's obsessiveness-gives way to an acceptance which is finally liberating for both daughter and mother. Neither depressing nor medical, COMPLAINTS OF A DUTIFUL DAUGHTER is much more than a story about Alzheimer's and family caregiving. It is ultimately a life-affirming exploration of family relations, aging, change, memory, and love.

CORPUS is a moving tribute to Selena, the Tejana superstar gunned down in 1995 at the age of 23 as she was on the brink of blockbuster crossover fame. While the story of her murder, which was filled with sex, glamour and betrayal, caught the attention of many outside the Chicano community, this film moves well beyond the sensational to present a nuanced feminist analysis of Selena's story.. Award-winning filmmaker Lourdes Portillo (SEÑORITA EXTRAVIADA, LAS MADRES: THE MOTHERS OF PLAZA DE MAYO) intersperses Filmclips of rare home movies, family photos, and glossy music videos from later in Selena's career with lively conversations with her father, sister and Latina intellectuals that shed light onto just who Selena was and what makes her such a powerful figure today. She also interviews ordinary people in Selena's hometown of Corpus Christie, including starry-eyed teenaged fans and tearful strangers who visit her grave. With a compassionate lens, Portillo places Selena's life and legacy in a cultural context, revealing powerful social forces that transformed a popular entertainer into a Chicana cultural icon turned modern-day saint.

Albertina Carri's THE BLONDS is a look at Argentina's recent history from the perspective of a generation forced to mourn those of whom they have no recollection. Carri, who lost her parents to Argentina's brutal military junta when she was three years old, travels through Buenos Aires with her crew to unravel the factual and emotional mysteries of her parents' life, disappearance and death. Traces of Carri's family emerge, colored by sharply conflicting perspectives. Who were the Carris? How did they disappear? Were they blonde, brunette, parents, heroes or merely a fiction of those who remember them? Crossing the line between documentary and fiction filmmaking, Carri enlists an actor, her parents' former comrades, fading photographs and happy Playmobil dolls to investigate her parents' untimely end. In the end, merging fact, rumor and imagination, Carri succeeds in reconstructing both her parents' history and her own construction of them. Emotionally fraught and intellectually provocative, THE BLONDS has resonance far beyond the tragic history of Argentina's dirty war.

These 18 essays examine the relationships between narrative fiction films and documentary filmmaking, focusing on how each influenced the other and how the two were merged in diverse films and shows. Topics include the docudrama in early cinema, the industrial film as faux documentary, the fear evoked in 1950s science fiction films, the selling of "reality" in mockumentaries, and reality TV and documentary forms.
(source: Nielsen Book Data)

On April 2nd, 2011, LCD SOUNDSYSTEM played its final show at Madison Square Garden. LCD frontman James Murphy had made the conscious decision to disband one of the most celebrated and influential bands of its generation at the peak of its popularity, ensuring that the band would go out on top with the biggest and most ambitious concert of its career.. The instantly sold out, near four-hour extravaganza did just that, moving the thousands in attendance to tears of joy and grief, with New York Magazine calling the event "a marvel of pure craft" and TIME magazine lamenting "we may never dance again." SHUT UP AND PLAY THE HITS is simultaneously a document of a once-in-a-lifetime performance and an intimate portrait of Murphy as he navigates both the personal and professional ramifications of his decision.. Official Selection at Sundance Film Festival and SXSW Film Festival. "...This isn't just a film about LCD Soundsystem. It's for anyone who's woken up feeling older than yesterday, and questioned what they're doing with their lives...the human condition never sounded so good." - NME

Mark Landis has been called one of the most prolific art forgers in US history. His impressive body of work spans thirty years, covering a wide range of painting styles and periods that includes 15th Century Icons, Picasso, and even Walt Disney. And while the copies could fetch impressive sums on the open market, Landis isn't in it for money. Posing as a philanthropic donor, a grieving executor of a family member's will, and most recently as a Jesuit priest, Landis has given away hundreds of works over the years to a staggering list of institutions across the United States. ..But after duping Matthew Leininger, a tenacious registrar who ultimately discovers the decades-long ruse and sets out to expose his philanthropic escapades to the art world, Landis must confront his own legacy and a chorus of museum professionals clamoring for him to stop...ART AND CRAFT starts out as a cat-and-mouse art caper, rooted in questions of authorship and authenticity-but what emerges is an intimate story of obsession and the universal need for community, appreciation, and purpose.

In the infancy of hip-hop, Brooklyn-born photographer Jamel Shabazz documented the pioneers of music and style who would launch an enduring worldwide phenomenon. In JAMEL SHABAZZ STREET PHOTOGRAPHER Charlie Ahearn (director of the seminal graffiti movie Wild Style) pays tribute to both Shabazz and those who defined hip-hop before it had definition. ..More than just vintage shots of kids rocking sneakers and savvy street style in Times Square and Fort Greene Park, Shabazz's photographs have hundreds of stories behind them, and Ahearn's film gives voice to these images with intimate interviews with Shabazz himself, graffiti pioneer and hip-hop historian Fred "Fab 5 Freddy"Brathwaite, legendary rapper KRS-One, and many others.

How does artist Matthew Barney use 45,000 pounds of petroleum jelly, a factory whaling vessel, and traditional Japanese rituals to create an art project? Barney plowed the waters off the coast of Nagasaki to film his massive endeavor, Drawing Restraint 9 (2005). The immersive documentary Matthew Barney: No Restraint journeys to Japan with Barney and his collaborator Bjork as the visual artist creates a narrative sculpture, telling a fantastical love story of two characters that transform from land mammals into whales.

A long-overdue look at one of the most influential and enigmatic figures in rock history.The film explores his music and career, from his early days as a jobbing bass player on the Sunset Strip, to mega-stardom in Britain's swinging 60's pop scene as lead singer of The Walker Brothers, to his evolution into one of the most astonishing soundmakers of the last few decades...He's 63 years old and released his first album in over 10 years, "The Drift"on 4 A.D. Records last year to wide-spread critical acclaim. The film features exclusive behind-the-scenes footage of the making of the album as well as interviews with friends, collaborators, and fans including, among others:..David Bowie, Radiohead, Jarvis Cocker (Pulp), Brian Eno, Damon Albarn (Blur, Gorillaz), Neil Hannon (The Divine Comedy)(DVD only), Marc Almond, Alison Goldfrapp, Sting, Dot Allison, Simon Raymonde (Cocteau Twins), Richard Hawley, Rob Ellis, Johnny Marr (The Smiths/Modest Mouse), Gavin Friday, Lulu, Peter Olliff, Angela Morley, Ute Lemper, Ed Bicknell, Evan Parker, Hector Zazou, Mo Foster, Phil Sheppard, Pete Walsh, and more.

Teenagers didn't always exist. They had to be invented. As the cultural landscape around the world was thrown into turmoil during the industrial revolution, and with a chasm erupting between adults and youth, the concept of a new generation took shape. Whether in America, England, or Germany, whether party-crazed Flappers or hip Swing Kids, zealous Nazi Youth or frenzied Sub-Debs, it didn't matter - this was a new idea of how people come of age. They were all "Teenagers."..A hypnotic rumination on the genesis of youth culture from the end of the 19th century to the first half of the 20th, TEENAGE is a living collage of rare archival material, filmed portraits, and diary entries read by Jena Malone, Ben Whishaw, and others. Set to a a shimmering contemporary score by Bradford Cox (Deerhunter / Atlas Sound), TEENAGE is a mesmerizing trip into the past and a riveting look at the very idea of "coming-of-age."

Made up of intimate, revelatory footage of the singular author and poet filmed over the course of five years, Howard Brookner’s 1983 documentary about William S. Burroughs was for decades mainly the stuff of legend; that changed when Aaron Brookner, the late director’s nephew, discovered a print of it in 2011 and spearheaded a restoration.. Now viewers can enjoy the invigorating candidness of Burroughs: The Movie, a one-of-a-kind nonfiction portrait that was brought to life with the help of a remarkable crew of friends, including Jim Jarmusch and Tom DiCillo, and that features on-screen appearances by fellow artists of Burroughs’s including Allen Ginsberg, Herbert Huncke, Patti Smith, and Terry Southern..

Called the greatest rock film ever made, this landmark documentary follows the Rolling Stones on their notorious 1969 U.S. tour.. When three hundred thousand members of the Love Generation collided with a few dozen Hells Angels at San Francisco’s Altamont Speedway, Direct Cinema pioneers David and Albert Maysles and Charlotte Zwerin were there to immortalize on film the bloody slash that transformed a decade’s dreams into disillusionment..

Six years in the making, filmed in a dozen countries, this is a poetic essay film on the full range from the pleasures and dangers of overeating to the tragedies of world hunger.. Let Them Eat Cake is not your typical documentary. It is a poetic essay that takes you on a journey through twelve countries, exploring the contrast between pastry making and consumption in various parts of the world. While in some parts of the world those who farm the ingredients for pastries can't even afford them, in Paris, Tokyo and Los Angeles, lavish pastries adorn the shelves of pastry shops along the streets. Written and directed by award-winning director Alexis Krasilovsky, Let Them Eat Cake addresses the planetary emergency of too little food, while seducing the viewer with the lavish traditions and beauty of pastry and cake-making that call us back to the roots of our childhood..

Les Blank considered this free-form feature documentary about beloved singer-songwriter Leon Russell, filmed between 1972 and 1974, to be one of his greatest accomplishments. Yet it has not been released until now. Hired by Russell to film him at his recording studio in northeast Oklahoma, Blank ended up constructing a unique, intimate portrait of a musician and his environment.. Made up of mesmerizing scenes of Russell and his band performing, both in concert and in the studio, as well as off-the-cuff moments behind the scenes, this singular film—which also features performances by Willie Nelson and George Jones—has attained legendary status over the years. It’s a work of rough beauty that serves as testament to Blank’s cinematic daring and Russell’s immense musical talents..

In 2002, Mukhtar Mai, a rural Pakistani woman from a remote part of the Punjab, was gang-raped by order of her tribal council as punishment for her younger brother's alleged relationship with a woman from another clan. Instead of committing suicide or living in shame, Mukhtar spoke out, fighting for justice in the Pakistani courts-making world headlines. Further defying custom, she started two schools for girls in her village and a crisis center for abused women. Mukhtar, who had never learned to read but knew the Koran by heart, realized that only a change in mentality could break brutal, archaic traditions and social codes. Her story, included in the bestseller "Half the Sky" by Nicholas D. Kristof and Sheryl WuDunn, and the subject of Mukhtar's own memoir, "In the Name of Honor", has inspired women across the globe.

BETWEEN THE LINES offers rare interviews with over 15 major Asian-Pacific American women poets. Organized in interwoven sections such as Immigration, Language, Family, Memory, and Spirituality, it is a sophisticated merging of Asian-American history and identity with the questions of performance, voice, and image. This engaging documentary serves as poetry reading, virtual anthology, and, perhaps most importantly, moving testimony about gender, ethnicity, aesthetics, and creative choice. The carefully edited interviews and poems read reflect the filmmaker's desire to show both individual voice and diversity within the Asian-American women's community. Theoretically as rich as the images and poems provided, there is also an implicit conversation in the video about the possibility and usefulness of an Asian-American women's aesthetic/poetic. Using carefully selected archival images, historical footage, and brilliant photography as the scrim through which we hear the poets, BETWEEN THE LINES provides important and lively viewing for literature, history, ethnic and women's studies classes." - Joseph Boles, Visiting Scholar, Center for Visual Culture, Bryn Mawr

A CRUSHING LOVE, Sylvia Morales' sequel to the groundbreaking CHICANA (1979), honors the achievements of five activist Latinas-labor organizer/farm worker leader Dolores Huerta, author/educator Elizabeth "Betita" Martinez, writer/playwright/educator Cherrie Moraga, civil rights advocate Alicia Escalante, and historian/writer Martha Cotera - and considers how these single mothers managed to be parents and effect broad-based social change at the same time.. Questions about reconciling competing demands are ones that highly acclaimed filmmaker Sylvia Morales, a working mother of two herself, pondered aloud as she prepared this documentary. Historical footage and recent interviews with each woman reveal their contributions to key struggles for Latino empowerment and other major movements of our time. Both they and their grown children thoughtfully explore the challenges, adaptations, rewards, and missteps involved in juggling dual roles. Scenes of Morales at work and at home, often humorously overlaid with her teenage daughter's commentary, bring the dilemma up to date. Chicana continues to be used in classrooms more than thirty years after it was made; A CRUSHING LOVE is a memorable sequel which offers us indelible portraits of unforgettable women, including one of Morales herself.