%{search_type} search results

"Children tend their water buffalo near fierce fighting, Krek, Cambodia, 1971"--Description stamped on verso

• Preface
• Introduction / by Roxane Gay
• Visibility
• Love
• Pride
• Protest.

This powerful collection-which captures the energy, humour and humanity of the ground-breaking protests that surrounded the Stonewall Riots-celebrates the diversity of the LGBT rights movement, both in the subjects of the photos and by presenting Kay Tobin Lahusen and Diana Davies' distinctive work and perspectives in conversation with each other. A preface, captions and part introductions from curator Jason Baumann provide illuminating historical context. And an introduction from best-selling author Roxane Gay speaks to the continued importance of these iconic photos of resistance.
(source: Nielsen Book Data)

• Ás de espadas / Fernando Farinha
• Ás de ouros / Daniel Gouveia
• Ás de paus / Conde Falcão
• Ás de copas / Pedro Cunha
• Dama de copas / Maria Morais

A portrait of Canadian conceptual photographer Michelle Normoyle. Through the use of an arcane photographic process, Normoyle transforms images from popular culture to reveal the myths and archetypes hidden beneath the surface of mass media.

A young woman photographer shows and discusses her own work (mostly female nudes).

• Contents: Foreword
• Content page
• Chapter 1: God's Own Army
• Chapter 2: The Spirit of the Tattoo
• Chapter 3: Return of the Lost Souls
• Chapter 4: Bloody Passion
• Chapter 5: The Chosen One
• Chapter 6: Married to the Spirits
• Chapter 7: Pierced Horses
• Chapter 8: Trance on the Edge
• Chapter 9: Mountain of Fear
• Chapter 10: Rangda's Revenge
• Chapter 11: Skywalkers
• Chapter 12: Mistress of the Spirits
• Chapter 13: Staircase to Heaven
• Chapter 14: Crocodile Biting.
• (source: Nielsen Book Data)

Divine Encounters is a photographic odyssey exploring an Asia hiding in plain sight, resilient and vibrant. For just behind the neon signs, the marble and stainless-steel facades, the luxury cars and glitzy shopping malls, lies a different world. A world revealing itself through elaborate spirit rituals, blood-curdling ceremonies and exuberant festivals taking place all over the continent.
(source: Nielsen Book Data)

The photographs in this book were taken between 2012-2019. They were selected from a body of work documenting my two youngest siblings. As their older sister of 13+ years, I began photographing them from a place of nostalgia. Our special bonds have their own rhythm, power, and magic that only belong to us. This work provides a glimpse into our world. One full of play and innocence, that grants refuge and solidarity in the face of traumas and struggles unique to us as Black youth in America

Every city has a shadow. Every town has a Drake. For four years Tamara Reynolds immersed herself in the lives of the people existing just above survival on one square block in the shadows of the Drake Motel in Nashville, Tennessee. Although the historic motel has a storied past with rumoured visits by Elvis Presley and as a popular location for film shoots with stars such as River Phoenix and Dolly Parton, in The Drake Reynolds turns her lens on those less known living with addiction on the margins of society. Tamara Reynolds "weave[s] into [her] compelling images a sense of urgency... I am in awe whenever I encounter a body of work that seems to open up new paths towards understanding the world arounds us"--Sarah Hermanson Meister, former Curator, Department of Photography, MOMA. Tamara Reynolds is a documentary photographer whose unflinching eye considers what it is like to be human in today's society. In particular, her work focuses on the lives of those who are usually unseen. The work has already received significant acclaim and numerous awards, including a Guggenheim Fellowship Grant for 2021, the prestigious Santa Fe Center Project Launch Grant, a Tennessee Arts Commission Individual Artist Grant, a Puffin Grant, and the 2021 BarTur Photo Award: Faces of Humanity

Self-taught photographer Hugh Mangum was born in 1877 in Durham, North Carolina, as its burgeoning tobacco economy put the frontier-like boomtown on the map. As an itinerant portraitist working primarily in North Carolina and Virginia during the rise of Jim Crow, Mangum welcomed into his temporary studios a clientele that was both racially and economically diverse. After his death in 1922, his glass plate negatives remained stored in his darkroom, a tobacco barn, for fifty years. Slated for demolition in the 1970s, the barn was saved at the last moment-and with it, this surprising and unparalleled document of life at the turn of the twentieth century, a turbulent time in the history of the American South. Hugh Mangum's multiple-image, glass plate negatives reveal the open-door policy of his studio to show us lives marked both by notable affluence and hard work, all imbued with a strong sense of individuality, self-creation, and often joy. Seen and experienced in the present, the portraits hint at unexpected relationships and histories and also confirm how historical photographs have the power to subvert familiar narratives. Mangum's photographs are not only images; they are objects that have survived a history of their own and exist within the larger political and cultural history of the American South, demonstrating the unpredictable alchemy that often characterizes the best art-its ability over time to evolve with and absorb life and meaning beyond the intentions or expectations of the artist.
(source: Nielsen Book Data)

"[A] documentary photo-book that recounts and describes - through photographs taken by Padula himself 30 years ago - [his experiences] learning about the life of the Yanomami indigenous people, during a trip through the Upper Orinoco." --Fedecámaras article by Victor Peña (Mar. 21, 2018) [cataloger's translation]. http://fedecamarasradio.com/ipa-wayumi-viaje-fotografico/

• 1. Māsharu Shotō jūmin to Nihon maguro gyosen norikumiin
• 2. Amerika hibaku moto heishi to hibaku jūmin

• 1. マーシャル諸島住民と日本マグロ漁船乗組員
• 2. アメリカ被ばく元兵士と被ばく住民

The modern civil rights movement rapidly came to prominence after World War II, coalescing around the demand to repeal Jim Crow laws and promote a vision of a just, multiracial society. The vast majority of civil rights organizations practiced assertive nonviolence to meet these goals. Nevertheless, opponents often met their activism with violence and intimidation. Like those who marched, protested, and organized for civil rights and social justice, photojournalists put themselves in great danger. The Briscoe Center for American History's exhibit, Struggle for Justice: Four Decades of Civil Rights Photography, which was displayed on the University of Texas at Austin campus, celebrated the legacy of those photographers. The material walked visitors through much of the civil rights era and provided a lesson both inspiring and challenging: that social progress is possible when one values it above personal comfort and safety. Now in book form, Struggle for Justice honors the photographers who were willing to put their privilege on the line to document the discrimination of others and, by doing so, helped to galvanize public support for the civil rights movement.
(source: Nielsen Book Data)

"A series of still shots tiled together into a video. They are self-portraits of the artist taken one a day from age 24 through age 44 to document the changes to her body over time"--ArtBeat-al.com website.

Henry Clark Rouse accompanied General Nelson A. Miles on a world tour setting out from San Francisco on October 1, 1902, and returning to New York, February 15, 1903. The album focuses on the military inspection and diplomatic tour of Hawaii, Guam, the Philippines, Japan, China, and concludes with the journey on the Trans-Siberian Railway. This privately printed work is illustrated lavishly with photographs taken on the trip. The photographs are particularly rich in depictions of daily life and military installations in the Philippines, where the party spent three weeks sailing between the islands and this section comprises the bulk of the photographic and textual content of the work. Photographs from China include locations in Hong Kong, Canton and Peking (Beijing) and the Great Wall. Two photographs of the aftermath of a public execution in the streets of Peking are also present.

This collection consists of approximately 1772 photographs taken by Mark Ruwedel. A wide variety of photographic processes are represented in the collection, including gelatin silver prints, cyanotypes, digital prints, color prints, artist books, Polaroid prints, print-on-demand books, inkjet prints, silkscreen, and mixed media.

• Introducción = Introduction
• Qué pasó en Chile en octubre de 2019 = Chile during October of 2019
• Las causas de la Revolución de Octubre = Causes of October Revolution
• La represión del gobierno = Repression by the government
• ¿Qué es la Primera Línea? = What is the Front Line?
• Las y los combatientes = Fighters
• Cronología = Chronology
• Glosario = Glossary
• Epílogo = Epilogue