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- Cousins, Mark.
- Burlington, MA : Focal Press, 2013.
- Description
- Book — 1 online resource (xvi, 244 pages) : illustrations
- Summary
-
- Introduction
- 1. Mastering Tools
- 2. Mastering
- 3. DAW and Plug-in Comparison
- 4. Creating & Managing Loudness
- 5. Editing
- 6. Making a Product
- 7. Knowledgebase: Listening is Key.
- (source: Nielsen Book Data)
- Prelims About this book An Introduction to Mastering
- Introduction Setting the scene on a practical level. Why engage in mastering? What can users expect to achieve from using their own equipment. What is mastering? Why self-master? History of Mastering: The early days Original Media - The need for dynamic containment Cutting pre-mastering creative mastering the CD age Through the 90's to 00's - Louder....louder....louder > > > The future holds...
- Mastering Tools Professional Mastering v. Project Studio Mastering Professional Studio: (as scene setter) DAW A/D D/A Monitoring Desk
- (source: Nielsen Book Data)
(source: Nielsen Book Data)
Guiding you through the history and emergence of modern mastering techniques, then providing practical hints and tips on how to use them in your set up, Practical Mastering is the book for anyone wanting to master this elusive art form. Providing you with solid mastering theory underpinned by years of professional experience and hands-on advice to getting the most out of your set up. Using years of practical and professional experience, Mark and Russ offer a discussion of how to effectively listen to and interpret post-mix tracks, showing you how to pick out areas of the mix that could be optimized or need development. Backing this up with professional tips and tricks on how to develop and fine tuning your hearing skills. Honing your ears to efficiently and effectively listen to your mixes and create perfectly polished master tracks.
(source: Nielsen Book Data)
- Cousins, Mark.
- London ; New York : Wallflower Press, 2008.
- Description
- Book — xii, 232 p. : ill. ; 24 cm.
- Online
Green Library
Green Library | Status |
---|---|
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PN1995.9 .S6 C68 2008 | Unknown |
3. The story of film [2004]
- Cousins, Mark.
- London : Pavilion, 2004.
- Description
- Book — 512 p. : ill. (some col.) ; 25 cm.
- Summary
-
The Story of Film is the most accessible and compelling history of the medium yet published. Film critic, producer and presenter, Mark Cousins shows how film-makers are influenced both by the historical events of their times, and by each other. He demonstrates, for example, how Douglas Sirk's Hollywood melodramas of the 1950s influenced Rainer Werner Fassbinder's despairing visions of 1970s Germany; and how George Lucas' Star Wars epics grew out of Akira Kurosawa's The Hidden Fortress. The Story of Film is divided into three main epochs: Silent (1885-1928), Sound (1928-1990) and Digitial (1990-Present), and within this structure films are discussed within chapters reflecting both the stylistic concerns of the film-makers and the political and social themes of the time. Film is an international medium, so as well as covering the great American films and film-makers, the book explores cinema in Europe, Africa, Asia, Australasia and South America, and shows how cinematic ideas and techniques cross national boundaries. Avoiding jargon and obscure critical theory, the author constantly places himself in the role of the moviegoer watching a film, and asks: 'How does a scene or a story affect us, and why?' In so doing he gets to the heart of cinematic technique, explaining how film-makers use lighting, framing, focal length and editing to create their effects. Clearly written, and illustrated with over 400 stills, including numerous sequences explaining how scenes work, The Story of Film is essential reading for both film students and the general moviegoer.
(source: Nielsen Book Data)
- Online
Green Library
Green Library | Status |
---|---|
Find it Stacks | Request (opens in new tab) |
PN1993.5 .A1 C68 2004 | Unknown |
- Cousins, Mark.
- London : L. King Pub., 2002.
- Description
- Book — 191 p. : ill. (chiefly col.), ports. (chiefly col.) ; 25 cm.
- Summary
-
- Introduction-- 1940s-- 1950s-- 1960s-- 1970s-- 1980s-- 1990s-- Index-- Bibliography-- Acknowledgements.
- (source: Nielsen Book Data)
(source: Nielsen Book Data)
- Online
Green Library
Green Library | Status |
---|---|
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PN1994 .C68 2002 | Unknown |
- Cousins, Mark.
- London : Architectural Association, c1998.
- Description
- Book — 54 p. : ill., plans ; 22 cm.
- Online
Art & Architecture Library (Bowes)
Art & Architecture Library (Bowes) | Status |
---|---|
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NA997 .F74 A4 1998 | Unknown |
6. Michel Foucault [1984]
- Cousins, Mark.
- New York : St. Martin's Press, c1984.
- Description
- Book — 278 p. ; 23 cm.
- Online
Green Library, SAL3 (off-campus storage)
Green Library | Status |
---|---|
Find it Stacks | Request (opens in new tab) |
B2430 .F724 C68 1984 | Unknown |
SAL3 (off-campus storage) | Status |
---|---|
Stacks | Request (opens in new tab) |
B2430 .F724 C68 1984 | Available |
7. Logic Pro X : audio and music production [2014]
- Cousins, Mark, 1972- author.
- New York : Focal Press, Taylor & Francis Group, 2014.
- Description
- Book — x, 414 pages : illustrations ; 24 cm
- Summary
-
- Chapter 1: The Logic Concept-- Chapter 2:Logic's Interface--
- Chapter 3: Getting Connected--
- Chapter 4: Starting a Project--
- Chapter 5: Audio Regions and Editing--
- Chapter 6: MIDI Sequencing and Instrument Plug-Ins--
- Chapter 7: Creative Sound Design--
- Chapter 8: Mixing in Logic--
- Chapter 9: Mastering in Logic--
- Chapter 10: Logic and Multimedia Production--
- Chapter 11: Optimizing Logic.
- (source: Nielsen Book Data)
(source: Nielsen Book Data)
Music Library
Music Library | Status |
---|---|
Stacks | Request (opens in new tab) |
ML74.4 .L64 C685 2014 | Unknown |
8. Logic Pro 9 : produção de áudio e música [2011]
- Logic Pro 9. Portuguese
- Cousins, Mark, 1972-
- Rio de Janeiro : Elsevier Editora, ©2011.
- Description
- Book — 1 online resource (xix, 414 pages) : color illustrations.
- Summary
-
- Capitulo
- 1. O conceito do Logic
- capitulo
- 2. Interface do Logic
- capitulo
- 3. Conectando-se
- capitulo
- 4. Iniciando um projeto
- capitulo
- 5. Regioes e edicao de audio
- capitulo
- 6. Sequencias MIDI e plug-ins de instrumentos
- capitulo
- 7. Projeto criativo de som
- capitulo
- 8. Mixando no Logic
- capitulo
- 9. Masterizando no Logic
- capitulo
- 10. Logic e producao de multimidia
- capitulo
- 11. Otimizando o Logic.
9. Logic Pro 9 : audio and music production [2010]
- Cousins, Mark, 1972-
- Burlington, MA : Focal Press/Elsevier, ©2010.
- Description
- Book — 1 online resource (xviii, 414 pages) : color illustrations
- Summary
-
- 1- The Logic Concept,
- 2- Logics Pages,
- 3- Getting Connected,
- 4- Starting a Project,
- 5- Audio Regions and Editing,
- 6- MIDI Regions,
- 7- Creative Techniques in Logic,
- 8- EQ,
- 9- Wave Burner,
- 10- Working with Multimedia,
- 11- Screen sets,
- 12- Installation Guide.
- (source: Nielsen Book Data)
(source: Nielsen Book Data)
- Cousins, Mark, 1972-
- Burlington, MA : Focal Press/Elsevier, c2010.
- Description
- Book — xviii, 414 p. : col. ill. ; 24 cm.
- Summary
-
- 1- The Logic Concept,
- 2- Logics Pages,
- 3- Getting Connected,
- 4- Starting a Project,
- 5- Audio Regions and Editing,
- 6- MIDI Regions,
- 7- Creative Techniques in Logic,
- 8- EQ,
- 9- Wave Burner,
- 10- Working with Multimedia,
- 11- Screen sets,
- 12- Installation Guide.
- (source: Nielsen Book Data)
(source: Nielsen Book Data)
- Online
-
- www.sciencedirect.com ScienceDirect
- Google Books (Full view)
11. Escena por escena [electronic resource] [2002]
- Scene by scene. Spanish
- Cousins, Mark, 1965-
- Madrid : Ocho y Medio, Libros de Cine, 2002. (New York, NY. : Digitalia Inc, 2012).
- Description
- Book — 1 online resource (191p.) : ill., chiefly col.
- Works. Selections
- Welles, Orson, 1915-1985, artist.
- First edition. - London : Titan Books, 2019.
- Description
- Book — 192 pages : illustrations (chiefly color) ; 32 cm
- Summary
-
A lavish hardback containing Orson Welles' Portfolio, much of which has never been seen before. Orson Welles, famous as an accomplished actor, writer, producer and visionary director, had originally aspired to become a musician or artist. Having studied at the Art Institute of Chicago for one summer, he continued to draw and paint throughout his life. The majority of his artwork, including costume and set designs and caricatures, has been unavailable to the public. Until now.
(source: Nielsen Book Data)
- Online
Art & Architecture Library (Bowes)
Art & Architecture Library (Bowes) | Status |
---|---|
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NC139 .W43 A4 2019 F | Unknown |
- London ; Boston : Faber and Faber, 1996.
- Description
- Book — xii, 400 p. : ill. ; 24 cm.
- Summary
-
Exploring the documentary film, this book traces its development from the very first film shot by Louis Lumiere in 1895 to the last shaggy-dog story (Nick Broomfield's TV film, "Tracking Down Maggie), and the commercial success of Steve James's three-hour saga, "Hoop Dreams". The book's polemical edge challenges the documentary to reinvent itself, to spread its wings again beyond the restrictive forms of televison. Kevin Macdonald is the author of a biography of his grandfather, "Emeric Pressburger: the Life and Death of a Screenwriter".
(source: Nielsen Book Data)
- Online
Green Library
Green Library | Status |
---|---|
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PN1995.9 .D6 I43 1996 | Unknown |
- Rev. ed. - London : Faber, 2005.
- Description
- Book — 452 p. : ill.
- Summary
-
In Imaging Reality: The Faber Book of Documentary, Oscar-winning documentary-maker Kevin Macdonald (One Day in September, Touching the Void) and leading broadcaster/historian Mark Cousins (The Story of Film) offer an expanded, revised edition of their 'definitive, inspirational' (Independent) compendium on the roots and history of the documentary film. Imagining Reality takes the reader on a tour of the evolution of documentary film as an increasingly vibrant, polemical, experimental and entertaining form. It gathers a wide-ranging collection of writings by and about such groundbreaking documentary-makers as Vertov, Flaherty, Marcel Ophuls, Chris Marker, Kieslowski, Claude Lanzmann, and Nick Broomfield. The story is carried up to date by attention to the success documentaries have had among mainstream movie audiences in recent years, including Michael Moore's Bowling For Columbine and Fahrenheit 9/11, The Buena Vista Social Club, Spellbound, Capturing The Friedmans, Etre Et Avoir, and The Fog Of War.
(source: Nielsen Book Data)
- Online
Green Library
Green Library | Status |
---|---|
Find it Stacks | Request (opens in new tab) |
PN1995.9 .D6 I46 2006 | Unknown |
- Princeton, N.J. : Films for the Humanities & Sciences, c1994.
- Description
- Video — 1 videocassette (52 min.) : sd., col. ; 1/2 in.
- Summary
-
Follows four young neo-Nazis as they travel across Europe discussing their beliefs. In Berlin they are asked to visit Auschwitz with a Holocaust survivor.
- Online
Media & Microtext Center
Media & Microtext Center | Status |
---|---|
Find it Ask at Media Microtext desk | Request (opens in new tab) |
ZVC 7633 | Unknown |
- [Chicago, Ill.] : Music Box Films, c2012.
- Description
- Video — 5 videodiscs (915 min.) : sd., b&w ; 4 3/4 in. + 1 guide (43 p. : ill. ; 18 cm.)
- Summary
-
- disc
- 1. 1895-1918. The world discovers a new art form
- 1918-1928. The triumph of American film and the first of its rebels
- 1918-1932. The Great Rebel filmmakers around the world
- disc
- 2. The 1930s. The great American movie genres and the brillance of European language
- 1939-1952. The devastation of war and a new movie language
- 1953-1957. The swollen story: world cinema bursting at the seams
- disc
- 3. 1957-1964. The shock of the new, modern filmmaking in Europe
- 1965-1969. New waves around the world
- 1967-1979. New American cinema
- disc
- 4. 1969-1979. Radical directors in the 70s make state of the nation movies
- The 1970s and onward. Innovation in popular culture and around the world
- The 1980s. Moviemaking and protest around the world
- disc
- 5. 1990-1998. The last days of celluloid, before the coming of digital
- The 1990s. The first days of digital: reality losing its realness in America and Australia
- 2000 onwards. Film moves full circle and the future of movies.
- Online
Media & Microtext Center
Media & Microtext Center | Status |
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Find it
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|
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ZDVD 29266 DISCS 1-5 | Unknown |
17. Away from home [2003]
- Massie, Annetta.
- Columbus, Ohio : Wexner Center for the Arts, Ohio State University, c2003.
- Description
- Book — 111 p. : ill., port. ; 24 cm.
- Online
Art & Architecture Library (Bowes)
Art & Architecture Library (Bowes) | Status |
---|---|
Find it Stacks | Request (opens in new tab) |
N6490 .M37 2003 | Unknown |
Articles+
Journal articles, e-books, & other e-resources
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