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Book
55 pages : illustrations (some color) ; 27 cm.
Art & Architecture Library (Bowes)
Book
15 pages : illustrations ; 26 cm
  • Real American places / Jennifer A. Watts
  • Weston's Whitman / James Glisson.
SAL3 (off-campus storage)
Book
70 p. ; 25 cm.
SAL3 (off-campus storage)
Book
vii, 71, vii, 75 p. : ill. (some col.) ; 23 cm.
SAL3 (off-campus storage)
Book
139 p. : ill., maps (some col.) ; 26 cm.
East Asia Library
Book
488 pages : chiefly illustrations ; 21 cm
East Asia Library
Book
241 p. : ill. ; 24 cm.
SAL3 (off-campus storage)
Book
xiii, 115 p. : ill. ; 28 cm.
SAL3 (off-campus storage)
Book
167 p. : ill. ; 28 cm.
SAL3 (off-campus storage)
Book
205 p. : ill. ; 28 cm.
SAL3 (off-campus storage)
Book
56 p. : ill. (chiefly col.) ; 23 cm.
Art & Architecture Library (Bowes)
Book
70 p. : ill. (some col.) ; 27 cm.
SAL3 (off-campus storage)
Book
31 p., 61 p. of plates : ill. ; 16 cm.
Alfred Stieglitz (Hoboken, New York State, 1864 - New York, 1946) remains celebrated in his own country, and was internationally famous in his time. He was the founder of Photo-Secession and the editor of Camera Work magazine, which championed photography as a fine art. Later, he mounted pioneering exhibitions of European avant-garde art, from Cezanne to Picasso, in his gallery at 291 Fifth Avenue, New York. This book's publication coincides with a major Stieglitz retrospective at the Musee d'Orsay, accompanied by an exhibition of the Stieglitz prints in its own collection. It includes images from his Pictorial period (1890-1910), particularly some strikingly impressionistic views of New York (gravures from Camera Work), capturing the city's phenomenal growth at the turn of the century. Stieglitz's later work is magnificently represented in prints recently donated by the Georgia O'Keefe Foundation. These sharply focused and highly descriptive works communicate the photographer's distinctive approach to reality, enriched by inner experience. The admirable nude shots of the artist Georgia O'Keefe (later Stieglitz's wife) are highly original close-ups, charged with an eroticism that was startlingly new in American photography at the time. Stieglitz's cloud photographs (which he termed "equivalents") taken at the family property at Lake George after 1923, were meant to be viewed in negetive to heighten their abstract character. Towards the end of his life Stieglitz lovingly photographed the trees at Lake George, as symbols of nature's endurance. Although he worked with two very different approaches, his aim was always to express a personal vision through flawless technique. He never tried to use his photographs to further a political or social cause. They had an impact on photographers as varied as Paul Strand, Edward Weston and Harry Callahan, and testify to a resolutely personal, but deeply human, experience.
(source: Nielsen Book Data)9788874391752 20160528
SAL3 (off-campus storage)
Book
322 p. : ill. (some col.) ; 31 cm.
Green Library
Book
[16] p. : ill. ; 22 cm.
SAL3 (off-campus storage)
Book
336 p. : ill. (some col.) ; 31 cm.
Art & Architecture Library (Bowes)
Book
232 p. : ill. (some col.) ; 32 cm.
A look at the diversity of the photographic medium. The volume showcases works by such photographers as Richard Avedon, Cindy Sherman, Margaret Bourke-White, Henri Cartier-Bresson and Irving Penn. By presenting an unconventional compendium of the infinitely varying viewpoints of its many practitioners, the book effectively poses the question "What is photography?". Simultaneously, it celebrates the medium that encompasses the richness of the world we live in.
(source: Nielsen Book Data)9780821226254 20160528
Art & Architecture Library (Bowes)
Book
175 p. : ill. ; 26 cm.
Art & Architecture Library (Bowes)
Book
248 p. ; 21 cm.
SAL3 (off-campus storage)

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