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The much-loved story has captured hearts and minds for centuries and this historic color recording from 1969, full of dreams and magic, shows why. Infused with the drama of Prokofiev's luscious score, the tale of transformation provided creative inspiration for Frederick Ashton's acclaimed first full-length ballet. His enchanting production stands as a showcase of choreographic mastery and features one of the Royal Ballet's most celebrated partnerships with Antoinette Sibley as Cinderella and Anthony Dowell as the Prince. Ashton's distinctive theatricality is also revealed in a touching and hilarious cameo as one of the Ugly Sisters opposite Robert Helpmann

• Petrouchka, burlesque in 4 tableaux (original version 1911)
• Le Sacre du printemps, scenes of pagan Russia in two parts / Igor Stravinsky.

• Pétrouchka
• Le sacre du printemps / Igor Stravinsky.

• Part 1. The adoration of the earth
• Part 2. The sacrifice.

Frederick Ashton, Founder Choreographer of The Royal Ballet, was one of the 20th century's most influential choreographers, whose musical, subtle and graceful style and extraordinary gift for storytelling had a profound impact on the development of British ballet. This special programme, performed at the Royal Opera House to mark the 25th anniversary of Ashton's death, presents five works that showcase his astonishing versatility, from compelling abstract ballets - such as the exuberant Voices of Spring and the radically modernist Monotones - to the tragic love story Marguerite and Armand, brought to life with 'performances of heart-wrenching intensity' (The Observer) by Tamara Rojo and Sergei Polunin.

Frederick Ashton, Founder Choreographer of The Royal Ballet, was one of the 20th century's most influential choreographers, whose musical, subtle and graceful style and extraordinary gift for storytelling had a profound impact on the development of British ballet. This special programme, performed at the Royal Opera House to mark the 25th anniversary of Ashton's death, presents five works that showcase his astonishing versatility, from compelling abstract ballets - such as the exuberant Voices of Spring and the radically modernist Monotones - to the tragic love story Marguerite and Armand, brought to life with 'performances of heart-wrenching intensity' (The Observer) by Tamara Rojo and Sergei Polunin.

Given its premiere by The Royal Ballet in 1965 with Rudolf Nureyev and Margot Fonteyn dancing the title roles, Kenneth MacMillan's first full-evening ballet has become a signature work for the Company, enjoying great popularity around the world. From the outset, the production teems with life and colour as the townspeople, market traders and servants of the rival Montagues and Capulets go about their daily business in vibrant crowd scenes. But Romeo and Juliet take centre stage for those great pas de deux: the meeting in the ballroom, the balcony scene, the morning after the wedding and the final devastating tomb scene. Although The Royal Ballet has performed Romeo and Juliet over 400 times, each performance and pairing is subtly different and Lauren Cuthbertson and Federico Bonelli are utterly captivating in the title roles.

Frederick Ashton, Founder Choreographer of The Royal Ballet, was one of the 20th century's most influential choreographers, whose musical, subtle and graceful style and extraordinary gift for storytelling had a profound impact on the development of British ballet. This special programme, performed at the Royal Opera House to mark the 25th anniversary of Ashton's death, presents five works that showcase his astonishing versatility, from compelling abstract ballets - such as the exuberant Voices of Spring and the radically modernist Monotones - to the tragic love story Marguerite and Armand, brought to life with 'performances of heart-wrenching intensity' (The Observer) by Tamara Rojo and Sergei Polunin.

Frederick Ashton, Founder Choreographer of The Royal Ballet, was one of the 20th century's most influential choreographers, whose musical, subtle and graceful style and extraordinary gift for storytelling had a profound impact on the development of British ballet. This special programme, performed at the Royal Opera House to mark the 25th anniversary of Ashton's death, presents five works that showcase his astonishing versatility, from compelling abstract ballets - such as the exuberant Voices of Spring and the radically modernist Monotones - to the tragic love story Marguerite and Armand, brought to life with 'performances of heart-wrenching intensity' (The Observer) by Tamara Rojo and Sergei Polunin.

Frederick Ashton, Founder Choreographer of The Royal Ballet, was one of the 20th century's most influential choreographers, whose musical, subtle and graceful style and extraordinary gift for storytelling had a profound impact on the development of British ballet. This special programme, performed at the Royal Opera House to mark the 25th anniversary of Ashton's death, presents five works that showcase his astonishing versatility, from compelling abstract ballets - such as the exuberant Voices of Spring and the radically modernist Monotones - to the tragic love story Marguerite and Armand, brought to life with 'performances of heart-wrenching intensity' (The Observer) by Tamara Rojo and Sergei Polunin.

Alonzo King's Scheherazade is a re-envisioning of the ancient collection of Persian, Sanskrit, and Arabic stories of 1,001 Nights. The exquisite dancers of LINES Ballet present a vision of the transformative potential these stories possess: the way that we are offered a chance to listen to a voice that can change our lives, the power of art to illuminate all the chambers of our hearts. The new score by tabla master Zakir Hussain re-interprets the original music by Rimsky-Korsakov, incorporating traditional Persian as well as Western instruments. Commissioned by the Monaco Dance Forum to inaugurate the Centenary of the Ballets Russes de Monte Carlo, Alonzo King LINES Ballet's Scheherazade honors Diaghilev's spirit of cutting-edge artistic collaboration, immersing audiences in a luminescent and richly textured world.

"Triangle of the Squinches" is set to a commissioned score by legendary musician Mickey Hart and features an innovative kinetic set by cutting-edge architect Christopher Haas. In this piece, Alonzo King explores the inner and outer space of the body: how do we strive to touch something infinite with our material forms? What is the resonance between the bodies we inhabit and the forms we create?