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• Contents Introduction - A Work in Two Parts: Continuities and Discontinuities from Romanticism to Postmodernism Diane V. Silverthorne (Central Saint Martins, University of the Arts, London, UK) Prelude - The Musical in Art Jed Rasula (University of Georgia, Athens, USA)
• Part 1: The Musicalization of Art SPACES OF INTIMACY, TOUCH AND TEMPORALITY
• 1. Romantic Musical Celebrity and Printed Portraits: Visual Intimacy and Mass-Market Distance Alan Davison (University of Technology, Sydney, Australia)
• 2. Making an Entrance: Manet's Still Life with Hat and Guitar Therese Dolan (Temple University, Tyler School of Art, Philadelphia, USA)
• 3. Time in Fin-de-Siecle Painting Anne Leonard (University of Chicago, USA)
• 4. Erik Satie and the Interart Genre Ann-Marie Hanlon (Dundalk Institute of Technology, Co. Louth, Ireland)
• 5. The "Figure in the Carpet": M. K. Ciurlionis and the synthesis of the arts Spyros Petritakis (University of Crete, Greece)
• Part 2: The Musicalization of Art SPACES OF PERFORMANCE, SOUND AND SILENCE
• 6. Music, sound and light: Embodied experiences of the modernist and postmodern Gesamtkunstwerk Diane V. Silverthorne (University of the Arts, London, UK)
• 7. Squaring the Circle: Wilfred's Lumia and his rejection of "colour music" Nick Lambert (Ravensbourne College, London, UK)
• 8. In concert: The emergence of the audio-visual moment in minimalism Meredith Mowder (Hunter College, The City University of New York, USA)
• 9. Riffing the Index: Romare Bearden and the Hand of Jazz Nikki A. Greene (Wellesley College, Mass., USA)
• 10. The Politics of Music and Image in Contemporary Iranian art: "the impossibility of putting one's body and voice on a stage" Kirstie Imber (Birkbeck, University of London, UK)
• 11. Contemporary Feminist Art, the Musical: Listening to the Visual Legacy of Riot Grrrl Cara Smulevitz (University of Illinois, Chicago, USA) Postlude Diane V. Silverthorne and Alan Davison Bibliography.
• (source: Nielsen Book Data)

Opening with an account of print portraiture facilitating Franz Liszt's celebrity status and concluding with Riot Grrrl's noisy politics of feminism and performance, this interdisciplinary anthology charts the relationship between music and the visual arts from late Romanticism and the birth of modernism to 'postmodernism', while crossing from Western art to the Middle East. Focused on music as a central experience of art and life, these essays scrutinize `the musicalisation of art' focusing on the visual and performing arts and detailing significant instances of intra-art relations between c. 1840 and the present day. Essays reflect on the aesthetic relationships of music to painting, performance and installation, sound-and- silence, time-and-space. The insistent influence of Wagner is considered as well as the work and ideas of Manet, Satie and Cage, Thomas Wilfred, La Monte Young and Eliasson. What distinguishes these studies are the convictions that music is never alone and that a full understanding of the "isms" of the last two hundred years is best achieved when music's influential presence in the visual arts is acknowledged and interrogated.
(source: Nielsen Book Data)

• Vorwort
• Vom Hören und Sehen : zur Intermedialität von Bild und Musik : Versuch einer Grundlegung / Martin Zenck
• Intermedialität und die Kunst-Diskurse in der Frühen Neuzeit : Einführende Überlegungen / Elisabeth oy-Marra
• Durch Musik anders sehen? Musiknotate als Bildbestandteile in der Renaissance / Klaus Pietschmann
• Durch Musik (anders) sehen? Musiknotate als Bildbestandteil / Claudia Bertling Biaggini
• Synergien von Auge und Ohr : Strategien der Simulation des Hörens in der Malerei des 17. Jahrhunderts / Elisabeth Oy-Marra
• Sehen und Hören / Melanie Wald-Fuhrmann
• Zur Bildlichkeit musikalischer Notation in der Frühen Neuzeit / Katelijne Schiltz
• Musik als Bild- und Denkfigur : ein Kupferstich für Adam Gumpelzhaimers Passionsmusik Crux Christi : Quatuor Evangelistae im Vergleich mit Hans Mielichs Prachthandschriften der Busspsalmenvertonungen Orlando di Lassos für Herzog Albrecht V. von Bayern / Matthias Müller
• NotenBilderTexte : Hans Mielichs und Orlando di Lassos Busspsalmen als intermediales Projekt / Andrea Gottdang
• Notation : Schrift : Bild : eine musikwissenschaftliche Perspektive zur Intermedialität im Mielich-Kodex / Thorsten Hindrichs
• 'Sermo corporis' : Aufstellungen, Haltungen, Bewegungen, Gesten beim Musizieren in der Frühen Neuzeit / Nicole Schwindt
• Von Sichtbarkeiten, sensorischen Interferenzen und performativen Konstellationen in der mittelalterlichen und frühneuzeitlichen Musikikonographie / Björn B. Tammen
• Repertoire und Aufführung in der Malerei und Musik des 18. Jahrhunderts / Dietrich Erben
• Aufführung und Repertoire, Interpretation und Werturteil / Inga mai Groote
• Imaginarien der Evokation : Gemalte Musik / Klaus Krüger
• Musik und Bild : die Figur des Dritten / Matteo Nanni
• Nahsichterfahrungen in der Malerei der Romantik und ihre Beziehungen zur Musik / Karl Schawelka
• "Gebt aber ja auf die rechte Art acht!" Bemerkungen zu Hördispositiven um 1800 / Martin Kaltenecker
• "Meteorisches und solarisches Licht" Visualität als Formprinzip in Franz Liszts Hunnenschlacht / Arne Stollberg
• Künstlerische Wahlverwandtschaft? Franz Liszt und Wilhelm Kaulbach / Christine Tauber
• Richard Wagners "Zauberlaterne" : zur Intermedialität von Bild und Musik in Götz Friedrichs Parsifal-Inszenierung (1998) / Friedemann Kreuder
• Musik, zur Erscheinung gebracht : Richard Wagners Drama als intermedialer Kommunikationsprozess / Stephan Mösch
• Zwischen Bild und Musik : Farbe und Stimmung in den Bildern von Paul Cezanne / Kerstin Thomas
• Konstruktion und Empfindung im Medium der Musik am Beispiel von Claude Debussys Préludes I / Gesa zur Nieden
• Die Verschränkung des bildnerischen mit dem musikalischen Denken bei Pierre Boulez und Paul Klee / Martin Zenck
• Un art peut en cacher un autre : Pierre Boulez beim Betrachten eines Aquarells von Paul Klee / Gregor Wedekind
• Strecke, Licht und Unscharfe : Bernd Alois Zimmermanns Orchesterprélude Photoptosis (1968) und seine Bezüge zu bildender Kunst / Oliver Wiener
• Bernd Alois Zimmermanns Photoptosis und Yves Kleins Gelsenkirchener Reliefs : Anmerkungen zur Rolle des Paratextes bei der Herstellung intermedialer Bezüge / Konstantin Voigt
• Intermedia-Produktion in den 196oer-Jahren : die Event Scores der Fluxuskünstler / Kerstin Skrobanek
• Notation und Werkbegriff : Überlegungen zu den Event Scores des Fluxus und John Cages Arbeit an der traditionellen musikalischen Notation / Marion Saxer.

• Introduction /
• Sandra Benito and Anita Feldman
• The art of music : a complex art / Simon Shaw-Miller
• A sound world seen / Richard Leppert
• Painting the sounds of music : a study of Indian ragamala images / $r Marika Sardar
• Music, said and scene : encounters in metaphor, theory and performance / Patrick Coleman
• The power of music in Classical myth and art / James Grebl
• Music and the arts in East Asia / $r Christina Yu Yu
• Portraits, music and Enlightenment in the Atlantic world / Michael A. Brown
• Seeing music in Latin America / Sandra Benito
• Echoes of a dark and deep unity : exchange, collaboration and innovation / Patrick Coleman
• The art of music in Africa / Gemma Rodrigues
• From Parsifal to Parade : the attributes of music in the modern era / Ariel Plotek
• Going electric : technology and the musical body / Patrick Coleman.

The Art of Music is a handsomely illustrated and rich interdisciplinary look at the mutual influence between music and the visual arts across cultures and eras. The book sheds new light on more familiar artists at the intersection of the visual and the musical, such as Wassily Kandinsky and Arnold Schoenberg, and presents new scholarship on less well-known examples in the arts of Asia, Africa, the Americas, and Europe, from antique pottery to contemporary video and sound art. Essays consider key works and themes such as synesthesia and other formal and theoretical crossovers, motifs of musicians, and performative and ritual functions of music, musical instruments, and art. With more than 250 color images illustrating works of art in diverse traditions, The Art of Music offers enriching reading for scholars and general audiences alike.
(source: Nielsen Book Data)

• Il corpo dell'invisibile
• Una eterna costellazione
• Il sipario del tempo
• L'occhio dello spirito
• Il volo dei colori
• Le maschere e il vuoto
• Gli arabeschi dell'aria
• I cavalieri dello spirito
• I colori dell'utopia
• Polifonie colorate
• Le spirali della storia
• Suoni di cristallo
• La luce dei suoni
• Il figiliol prodigo
• L'acrobata invisibile
• Un'architettura sinfonicea
• Lastre puviscolari
• Un elfo in metropolitana
• Il museo
• Una piramide di luce
• Sant'Antimo
• La musica di New York
• Un pavone di spiriito
• Il sogno di sabbia.

• Art and Music in Italy: The music of devotion - image, voice and imagination in a Madonna of Humility by Domenico di Bartolo, Andrew Ladis-- Musical images for devotion - Benedetto Coda's Altarpiece for the Rosary, Katherine Powers-- Music, patrons and politics - a re-assessment of Zaganelli's Altarpiece for Rolando Pallavicino and Domatilla Gambara, Katherine A. McIver-- Architecture for "Divine Hymns" - the organ of Antonio da Sangallo the younger for the church of Santo Spirito in Sassia, Eunice Howe-- The portrait of a lutenist at the Museo Civico of Como - an inquiry, Mariagrazia Carlone-- Portraying Claudio Merulo, "that great fountain whose value deserved no other prize than heaven itself", Rebecca Edwards-- Musical portraits of female musicians at the northern courts in the 1570s, Laurie Stras-- Humanism and the arts - parallels between Alberti's On Painting and Guglielmo Ebreo's On... Painting, Barbara Sparti-- Lomazzo's Trattato dell'Arte and Galilei's Fronimo - picturing music and sounding images in 1584, Leslie Korrick. Art and Music in Northern Europe: Representations of musicians in medieval Christian iconography of Ireland and Scotland as local cultural expression, Ann Buckley-- The Stall of Jubal - a Flemish reflection of Italian humanism, Herbert Turrentine-- Variations on the theme of the Planets' Children, or medieval musical life according to the Housebook's astrological imagery, Zdravko Blazekovic-- "All things in this world is but the musick of inconstancie" - music, sensuality and the sublime in 17th-century Vanitas imagery, Linda P. Austern-- Musical indulgence and pleasurable sounds in 17th-century Dutch art, Roy Sonnema. A Tribute to Franca Trinchieri Camiz: Musical performances and healing in Renaissance Rome as revealed by texts and images - notes, illustrations and coda, Eunice Howe-- Biblical music and dance through Renaissance eyes - notes, illustrations and coda, Katherine A. McIver and Barbara Sparti-- Music settings to poems by Michelangelo and Vittoria Colonna - translated by Michael Sullivan, notes translated and edited by Katherine A. McIver-- Franca Trinchieri Camiz's publications on art and music.
• (source: Nielsen Book Data)

The relationship between music and painting in the Early Modern period forms the focus of this collection of essays by an international group of distinguished art historians and musicologists. Each writer takes a multidisciplinary approach to their topic as he/she explores the interface between music performance and painting, or between music and art theory. The essays here reflect a variety and range of approaches and offer methodologies which might usefully be employed in future research in this field. The volume is dedicated to the memory of Franca Trinchieri-Camiz, an art historian who worked extensively on topics related to art and music, and who participated in some of the conference panels from which many of these essays originate.
(source: Nielsen Book Data)

• Series Introduction Daniel Albright. Preface James Leggio.
• 1. Klimt's Schubert and the Fin-de Siecle Imagination Scott Messing
• 2. Playing the Market: Renoir's Young Girls at the Piano Series of 1892 Charlotte N. Eyerman
• 3. Prometheus and the Quest of Color of Music: The World Premiere of Scriabin's Poem of Fire with lights, New York, March 20, 1915 James M. Baker
• 4. Kandinsky, Schoenberg, and the Music of the Spheres James Leggio
• 5. Var'ese and Dada Olivia Mattis
• 6. Popular Models: Fox-trot and Jazzband in Mondrian's Abstraction Harry A. Cooper
• 7. Jazz Representations and Early Twentieth-Century American Culture: Race, Ethnicity, and National Identity Donna M. Cassidy
• 8. "Time Canvasses": Morton Feldman and the Painters of the New York School Amy C. Beal Notes on the Contributors. Index.
• (source: Nielsen Book Data)

Music and Modern Art adopts an interdisciplinary approach to the relationship between these two fields of creative endeavor. Its subjects are diverse and the musicians range from Alexander Scriabin to the jazz bandleader Paul Whiteman, and from Arnold Schoenberg to Edgard Varese to Morton Feldman. Among the visual arts treated here, painting predominates, from Pierre-Auguste Renoir's Impressionism and Gustav Klimt's Viennese decorative schemes, to Vasily Kandinsky's and Piet Mondrain's abstractions, and to Abstract Expressionalism. Attention is also given to American film as well as to the esoteric form of the theatrical light show Music and Modern Art is an important addition to the study of 20th century culture.
(source: Nielsen Book Data)

This comprehensive reference book, documents the considerable amount of art-inspired music found on commercial and other mass-produced audio recordings published through 1999. Recording formats included in this survey are long-playing phonograph records (33 1/3 RPM), cassette tapes (7 1/2 IPS), and compact discs. Detailed information is provided to aid in purchasing the recordings or accessing them in library and archive collections.
(source: Nielsen Book Data)