An artist-oriented publication, presenting works and material only from artists, each issue devoted to a particular region of the world.

• Moderne und zeitgenössische Künstler, Druckgraphik, Zeichnungen, Multiples
• Illustrierte Bücher, Künstlerbücher, Mappenwerke, Kunstdokumentation.

• Vol. 1. Notes on the eclipse and rehabilitation (and oblivion) of history -- Passion after appropriation / Orshi Drozdik -- Five contextual propositions / Susan Hiller -- A museum of unnatural history / Xavier Veilhan -- Camoflaging over totality / Jan de Cock -- Grand designs (auto+place) / Miguel Palma -- Howling walls / José Álvaro Perdices -- The waft of the code / Vasco Araújo -- The canyon, the dream, and I / Nicola Stäglich -- Ask for your true voices : history, truth, and impossibility / Andy Hope -- Abecedarium for Giantbum / Nathaniel Mellors -- An inquiry into meaning and truth / Thomas Raat -- Fending lessons / Cosima von Bonin -- Blood brothers : on German Indian / Sascha Pohle -- Quid tum : what it always was / Michael Kunze.

This volume collects more than a dozen essays written over the last decade on a range of contemporary European artists. While all were composed in the twenty-first century, the first, on the London-based American artist Susan Hiller, and the second, on the Hungarian American artist Orshi Drozdik, anchor the volume in concerns that emerged within the first generation to follow the Conceptual and Minimalist movements at the most produced immediately before and after 2000.

Since 1973, Claude Rutault uses a simple method to create new artworks. Using the principle of "definition/method", the artist's work consists of monochrome painted canvases which are hung on a wall that is painted the exact same colour as the canvases. Although simple, Rutault has garnered much recognition for his unique method, which extends the boundaries of art, making the entire wall part of the featured effect. In fact, Rutault invented almost 300 different ways to paint his walls and canvases the same colour, each of them differing based on the shape and size of the canvases, their structural placement along the wall, and of course, the overall colour used.
(source: Nielsen Book Data)

• Jun Yang
• 1 : June Young : The Monograph Project
• 1
• Jun Yang
• 2 : Yang Jun : The Monograph Project
• 2
• Jun Yang
• 3 : Tun Yang : The Monograph Project
• 3
• Jun Yang
• 4 : Jan Jung : The Monograph Project
• 4
• Jun Yang
• 5 : Yi Chuan : The Monograph Project
• 5
• Jun Yang
• 6 : Jun Yang : The Monograph Project 6.

• Espacio y tiempo del arte
• I. De lo moderno a lo contemporáneo
• II. Afinidades estéticas
• III. Conversaciones
• IV. Conversaciones
• Epílogo.

Poet and independent curator Miguel Ángel Muñoz (b. Cuernavaca, Mexico 1972) states that this is "a collection of my interviews, essays and articles on art and artists, I have published in books, catalogs, newspapers and literary supplements, as El Financiero - with my column Postales Visuales that lasted almost ten years, the suplement "Ángel" of newspaper Reforma, La Crónica Dominal of newspaper La Crónica, newspapers Unomsuno, La Jornada, La Jornada Morelos, Bajo el Volcán of newspaper La Unión de Morelos, or in magazines like Nexos, Saber Ver, Siempre!, Proceso, Revista de la Universidad, Dos Filos, poca, El Bho, Casa del Tiempo, Cuartoscuro, or foreign magazines as Materika of Costa Rica, Artes of Dominican Republic and Arte y Naturaleza of Madrid. I also thank the editors of each space its welcome and continued encouragement in a task not only apparently simple. All texts were published between 1998 and 2011, each independently and with a pattern that corresponded to a historical time. No less predictable than the critical gaze meaningfully ordered some ideas to reach the required legibility elusive province of modern and contemporary art. In the case of the essays or interviews on artists such as Richard Serra, Eduardo Chillida, Antoni Tàpies, Joan Hernández Pijuan, Josep Guinovart, Juan Genovés, Ramón Oviedo, Roger von Gunten, José Luis Cuevas, Ricardo Martínez, Roberto Matta, Ignacio Iturria, Rafael Moneo, John Berger, Rubén Leyva, Rafael Canogar, Albert Rafols-Casamada or Luis Feito, they transformed and grew over time, as we had multiple exchanges of ideas, correspondence and suggestions, that filled pages and pages of endless"