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• L'art après 1900 aux MRBAB
• OEuvres choisies
• Des legs retentissants
• Art sur papier, art du papier
• L'art vidéo
• Les Amis du Musée
• Bibliographie.

"Fondés en 1802 par Napoléon Bonaparte, les Musées royaux des Beaux-Arts de Belgique abritent en leur sein bon nombre de chefs-d'oeuvre qui témoignent de la richesse culturelle du pays. Leurs collections embrassent plus de six siècles d'histoire, depuis l'époque des primitifs flamands jusqu'à nos jours. Élaborée dans les années 1920 comme une collection d'art "vivant", la collection d'art moderne et contemporain reflète la grande aventure émancipatrice de l'art depuis 1900. Composée en grande partie d'oeuvres d'artistes belges dont la notoriété a traversé les frontières, elle illustre les principaux mouvements et développements artistiques nés au 20e siècle, et s'élargit aux grandes figures internationales, grâce à une politique d'acquisition parfaitement étudiée, dès le milieu des années 1960. Rassemblant entre autres René Magritte, Max Ernst, Marc Chagall, Salvador Dali, Francis Bacon, Henry Moore, Josef Albers, Donald Judd, Lucio Fontana, Pierre Alechinsky, Marcel Broodthaers ou encore Christo, Luc Tuymans et David Claerbout, les MRBAB n'ont eu de cesse de développer une collection internationale de haut niveau. On y retrouve également les nombreux médiums qui ont marqué l'histoire de l'art, de la peinture à l'huile à la vidéo, en passant par la sculpture, le dessin, la photographie et l'installation. Le présent ouvrage en offre un aperçu significatif, à travers une centaine d'oeuvres étudiées et quelque 150 reproductions. Cet ouvrage est le deuxième volume d'une série de livres consacrés aux collections des MRBAB."--Page 4 of cover.

• Contents Acknowledgements Introduction: Pam Meecham PART 1: Ancient & Modern 1. Colin Trodd: Revitalizing Romanticism
• or, Reflections on the Nietzschean Aesthetic and the Modern Imagination 2. Andrew McNamara and Ann Stephen: A Cartography of Desires and Taboos: The Modern Primitive and the Antipodes 3. Paul Wood: Primitive/Modern/Contemporary 4. Whitney Davis: Did Modernism Redefine Classicism? The Ancient Modernity of Classical Greek Art 5. Nick Stanley: Robert Goldwater and the Search for the Primitive: the Asmat project at the Museum of Primitive Art 6. Fionna Barber: Surrealist Ireland: the Archaic, the Modern and the Marvellous PART 2: Displaying the Modern 7. Julie Sheldon: Picturing the Installation Shot 8. Pam Meecham: Contemporary Displays of Modern Art 9. Liz Wells: Camera-Eye: Photography and Modernism 10. Wiebke Leister: Photographic Installation Strategies En-Bloc and In-the-Round 11. Judith Brocklehurst: Documenta 6: Memories of another Modernism PART 3: Re-assessments: Modernism and Globalization 12. Jonathan Harris: Bijiasuo and Truth: Modernism Reassessed in an Era of Globalization 13. Angela Dimitrakaki: Extensive Modernity: On the Refunctioning of Artists as Producers 14. Richard Williams: Architecture s Modernisms 15. Rosemary Shirley: The Wide Margins of the Century: Rural Modernism, Pastoral Peasants and Economic Migrations 16. Naoko Uchiyama: Destabilising Essentialism through Localising Modernism PART 4: Locating Modernism: Multiple Modernisms and National Identities 17. Laura Back: The Many Modernisms of Australian Art 18. Elena Stylianou and Nico Philippou: Greek-Cypriot Locality: (Re) Defining our Understanding of European Modernity 19. Annika OEhrner: A Northern avant-garde: Spaces and Cultural Transfer 20. Renja Suominen-Kokkonen: Modernisms, Genealogy and Utopias in Finland 21. Greta Berman: The Engaged Artist: Considerations of Relevance 22. Leon Wainwright: Visualising Figures of Caribbean Slavery through Modernism PART 5: The Modern Artist, the Modern Child and a Modern Art Education 23. Claire Robins: A Modern Art Education 24. Nicholas Addison: Misrecognition: Child s play, modern art and Vygotskian psychology 25. Briley Rasmussen: MoMA and the Modern Child: The Critical Role of Education Programming in MoMA s Modernism 26. Anna Green: Paul Cezanne s Young Girl at the Piano - Overture to Tannhauser or Le Haschisch des femmes.
• (source: Nielsen Book Data)

A Companion to Modern Art presents a series of original essays by international and interdisciplinary authors who offer a comprehensive overview of the origins and evolution of artistic works, movements, approaches, influences, and legacies of Modern Art. Presents a contemporary debate and dialogue rather than a seamless consensus on Modern ArtAims for reader accessibility by highlighting a plurality of approaches and voices in the fieldPresents Modern Art s foundational philosophic ideas and practices, as well as the complexities of key artists such as Cezanne and Picasso, and those who straddled the modern and contemporaryLooks at the historical reception of Modern Art, in addition to the latest insights of art historians, curators, and critics to artists, educators, and more.
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Modern Art takes the reader through individual movements from Impressionism to Conceptual Art, situating these within five broader chronological themes. Starting with Impressionism in 1860, Dempsey proceeds through the essentials of Modernism, the post-war New Disorder and beyond. The material is arranged with great care to lead the reader through over seventy essential topics of modern art in a practical and easy-to-navigate structure. Each boldly designed feature includes a clear definition of the theme, a list of key artists, features, media and collections, and expertly curated illustrations with explanatory captions. A reference section includes a useful glossary of modern art terms, an easy-to-navigate timeline and suggestions for further reading.
(source: Nielsen Book Data)

An accessible and comprehensive guide to understanding the detail behind modern art.
(source: Nielsen Book Data)

• David/Manet: The 'Anacreonic' Paintings
• David/Marat: The Self-Portrait of 1794
• Géricault's Romanticism
• Orientation in Painting: Caspar David Friedrich
• Caillebotte's Impressionism
• Roger Fry's "Formalism"
• Douglas Gordon's k.364 A Journey by Train
• Thomas Demand's Pacific Sun.

A compilation of fascinating and original essays by one of today's most important art historians In this richly illustrated book, Michael Fried-one of the most esteemed and influential art critics and art historians working today-has gathered eight major essays written between 1993 and 2013, on topics ranging from Jacques-Louis David, Theodore Gericault, and Caspar David Friedrich through Gustave Caillebotte and Roger Fry to recent films by Douglas Gordon and Thomas Demand. Gustave Courbet and Edouard Manet, too, are distinct presences along with, in the background, the great art critic Denis Diderot and, in the case of Friedrich, the philosopher Immanuel Kant. As always in Fried's writing, the emphasis falls equally on observation and argument: never have these artists (and one critic, Fry) been subjected to so searching a gaze, and never has the meaning of their respective enterprises been laid bare with comparable clarity and force. Another hallmark of Fried's work is its extraordinary originality, and that too is fully in evidence throughout this remarkable book, which will add to his reputation as one of the indispensable thinkers of our time.
(source: Nielsen Book Data)

• The origins of modern art
• The search for truth : early photography, Realism, and Impressionism
• Post-impressionism
• Arts and crafts, Art Nouveau, and the beginnings of Expressionism
• The new century : experiments in color and form
• Expressionism in Germany and Austria
• Cubism
• Early modern architecture
• European art after Cubism
• Picturing the wasteland : Western Europe during World War I
• Art in France after World War I
• Clarity, certainty, and order : De Stijl and the pursuit of Geometric Abstraction
• Bauhaus and the teaching of modernism
• Surrealism
• American art before World War II
• Abstract Expressionism and the new American sculpture
• Postwar European art
• Nouveau réalisme and Fluxus
• Taking chances with popular culture
• Playing by the rules : 1960s abstraction
• Modernism in architecture at mid-century
• Conceptual and activist art
• Post-minimalism, earth art, and new imagists
• Postmodernism
• Painting through history
• New perspectives on art and audience
• Contemporary art and globalization
• Glossary.

A Comprehensive Overview – available in digital and print formats History of Modern Art is a visual comprehensive overview of the modern art field. It traces the trends and influences in painting, sculpture, photography and architecture from the mid-nineteenth century to the present day. The seventh edition deepens its discussions on social conditions that have affected the production and reception of modern and contemporary art. <u>Learning Goals</u> Upon completing this book, readers should be able to: Understand the origins of modern art </li> Provide an analysis of artworks based on formal and contextual elements </li> Recognize the influences of social conditions on modern art </li> NOTE: MySearchLab does not come automatically package with this text. To purchase MySearchlab, please visit: www.mysearchlab.com or you can purchase a ValuePack of the eText + MySearchLab: Valuepack ISBN-10: 0205955517/ ValuePack ISBN-13: 9780205955510 .
(source: Nielsen Book Data)

"Why Your 5 Year Old Could Not Have Done That" is Susie Hodges passionate and persuasive argument against the most common disparaging remark levelled at modern art. In this enjoyable and thought-provoking book, she examines 100 works of modern art that have attracted critical and public hostility from Cy Twomblys scribbled "Olympia" (1957), Jean-Michel Basquiats crude but spontaneous "LNAPRK" (1982), to the apparently careless mess of Tracey Emins "My Bed" (1998) and explains how, far from being negligible novelties, they are inspired and logical extensions of the ideas of their time. She explains how such notorious works as Carl Andres Equivalent VIII (1966) the infamous bricks occupy unique niches in the history of ideas, both showing influences of past artists and themselves influencing subsequent artists. With illustrations of works from Hans Arp to Adolf Wolfli, Hodge places each work in its cultural context to present an unforgettable vision of modern art. This book will give you an understanding of the ways in which modern art differs from the realistic works of earlier centuries, transforming as well as informing your gallery visits for years to come.
(source: Nielsen Book Data)

Modern art arouses many different responses: suspicion, controversy and misunderstanding are among the most frequent. But it doesn't need to be like that. To help out, here is a clear, accessible, fully illustrated introduction to what can otherwise seem a daunting subject. Covering everything from Impressionism to the Harlem Renaissance, from Cezanne to Post modernism in clearly laid-out sections illustrated in full color, this book answers the need for a thorough yet manageable guide to art in the modern world. With the authority of the world's most popular gallery of modern art, combined with clear text and superb illustrations, this book presents everything you need for a basic grounding in the subject. With sections that cover the major movements and artists in the history of modern art as well as introductions to its major themes, together with suggested ways of looking at modern art and tips on where to see it - as well as a glossary of key terms - "How to Survive Modern Art" is the ideal book for anyone wanting to get to grips with this fascinating subject.
(source: Nielsen Book Data)