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• Opening credits
• Introduction by Renée Fleming
• Popolo di Pekino!
• Indietro, cani! Perduta la battaglia
• Gira la cote!
• Perchè tarda la luna? Là, sui monti dell"est
• O giovinetto! Ah! la grazia!
• Figlio, che fai?
• Fermo che fai?
• Silenzio, olà!
• Notte senza lumicino
• Non indugriare!
• Signore, ascolta!
• Non piangere, Liù
• Ah! Per l'ultima volta!
• Backstage scene change
• Introduction to Act II by Renée Fleming
• Olà, Pang!
• Ho una casa nell'Honan
• O mondo, pieno di pazzi innamorati!
• Non v'è in China per nostra fortuna
• Gravi, enormi ed imponenti
• Un giuramento atroce
• Diecimila anni al nostro Imperatore!
• Popolo di Pekino!
• Dal deserto al mar
• In questa Reggia
• Straniero ascolta!
• Sì! Rinasce!
• Guizza al pari di fiamma Sì, Principessa!
• Gelo che ti dà foco
• La mia vittoria
• Figlio del cielo!
• Tre enigmi m'hai proposto!
• Ai tuoi piedi ci prostriam
• Introduction to Act III by Renée Fleming
• Così comanda Turandot
• Nessun dorma!
• Tu che guardi le stelle Straniero, tu non sai
• Principessa divina!
• Chi posa tanta forza nel tuo cuore?
• Tu che di gel sei cinta
• Liù bontà!
• Principessa di Morte!
• Che è mai di me?
• Del primo pianto
• Più grande vittoria non voler!
• Diecimila anni al nostro Imperatore!
• Padre augusto
• O sole! Vita! Eternità
• Bows and closing credits
• Backstage at the Met with host Renée Fleming. Interview with Met stage managers Raymond Menard and Terry Ganley ; Interview with Nina Stemme ; Interview with Anita Hartig and Alexander Tsymbalyuk ; Interview with Marco Berti ; Interview with Dwayne Croft, Tony Stevenson and Eduardo Valdes ; Interview with Met choreographer Chiang Ching

Franco Zeffirelli’s golden production stars the great dramatic soprano Nina Stemme as Turandot, the icy Chinese princess who has renounced all men. Marco Berti is Calàf, the unknown prince who solves Turandot’s riddles and wins her love. Anita Hartig sings Liù, the faithful slave girl who gives her life to save Calàf, and Alexander Tsymbalyuk is Timur. Paolo Carignani conducts

This 2007 revival of Nikolaus Lehnhoff's gripping production stars "the Isolde of our time", Nina Stemme, as the legendary ill-fated romantic heroine.Wagner¿́¿s poetic and musical realisation of this familiar tale has been hailed as a landmark moment in the development of Western classical music.Sung in German with English subtitles.

• Opening credits
• Introduction by Deborah Voigt and interview with Met General Manager Peter Gelb
• Einleitung (Prelude)
• Westwärts schweift der Blick
• Frisch weht der Wind der Heimath zu
• Weh! Ach wehe! Dies zu dulden!
• Auf! Auf! Ihr Frauen! Frisch und froh!
• Begehrt, Herrin, was Ihr wünscht
• Tristan!...Isolde!...Treuloser Holder
• Introduction by to Act II by Deborah Voigt
• Einleitung (Prelude)
• Hörst du sie noch?
• Isolde! Geliebte!...Tristan! Geliebter!
• O sink' hernieder, Nacht der Liebe
• Einsam wachend in der Nacht
• Lausch' Geliebter! Lass mich sterben!
• Doch unsre Liebe, heisst sie nicht Tristan und...Isolde?
• So stürben wir, um ungetrennt
• Rette dich, Tristan!
• Thatest du's wirklich? Wähnst du das?
• O König, das kann ich dir nicht sagen
• Introduction to Act III by Deborah Voigt
• Einleitung: Mässig langsam
• Einleitung: English horn solo
• Kurwenal! He! Sag', Kurwenal!
• Hei nun! Wie du kamst?
• Noch losch das Licht nicht aus
• Noch ist kein Schiff zu seh'n
• Bist du nun tot? Lebst du noch?
• O diese Sonne! Ha, dieser Tag!
• Ha! Ich bin's, ich bin's süssester Freund!
• Kurwenal! Hör'! Ein zweites Schiff
• Mild und leise wie er lächelt
• Bows and closing credits
• Backstage at the Met with host Deborah Voigt. Interview with Stuart Skelton ; Interview with Nina Stemme ; Interview with René Pape ; Interview with Pedro Díaz ; Interview with Ekaterina Gubanova and Evgeny Nikitin ; Interview with Sir Simon Rattle
• Tantris (Young Tristan): Gallery Met short by Elizabeth Peyton and Kristian Emdal

Met audiences were fascinated by Mariusz Treliński's gripping, visionary production of Wagner's epic opera. In the daunting title roles of the doomed lovers, Nina Stemme and Stuart Skelton are passionate, overwhelming, and heartbreaking as they battle every obstacle that separates them from their true destiny. René Pape is King Marke, betrayed not only by Isolde but by Tristan, the man he most trusts and loves like a son. With Ekaterina Gubanova as Isolde's confidante Brangäne and Evgeny Nikitin as Kurwenal, Tristan's loyal lieutenant. Simon Rattle conducts a surging, shimmering account of Wagner's monumental score

• Opening credits
• Introduction by Renée Fleming
• Peter Gelb interview with Nina Stemme and Esa-Pekka Salonen
• Wo bleibt Elektra?
• Allein! Weh, ganz allein
• Elektra!...Ah , das Gesicht!
• Ich kann nicht sitzen
• Es geht ein Lärm los
• Was willst du? Seht doch, dort!
• Ich will nichts hören
• Ich habe keine guten Nächte
• Wenn das rechte Blutopfer
• Was bluten muß?
• Orest ist tot!
• Platz da!
• Wie stark du bist!
• Von jetzt an will ich deine Schwester sein
• Nun denn, allein!
• Was willst du, fremder Mensch?
• Orest!
• Du wirst es tun? Allein?
• Seid ihr von Sinnen
• He! Lichter! Lichter!
• Elektra! Schwester!
• Elektra!...Schweig' und tanze!
• Bows and closing credits

The great singing actress Nina Stemme gives a heart-wrenching performance in the title role of Strauss's blazing one-act drama, adapted from the ancient Greek myth. Patrice Chéreau's acclaimed production—the last staging he worked on before his death in 2013—also stars Waltraud Meier as Klytämnestra, Elektra's nightmare-haunted mother, Adrianne Pieczonka as Chrysothemis, her sister, and Eric Owens as Orest, their brother, whose return home brings their family story to a terrifying climax. Esa-Pekka Salonen conducts the monumental and highly influential score