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Video
5 videodiscs (449 min.) : sound, black and white and color ; 4 3/4 in. + 1 booklet (14 pages : illustrations (some color) ; 19 cm) Sound: digital; optical; surround; stereo. Video: NTSC. Digital: video file; DVD video; region 1. video file; Blu-ray.
  • disc 1. Decasia (2002) (67 min.) ; Light is calling (2004) (8 min.)
  • disc 2. Bill Morrison travels: City walk (1999) (6 min.) ; Porch (2005) (8 min.) ; Highwater trilogy (2006) (31 min.) ; Who by water (2007) (18 min.) ; Just ancient loops (2012) (26 min.) ; Re: awakenings (2013) (18 min.)
  • disc 3. Bill Morrison tales: The mesmerist (2003) (16 min.) ; Ghost trip (2000) (23 min.) ; Spark of being (2010) (68 min.)
  • disc 4. The miners' hymns (2011) (52 min.) ; Release (2010) (13 min.) ; Outerborough (2005) (9 min.) ; The film of her (1996) (12 min.)
  • disc 5. The great flood (2013) (80 min.).
A collection of sixteen works by Bill Morrison, an American filmmaker and multimedia artist whose work is characterized by his sensitive approach to found, often decaying, film footage and his close collaboration with contemporary composers.
Art & Architecture Library (Bowes), Media & Microtext Center
FILMSTUD-50Q-01
Video
2 videodiscs (266 min.) : sd., col. ; 4 3/4 in.
  • Disc 1. Part 1. All the histories
  • Part 2. A single history
  • Part 3. Only cinema
  • Part 4. Deadly beauty
  • Disc 2. Part 5. The coin of absolute
  • Part 6. A new wave
  • Part 7. The control of the universe
  • Part 8. The signs among us.
Jean-Luc Godard transformed the face of cinema with his prolific, influential, and revolutionary body of work, which includes such classics as Breathless; Weekend; and Contempt, just to name a few. Consisting of eight episodes made over a period of ten years, this is an extraordinary look at the medium through the eyes of this unique filmmaker. The series covers a wide range of topics, from the birth of cinema to Italian neo-realism to Hollywood and beyond.
Green Library, Art & Architecture Library (Bowes), Media & Microtext Center
FILMSTUD-50Q-01
Video
4 videodiscs (268 min.) : sd., col., b&w ; 4 3/4 in.
  • 1. Toutes les histoires ; Une histoire seule (93 min.)
  • 2. Seul le cinéma ; Fatale beauté (55 min.)
  • 3. La monnaie de l'absolu ; Une vague nouvelle (54 min.)
  • 4. Le contrôle de l'univers ; Les signes parmi nous (64 min.).
Jean-Luc Godard's Histoire(s) du cinema - as TV series/video essay - was made for Canal+, ARTE and Gaumont, from 1988 to 1998. The work subdivides into four chapters of two parts each. A combination of music and images creates Jean-Luc Godard's interpretation of the history of cinema.
Art & Architecture Library (Bowes), Media & Microtext Center
FILMSTUD-50Q-01
Video
1 videodisc (130 min.) : sd., b&w and col. ; 4 3/4 in. + 1 booklet (44 p. : ill. ; 19 cm.)
"La jetée" was the inspiration for Terry Gilliam's film "Twelve Monkeys" and is almost entirely narrated using black and white stills. After Paris is destroyed in a third world war, the survivors are forced to retreat underground where scientists conduct strange time-travel experiments in an effort to escape to a better past or future. In "Sans soleil", an unknown woman reads the writings of a cameraman who travels the world to produce a study of "the dreams of the human race"; he is particularly attracted to the two extremes of Japan and Africa, and discusses the images that he creates with the woman.
Art & Architecture Library (Bowes), Media & Microtext Center
FILMSTUD-4-01, FILMSTUD-50Q-01
Video
1 videodisc (150 min.) : sound, color and black and white ; 4 3/4 in.
  • Part 1. (ca. 49 min.)
  • pt. 2. (ca. 55 min.)
  • pt. 3. (ca. 49 min.).
"The Pervert's Guide To Cinema is a film about cinema itself with close readings of some of the most intriguing and celebrated films in cinema history. Serving as guide is the charasmatic Slovenian philosopher and psychoanalyst Slavoj Žižek, who delves into the hidden language of cinema uncovering what movies can tell us about ourselves. Structured in three parts, the Pervert's Guide To Cinema offers an introduction to Žižek's ideas on fantasy, reality, sexuality, subjectivity, form and desire. In a striking visual leap, director Sophie Fiennes immerses Žižek into the scenes he discusses. Whether he is unravelling the films of David Lynch, or overturning everything you thought you knew about Hitchcock, Žižek illuminates the screen with his passion, intellect and unfailing sense of humour."--Container.
Art & Architecture Library (Bowes), Media & Microtext Center
FILMSTUD-50Q-01