Latin poetry -- Study and teaching, Popular music -- Testing, Sampling (Acoustical engineering) -- Analysis, Greek poets -- Works, Greek poets -- Criticism and interpretation, Eclogues (Virgil) (Poetry collection) -- Translations and translating, and Eclogues (Virgil) (Poetry collection) -- Criticism and interpretation

Poets -- Works, Poets -- Criticism and interpretation, Misogyny -- Analysis, Humanism -- Analysis, Paradise Lost (Poem) -- Criticism and interpretation, and Aeneid (Virgil) (Poem) -- Criticism and interpretation

Poets -- Works, Poets -- Criticism and interpretation, Prefaces -- Criticism and interpretation, Emperors -- Portrayals, Poetics -- Analysis, and Georgics (Poem) -- Criticism and interpretation

Poets -- Works and Aeneid (Virgil) (Poem) -- Criticism and interpretation

Pastoral poetry -- Analysis, Poets -- Works, and Eclogues (Virgil) (Poetry collection) -- Criticism and interpretation

Italian poets -- Works, Architecture, Roman -- Influence, Public buildings -- Design and construction, Public buildings -- Portrayals, Aeneid: Book 7 (Poem) -- Criticism and interpretation, and Rome (Ancient state) -- Buildings and facilities

In the seventh book of the Aeneid, the Trojans finally land on the shores of the Tiber, where Aeneas will establish his own destined civilization. Upon arrival, he sends an [...]
In Aeneid 7, Latinus receives the Trojans in his curia, a building simultaneously described as tectum, regia, and templum in Vergil's ekphrasis (7.170-91), which has complicated discussions concerning the building's function and conception. Many studies have suggested that specific temples in Rome are the sole inspiration for Vergil. I argue, however, that the poet is more generally allusive, and I suggest below that the Roman curia, overlooked thus far in scholarship, also informs the poet's ekphrasis, through an examination of the architectural and ideological features in Latinus's curia. By projecting Roman architecture and monuments into the past, Vergil emphasizes that architecture comprises a significant part of the history and purpose of Rome.

Poets -- Works, Translating and interpreting -- Methods, and Eclogue (Book) -- Translations and translating

Introduction My Afrikaans translation is an attempt at allowing the classical author to communicate with a modern audience in a combination of signs that is comprehensible by the [...]

Authors -- Works and First person narrative -- Criticism and interpretation

In the aftermath of the fall of communism, the Eastern European space witnesses both the reconstruction of identity at a personal as well as a collective level, and the retrieval [...]

Trojan War -- History, Piety -- Analysis, Poets -- Works, and Aeneid (Virgil) (Poem) -- Criticism and interpretation

Italian poets -- Works, Italian poets -- Criticism and interpretation, and Aeneid (Virgil) (Poem) -- Criticism and interpretation

Toward the end of the first book of Virgil's Aeneid Cupido, disguised by his mother Venus as the young Ascanius, arrives with gifts for Dido and her countrymen. The queen [...]

Literary form -- Analysis, Poets -- Criticism and interpretation, Sex (Biology) -- Analysis, Sex role -- Portrayals, Aurora Leigh (Poem) -- Criticism and interpretation, and Georgics (Poem) -- Usage

Of the mutual admiration she shares with her brother Edward, referred to as 'Bro,' Elizabeth Barrett Browning claims, 'Our minds our souls are united by the same opinions, the same [...]

Trojan War, Poets -- Works, and Aeneid (Virgil) (Poem) -- Criticism and interpretation

Helen of Troy, the most beautiful woman in the world, abandoned her country and family for a foreign lover, caused the Trojan War, brought death and destruction to Trojans and [...]

Menstruation -- Portrayals, Poets -- Works, Sex (Psychology) -- Analysis, and Aeneid (Virgil) (Poem) -- Criticism and interpretation

Aeneas and his men encounter many monstrous creatures on their wanderings from Troy to Italy, but apparently none worse than the Harpies, (1) whom Vergil describes in far more detail [...]