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Literature--Philosophy

How does literature work? And what does it mean? How does it relate to the world: to politics, to history, to the environment? How do we analyse and interpret a literary text, paying attention to its specific poetic and fictitious qualities? This wide-ranging introduction helps students to explore these and many other essential questions in the study of literature, criticism and theory. In a series of introductory chapters, leading international scholars present the fundamental topics of literary studies through conceptual definitions as well as interpretative readings of works familiar from a range of world literary traditions. In an easy-to-navigate format, Literature: An Introduction to Theory and Analysis covers such topics as: ·Key definitions – from plot, character and style to genre, trope and author ·Literature's relationship to the surrounding world – ethics, politics, gender and nature ·Modes of literature and criticism – from books to performance, from creative to critical writing With annotated reading guides throughout and a glossary of major critical schools to help students when studying, revising and writing essays, this is an essential introduction and reference guide to the study of literature at all levels.The companion website to the book litdh.au.dk focuses on digital humanities and literary studies. For each topic in the book you will find an introduction to computational aspects of the topic, approaches for both newcomers and advanced users, and references to tools, scripts and articles. The website also has a comprehensive and well-structured reference page.

Literature

This introductory volume provides an overview of the history of Literature as a cultural concept, and reflects on the contemporary nature, place and function of what the literary might mean for us today. Literature: • offers a concise history of the canonic concept of'literature'from its earliest origins • illustrates the kinds of theoretical issues which are currently invoked by the term'literary'• provides a definition of the'literary'for the twenty-first century With Literature Peter Widdowson provides a thought-provoking essay on the contemporary relevance of the'literary'for students.

Books and reading--Psychological aspects, Bibliotherapy--Case studies, Literature--Psychology, Reading, Psychology of, Psychology and literature, and Mental representation

literature may be experienced as life changing. Previous research has shown that many readers have found a particular work of fiction to be of significant help to them in dealing with personal issues. Furthermore, experimental studies reveal that readers experience self-modifying feelings during the act of reading. Research in psychological aesthetics indicates that the hitherto neglected phenomenon of being moved may be central to transformative experiences with art, and may be a more productive point of departure than emotion-based approaches. How may transformative aesthetic experiences produce lasting change and become integrated into the person's life-story, and how is such subjective change related to the experience of being moved? The aim of this book is, through interviews with readers who have experienced life-changing encounters with particular works of fiction, to present new knowledge about transformative reading experiences and the relationships between life-crises, affective modes of transaction with literary works, and qualitative change experiences. Such knowledge will contribute to our understanding of the affective aspects of reading and life-stories of change. This theoretical knowledge may also have practical application for the intermediation of literature. The investigation has a trans-disciplinary orientation towards reader response studies, literary scholarship, psychological aesthetics and narrative psychology. [NP] The method developed, intimate reading, is a hermeneutically oriented narrative inquiry. The process of data production is envisaged as subservation, using a form of open interview which combines facilitating the participant's relating their experience with a shared reading of selected significant passages of the work in question. Furthermore, it involves presenting the participant's narrative in full. The logic of inquiry rests on anteroduction, which is argued as a particular circular mode of inference implicit in modern hermeneutics. The collected data were subjected to a critical selection process in which the construct of life-changing fiction-reading experiences was determined through comparative narrative analysis. Five narratives are presented and interpreted in-depth. These interpretations are structured around the tripartite division into life-crisis, transaction with literary work (affective realisation and mode of engagement) and resolution. [NP] The works that have changed the participants in this inquiry are highly diverse; this confirms previous research. The present inquiry contributes new knowledge about the kinds of life-crises that may be resolved through transformative encounters with fiction, and the kinds of qualitative changes that may result. The mode of engagement was found to be one that combines bodily and affective aspects, in which metaphors related to nourishment and the heart were prominent. Accordingly, I have named this transaction reading by heart, or lexithymia. These qualitative descriptions add to our knowledge of the affective aspects of reading, and can serve to expand the critical vocabulary for discussing affection. From this understanding of varieties, commonalities and typical characteristics of life-changing reading experiences I have, through a process of abduction, sought to develop a theory of transformative affective patterns that combine life-crises, aesthetics and literary protogenres to form a comprehensive and exhaustive system of transformative relations. The inquiry concludes that the transformative reading experience is one of being deeply moved, and being moved is a catalyst for altering aspects of the self. The subjective change is thus a reflective process of integrating the alteration into the self-concept and may subsequently be experienced as ‘shaping'the life-story.'}'data-sheets-userformat='{'2&

Social status in literature and Equality in literature

Today, high-end inequality in America and peer countries is at Gilded Age levels. These matters are too important and complicated to be left just to economists. A broader sociological and humanistic approach is necessary. Great works of literature, such as those by the likes of Jane Austen, Charles Dickens, Mark Twain, and Edith Wharton, are among the resources that can help us to better understand high-end inequality's broader, culturally contingent, ramifications – not just in the authors'own eras but today. Daniel Shaviro's Literature and Inequality offers a unique and accessible interdisciplinary take on how a number of great and beloved works from the nineteenth- and early-twentieth centuries help shed light on modern high-end inequality. In particular, Shaviro helps us to understand the relevance both of cultural differences between America and peer countries such as England and France, and of cultural commonalities between America's First Gilded Age in the late-nineteenth century and its currently ongoing Second Gilded Age.

Culture--Economic aspects, Politics and literature, Economics and literature, Capitalism and literature, Privatization, Literature and society, Education--Social aspects, and Values in literature

What is the value of literature? In this important new work, Thomas Docherty charts a new economic history of literary culture and its institutions in the modern age. From the literary patronage of the early modern period, through the colonial exploitation of the 18th and 19th centuries to the institutionalisation of “literature” in the neoliberal university of the 21st century, Literature and Capital explores the changing ways in which literary culture has both resisted and become complicit with exploitative economic notions of value. Drawing on the work of economic and political thinkers such as Thomas Piketty, Naomi Klein, Edward Said and Raymond Williams, the book includes readings of work by a wide range of canonical authors from Shakespeare, Donne and Swift to Tolstoy, Woolf and Ishiguro.

Comparative literature, Criticism, Literature--History and criticism, and Literature--Study and teaching

Within lies a shakeup of the traditional introductory literature course textbook formula, with a unique perspective on literature. You will find some theories that have not even been published in scholarly journals before, like the examination of the merchants'language that Swift uses to disguise his meaning. Each of the sections on fiction, drama and poetry provides the most essential commentary, definitions and concepts. The readings include three short stories from Edgar Allan Poe, novel segments from Don Quixote, and Gulliver's Travels, various poems, and a classic Greek play, Lysistrata. The uniting elements in these pieces are satire, sarcasm, and other forms of humor. This dense political, social and cultural content should inspire students with questions and a desire to write about it.

Literature--Philosophy, Pragmatics, and Discourse analysis, Literary

Pragmatics and Literature is an important collection of new work by leading practitioners working at the interface between pragmatic theory and literary analysis. The individual studies collected here draw on a variety of theoretical approaches and are concerned with a range of literary genres. All have a shared focus on applying ideas from specific pragmatic frameworks to understanding the production, interpretation and evaluation of literary texts. A full-length introductory chapter highlights distinctions and contrasts between pragmatic theories, but also brings out complementarities, shared aims and assumptions, and ways in which different pragmatic theories can make different contributions to our understanding of literary texts. The book as a whole encourages a sense of coherence for the field and presents insights from various approaches for systematic comparison. Building on previous work by the editors, the contributors and others, it makes a significant contribution to the growing field of pragmatic literary stylistics.

Xhosa literature

Xhosa Literature consists of fourteen essays addressing Xhosa literature in three media - the spoken word, newspapers, and books. Literary critics tend to focus on Xhosa literature published in books with some attention paid to Xhosa oral poetry and tales, but by and large the contribution of newspapers to the development of Xhosa literature has been overlooked. This book explores aspects of Xhosa literature in all three media, and their interconnections. Six of the essays treat historical narratives (amabali) and praise poetry (izibongo), setting out the social and ritual function of poetry and the poet (imbongi), mapping changes in the izibongo of three poets as South Africa moved towards democracy in the 1990s, and analyzing recordings of two poems recited by S.E.K. Mqhayi. Three essays are devoted to the first Xhosa novel, Mqhayi's U-Samson (1907), to the publication of the greatest novel in Xhosa, A.C. Jordan's Ingqumbo yeminyanya (1940), and to the first published poem in praise of Nelson Mandela, D.L.P. Yali-Manisi's'UNkosi Rolihlahla Nelson Mandela'(1954). There follow accounts of Xhosa literature in the nineteenth century and the appropriation of the press by Xhosa editors towards the end of that century, of Nontsizi Mgqwetho's fiery poetry published in Umteteli wa Bantu, and of poems by Mgqwetho and Mqhayi published in Abantu-Batho, two Johannesburg newspapers. The volume concludes with an exposition of an imaginative response to David Yali-Manisi and his poetry. (Series: Publications of the Opland Collection of Xhosa Literature, Vol. 6) [Subject: African Studies, Politics, Sociology, Xhosa Literature]

Environment (Aesthetics), Weather in literature, and Weather--Psychological aspects

'Literature and Weather. Shakespeare – Goethe – Zola'is dedicated to the relation between literature and weather, i.e. a cultural practice and an everyday phenomenon that has played very different epistemic roles in the history of the world. The study undertakes an archaeology of literature's affinity to the weather which tells the story of literature's weathery self-reflection and its creative reinventions as a medium in different epistemic and social circumstances.The book undertakes extensive close readings of three exemplary literary texts: Shakespeare's The Tempest, Goethe's The Sufferings of Young Werther and Zola's The Rougon-Macquarts. These readings provide the basis for reconstructing three distinct formations, negotiating the relationship between literature and weather in the 17th, the 18th and the 19th centuries.The study is a pioneering contribution to the recent debates of literature's indebtedness to the environment. It initiates a rewriting of literary history that is weather-sensitive; the question of literature's agency, its power to affect, cannot be raised without understanding the way the weather works in a certain cultural formation.

Religious education and Conduct of life--Religious aspects

In the opinion of the present study, a masterwork of literature is a work that teaches human beings how to live, in a carefully constructed artifact; in venerable terms, a work that constructs a fable (a narrative) whose intellectual function is to convey an idea (what is taught). Every such work is passionately convinced of the seriousness of what is taught; and its passion is strictly disciplined by a narrative divided into parts that are internally coherent, and that appear in an order that cannot be changed. All five of the masterworks analyzed in the present study passionately teach, in splendid artifacts, that Christianity is adequate to the dangers of life, and capable of irradiating the human soul. The indispensable reference of all five is the Christian Bible; the God is the Father, the Son, and the Holy Spirit; the aspiration is salvation. The intent of all five--Spenser's The Faerie Queene (Book One), Shakespeare's Macbeth, Milton's Paradise Lost, Hawthorne's The Scarlet Letter, and Dostoyevsky's Crime and Punishment--is thus ad dei gloriam, the glorification of the God of Christianity.

Literature--Philosophy, Concrete poetry, Brazilian, and Latin American literature--History and criticism

Anti-Literature articulates a rethinking of what is meant today by “literature.” Examining key Latin American forms of experimental writing from the 1920s to the present, Adam Joseph Shellhorse reveals literature's power as a site for radical reflection and reaction to contemporary political and cultural conditions. His analysis engages the work of writers such as Clarice Lispector, Oswald de Andrade, the Brazilian concrete poets, Osman Lins, and David Viñas, to develop a theory of anti-literature that posits the feminine, multimedial, and subaltern as central to the undoing of what is meant by “literature.” By placing Brazilian and Argentine anti-literature at the crux of a new way of thinking about the field, Shellhorse challenges prevailing discussions about the historical projection and critical force of Latin American literature. Examining a diverse array of texts and media that include the visual arts, concrete poetry, film scripts, pop culture, neo-baroque narrative, and others that defy genre, Shellhorse delineates the subversive potential of anti-literary modes of writing while also engaging current debates in Latin American studies on subalternity, feminine writing, posthegemony, concretism, affect, marranismo, and the politics of aesthetics.

European literature--20th century--History and criticism, American literature--20th century--History and criticism, Modernism (Literature)--Europe, Modernism (Literature)--United States, and Literature, Modern--20th century--History and criticism

In Interbellum Literature Cor Hermans offers an overview of modernist writing in the interwar years. The ideas embodied in the personalities and works of Proust, Woolf, Joyce, Kafka, Musil, Beckett, Céline and others are captured in a new synthesis.

Scandinavian literature--History and criticism

Nordic Literature: A comparative history is a multi-volume comparative analysis of the literature of the Nordic region. Bringing together the literature of Finland, continental Scandinavia (Sweden, Norway, Denmark, and Sápmi), and the insular region (Iceland, Greenland, and the Faroe Islands), each volume of this three-volume project adopts a new frame through which one can recognize and analyze significant clusters of literary practice. This first volume, Spatial nodes, devotes its attention to the changing literary figurations of space by Nordic writers from medieval to contemporary times. Organized around the depiction of various “scapes” and spatial practices at home and abroad, this approach to Nordic literature stretches existing notions of temporally linear, nationally centered literary history and allows questions of internal regional similarities and differences to emerge more strongly. The productive historical contingency of the “North” as a literary space becomes clear in this close analysis of its literary texts and practices.

Spanish American literature--21st century--History and criticism, Spanish American literature--20th century--History and criticism, Literature and globalization, Literature and society--Latin America, and Sovereignty in literature

Literature and'Interregnum'examines the unraveling of the political forms of modernity through readings of end-of-millennium literary texts by César Aira, Marcelo Cohen, Sergio Chejfec, Diamela Eltit, and Roberto Bolaño. The opening of national spaces to the global capitalist system in the 1980s culminates in the suspension of key principles of modernity, most notably that of political sovereignty. While the neoliberal model subjugates modern forms of social organization and political decision making to an economic rationale, the market is unable to provide a new ordering principle that could fill the empty place formerly occupied by the national figure of the sovereign. The result is a situation that resembles what the Italian political philosopher Antonio Gramsci termed'interregnum,'an in-between time in which'the old [order] is dying and the new cannot be born.'The recoding of history as literary form provides occasions for reconsidering modern conceptualizations of aesthetic experience, mood, temporality, thought, politics, ethical experience, as well as of literature itself as social institution. In his analysis, Patrick Dove seeks to create dialogues between literature and theoretical perspectives, including Continental philosophy, political thought, psychoanalysis, and sociology of globalization. The author highlights the connections between mass media, technology, politics, and economics.

Business literature--Great Britain, Businesspeople in literature, Corporations in literature, Corporations--Great Britain--History, English literature--19th century--History and criticism, English literature--18th century--History and criticism, and English literature--Early modern, 1500-1700--History and criticism

Long before Citizens United and modern debates over corporations as people, such organizations already stood between the public and private as both vehicles for commerce and imaginative constructs based on groups of individuals. In this book, John O'Brien explores how this relationship played out in economics and literature, two fields that gained prominence in the same era. Examining British and American essays, poems, novels, and stories from the seventeenth through the nineteenth centuries, O'Brien pursues the idea of incorporation as a trope discernible in a wide range of texts. Key authors include John Locke, Eliza Haywood, Harriet Martineau, and Edgar Allan Poe, and each chapter is oriented around a type of corporation reflected in their works, such as insurance companies or banks. In exploring issues such as whether sentimental interest is the same as economic interest, these works bear witness to capitalism's effect on history and human labor, desire, and memory. This period's imaginative writing, O'Brien argues, is where the unconscious of that process left its mark. By revealing the intricate ties between literary models and economic concepts, Literature Incorporated shows us how the business corporation has shaped our understanding of our social world and ourselves.

Law in literature, Law and literature, Censorship, and Intellectual property in literature

María José Falcón y Tella invites us on a fascinating journey through the world of law and literature, travelling through the different eras and meeting eternal and as such current issues. Law in Literature is undoubtedly the most fertile and documented perspective of this book.

Literature--History and criticism

Introduces the most important terms for understanding literature, past and present. Literature Now argues that modern literary history is currently the main site of theoretical and methodological reflection in literary studies. Via 19 key terms, the book takes stock of recent scholarship and demonstrates how analyses of particular historical phenomena have modified our understanding of crucial notions like archive, book, event, media, objects, style and the senses. The book not only reveals a rich diversity of subjects and approaches but also identifies the most salient traits of literature and literary studies today. Leading literary critics and historians offer thought-provoking arguments as well as authoritative explorations of the key terms of literary studies providing students as well as scholars with a rich resource for exploring theoretical issues from a historically informed perspective. Key Features Organised around the key terms used in literary studies today: archive, book, medium, translation, subjects, senses, animals, objects, politics, time, invention, event, generation, period, beauty, mimesis, style, popular and genre Puts literary history at the forefront of theoretical and methodological reflection in literary studies Original chapters by leading literary critics, theorists and historians

Geography and literature

In a period marked by the Spatial Turn, time is not the main category of analysis any longer. Space is. It is now considered as a central metaphor and topos in literature, and literary criticism has seized space as a new tool. Similarly, literature turns out to be an ideal field for geography. This book examines the cross-fertilization of geography and literature as disciplines, languages and methodologies. In the past two decades, several methods of analysis focusing on the relationship and interconnectedness between literature and geography have flourished. Literary cartography, literary geography and geocriticism (Westphal, 2007, and Tally, 2011) have their specificities, but they all agree upon the omnipresence of space, place and mapping at the core of analysis. Other approaches like ecocriticism (Buell, 2001, and Garrard, 2004), geopoetics (White, 1994), geography of literature (Moretti, 2000), studies of the inserted map (Ljunberg, 2012, and Pristnall and Cooper, 2011) and narrative cartography have likewise drawn attention to space. Literature and Geography: The Writing of Space Throughout History, following an international conference in Lyon bringing together literary academics, geographers, cartographers and architects in order to discuss literature and geography as two practices of space, shows that literature, along with geography, is perfectly valid to account for space. Suggestions are offered here from all disciplines on how to take into account representations and discourses since texts, including literary ones, have become increasingly present in the analysis of geographers.

Gays' writings--History and criticism, Homosexuality and literature, and Literature, Modern--20th century--History and criticism

Although artists are nowadays able to be openly gay and to address homosexuality explicitly in their work, this book argues that it was the harsh climate of 1890-1930 that produced the most outstanding explorations of homosexuality. To support his argument, Meyers illuminates the character and creative process of a range of authors of the period, including Wilde, Gide, Proust, E.M. Forster and T.E. Lawrence, and analyses the sexual problems that were sublimated and transcended in their art.

Literature--Philosophy and Values in literature

While scholars frequently discuss different types of value separately, this book approaches values of literature in the plural. It shows how and why the ethical, aesthetic, cognitive, affective, social, historical, and existential values of literature should be explored in connection with each other. Through their interplay, the book argues, literature engages in its own distinctively literary forms of value inquiry.