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Book
101 p. ; 21 cm.
First published in this country in 1965, Tree and Leaf brought together two remarkable examples of Tolkien's thought, "On Fairy Stories" and "Leaf by Niggle". This edition includes Tolkien's long poem, "Mythopoeia", on the making of myths.
(source: Nielsen Book Data)9780395502327 20160527
Green Library
Book
[48] p. : col. ill. ; 28 cm.
A collection of illustrated letters from Father Christmas recapping the activities of the preceding year at the North Pole. The letters were written by the author to his children.
Special Collections
Book
317 p. col. illus. 24 cm.
The adventures of the well-to-do hobbit, Bilbo, Baggins, who lived happily in his comfortable home until a wandering wizard granted his wish.
Special Collections

4. Beren and Lúthien [2017]

Book
288 pages, 9 unnumbered leaves of plates : illustrations (some color) ; 22 cm
Beren was a mortal man, but Lúthien was an immortal elf. Her father, a great elvish lord, in deep opposition to Beren, imposed on him an impossible task that he must perform before he might wed Lúthien. To show something of the process whereby this legend of Middle-earth evolved over the years, [Christopher Tolkien] has told the story in his father's own words by giving, first, its original form, and then passages in prose and verse from later texts that illustrate the narrative as it changed. Presented together for the first time, they reveal aspects of the story, both in event and in narrative immediacy, that were afterwards lost.-- From publisher's description.
Law Library (Crown)
Book
lxv, 157 pages ; 23 cm
First ever critical study of Tolkien's little-known essay, which reveals how language invention shaped the creation of Middle-earth and beyond, to George R R Martin's Game of Thrones. J.R.R. Tolkien's linguistic invention was a fundamental part of his artistic output, to the extent that later on in life he attributed the existence of his mythology to the desire to give his languages a home and peoples to speak them. As Tolkien puts it in 'A Secret Vice', 'the making of language and mythology are related functions". In the 1930s, Tolkien composed and delivered two lectures, in which he explored these two key elements of his sub-creative methodology. The second of these, the seminal Andrew Lang Lecture for 1938-9, 'On Fairy-Stories', which he delivered at the University of St Andrews in Scotland, is well known. But many years before, in 1931, Tolkien gave a talk to a literary society entitled 'A Hobby for the Home', where he unveiled for the first time to a listening public the art that he had both himself encountered and been involved with since his earliest childhood: 'the construction of imaginary languages in full or outline for amusement'. This talk would be edited by Christopher Tolkien for inclusion as 'A Secret Vice' in The Monsters and the Critics and Other Essays and serves as the principal exposition of Tolkien's art of inventing languages. This new critical edition, which includes previously unpublished notes and drafts by Tolkien connected with the essay, including his 'Essay on Phonetic Symbolism', goes some way towards re-opening the debate on the importance of linguistic invention in Tolkien's mythology and the role of imaginary languages in fantasy literature.
(source: Nielsen Book Data)9780008131395 20160704
SAL3 (off-campus storage)
Book
xiv, 425 pages ; 22 cm
Green Library
Book
xi, 482 p. : ill. (some col.) ; 23 cm.
Green Library, SAL3 (off-campus storage)
Book
315 p., [1] leaf of plates : ill. (some col.)
Special Collections
Book
vi, 358 pages ; 23 cm.
SAL3 (off-campus storage)
Book
vi, 432 pages ; 23 cm.
SAL3 (off-campus storage)
Book
447 p. : ill., map ; 17 cm.
SAL3 (off-campus storage)
Book
423 p. fold. map. 23 cm.
SAL3 (off-campus storage)
Book
416 p. : fold. map ; 23 cm.
SAL3 (off-campus storage)

14. Beren and Lúthien [2017]

Book
288 pages, 9 unnumbered leaves of plates : illustrations (some color) ; 23 cm
Painstakingly restored from Tolkien's manuscripts and presented for the first time as a continuous and standalone story, the epic tale of Beren and Luthien will reunite fans of The Hobbit and The Lord of the Rings with Elves and Men, Dwarves and Orcs and the rich landscape and creatures unique to Tolkien's Middle-earth.
(source: Nielsen Book Data)9780008214197 20170807
SAL3 (off-campus storage)
Book
xxi, 106 pages : illustrations ; 23 cm
Unavailable for more than 70 years, this early but important work is published for the first time with Tolkien's 'Corrigan' poems and other supporting material, including a prefatory note by Christopher Tolkien. Set 'In Britain's land beyond the seas' during the Age of Chivalry, The Lay of Aotrou and Itroun tells of a childless Breton Lord and Lady (the 'Aotrou' and 'Itroun' of the title) and the tragedy that befalls them when Aotrou seeks to remedy their situation with the aid of a magic potion obtained from a corrigan, or malevolent fairy. When the potion succeeds and Itroun bears twins, the corrigan returns seeking her fee, and Aotrou is forced to choose between betraying his marriage and losing his life. Coming from the darker side of J.R.R. Tolkien's imagination, The Lay of Aotrou and Itroun, together with the two shorter 'Corrigan' poems that lead up to it and which are also included, was the outcome of a comparatively short but intense period in Tolkien's life when he was deeply engaged with Celtic, and particularly Breton, myth and legend. Originally written in 1930 and long out of print, this early but seminal work is an important addition to the non-Middle-earth portion of his canon and should be set alongside Tolkien's other retellings of myth and legend, The Legend of Sigurd and Gudrun, The Fall of Arthur and The Story of Kullervo. Like these works, it belongs to a small but important corpus of his ventures into 'real-world' mythologies, each of which in its own way would be a formative influence on his own legendarium.
(source: Nielsen Book Data)9780008202132 20170410
Green Library
Book
xxiii, 168 pages : illustrations, facsimlies ; 24 cm
The world first publication of a previously unknown work of fantasy by J.R.R. Tolkien, which tells the powerful story of a doomed young man who is sold into slavery and who swears revenge on the magician who killed his father. Kullervo son of Kalervo is perhaps the darkest and most tragic of all J.R.R. Tolkien's characters. 'Hapless Kullervo', as Tolkien called him, is a luckless orphan boy with supernatural powers and a tragic destiny. Brought up in the homestead of the dark magician Untamo, who killed his father, kidnapped his mother, and who tries three times to kill him when still a boy, Kullervo is alone save for the love of his twin sister, Wanona, and guarded by the magical powers of the black dog, Musti. When Kullervo is sold into slavery he swears revenge on the magician, but he will learn that even at the point of vengeance there is no escape from the cruellest of fates. Tolkien wrote that The Story of Kullervo was 'the germ of my attempt to write legends of my own', and was 'a major matter in the legends of the First Age'; his Kullervo was the ancestor of Turin Turambar, tragic incestuous hero of The Silmarillion. In addition to being a powerful story in its own right, The Story of Kullervo - published here for the first time with the author's drafts, notes and lecture-essays on its source-work, The Kalevala, is a foundation stone in the structure of Tolkien's invented world.
(source: Nielsen Book Data)9780008131364 20160619
SAL3 (off-campus storage)
Book
65 pages : illustrations ; 34 cm
SAL3 (off-campus storage)

18. The fall of Arthur [2013]

Book
233 pages ; 23 cm
  • Foreword
  • The fall of Arthur
  • Notes on the text of The fall of Arthur
  • The poem in Arthurian tradition
  • The unwritten poem and its relation to The Silmarillion
  • The evolution of the poem
  • Appendix: Old English verse.
The world first publication of a previously unknown work by J.R.R. Tolkien, which tells the extraordinary story of the final days of England's legendary hero, King Arthur. The Fall of Arthur, the only venture by J.R.R. Tolkien into the legends of Arthur King of Britain, may well be regarded as his finest and most skilful achievement in the use of the Old English alliterative metre, in which he brought to his transforming perceptions of the old narratives a pervasive sense of the grave and fateful nature of all that is told: of Arthur's expedition overseas into distant heathen lands, of Guinevere's flight from Camelot, of the great sea-battle on Arthur's return to Britain, in the portrait of the traitor Mordred, in the tormented doubts of Lancelot in his French castle. Unhappily, The Fall of Arthur was one of several long narrative poems that he abandoned in that period. In this case he evidently began it in the earlier nineteen-thirties, and it was sufficiently advanced for him to send it to a very perceptive friend who read it with great enthusiasm at the end of 1934 and urgently pressed him 'You simply must finish it!' But in vain: he abandoned it, at some date unknown, though there is some evidence that it may have been in 1937, the year of the publication of The Hobbit and the first stirrings of The Lord of the Rings. Years later, in a letter of 1955, he said that 'he hoped to finish a long poem on The Fall of Arthur'; but that day never came. Associated with the text of the poem, however, are many manuscript pages: a great quantity of drafting and experimentation in verse, in which the strange evolution of the poem's structure is revealed, together with narrative synopses and very significant if tantalising notes. In these latter can be discerned clear if mysterious associations of the Arthurian conclusion with The Silmarillion, and the bitter ending of the love of Lancelot and Guinevere, which was never written.
(source: Nielsen Book Data)9780007489947 20160612
Green Library
Book
xxv, 479 p. ; 24 cm.
Green Library
Book
377 p. : ill. (some col.) ; 23 cm.
The world first publication of a previously unknown work by J.R.R. Tolkien, which tells the epic story of the Norse hero, Sigurd, the dragon-slayer, the revenge of his wife, Gudrun, and the Fall of the Nibelungs. "Many years ago, J.R.R. Tolkien composed his own version, now published for the first time, of the great legend of Northern antiquity, in two closely related poems to which he gave the titles The New Lay of the Volsungs and The New Lay of Gudrun. In the Lay of the Volsungs is told the ancestry of the great hero Sigurd, the slayer of Fafnir most celebrated of dragons, whose treasure he took for his own; of his awakening of the Valkyrie Brynhild who slept surrounded by a wall of fire, and of their betrothal; and of his coming to the court of the great princes who were named the Niflungs (or Nibelungs), with whom he entered into blood-brotherhood. In that court there sprang great love but also great hate, brought about by the power of the enchantress, mother of the Niflungs, skilled in the arts of magic, of shape-changing and potions of forgetfulness. In scenes of dramatic intensity, of confusion of identity, thwarted passion, jealousy and bitter strife, the tragedy of Sigurd and Brynhild, of Gunnar the Niflung and Gudrun his sister, mounts to its end in the murder of Sigurd at the hands of his blood-brothers, the suicide of Brynhild, and the despair of Gudrun. In the Lay of Gudrun her fate after the death of Sigurd is told, her marriage against her will to the mighty Atli, ruler of the Huns (the Attila of history), his murder of her brothers the Niflung lords, and her hideous revenge. Deriving his version primarily from his close study of the ancient poetry of Norway and Iceland known as the Poetic Edda (and where no old poetry exists, from the later prose work the Volsunga Saga), J.R.R. Tolkien employed a verse-form of short stanzas whose lines embody in English the exacting alliterative rhythms and the concentrated energy of the poems of the Edda." -- Christopher Tolkien.
(source: Nielsen Book Data)9780007317233 20160528
Green Library

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