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1. Stranci u raju [1998]

Book
250 p. : ill. ; 21 cm.
Green Library
Book
186 p. ; 23 cm.
Green Library
Book
644 p. ; 20 cm.
Green Library
Book
359 p. : ill. ; 24 cm.
SAL3 (off-campus storage)
Book
319 p., [28] p. of plates : ill. ; 24 cm.
Green Library
Book
xiv, 285 p. : ill., 1 map ; 25 cm.
  • Acknowledgments-- Introduction 1. Establishment and Evolution of a National Cinema, 1945-1950 2. Decentralization and Breaking the Mold, 1951-1960 3. New Film and Republican Ascendancy, 1961-1972 4. Confrontation With the Revolutionary Past 5. Contemporary Reality: Critical Visions 6. Accommodation and Resurgence: the New Yugoslav Cinema, 1973-1990 7. The Breakup of Yugoslavia: Cinematic Reflections, 1991-2001 Notes-- Selected Bibliography-- Selected Filmography-- Index.
  • (source: Nielsen Book Data)9780253215826 20160528
Originally published in 1985, "Liberated Cinema: The Yugoslav Experience", received the first annual "Close-up" award from the Yugoslav Film Institute in 1986 for "outstanding scholarship and for promoting the values of Yugoslav film art internationally." This new edition has been revised and updated throughout. It has been expanded to complete the story of the new Yugoslav cinema of the 1980s and to address major film developments that have taken place in the former Yugoslavia's five successor states.As in his analysis of past periods of Yugoslav cinema, Goulding situates the most recent developments within the context of film economics, state subsidies, and changing patterns of political control. Most significantly, however, he provides an insightful discussion of the ways in which critically important domestic feature films produced or co-produced from 1991 to 2001 reflect on recent brutal internecine warfare and other contemporary social, cultural, and political realities after the breakup of Yugoslavia. It is also of interest "The Films of Andrei Tarkovsky: A Visual Fugue" by Vida Y. Johnson and Graham Petrie (0-253-20887-4).
(source: Nielsen Book Data)9780253215826 20160528
Green Library
Book
212 p. : ill. ; 20 cm.
Green Library
Book
x, 203 p. : ill. ; 23 cm.
"Disintegration in Frames" examines the ways in which national identity and inter-ethnic relations are approached, evaluated, and critically dissected in films by directors such as Dusan Makavejev, Emir Kusturica, and Srdan Dragojevic; subcultural television and musical performances of the Bosnian pop-art movement New Primitivism; amateur video works made by the returning veterans of the Croatian war; political documentaries chronicling the psychological effects of state socialism; and more.
(source: Nielsen Book Data)9780804753685 20160528
Green Library
Book
993 p. ; 24 cm.
Green Library
Book
600 p. ; 21 cm.
Green Library
Book
262 p. : ill. ; 17 cm.
Green Library

12. Cinema Komunisto [2010]

Video
1 online resource (102 minutes) Digital: data file.
Cinema Komunisto tells the story of a country that no longer exists, except for in the movies.Taking us on a journey through the crumbling remnants of the former Yugoslavia and President Josip Broz Tito's state-funded film industry, this fascinating historical documentary cracks the vaults at the famed Avala Film Studios - home to big-budget productions starring the likes of Richard Burton, Sophia Loren and Orson Welles - and explores the rise and fall of the cinematic illusion called Yugoslavia. Using rare excerpts from dozens of forgotten Yugoslav films, never-seen-before archive footage from film sets, and revealing interviews with many of the film industry's key players, including Tito's personal film projectionist, Cinema Komunisto recreates the narrative of a former country: the stories constructed for the screen and the ones hidden within the frame.
Book
ix, 207 p. : ill. ; 23 cm
  • List of Figures Acknowledgments Introduction 1. Theoretical and Methodological Considerations 2. Once upon a Time in Sarajevo 3. Historical Fable of a Country That is No More 4. Ordinary Men in the War 5. Women Speak after the War 6. Roma: The Other in the Other Conclusion Filmography Bibliography Index.
  • (source: Nielsen Book Data)9781137520340 20160619
Drawing primarily on selected filmic texts from former-Yugoslavia, the book examines key social and political events that triggered the Yugoslav wars in the 1990s. Yugoslav politics and society are set within the broader artistic and cinematic strategies that helped stabilise post-Yugoslav territories - strategies that were part of the national desire of looking forward to a time of 'perpetual peace' and its subsequent cosmopolitan norms. It argues that filmic texts demonstrate the degree to which nationalism was at the heart of the violent disintegration of Yugoslavia. Yet, the concern of the argument is not simply to offer a filmic critique but to develop an alternative to nationalism; namely, a theoretical framework through which cosmopolitan humanism is at the forefront of addressing former Yugoslavia's political wounds.
(source: Nielsen Book Data)9781137520340 20160619
Green Library
Video
1 videodisc (100 min.) : sd., col. and b&w ; 4 3/4 in. + 1 booklet ([22] p. : ill. ; 19 cm.)
"... Cinema Komunisto takes us on a journey through the crumbling remains of Tito's film industry, exploring the rise and fall of the cinematic illusion called Yugoslavia. Using rare footage from dozens of forgotten Yugoslav films, never-seen-before archive from film sets and Tito's private screenings, the narrative of a country, the stories told on screen and the ones hidden behind it"--Container.
Media & Microtext Center
Book
356 pages : illustrations ; 20 cm
Green Library

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