%{search_type} search results

6 catalog results

RSS feed for this result
iv, 104 p. : ill. (some col.) ; 22 x 26 cm.
Art & Architecture Library (Bowes)
xx, 275 p. : ill. (some col.) ; 27 cm.
  • Foreword / Arnold L. Lehman
  • Preface: Six years-- forty years later / Lucy R. Lippard
  • An introduction to Six years / Catherine Morris and Vincent Bonin
  • Six years as a curatorial project / Catherine Morris
  • Lucy R. Lippard's writing in and around conceptual art, 1969-73 / Vincent Bonin
  • Still relevant: Lucy R. Lippard, feminist activism, and art institutions / Julia Bryan-Wilson
  • Illustrations and commentary
  • 1966
  • 1967
  • 1968
  • 1969
  • 1970
  • 1971
  • Epilogue: c. 7,500.
"Conceptual art, for me, means work in which the idea is paramount and the material form is secondary, lightweight, ephemeral, cheap, unpretentious and/or 'dematerialized.'"--Lucy R. Lippard, Six Years In 1973 the critic and curator Lucy R. Lippard published Six Years, a book with possibly the longest subtitle in the bibliography of art: T he dematerialization of the art object from 1966 to 1972: a cross-reference book of information on some esthetic boundaries: consisting of a bibliography into which are inserted a fragmented text, art works, documents, interviews, and symposia, arranged chronologically and focused on so-called conceptual or information or idea art with mentions of such vaguely designated areas as minimal, anti-form, systems, earth, or process art, occurring now in the Americas, Europe, England, Australia, and Asia (with occasional political overtones) edited and annotated by Lucy R. Lippard. Six Years, sometimes referred to as a conceptual art object itself, not only described and embodied the new type of art-making that Lippard was intent on identifying and cataloging, it also exemplified a new way of criticizing and curating art. Nearly forty years later, the Brooklyn Museum takes Lippard's celebrated experiment in curated concatenation as a template, turning a book that resembled an exhibition into an exhibition materializing the ideas in her book. The artworks and essays featured in this publication recall the thrill that was tangible in Lippard's original documentation, reminding us that during the late sixties and early seventies all possible social and material parameters of art (making) were played with, worked over, inverted, reduced, expanded, and rejected. By tracing Lippard's own activities in those years, the book also documents the early blurring of boundaries among critical, curatorial, and artistic practices. With more than 200 images of work by dozens of artists (printed in color throughout), this book brings Lippard's curatorial experiment full circle.
(source: Nielsen Book Data)9780262018166 20160609
Art & Architecture Library (Bowes)

4. Cracking [2016]

126 pages : chiefly illustrations (some color) ; 11 x 16 cm
Art & Architecture Library (Bowes)

5. Far afield [1999]

1 videocassette (VHS, NTSC, 91 min.) : sound, color ; 13 mm
Lucy R. Lippard talks about her career and research interests, followed by a question and answer session with the audience.
Art & Architecture Library (Bowes)
Digital content
49 items
4 linear feet
Finding aid
Online Archive of California
Videotaped interviews with over 40 artists, critics, historians, and curators for the film Women Art Revolution, documenting the development of the Feminist Art Movement from the 1970s through 2013.
Special Collections
View all 49 items
Women art revolution trailers [2010]
Hershman-Leeson, Lynn, 1941-
DISBAND performance [2008]
Disband (Musical group)
View all 49 items


Journal articles, e-books, & other e-resources
Articles+ results include