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1. Paranoid mirror [1995]

Book
48 p. : ill. (some col.) ; 23 x 23 cm.
Art & Architecture Library (Bowes)
Book
xix, 229 p., [16] p. of plates : ill. (some col.) ; 23 cm. + 1 DVD-ROM (4 3/4 in.)
  • Foreword Introduction Private I: An Investigator's Timeline Roberta Breitmore Lives On Composing with Images: Lynn Hershman's Photography Conscientious Objectification: Lynn Hershman's Paranoid Mirror Media Phantasmagoria Lynn Hershman: The Subject of Autobiography My Other, My Self: Lynn Hershman and the Reinvention of the Golem A Cinema of Intelligent Agents: Lynn Hershman's Conceiving Ada and Teknolust Romancing the Anti-body: Lust and Longing in (Cyber)space Animating the Network Double Talk: The Counterstory of Lynn Hershman Acknowledgments Contributors Illustrations Index.
  • (source: Nielsen Book Data)9780520239715 20160528
Green Library, Art & Architecture Library (Bowes), Media & Microtext Center
Book
47 p. : col. ill. ; 21 cm.
Art & Architecture Library (Bowes)
Book
[19] leaves : ill. ; 28 cm.
Art & Architecture Library (Bowes)
Book
383 pages : illustrations (mostly color) ; 27 cm
Art & Architecture Library (Bowes)
Video
1 DVCAM tape, 2 documents
Collection
Women art revolution : videotape interviews by Lynn Hershman-Leeson for film, 1990-2008
Archive/Manuscript
274.5 linear feet (100 manuscript boxes, 185 record storage boxes)
Finding aid
Online Archive of California
A collection of archival papers, audio-visual media, publications, artifacts, photographs, letters, and other documents connected to Hershman-Leeson's art works and projects. Accession 2012-209 is 1 linear foot comprising working material and documentation for the film, "Women, Art, Revolution."
Special Collections
Archive/Manuscript
5 works in 1 print box.
1. Bust of Old Woman, 1966, ink wash and graphite on paper -- 2. Love or Something Like It, undated, graphite on paper -- 3. Green Hair, 1974, watercolor on paper -- 4. Horse with Red Trim, 1971, watercolor and graphite on paper -- 5. Prancing Figure, 1977, ink on tracing paper.
Special Collections
Video
2 videodiscs (300 min.) : sd., color ; 4 3/4 in.
  • [Disc 1] Virtual love (1993, 75 min.), Seeing is believing (1992, 58 min.)
  • [Disc 2] Longshot (1989, 62 min.), Desire, Inc. (1990, 26 min.), Electronic diaries (1984-1996, 75 min.), Life squared (2007, 4 min.)
For over four decades, through performance, photography, installations, artificial intelligence agents, web presences and cinema, Lynn Hershman's work has explored what it is to live in a world of mediated, monitored, and manipulated identities. Corporeal and virtual presences become simulated entities that in turn reveal personal identity and its impact on cultural construction. Often Hershman's narratives retrieve formerly lost histories that are excavated through technological manipulation. The process brings to the surface the moral consequences of an unpredictable system of covert meanings. All of her work explores encryption of privacy in an era of surveillance as well as personal and societal identity in a time of pervasive yet covert manipulation. Many of the narratives focus on the revitalization and restoration of personal empowerment. The selected works in this collection focus on broad issues of identity and culture, particularly the technological projections that impact individuals and society.--http://www.microcinemadvd.com/
Art & Architecture Library (Bowes)
Digital content
49 items
Archive/Manuscript
4 linear feet
Finding aid
Online Archive of California
Videotaped interviews with over 40 artists, critics, historians, and curators for the film Women Art Revolution, documenting the development of the Feminist Art Movement from the 1970s through 2013.
Special Collections
View all 49 items
Women art revolution trailers [2010]
Hershman-Leeson, Lynn, 1941-
DISBAND performance [2008]
Disband (Musical group)
View all 49 items

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