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Carl Djerassi is one of the 'the fathers of the Pill' - he was awarded the National Medal of Science for the first synthesis of a steroid oral contraceptive - and has had a prolific additional career as a writer of fiction, plays, and dialogues about science. In these two plays, "ICSI" and "Taboos", he dramatizes the social transformations and contested viewpoints created by advances in reproductive science and technology.Two of the most startling developments in contemporary science have radically disrupted the historical connection between sex and reproduction: in vitro fertilization and intracytoplasmic sperm injection (ICSI) - an assisted reproductive technique that directly injects a single sperm into an egg. The word play "ICSI" - designed for classroom readings - presents, in the format of a contentious talk-show dialogue, the science of direct-injection fertilization and the ethical issues connected with it. A DVD included in the book provides video of the ICSI injection process as viewed through a microscope, to be used in performances of the "ICSI" one-act dialogue."Taboos", a full-length play, turns the screws on characters that reflect a polarized America. Two couples - lesbian partners and a conservative husband and wife struggling with infertility - must make choices in a drama that examines the disjunction of sexual reproduction and the physical act of sex. The North American premiere of "Taboos" will open at New York's Soho Playhouse on September 19, 2008.
(source: Nielsen Book Data)

• Newton's Hooke / by David Pinner
• Calculus (Newton's whores) / by Carl Djerassi.

"What purpose is served by showing that England's greatest natural philosopher is flawed ... like other mortals?" asks one of the characters in Newton's Darkness. "We need unsullied heroes!" But what if the hero is sullied? At stake is an issue that is as germane today as it was 300 years ago: a scientist's ethics must not be divorced from scientific accomplishments. There is probably no other scientist of whom so many biographies and other historical analyses have been published than Isaac Newton - all of them in the standard format of documentary prose because of their didactic purpose to transmit historical information. Newton's Darkness, however, illuminates the darker aspects of Newton's persona through two historically grounded plays dealing with two of the bitterest struggles in the history of science.The name of Isaac Newton appears in virtually every survey of the public's choice for the most important persons of the second millennium. Yet the term "darkness" can be applied to much of Newton's personality. Adjectives that have been used to describe facets of his personality include "remote", "lonely", "secretive", "introverted", "melancholic", "humorless", "puritanical", "cruel", "vindictive" and, perhaps worst of all, "unforgiving". The trait most relevant to the present book is Newton's obsessively competitive nature, which was often out of proportion to the warranted facts, as demonstrated in three of Newton's best-known bitter conflicts: with the physicist Robert Hooke, the astronomer royal John Flamsteed, and a German contemporary of almost equal intellectual prowess, Gottfried Wilhelm Leibniz - the last fight eventually turning into an England vs Continental Europe competition. It is two of these three relentless drawn-out battles that are illuminated in Newton's Darkness in the form of historically grounded drama.After a summary of the historical evidence, the book starts with the Newton-Hooke struggle (Chapter 2), which was conducted mano a mano, and is then followed by little-known aspects of the Newton-Leibniz confrontation (Chapter 3), which was fought largely through surrogates - notably the infamous, anonymous committee of 11 Fellows of the Royal Society.
(source: Nielsen Book Data)

• Introduction: flawed genius
• First view: two principals, Newton's Hooke by David Pinner
• Second view: three minions, Calculus (Newton's whores) by Carl Djerassi
• Authors' biographical sketches
• Acknowledgments.

"What purpose is served by showing that England's greatest natural philosopher is flawed ... like other mortals?" asks one of the characters in Newton's Darkness. "We need unsullied heroes!" But what if the hero is sullied? At stake is an issue that is as germane today as it was 300 years ago: a scientist's ethics must not be divorced from scientific accomplishments. There is probably no other scientist of whom so many biographies and other historical analyses have been published than Isaac Newton - all of them in the standard format of documentary prose because of their didactic purpose to transmit historical information. Newton's Darkness, however, illuminates the darker aspects of Newton's persona through two historically grounded plays dealing with two of the bitterest struggles in the history of science.The name of Isaac Newton appears in virtually every survey of the public's choice for the most important persons of the second millennium. Yet the term "darkness" can be applied to much of Newton's personality. Adjectives that have been used to describe facets of his personality include "remote", "lonely", "secretive", "introverted", "melancholic", "humorless", "puritanical", "cruel", "vindictive" and, perhaps worst of all, "unforgiving". The trait most relevant to the present book is Newton's obsessively competitive nature, which was often out of proportion to the warranted facts, as demonstrated in three of Newton's best-known bitter conflicts: with the physicist Robert Hooke, the astronomer royal John Flamsteed, and a German contemporary of almost equal intellectual prowess, Gottfried Wilhelm Leibniz - the last fight eventually turning into an England vs Continental Europe competition. It is two of these three relentless drawn-out battles that are illuminated in Newton's Darkness in the form of historically grounded drama.After a summary of the historical evidence, the book starts with the Newton-Hooke struggle (Chapter 2), which was conducted mano a mano, and is then followed by little-known aspects of the Newton-Leibniz confrontation (Chapter 3), which was fought largely through surrogates - notably the infamous, anonymous committee of 11 Fellows of the Royal Society.
(source: Nielsen Book Data)

These are the reflections of a nonagenarian polymath describing the shift from a fifty-year-long career as a world-famous chemist to a subsequent twenty-five-year immersion in science-in-fiction and science-in-theater, which is virtually unique among contemporary scientists.
(source: Nielsen Book Data)

• Machine generated contents note: How I Beat Coca-Cola
• Dacriologist
• Castor's Dilemma
• Sleight of Mind
• Maskenfreiheit
• First-Class Nun
• Noblesse Oblige
• Psomophile
• Glyndebourne Heist
• Futurist
• What's Tatiana Troyanos Doing in Spartacus's Tent?
• Toyota Cantos.

Carl Djerassi crafts a shrewd collection of comedies of manners, exposing the foibles of elite tribes-business executives, chefs, scientists, professors, musicians, and other clever characters. They spar in battles of one-upmanship using class, education, gender, or prestige as their weapons, sometimes leaving damaged bystanders in their wake but sometimes finding their superiority deflated by unexpected turns of events.
(source: Nielsen Book Data)

Carl Djerassi crafts a shrewd collection of comedies of manners, exposing the foibles of elite tribes-business executives, chefs, scientists, professors, musicians, and other clever characters. They spar in battles of one-upmanship using class, education, gender, or prestige as their weapons, sometimes leaving damaged bystanders in their wake but sometimes finding their superiority deflated by unexpected turns of events.
(source: Nielsen Book Data)

• Caveat Lector
• Freitod
• Die bittersüße Pille
• Heimat(losigkeit)
• "Jude"
• "Professor für Professionelle Deformation"
• "Schriftsteller"
• "Sammler"
• Bonobos
• Was wäre, wenn?
• The big drop
• Biografischer Abriss
• Vom gleichen Autor = By the same author.

• Preface: Plays on the Page Rather than Stage
• Plays Dealing with Chemistry
• Insufficiency: A Play in 9 Scenes
• Phallacy: A Play in 27 Scenes.
• (source: Nielsen Book Data)

This book examines the questions "What can science do for the theatre?" and "What can the theatre do for science?" which raise challenges for both theatre professionals and scientists. Unusually, this book deals with plays first and foremost as reading material - as texts to be read alone or in dramatic readings - rather than emphasizing performances on the stage. Concrete examples are given to demonstrate the potential pedagogic value of using the dialogic style and plot structure of plays in science, with a special focus on chemistry.Very few books have dealt with the subject of science-in-theatre and virtually none with chemistry-in-theatre. Texts of the author's two recent plays, Insufficiency and Phallacy, are included in their entirety to offer concrete examples of plays dealing with actual (rather than invented) chemistry. Insufficiency represents an example from the field of beer and champagne bubbles, where the topics of academic tenure and fashion in chemistry are analyzed, whereas in Phallacy, a case history of the similarities and differences between science and art is presented for debate.
(source: Nielsen Book Data)

• Foreword: Plays on the Page Rather than Stage
• Plays Dealing with Chemistry
• Insufficiency: A Play in 9 Scenes
• Phallacy: A Play in 27 Scenes.
• (source: Nielsen Book Data)

This book examines the questions "What can science do for the theatre?" and "What can the theatre do for science?" which raise challenges for both theatre professionals and scientists. Unusually, this book deals with plays first and foremost as reading material - as texts to be read alone or in dramatic readings - rather than emphasizing performances on the stage. Concrete examples are given to demonstrate the potential pedagogic value of using the dialogic style and plot structure of plays in science, with a special focus on chemistry. Very few books have dealt with the subject of science-in-theatre and virtually none with chemistry-in-theatre. Texts of the author's two recent plays, "Insufficiency" and "Phallacy", are included in their entirety to offer concrete examples of plays dealing with actual (rather than invented) chemistry. "Insufficiency" represents an example from the field of beer and champagne bubbles, where the topics of academic tenure and fashion in chemistry are analyzed, whereas in "Phallacy", a case history of the similarities and differences between science and art is presented for debate.
(source: Nielsen Book Data)

Hannah Arendt, Walter Benjamin, and Theodor W. Adorno were intellectual giants of the first half of the twentieth century. The drama Foreplay explores their deeply human and psychologically intriguing private lives, focusing on professional and personal jealousies, the mutual dislike of Theodor Adorno and Hannah Arendt, the association between Walter Benjamin and Georges Bataille, and the border between erotica and pornography. Djerassi's extensive biographical research brings to light many fascinating details revealed in the dialogues among the characters, including Adorno's obsession with his dreams, Benjamin's admiration for Franz Kafka, and the intimate correspondence between Gretel Adorno and Walter Benjamin. The introduction of a fictitious character, Fraulein X, intensifies the complex interplay among the four lead protagonists and allows for a comparison of Adorno's philandering and the similar behavior of Martin Heidegger, whose affair with Hannah Arendt is well known. Foreplay brims with intrigue and the friction created when strong personalities clash.
(source: Nielsen Book Data)

Hannah Arendt, Walter Benjamin, and Theodor W. Adorno were intellectual giants of the first half of the twentieth century. The drama Foreplay explores their deeply human and psychologically intriguing private lives, focusing on professional and personal jealousies, the mutual dislike of Theodor Adorno and Hannah Arendt, the association between Walter Benjamin and Georges Bataille, and the border between erotica and pornography. Djerassi's extensive biographical research brings to light many fascinating details revealed in the dialogues among the characters, including Adorno's obsession with his dreams, Benjamin's admiration for Franz Kafka, and the intimate correspondence between Gretel Adorno and Walter Benjamin. The introduction of a fictitious character, Fraulein X, intensifies the complex interplay among the four lead protagonists and allows for a comparison of Adorno's philandering and the similar behavior of Martin Heidegger, whose affair with Hannah Arendt is well known. Foreplay brims with intrigue and the friction created when strong personalities clash.
(source: Nielsen Book Data)

• List of Illustrations Preface
• 1. Four Men
• 2. Four Wives
• 3. One Angel (by Paul Klee)
• 4. Four Jews
• 5. Benjamin's Grip Notes Bibliography Acknowledgments Biographical Sketches Illustration Sources.
• (source: Nielsen Book Data)

This book features a CD of rarely performed music, including a specially commissioned rap by Erik Weiner of Walter Benjamin's "Thesis on the Philosophy of History." Theodor W. Adorno was the prototypical German Jewish non-Jew, Walter Benjamin vacillated between German Jew and Jewish German, Gershom Scholem was a committed Zionist, and Arnold Schonberg converted to Protestantism for professional reasons but later returned to Judaism. Carl Djerassi, himself a refugee from Hitler's Austria, dramatizes a dialogue between these four men in which they discuss fraternity, religious identity, and legacy as well as reveal aspects of their lives-notably their relations with their wives-that many have ignored, underemphasized, or misrepresented. The desire for canonization and the process by which it is obtained are the underlying themes of this dialogue, with emphasis on Paul Klee's Angelus Novus (1920), a canonized work that resonated deeply with Benjamin, Adorno, and Scholem (and for which Djerassi and Gabrielle Seethaler present a revisionist and richly illustrated interpretation). Basing his dialogue on extensive archival research and interviews, Djerassi concludes with a daring speculation on the putative contents of Benjamin's famous briefcase, which disappeared upon his suicide.
(source: Nielsen Book Data)

• List of Illustrations Preface
• 1. Four Men
• 2. Four Wives
• 3. One Angel (by Paul Klee)
• 4. Four Jews
• 5. Benjamin's Grip Notes Bibliography Acknowledgments Biographical Sketches Illustration Sources.
• (source: Nielsen Book Data)

This book features a CD of rarely performed music, including a specially commissioned rap by Erik Weiner of Walter Benjamin's "Thesis on the Philosophy of History." Theodor W. Adorno was the prototypical German Jewish non-Jew, Walter Benjamin vacillated between German Jew and Jewish German, Gershom Scholem was a committed Zionist, and Arnold Schonberg converted to Protestantism for professional reasons but later returned to Judaism. Carl Djerassi, himself a refugee from Hitler's Austria, dramatizes a dialogue between these four men in which they discuss fraternity, religious identity, and legacy as well as reveal aspects of their lives-notably their relations with their wives-that many have ignored, underemphasized, or misrepresented. The desire for canonization and the process by which it is obtained are the underlying themes of this dialogue, with emphasis on Paul Klee's Angelus Novus (1920), a canonized work that resonated deeply with Benjamin, Adorno, and Scholem (and for which Djerassi and Gabrielle Seethaler present a revisionist and richly illustrated interpretation). Basing his dialogue on extensive archival research and interviews, Djerassi concludes with a daring speculation on the putative contents of Benjamin's famous briefcase, which disappeared upon his suicide.
(source: Nielsen Book Data)

• 1. An exaltation of thirty: Murasaki and company
• 2. Genealogy and birth of the pill
• 3. Bitter pills
• 4. The view from Tokyo
• 5. Sex and Immortality
• 6. From the pill to the PC
• 7. Science-in-fiction is not science fiction. Is it autobiography?
• 8. Behind the scrim of fiction
• 9. The softer chemist
• 10. The pill and Paul Klee
• 11. Science on stage
• 12. What if?
• (source: Nielsen Book Data)

October 15, 1951 marks the birthday of one of the key episodes in 20th century social history: the first synthesis of a steroid oral contraceptive in a small laboratory in Mexico City - an event that triggered the development of the Pill. Carl Djerassi has been honoured worldwide for that accomplishment, which ultimately changed the life of women and the nature of human reproduction in ways that were not foreseeable. On the 50th anniversary of this pivotal event, Djerassi weaves a compelling personal narrative full of self-reflection and occasional humour on the impact this invention has had on the world at large and on him personally. He credits the Pill with radically altering his academic career at Stanford University to become one of the few American chemists writing novels and plays. This Man's Pill presents a forcefully revisionist account of the early history of the Pill, debunking many of the journalistic and romantic accounts of its scientific origin. Djerassi does not shrink from exploring why we have no Pill for men or why Japan only approved the Pill in 1999 (together with Viagra). Emphasizing that development of the Pill occurred during the post-War period of technological euphoria, he believes that it could not be repeated in today's climate. Would the sexual revolution of the 1960s or the impending separation of sex ("in bed") and fertilization ("under the microscope") still have happened? This Man's Pill answers such questions while providing a uniquely authoritative account of a discovery that changed the world.
(source: Nielsen Book Data)