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2. Storia dell'arte nell'Italia meridionale [1997 -]
- Abbate, Francesco.
- Roma : Donzelli, c1997-
- Description
- Book — v. : ill. (some col.) ; 21 cm.
- Summary
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- [1] Dai longobardi agli svevi
- [2] Il Sud angioino e aragonese
- [3] Dal Viceregno spagnolo al Regno borbonico
- [4] Il secolo d'oro
- [5] Il Mezzogiorno austriaco e borbonico.
- Online
Art & Architecture Library (Bowes)
3. Polizzi : i grandi momenti dell'arte [1997]
- Abbate, Vincenzo.
- Polizzi Generosa [Italy] : Associazione culturale Naftolia, c1997.
- Description
- Book — 161 p. : ill. (some col.) ; 34 cm.
- Summary
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- Online
- Accademia di belle arti di Venezia.
- Venezia : Nella Tipografia Picotti, [1808-1820]
- Description
- Book — 8 v.
- Summary
-
- Online
Media Center
Media Center | Status |
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Find it Microfiche collection | |
MFICHE 1692 NO.1338 | In-library use |
- Accademia di belle arti (Milan, Italy)
- Firenze : Centro Di, c1997.
- Description
- Book — xx, 314 p. : ill. ; 25 cm.
- Summary
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- Online
- Accame, Giovanni M.
- Milano : Charta, c2010.
- Description
- Book — 303 p. : ill. ; 24 cm.
- Summary
-
- Online
7. Maria Accascina e il Giornale di Sicilia [2006 -]
- Accascina, Maria.
- Caltanissetta : S. Sciascia, 2006-
- Description
- Book — v. : ill. ; 24 cm.
- Summary
-
- [1] 1934-1937, cultura tra critica e cronache
- [2] 1938-1942, cultura tra critica e cronache.
- Online
SAL3 (off-campus storage)
SAL3 (off-campus storage) | Status |
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Stacks
|
Request (opens in new tab) |
N6919 .S5 A33 2006 V.1 | Available |
N6919 .S5 A33 2006 V.2 | Available |
- Acidini Luchinat, Cristina, 1951-
- Roma : Editalia, [1980]
- Description
- Book — 244 p. : ill. (some col.) ; 31 cm.
- Summary
-
- Online
SAL3 (off-campus storage)
SAL3 (off-campus storage) | Status |
---|---|
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N6920 .B67 F | Available |
9. Art in Rome from 1870 to 1900 [1980]
- Arte a Roma dalla capitale all'età umbertina. English
- Acidini Luchinat, Cristina, 1951-
- Roma : Editalia, c1980.
- Description
- Book — 244 p. : ill. (some col.), maps, plans ; 32 cm.
- Summary
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- Online
- Acidini Luchinat, Cristina, 1951-
- Firenze : Le lettere, c2012.
- Description
- Book — 255 p. : ill. (chiefly col.), maps ; 29 cm.
- Summary
-
- Online
- Acidini Luchinat, Cristina, 1951-
- Firenze : Le lettere, c2010.
- Description
- Book — 256 p. : col. ill. ; 30 cm.
- Summary
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- Online
- Acocella, Alessandra, author.
- Prima edizione. - Macerata : Quodlibet, novembre 2016.
- Description
- Book — 229 pages, xvi pages of plates : illustrations (some color) ; 21 cm.
- Summary
-
- Online
SAL3 (off-campus storage)
SAL3 (off-campus storage) | Status |
---|---|
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N6918 .A2836 2016 | Available |
13. Italian Renaissance art [2001]
- Adams, Laurie.
- Boulder, Colo. : Westview Press, 2001.
- Description
- Book — xi, 420 p. : ill. (some col.), maps (some col.) ; 29 cm.
- Summary
-
- Part One: Precursors of the Renaissance
- Chapter One: The Thirteenth Century
- The Context
- The Stylistic Background
- Vasaris Lives and the Framing of the Renaissance
- Cimabue
- Saints Dominic and Francis: Mendicant Friars
- Nicola and Giovanni Pisano
- Duccio di Buoninsegna: The Rucellai Madonna
- Siena and Florence in 1300
- Giotto: The Santa Maria Novella Crucifix
- Chapter Two: Trecento Precursors
- Giotto di Bondone
- Sienese Painting in the Fourteenth Century
- Ambrogio Lorenzetti: Allegories of Good and Bad Government
- 1348: The Black Death
- Andrea da Firenze: Way of Salvation
- Andrea di Cione (Orcagna)
- Part Two: The Quattrocento
- Chapter Three: Architecture and Sculpture in Florence
- The Competition of 1401
- Ghibertis Commentarii
- Public Sculpture: The Exterior of Florence Cathedral
- Donatellos John the Evangelist
- The Architecture of Brunelleschi
- Late Work: Santa Maria degli Angeli and the Ideal of the Circular Plan
- Or San Michele: The Exterior Niches
- Chapter Four: Painting in Florence: 1400-1430
- Lorenzo Monacos Coronation of the Virgin
- Gentile da Fabrianos Adoration of the Magi : 1423
- Masaccio
- The Brancacci Chapel Frescoes
- Chapter Five: Painting in Florence: 1430-1460
- Leon Battista Alberti: On Painting
- Fra Angelico
- Filippo Lippi
- Chapter Six: Painting in Florence, II: 1430-1460
- Paolo Uccello
- Domenico Veneziano
- Andrea del Castagno
- Chapter Seven: Sculpture and Architecture in Florence: 1430s-1460s
- Brunis Humanist Tomb
- Albertis Self-Portrait Plaque: An Iconographic Puzzle
- Donatello in the Mid-Fifteenth Century
- Ghibertis East Doors
- Palace Architecture
- The Faade of Santa Maria Novella
- Chapter Eight: Developments in Siena, Rimini, and Pienza: 14001460
- Siena
- Rimini
- Pienza
- Chapter Nine: Developments in Umbria, the Marches, and Naples: 1400s1460s
- Alfonso I of Naples
- Piero della Francesca
- The Montefeltro Court in Urbino
- Federicos Dynastic Iconograph.
- (source: Nielsen Book Data)
- Part One: Precursors of the Renaissance * Chapter One: The Thirteenth Century * The Context * The Stylistic Background * Vasaris Lives and the Framing of the Renaissance * Cimabue * Saints Dominic and Francis: Mendicant Friars * Nicola and Giovanni Pisano * Duccio di Buoninsegna: The Rucellai Madonna * Siena and Florence in 1300 * Giotto: The Santa Maria Novella Crucifix * Chapter Two: Trecento Precursors * Giotto di Bondone * Sienese Painting in the Fourteenth Century * Ambrogio Lorenzetti: Allegories of Good and Bad Government *
- 1348: The Black Death * Andrea da Firenze: Way of Salvation * Andrea di Cione (Orcagna) Part Two: The Quattrocento * Chapter Three: Architecture and Sculpture in Florence * The Competition of 1401 * Ghibertis Commentarii * Public Sculpture: The Exterior of Florence Cathedral * Donatellos John the Evangelist * The Architecture of Brunelleschi * Late Work: Santa Maria degli Angeli and the Ideal of the Circular Plan * Or San Michele: The Exterior Niches * Chapter Four: Painting in Florence: 1400-1430 * Lorenzo Monacos Coronation of the Virgin * Gentile da Fabrianos Adoration of the Magi: 1423 * Masaccio * The Brancacci Chapel Frescoes * Chapter Five: Painting in Florence: 1430-1460 * Leon Battista Alberti: On Painting * Fra Angelico * Filippo Lippi * Chapter Six: Painting in Florence, II: 1430-1460 * Paolo Uccello * Domenico Veneziano * Andrea del Castagno * Chapter Seven: Sculpture and Architecture in Florence: 1430s-1460s * Brunis Humanist Tomb * Albertis Self-Portrait Plaque: An Iconographic Puzzle * Donatello in the Mid-Fifteenth Century * Ghibertis East Doors * Palace Architecture * The Faade of Santa Maria Novella * Chapter Eight: Developments in Siena, Rimini, and Pienza: 14001460 * Siena * Rimini * Pienza * Chapter Nine: Developments in Umbria, the Marches, and Naples: 1400s1460s * Alfonso I of Naples * Piero della Francesca * The Montefeltro Court in Urbino * Federicos Dynastic Iconography * Chapter Ten: Sculpture and Architecture in Florence after 1450 * Sculpture * Architecture * Chapter Eleven: Painting in Florence after 1450 * Benozzo Gozzoli: The Medici Chapel Frescoes * Pollaiuolo * Botticelli * Filippino Lippi: Vision of Saint Bernard * Ghirlandaio * Chapter Twelve: Fifteenth-Century Developments in Verona, Ferrara, and Mantua * Pisanello in Verona * Pisanello and the Este of Ferrara * Developments in Mantua * Andrea Mantegna * Mantegna and the Gonzaga of Mantua * Chapter Thirteen: Developments in Late Fifteenth- and Early Sixteenth-Century Venice * Jacopo Bellini * Gentile Bellini * Carpaccios Miracle at the Rialto * Antonello da Messina * Giovanni Bellini Part Three: The Cinquecento * Chapter Fourteen: Leonardo and Bramante: Late Fifteenth- and Early Sixteenth-Century Developments in Florence and Milan * Leonardo da Vinci: Florence * Leonardo and Bramante in Milan * Leonardos Later Work * Chapter Fifteen: Michelangelo and Raphael: The Late Fifteenth Century to 1505 * Michelangelo: Florence and Rome * Raphael: Urbino, Perugia, and Florence * Chapter Sixteen: Bramante, Michelangelo, Raphael: Developments in Rome to 1520 * Bramante in Rome * The Patronage of Julius II * Raphael After 1511 * Domestic Architecture * Chapter Seventeen: Venice in the Sixteenth Century * Giorgione da Castelfranco * Titian * Later Sixteenth-Century Developments and Mannerist Trends * Chapter Eighteen: Michelangelo after 1520 and the Transition to Mannerism * Michelangelo: The Medici Chapel * Victory * Last Judgment * Michelangelos Later Architecture * Towards Mannerism Timeline Glossary of Art-Historical and Stylistic Terms Select Bibliography Notes Picture Credits Index.
- (source: Nielsen Book Data)
(source: Nielsen Book Data)
Art historian Laurie Schneider Adams brings to students a vibrant and engaging presentation of Renaissance art history that is supported by up-to-date scholarship and methodology. The text opens with the late Byzantine work of Cimabue and concludes with the transition to Mannerism. The authors focus is on the most important and innovative artists and their principal works, with a clear emphasis on selectivity and understanding. Italian Renaissance Art also focuses on style and iconography, and on art and artists, incorporating different methodological approaches to create a wider understanding and appreciation of the art. Distinguishing features of this text include: * Over 400 illustrations, with 215 in full color, are integrated with the text, and large enough to properly view. * In depth coverage on the most important and innovative artists and their principle works throughout Italy. * Side boxes that provide additional material on techniques, biographical data, descriptions of artistic media, as well as necessary background information are used in every chapter. * Controversy boxes introduce some of the ongoing scholarly quarrels among Renaissance art historians. * Maps, plans, and diagrams are also included throughout. A historical chronology, a full glossary of art-historical terms, and a select bibliography are also included at the end of the text.
(source: Nielsen Book Data)
- Online
14. Key monuments of the Italian Renaissance [2000]
- Adams, Laurie.
- Boulder, Colo. ; Oxford : Westview, 2000.
- Description
- Book — xii, 210 p. : ill. (some col.) ; 25 cm.
- Summary
-
Organized chronologically from early Renaissance precursors to the Mannerist movement, from Giotto to Titian, Key Monuments of the Italian Renaissance describes and analyzes in depth from various points of view major works and major artists, from the fourteenth to the sixteenth centuries. Artists included are Cimabue, Duccio, Giotto, Lorenzetti, Ghiberti, Brunelleschi, Donatello, Massaccio, Gentile da Fabriano, Uccello, Rossellino, Castagno, Piero della Francesca, Alberti, Botticelli, G. Bellini, Verrocchio, Mantegna, G. Sangallo, Leonardo, Michelangelo, Bramante, Raphael, Giorgione, and Titian. The Florentine Renaissance, the High Renaissance in Florence and Rome, and High Renaissance Painting in Venice are covered. Includes a glossary, a bibliography of works cited, and suggested readings.
(source: Nielsen Book Data)
- Online
15. Gaetano Pesce : the complete incoherence [2022]
- Adamson, Glenn, author, interviewer.
- New York, New York : The Monacelli Press, [2022]
- Description
- Book — 319 pages : illustrations (chiefly colour) ; 33 cm
- Summary
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He definitive volume on Gaetano Pesce's incomparable life and career, as told in the iconoclastic artist-designer's own words. In a category all his own, Gaetano Pesce is widely considered one of the most important, and elusive, creative figures of the last half century. Bridging numerous key art and design movements, while never truly belonging to any of them, Pesce's singular practice has remained steadfastly provocative, defying widely held notions of convention, utility, and good taste. Yet as New York magazine demonstrated in its feature on the 'Pope of Gloop' upon the opening of his recent solo show at acclaimed gallery Salon 94, the world has arguably caught up to Gaetano Pesce. Now in his eighth decade, Pesce recounts his life and career to renowned design curator and critic Glenn Adamson, generating discussion conducted over several years that is as informative as it is surprising. Discussing his incomparable decades-long career which includes the creation of the classic articles of his UP series, the effusively postmodern design for Chiat/Day's headquarters, and countless works of furniture and design objects in his signature poured resin - Pesce shares his wide-ranging thoughts on art, design, and architecture. Always forward-looking, Pesce's process of reinterpreting and transforming the premises of modern design to create idiosyncratic and deeply personal works beat a path for multidisciplinary design practice seen everywhere today. Particularly in his exploration of introducing imperfections, if not 'defects' into the traditionally uniform systems of mass fabrication, Pesce turns out to be much more of a prophet of modern design than a curious detractor. Gaetano Pesce: The Complete Incoherence is the long overdue summary of an irreverent, wildly inventive career that should inspire practitioners across all creative disciplines.
- Online
Art & Architecture Library (Bowes)
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N6923.P39 A33 2022 | In process |
16. Il Duomo di Teramo e i suoi tesori d'arte [2000]
- Adorante, Maria Antonietta.
- [Pescara] : Carsa, c2000.
- Description
- Book — 111 p. : ill. (chiefly col.) ; 18 cm.
- Summary
-
- Online
17. Cracking Art revolution [2007]
- Adorno, Piero.
- Milano : Skira, c2007.
- Description
- Book — 331 p. : chiefly ill. (chiefly col.) ; 31 cm.
- Summary
-
- Online
18. Giorgio Vasari : luoghi e tempi delle Vite [2013]
- Agosti, Barbara.
- Milano : Officina libraria, c2013.
- Description
- Book — 175 p. : ill. (chiefly col.) ; 24 cm
- Summary
-
- Online
- Agosti, Barbara.
- Firenze : L.S. Olschki, 2008.
- Description
- Book — 193 p. : ill. ; 24 cm.
- Summary
-
- Online
20. La nascita della storia dell'arte in Italia : Adolfo Venturi, dal museo all'università, 1880-1940 [1996]
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