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• Table of Contents Acknowledgments Introduction Chapter One: Using Theory to Understand Twitter Chapter Two: Twitter Met With Great Skepticism Chapter Three: The Importance of Family and Friends Chapter Four: Does Twitter Make a Difference? Chapter Five: Twitter Changes Boundaries in Newsrooms Chapter Six: What's the Future for Twitter in Newsrooms? Epilogue References About the Author.
• (source: Nielsen Book Data)

How Journalists Use Twitter: The Changing Landscape of U.S. Newsrooms shows how leading reporters and editors at four major metropolitan newspapers are embracing Twitter as a key tool in their daily routines and how the social media platform influences coverage. This book builds on social media research by analyzing newsroom work through the lens of four different communications theories-diffusion of innovation, boundary, social capital and agenda-setting theories. This book will be of interest to scholars of communication, journalism, and new media.
(source: Nielsen Book Data)

Interactive journalism has transformed the newsroom. Emerging out of changes in technology, culture, and economics, this new specialty uses a visual presentation of storytelling that allows users to interact with the reporting of information. Today it stands at a nexus: part of the traditional newsroom, yet still novel enough to contribute innovative practices and thinking to the industry. Nikki Usher brings together a comprehensive portrait of nothing less than a new journalistic identity. Usher provides a comprehensive history of the impact of digital technology on reporting, photojournalism, graphics, and other disciplines that define interactive journalism. Her eyewitness study of the field's evolution and accomplishments ranges from the interactive creation of Al Jazeera English to the celebrated data desk at the Guardian to the New York Times' Pulitzer-endowed efforts in the new field. What emerges is an illuminating, richly reported portrait of the people coding a revolution that may reverse the decline and fall of traditional journalism.
(source: Nielsen Book Data)

• What is responsible drone journalism? Astrid Gynnild and Turo Uskali
• The first wave of drone journalism: From activism tool to global game changer
• Astrid Gynnild and Turo Uskali
• Dronalism, newsgathering protection, and day-to-day norms
• David Goldberg
• Transparency or surveillance?ã Dilemmas of piloting autonomous agents
• Deborah G. Johnson and Astrid Gynnild
• Drones, teaching and the explorative player-coach
• Turo Uskali and Astrid Gynnild
• Taking risks with drones: Responsible innovation pedagogy for media education
• Lars Nyre, Frode Guribye and Astrid Gynnild
• Three scenarios of responsible drone journalism
• Turo Uskali and Astrid Gynnild.
• (source: Nielsen Book Data)

Camera drones provide unique visual perspectives and add new dimensions to storytelling and accountability in journalism. Simultaneously, the rapidly expanding uses of drones as advanced sensor platforms raise new legislative, ethical and transparency issues. Responsible Drone Journalism investigates the opportunities and dilemmas of using drones for journalistic purposes in a global perspective. Drawing on a framework of responsible research and innovation (RRI), the book explores responsible drone journalism from multiple perspectives, including new cultures of learning, flying in lower airspace, drone education and concerns about autonomous agents and big data surveillance. By widening the discussion of drone journalism, the book is ideal for journalism teachers and students, as well as politicians, lawmakers, drone developers and citizens with an interest in the responsible use of camera drones.
(source: Nielsen Book Data)

• Introduction
• * History and discourse
• * Technical and business
• * Flying into the mainstream
• * Covering crisis
• * Investigations and activism
• * Drones in the classroom
• * Ethical and legal
• * Over the horizon
• Index.
• (source: Nielsen Book Data)

Drones and Journalism explores the increased use of unmanned aerial vehicles, or drones, by the global media for researching and newsgathering purposes. Phil Chamberlain examines the technological development and capabilities of contemporary drone hardware and the future of drone journalism. He also considers the complex place of the media's drone use in relation to international laws, as well as the ethical challenges and issues raised by the practice. Chapters cover topics including the use of drones in investigative reporting, in reporting of humanitarian crises, and the use of this new technology in more mainstream media, like film and TV. The book also presents exclusive interviews with drone experts and practitioners and draws on a wide range of disciplines to put the practice into a historical, political and social context. Professionals and students of Journalism and Media Studies will find this an important critical contribution to these fields, as Phil Chamberlain astutely charts the rise of the reliance on drones by the media worldwide.
(source: Nielsen Book Data)

• I. Revisiting theoretical and methodological debates
• II. Rethinking key concepts
• III. Interrogating occupational culture and practice
• IV. Foregrounding underexamined themes.

The use of digital technology has transformed the way news is produced, distributed, and received. Just as media organizations and journalists have realized that technology is a central and indispensable part of their enterprise, scholars of journalism have shifted their focus to the role of technology. In Remaking the News, leading scholars chart the future of studies on technology and journalism in the digital age. These ongoing changes in journalism invite scholars to rethink how they approach this dynamic field of inquiry. The contributors consider theoretical and methodological issues; concepts from the social science canon that can help make sense of journalism; the occupational culture and practice of journalism; and major gaps in current scholarship on the news: analyses of inequality, history, and failure. ContributorsMike Ananny, C. W. Anderson, Rodney Benson, Pablo J. Boczkowski, Michael X. Delli Carpini, Mark Deuze, William H. Dutton, Matthew Hindman, Seth C. Lewis, Eugenia Mitchelstein, W. Russell Neuman, Rasmus Kleis Nielsen, Zizi Papacharissi, Victor Pickard, Mirjam Prenger, Sue Robinson, Michael Schudson, Jane B. Singer, Natalie (Talia) Jomini Stroud, Karin Wahl-Jorgensen, Rodrigo Zamith.
(source: Nielsen Book Data)

• 1. Introduction
• 2. Proximate futures
• 3. Design, journalism and knowledge
• 4. Newscubed: Journalism design in practice
• 5. Reimagining journalism.
• (source: Nielsen Book Data)

Journalism Design is about the future of journalism. As technologies increasingly, and continually, reshape the way we interact with information, with each other and with our environment, journalists need new ways to tell stories. Journalists often see technology as something that improves what they are doing or that makes it more convenient. However, the growing might of technology companies has put journalism and news organisations in a difficult position: readers and revenues have moved, and platforms exert increasing control over story design. Skye Doherty argues that, rather than adapting journalism to new technologies, journalists should be creating the technologies themselves and those technologies should be designed for core values such as the public interest. Drawing from theories and practices of interaction design, this book demonstrates how journalists can use their expertise to imagine new ways of doing journalism. The design and development of the NewsCube, a three-dimensional storytelling tool, is detailed, as well as how interaction design can be used to imagine new forms of journalism. The book concludes by calling for closer ties between researchers and working journalists and suggests that journalism has a hybrid future - in newsrooms, communities, design studios and tech companies.
(source: Nielsen Book Data)

Technology, media, and journalism are closely related, both in the present time and from a historical perspective. New technologies, however, only develop their specific potential within the cultural and social contexts in which they are created and applied, and through which they are interconnected. This volume not only considers the implementation-the successes and failures-of new media technologies, but also the influence these technologies have had both on the practical demands and internal processes of media companies and on the professional roles, social positions, and self-perceptions of journalists. A thorough, interdisciplinary synthesis covering more than one hundred and fifty years of media in Europe and the United States, this innovative book reveals a continuum of technological, social, and cultural developments across journalistic history.
(source: Nielsen Book Data)

• List of Figures List of Contributors Acknowledgements Introduction * What is News and what is Journalism in 2016?
• Contribution from Catherine O'Connor and Rebecca Whittington
• * The Business of Journalism Contribution from Andrew Youde * Innovation
• * Building your idea
• * Being an Entrepreneurial Journalist Contribution from Wayne Bailey * Starting your website and writing online
• * Engaging, measuring and reacting to your audience
• * Your smartphone as your best reporting tool Lindsay Eastwood * Using social media to promote your work
• * The boundaries you must not cross and remaining ethical in the Journalistic Wild West Contribution from Nigel Green Index.
• (source: Nielsen Book Data)

Entrepreneurial Journalism explains how, in the age of online journalism, digital-savvy media practitioners are building their careers by using low-cost digital technologies to create unique news platforms and cultivate diverse readerships. The book also offers a range of techniques and tips that will help readers achieve the same. Its opening chapters introduce a conceptual understanding of the business behind entrepreneurial journalism. The second half of the book then presents practical guidance on how to work successfully online. Topics include: * advice on launching digital start-ups; * how to use key analytics to track and focus readership; * engaging with mobile journalism by utilising smartphone and app technology; * developing revenue streams that can make digital journalism sustainable; * legal and ethical dilemmas faced in a modern newsroom; * the challenges of producing news for mobile readers. The book features leading figures from the BBC, Google and the Guardian, as well as some of Britain's best entrepreneurial reporters, who offer advice on thriving in this developing media landscape. Additional support comes from an online resource bank, suggesting a variety of free tools to create online news content. Entrepreneurial Journalism is an invaluable resource for both practising journalists and students of journalism.
(source: Nielsen Book Data)

• Introduction Shelton Gunaratne
• 1. Journalism and Happiness Shelton Gunaratne
• 2. Journalist as No Self Shelton Gunaratne
• 3. The Journalist as Change Agent Patchanee Malikhao and Jan Servaes
• 4. Significance of Mutual Causality Shelton Gunaratne
• 5. Harmony with Nature Shelton Gunaratne
• 6. No Conspicuous Consumption Asanga Tilakaratne
• 7. The Journalist and the Middle Path Sugath Senarath
• 8. Journalism and Ethical Conduct Mark Pearson and Sugath Senarath
• 9. Journalism and Mental Cultivation Mark Pearson 10 Journalism and Wisdom Kalinga Seneviratne
• 11. Conclusion Shelton Gunaratne, Mark Pearson and Sugath Senarath.
• (source: Nielsen Book Data)

This book aims to be the first comprehensive exposition of "mindful journalism"-drawn from core Buddhist ethical principles-as a fresh approach to journalism ethics. It suggests that Buddhist mindfulness strategies can be applied purposively in journalism to add clarity, fairness and equity to news decision-making and to offer a moral compass to journalists facing ethical dilemmas in their work. It comes at a time when ethical values in the news media are in crisis from a range of technological, commercial and social factors, and when both Buddhism and mindfulness have gained considerable acceptance in Western societies. Further, it aims to set out foundational principles to assist journalists dealing with vulnerable sources and recovering from traumatic assignments.
(source: Nielsen Book Data)

The internet has shaken the foundations of life: public and private lives are wrought by the 24-hour, seven-day-a-week news cycle that means no one is ever off duty. On Disruption is a report from the coalface of that change: what has happened, will it keep happening, and is there any way out of the chaos?
(source: Nielsen Book Data)

• Foreword Beverly Hawk
• Introduction: a new Africa's Media Image? Mel Bunce, Suzanne Franks and Chris Paterson
• PART I: Framing Africa
• 1. The international news coverage of Africa: beyond the "single story" Mel Bunce
• 2. Media perspectives: in defence of Western journalists in Africa Michela Wrong
• 3. Reporting and writing Africa in a world of unequal encounters Francis B. Nyamnjoh
• 4. Media perspectives: how does Africa get reported? A letter of concern to 60 Minutes Howard W. French
• 5. How not to write about writing about Africa Martin Scott
• 6 Bringing Africa home. reflections on discursive practices of domestication in international news reporting on Africa by Belgian television Stijn Joye
• 7. The image of Africa from the perspectives of the African diasporic press in the UK. Olatunji Ogunyemi
• PART II: The image makers
• 8. Mediating the distant Other for the distant audience: how do Western correspondents in East and Southern Africa perceive their audience? Toussaint Nothias
• 9. Media perspectives: television reporting of Africa: 30 years on Zeinab Badawi
• 10. Foreign correspondents in sub-Saharan Africa: their socio-demographics and professional culture Paulo Nuno Vicente
• 11. Media perspectives: reflecting on my father's legacy in reporting Africa Salim Amin
• 12. Media perspectives: we're missing the story: the media's retreat from foreign reporting Anjan Sundaram
• 13. Instagram as a potential platform for alternative Visual Culture in South Africa Danielle Becker
• 14. Media perspectives: social media and new narratives: Kenyans tweet back H. Nanjala Nyabola
• 15. A "New Ghana" in "Rising Africa"? Rachel Flamenbaum
• PART III: Development and humanitarian stories
• 16. Media perspectives: is Africa's development story still stuck on aid? Eliza Anyangwe
• 17. AIDS in Africa and the British media: shifting images of a pandemic Ludek Stavinoha
• 18. Media perspectives: a means to an end? Creating a market for humanitarian news from Africa Heba Aly
• 19. It was a "simple", "positive" story of African self-help (manufactured for a Kenyan NGO by advertising multinationals) Kate Wright
• 20. Media perspectives: Africa for Norway: challenging stereotypes using humour Nicklas Poulsen Viki
• 21. Bloggers, celebrities, and economists: news coverage of the Millennium Villages Project Audrey Ariss, Anya Schiffrin and Michelle Chahine
• PART IV: Politics in the representation of Africa
• 22. Africa through Chinese eyes: new frames or the same old lens? African news in English from China Central Television, compared with the BBC Vivien Marsh
• 23. Media perspectives: new media and African engagement with the global public sphere Sean Jacobs
• 24. Shifting power relations, shifting images Herman Wasserman
• 25. Communicating violence: the media strategies of Boko Haram Abdullahi Tasiu Abubakar
• 26. Perceptions of Chinese media's Africa coverage James Wan
• 27. New imperialisms, old stereotypes Chris Paterson
• 28. Nollywood news: African screen media at the intersections of the global and the local Noah Tsika Index.
• (source: Nielsen Book Data)

Africa's Media Image in the 21st Century is the first book in over twenty years to examine the international media's coverage of sub-Saharan Africa. It brings together leading researchers and prominent journalists to explore representation of the continent, and the production of that image, especially by international news media. The book highlights factors that have transformed the global media system, changing whose perspectives are told and the forms of media that empower new voices. Case studies consider questions such as: how has new media changed whose views are represented? Does Chinese or diaspora media offer alternative perspectives for viewing the continent? How do foreign correspondents interact with their audiences in a social media age? What is the contemporary role of charity groups and PR firms in shaping news content? They also examine how recent high profile events and issues been covered by the international media, from the Ebola crisis, and Boko Haram to debates surrounding the "Africa Rising" narrative and neo-imperialism. The book makes a substantial contribution by moving the academic discussion beyond the traditional critiques of journalistic stereotyping, Afro-pessimism, and 'darkest Africa' news coverage. It explores the news outlets, international power dynamics, and technologies that shape and reshape the contemporary image of Africa and Africans in journalism and global culture.
(source: Nielsen Book Data)

Journalism has the vital function to defend and promote truth in public discourse. And yet, at a time when seeking and finding the truth is at a premium, journalism has never been under so much pressure to move away from this critical role into more partial campaigns or commercial public relations exercises. In The Power of Journalists four of the UK's foremost journalists - Nick Robinson, Barbara Speed, Charlie Beckett and Gary Gibbon - introduce us to the role of the journalist as truth-teller and protector of impartiality as well as interpreter of controversial facts and trusted source of public opinion. The authors draw from their own fieldwork - including coverage of the Scottish independence referendum and the Brexit campaigns - to reflect on the necessity of maintaining an impartial and independent public information service and protecting quality information from the mounting pressure exerted by political parties and the business world. The role of new technology is also taken into consideration. While the explosion of social media has generated trends that threaten good quality journalism and contribute to the collapse of its traditional business model, the information silos caused by algorithms are simultaneously threatening democratic understanding and undermining the adequacy and effectiveness of journalism. The Power of Journalists is a mindful, rigorous and discerning examination of the role of journalism today and the reasons why journalists are conventionally regarded as powerful and tied to the establishment, yet often feel anything but.
(source: Nielsen Book Data)

• Introduction, C.W. Anderson
• Chapter 1: The Times-Picayune: A Historical View, Alfred Lawrence Lorenz
• Chapter 2: "Inescapable Reality:" Pragmatism and the Press in the New Orleans School Desegregation Crisis of 1960-1961, Frank D. Durham
• Chapter 3: The (Some) Times-Picayune: "Digital First" October 2012-October 2013, S.L. Alexander
• Chapter 4: More but Softer: A Content Analysis of News Before and After the Digital Decision at The Times-Picayune 2012, Vicki Mayer.
• (source: Nielsen Book Data)

In 2012-2013, one of the largest U.S. newspaper chains, Advance Publications, determined its main product was no longer newspapers but news, and switched from daily print publication of The Times-Picayune of New Orleans to three days a week, while upgrading its presence online ("Digital First"). More than two hundred employees, including half the newsroom, were laid off in one of the poorest U.S. cities with among the lowest literacy rates and percentages of households with Internet access. The decision raised a furor in New Orleans. Beginning with an historical overview of The Times-Picayune, from its 1837 founding through the present, The Times-Picayune in a Changing Media World: The Transformation of an American Newspaper describes the crucial role the dailies played in the 1960 school desegregation crisis, as well as the impact of the switch on print coverage of hard news in the context of media developments, and provides a detailed analysis of specific print editions of The Times-Picayune and its digital formats conducted before and after the switch. This study of the evolution of The Times-Picayune is instructive for all concerned with what the transformation might portend for the news profession and for the traditional role of the press in the digital age.
(source: Nielsen Book Data)

• Introduction: Online Journalism in Africa: Trends, Practices and Emerging Cultures Hayes Mawindi Mabweazara, Okoth Fred Mudhai and Jason Whittaker Part I: Online vs. Traditional Journalism Practice
• 1. Back To the Future: Re-invigorating the 'Newsroom Genre' to Study Social Media Use in Developing Contexts Marenet Jordann
• 2. The South African Mainstream Press in the Online Environment: Successes, Opportunities and Challenges Johanna Mavhungu and Hayes Mawindi Mabweazara
• 3. Converging Technologies, Converging Spaces, Converging Practices: The Shaping of Digital Cultures and Practices on Radio Last Moyo
• 4. Zimbabwe's Mainstream Press in the 'Social Media Age': Emerging Practices, Cultures and Normative Dilemmas Hayes Mawindi Mabweazara Part II: Ethics and Regulation
• 5. Online Journalism Under Pressure: An Ethiopian Account Terje S. Skjerdal
• 6. The Use of Social Media as News Sources by South African Political Journalists Ylva Rodny-Gumede and Nathalie Hyde-Clarke Part III: Online Journalism and Politics
• 7. Immediacy and Openness in a Digital Africa: Networked-Convergent Journalisms in Kenya Okoth Fred Mudhai
• 8. Online Journalism, Citizen Participation and Engagement in Egypt Ahmed El Gody
• 9. Online Citizen Journalism and Political Transformation in the Tunisian and Egyptian Revolutions: A Critical Analysis Sahar Khamis and Katherine Vaughn
• 10. J-Blogging and the 'Agenda Cutting' Phenomena in Egypt Nagwa Abdel Salam Fahmy Part IV: Consumption and Networking
• 11. Online News Media Consumption Cultures among Zimbabwean Citizens: 'Home and Away' Tendai Chari
• 12. The Internet, Diasporic Media and Online Journalism in West Africa Muhammad Jameel Yusha'u
• 13. 'Our Listeners Would Rather Call than Post Messages on Facebook': New Media and Community Radio in Kenya George Ogola
• 14. Online Forums: How the Voices of Readers are Reshaping the Sphere of Public Debate in Burkina Faso Marie-Soleil Frere.
• (source: Nielsen Book Data)

Very little is known about how African journalists are forging "new" ways to practise their profession on the web. Against this backdrop, this volume provides contextually rooted discussions of trends, practices, and emerging cultures of web-based journalism(s) across the continent, offering a comprehensive research tool that can both stand the test of time as well as offer researchers (particularly those in the economically developed Global North) models for cross-cultural comparative research. The essays here deploy either a wide range of evidence or adopt a case-study approach to engage with contemporary developments in African online journalism. This book thus makes up for the gap in cross-cultural studies that seek to understand online journalism in all its complexities.
(source: Nielsen Book Data)

• Introduction: Quality Journalism Reconsidered
• 1. "Principles, Sentiments, and Affections": The Journalism Out of Which the United States Was Born
• 2. "Yesterday's Doings in All Continents": The Business of Selling News
• 3. "Circulators of Intelligence Merely": The Devaluation of News
• 4. "Bye-Bye to the Old 'Who-What-When-Where'?": The Return of Interpretation
• 5. "Much as One May Try to Disappear from the Work": The Argument Against Objectivity
• 6. "The World's Immeasurable Babblement": What Does and Does Not Make Journalism Wise
• 7. "Shimmering Intellectual Scoops": The Wisdom Journalist, the Journalism Organization, Their Audiences, and Our Politics Notes Acknowledgments Index.
• (source: Nielsen Book Data)

For a century and a half, journalists made a good business out of selling the latest news or selling ads next to that news. Now that news pours out of the Internet and our mobile devices-fast, abundant, and mostly free-that era is ending. Our best journalists, Mitchell Stephens argues, instead must offer original, challenging perspectives-not just slightly more thorough accounts of widely reported events. His book proposes a new standard: "wisdom journalism, " an amalgam of the more rarified forms of reporting-exclusive, enterprising, investigative-and informed, insightful, interpretive, explanatory, even opinionated takes on current events. This book features an original, sometimes critical examination of contemporary journalism, both on- and offline, and it finds inspiration for a more ambitious and effective understanding of journalism in examples from twenty-first-century articles and blogs, as well as in a selection of outstanding twentieth-century journalism and Benjamin Franklin's eighteenth-century writings. Most attempts to deal with journalism's current crisis emphasize technology. Stephens emphasizes mindsets and the need to rethink what journalism has been and might become.
(source: Nielsen Book Data)

In this sweeping global survey, one of Britain's most distinguished journalists and media commentators analyses for the first time the state of journalism worldwide as it enters the post-truth age.From the decline of the newspaper in the West and the simultaneous threats posed by fake news and President Trump, to the part that Facebook and Twitter played in the Arab revolts and the radical openness stimulated by WikiLeaks, and from the vast political power of Rupert Murdoch's News International and the merger of television and politics in Italy, to the booming, raucous and sometimes corrupt Indian media and the growing self-confidence of African journalism, John Lloyd examines the technological shifts, the political changes and the market transformations through which journalism is currently passing.The Power and the Story offers a fascinating insight into a trade that has claimed the right to hold power to account and the duty to make the significant interesting - while making both the first draft of history, and a profit.
(source: Nielsen Book Data)

• 1. Creative Mobile Media: The State of Play
• Marsha Berry and Max Schleser PART I: AESTHETICS 2. Artist with a Camera-phone: A Decade of Mobile Photography
• Dean Keep 3. Tram Travels: Smartphone Video Production and the Essay Film
• Leo Berkeley 4. The Mobile Phone and the Flow of Things
• Adam Kossoff PART II: SPACE AND PLACE 5. Ambient Play: Camera-phone Practices and Mobile Gaming
• Larissa Hjorth 6. Filtered smartphone moments: Haunting places
• Marsha Berry 7. Subversive Mobile Storytelling
• Brian House PART III: KNOWLEDGE AND STORIES 8. Sauti ya wakulima: Using Mobile Phones to Strengthen the Social Context of Rural Agriculture in Rural Tanzania
• Eugenio Tisselli 9. Digital Storytelling and Aboriginal Young People: An Exploration of Digital Technology to Support Contemporary Koori Culture
• Fran Edmonds 10. Smartphone Screenwriting: Creativity, Technology, and Screenplays-on-the-go
• Craig Batty PART IV: THE SELF 11. Instagram: A Repository of Taste, a Brimming Marketplace, a War of Eyeballs
• Crystal Abidin 12. Slow Media Production and the Rise of Instagram Video
• Patrick Kelly 13. I'm Doing This Right Now and It's for You: The Role of Images in Sexual Ambient Intimacy
• Edgar Gomez Cruz and Cristina Miguel 14. Connecting through Mobile Autobiographies: Self-reflexive Mobile Filmmaking, Self-representation and Selfies
• Max Schleser.
• (source: Nielsen Book Data)

With the rise of smartphones and the proliferation of applications ("apps"), the ways everyday media users and creative professionals represent, experience, and share the everyday is changing. With the overlay of location-based services, these experiences and representations are providing new social, creative, and emotional cartographies. This collection discusses the prospects of the proliferation of mobile and digital filmmaking opportunities, from videographic citizen journalism to networked, transmedia collaborative filmmaking and photography, and the embedding of filmmaking and photography in social media practice. The contributors reflect on emergent creative practices as well as digital ethnographies of new visualities and socialities associated with smartphone cameras in everyday life.
(source: Nielsen Book Data)

• Introduction: I am a solo video journalist
• Part I. Before the story
• Planning your day
• Looking the part
• Gearing up
• Break 1: the rise of the iReporter
• Part II. In the field
• Shooting video
• Shooting interviews
• Recording a stand-up
• Break 2: getting in at an older age
• Part III. Putting it together
• Logging and writing
• Editing the final product
• Break 3: learning from the best
• Part IV. Looking forward
• Working the web
• Thinking big.