Video
1 videodisc (82 min.) : sound, color ; 4 3/4 in. + 1 bonus videodisc Sound: digital; optical. Digital: video file; DVD video; all regions.
  • [Disc 1]: Documentary feature (82 min.) ; [Disc 2]: Additional interviews: Yvonne Rainer
  • Simone Forti
  • Steve Paxton
  • Carolee Schneemann
  • Lucinda Childs
  • Valda Setterfield
  • Douglas Crimp
  • Carrie Lambert-Beatty
  • Spiraling Down [entire performance of piece by Yvonne Rainer performed at REDCAT, Los Angeles, CA, June 26, 2009] (30 min.)
"[This film] tells the riveting story of one of America's most important artists. In 1962, as a founding member of Judson Dance Theater, Rainer, revolutionized modern dance by introducing everyday movements like walking and running into the dance lexicon. Abandoning choreography in the '70s, Rainer introduced narrative techniques into American avant-garde film, turning that genre on its head, too. [W]e follow Rainer, returned to choreography, as she continues to create vibrant, courageous, unpredictable dances that invite audiences to question basic assumptions about art and performance"-- Container.
Art & Architecture Library (Bowes), Media & Microtext Center

2. Praise house [1991]

Video
1 videodisc (27 min.) : sound, color ; 4 3/4 in. Sound: digital; optical. Video: NTSC. Digital: video file; DVD video; all regions.
The visual images presented in this film illustrate "spirituality and the gift of artistry in three generations of African-American women"--Prologue.
Media & Microtext Center
Video
1 videodisc (60 min.) : sound, color ; 4 3/4 in. Sound: digital; optical. Video: NTSC. Digital: video file; DVD video; all regions.
Reviews the history of modern dance in America from its beginnings in the early 1900's to the appearance of Martha Graham in the early 1930's. Includes rare film footage of Doris Humphrey, Ruth St. Denis, Anna Pavlova, and what is believed to be Isadora Duncan, among others. Frederick Ashton speaks about his impressions of Isadora Duncan. Lynn Seymour performs Ashton's Five Brahms waltzes in the manner of Isadora Duncan. Clif de Raita performs Ted Shawn's Japanese spear dance. Doris Humphrey's Soaring is performed by Nancy Colahan with Elaine Anderson, Jacqulyn Buglisi, Anne Marie Hackett, and Laurie Kaplan. Annabelle Gamson performs Isadora Duncan's Etude and Mother. Ted Shawn's Polonaise is performed by Tim Wengerd, Clif de Raita, Donlin Foreman, Daniel Ezralow, David Anderson, and Michael Deane. Also included is an early film of Martha Graham performing her work Lamentation.
Media & Microtext Center
Video
1 online resource (1 video file, 81 min.) Sound: digital. Digital: video file; MPEG-4; Flash.
Miss Hill: Making Dance Matter tells the inspiring and largely unknown story of Martha Hill, a woman whose life was defined by her love for dance, and who successfully fought against great odds to establish dance as a legitimate art form in America. Through archival footage, lively interviews with friends and intimates, and rare footage of the spirited subject, the film explores Hills's arduous path from a Bible Belt childhood in Ohio to the halls of academia at NYU and Bennington College, to a position of power and influence as Juilliard's founding director of dance (1952-1985). Peppered with anecdotal material delivered by dance notables who knew her, this revelatory story depicts her struggles and successes, the film is a celebration of dance and an examination of the passion required to keep it alive. "Illuminating... Defiance [and] tenacity, animated Hill’s life, and it drives ‘Miss Hill’ forward, too. Archival footage…distills the essence of a time when American concert dance, like never before, sought to comment on society rather than escape from it; a time when, as the choreographer Bessie Schonberg said, “everything was new.” And that’s only the first half. We also get a thorough history of the Juilliard dance department, its initially groundbreaking curriculum of warring genres (ballet and modern dance) and its near-demise at the hands of George Balanchine and Lincoln Kirstein, an episode in which matters of money, power, real estate, politics and national identity collide." - The New York Times.

5. Returning Home [2003]

Video
1 online resource (1 video file, approximately 45 min.) : digital, .flv file, sound Sound: digital. Digital: video file; MPEG-4; Flash.

6. Ariadne (1985) [2014]

Video
1 online resource (10 minutes) Digital: data file.
Ze'eva Cohen: Creating A Life In Dance is a model of how an artist can survive in the dance world by carving out an independent path for herself. Primarily narrated by Cohen, the half hour documentary spans 70 years, encompassing her life as a young dancer in Israel, work in the U.S. as soloist with Anna Sokolow's Dance Company, pioneering 12 year solo repertory concerts, choreography for diverse dance companies, as well as work at Princeton University, where she founded and directed the dance program from 1969 to 2009. Following the documentary, this video includes the 28 minute Passing It On: Four Princeton Alumni Look Back - conversations with Jose Mateo '74 (Jose Mateo Dance Theatre), David Rousseve '81 (David Rousseve/REALITY), Jill Sigman '89 *98 (jill sigman/thinkdance), and Mariah Steele '06 (Quicksilver Dance), who reflect on Ze'eva's teaching and profound influence on them and their subsequent careers as dancers and choreographers. Performances include Negotiations (1996), If Eve Had A Daughter: Mother's Tongue/I Love You (1996), Ariadne (1985), Rainwood (1977), and Mothers of Israel (1975) - a few of the full length iconic representations of Ze'eva's 40-year career.
Video
1 online resource (1 video file, approximately 85 min.) : digital, .flv file, sound
Artists In exile: a story of modern dance in San Francisco chronicles over forty years of dancemaking in the San Francisco Bay Area. The film begins with dance revolutionary Anna Halprin and highlights seminal Bay Area choreographers including Mangrove, Tumbleweed, ODC/San Francisco, Margaret Jenkins, Dance Brigade, Joe Goode and Contraband. The films addresses the special nature of the Bay Area's social, political and environmental climate; the marginalization of Bay Area artists due to the New York dance establishment and the unique and vital dance community that continues to grow.
Video
1 videodisc (82 min.) : sound, color with black and white sequences ; 4 3/4 in. Sound: digital; optical. Digital: video file; DVD video.
"Elizabeth Streb and the STREB Extreme Action Company form a motley troupe of flyers and crashers. Propelled by Streb's edict that "anything too safe is not action, " these daredevils challenge the assumptions of art, aging, injury, gender, and human possibility"--Container.
Media & Microtext Center
Video
1 online resource (1 video file, approximately 60 min.) : digital, .flv file, sound Sound: digital. Digital: video file; MPEG-4; Flash.
Although Butoh is often viewed as Japan's equivalent of modern dance, in actuality it has little to do with the rational principles of modernism. Butoh is a theater of improvisation which places the personal experiences of the dancer on center-stage. The dancer is used as a medium to his or her inner life, but not for the portrayal of day to day existence. A Dionysian dance of nudity, eroticism, and sexuality, Butoh's scale of expression ranges from meditative tenderness to excessive grotesqueness. By reestablishing the ancient Japanese connection of dance, music, and masks, and by recalling the Buddhist death dances of rural Japan, Butoh incorporates much traditional theater. At the same time, it is a movement of resistance against the abandonment of traditional culture to a highly organized consumer-oriented society. An alliance of tradition and rebellion, Butoh is one of the most fascinating underground dance movements. "Butoh: body on the edge of crisis" is a visually striking film portrait shot on location in Japan with the participation of the major Butoh choreographers and their companies.

10. Capturing grace [2014]

Video
1 videodisc (approximately 60 min.) : sound, color ; 4 3/4 in. Sound: digital; optical; surround. Video: NTSC. Digital: video file; DVD video.
Documentary about people with Parkinson's disease who join forces with the renowned Mark Morris Dance Group to create a unique performance in Brooklyn, N.Y.
Media & Microtext Center
Video
1 online resource (1 video file, approximately 45 min.) : digital, .flv file, sound
Includes highlights from ADF performances by: Erick Hawkins Dance Co., Sukarji Sriman, Chuck Davis' African-American Dance Ensemble, Guangdong Modern Dance Co., Pilobolus, Molissa Fenley, Sutki.
Video
1 online resource (1 video file, approximately 60 min.) : digital, .flv file, sound
After 54 years in dance, Erick Hawkins is an acknowledged master of modern dance. Alan Kriegsman of the Washington Post has called him "one of the genuinely great pioneers of American dance." In this piece, Mr. Hawkins at the age of 83 speaks of his career, his life, and his collaborations with the composer Lucia Dlugoszewski. The piece features Mr. Hawkins teaching his company, excerpts from his work, and an interview with Ms. Dlugoszewski.

13. Ghostlight [2003]

Video
1 online resource (1 video file, approximately 80 min.) : digital, .flv file, sound Sound: digital. Digital: video file; MPEG-4; Flash.
This film portrait of modern dance legend Martha Graham examines the creative process, as well as important events in Martha's pioneering career. Plays thematically with time and memory, using the actual words of Martha Graham who emerges as a passionate, controversial and egotistical modernist icon that she was.
Video
1 online resource (18 minutes) Digital: data file.
Ze'eva Cohen: Creating A Life In Dance is a model of how an artist can survive in the dance world by carving out an independent path for herself. Primarily narrated by Cohen, the half hour documentary spans 70 years, encompassing her life as a young dancer in Israel, work in the U.S. as soloist with Anna Sokolow's Dance Company, pioneering 12 year solo repertory concerts, choreography for diverse dance companies, as well as work at Princeton University, where she founded and directed the dance program from 1969 to 2009. Following the documentary, this video includes the 28 minute Passing It On: Four Princeton Alumni Look Back - conversations with Jose Mateo '74 (Jose Mateo Dance Theatre), David Rousseve '81 (David Rousseve/REALITY), Jill Sigman '89 *98 (jill sigman/thinkdance), and Mariah Steele '06 (Quicksilver Dance), who reflect on Ze'eva's teaching and profound influence on them and their subsequent careers as dancers and choreographers. Performances include Negotiations (1996), If Eve Had A Daughter: Mother's Tongue/I Love You (1996), Ariadne (1985), Rainwood (1977), and Mothers of Israel (1975) - a few of the full length iconic representations of Ze'eva's 40-year career.
Video
1 online resource (81 minutes) Digital: data file.
Miss Hill: Making Dance Matter tells the inspiring and largely unknown story of Martha Hill, a woman whose life was defined by her love for dance, and who successfully fought against great odds to establish dance as a legitimate art form in America. Through archival footage, lively interviews with friends and intimates, and rare footage of the spirited subject, the film explores Hills's arduous path from a Bible Belt childhood in Ohio to the halls of academia at NYU and Bennington College, to a position of power and influence as Juilliard's founding director of dance (1952-1985). Peppered with anecdotal material delivered by dance notables who knew her, this revelatory story depicts her struggles and successes, the film is a celebration of dance and an examination of the passion required to keep it alive.
Video
1 online resource (1 video file, approximately 60 min.) : digital, .flv file, sound
Since the early eighties, Molissa Fenley has been intriguing audiences and impressing critics with her unique approach to modern dance. Her work is constantly changing, re-defining itself with each new piece, and she is well known for her work with contemporary artists and composers including Phillip Glass. In this tape, Ms. Fenley talks about her choreography and her approach to the creative process. Also included are clips of a number of important pieces in her repertory.
Video
1 online resource (27 minutes) Digital: data file.
Ze'eva Cohen: Creating A Life In Dance is a model of how an artist can survive in the dance world by carving out an independent path for herself. Primarily narrated by Cohen, the half hour documentary spans 70 years, encompassing her life as a young dancer in Israel, work in the U.S. as soloist with Anna Sokolow's Dance Company, pioneering 12 year solo repertory concerts, choreography for diverse dance companies, as well as work at Princeton University, where she founded and directed the dance program from 1969 to 2009. Following the documentary, this video includes the 28 minute Passing It On: Four Princeton Alumni Look Back - conversations with Jose Mateo '74 (Jose Mateo Dance Theatre), David Rousseve '81 (David Rousseve/REALITY), Jill Sigman '89 *98 (jill sigman/thinkdance), and Mariah Steele '06 (Quicksilver Dance), who reflect on Ze'eva's teaching and profound influence on them and their subsequent careers as dancers and choreographers. Performances include Negotiations (1996), If Eve Had A Daughter: Mother's Tongue/I Love You (1996), Ariadne (1985), Rainwood (1977), and Mothers of Israel (1975) - a few of the full length iconic representations of Ze'eva's 40-year career.

18. Negotiations (1996) [2014]

Video
1 online resource (12 minutes) Digital: data file.
Ze'eva Cohen: Creating A Life In Dance is a model of how an artist can survive in the dance world by carving out an independent path for herself. Primarily narrated by Cohen, the half hour documentary spans 70 years, encompassing her life as a young dancer in Israel, work in the U.S. as soloist with Anna Sokolow's Dance Company, pioneering 12 year solo repertory concerts, choreography for diverse dance companies, as well as work at Princeton University, where she founded and directed the dance program from 1969 to 2009. Following the documentary, this video includes the 28 minute Passing It On: Four Princeton Alumni Look Back - conversations with Jose Mateo '74 (Jose Mateo Dance Theatre), David Rousseve '81 (David Rousseve/REALITY), Jill Sigman '89 *98 (jill sigman/thinkdance), and Mariah Steele '06 (Quicksilver Dance), who reflect on Ze'eva's teaching and profound influence on them and their subsequent careers as dancers and choreographers. Performances include Negotiations (1996), If Eve Had A Daughter: Mother's Tongue/I Love You (1996), Ariadne (1985), Rainwood (1977), and Mothers of Israel (1975) - a few of the full length iconic representations of Ze'eva's 40-year career.
Video
1 online resource (1 video file, approximately 60 min.) : digital, .flv file, sound
Doris Humphrey's modern dance classic of affirmation was choreographed in 1935 and features Linda Tarney and Peter Woodin. Filmed at the American Dance Festival in 1972, the first film is an edited version with close-ups and the second is a record version of the same performance showing the entire stage. Transferred from the original 16 millimeter color film.

20. Rainwood (1977) [2014]

Video
1 online resource (16 minutes) Digital: data file.
Ze'eva Cohen: Creating A Life In Dance is a model of how an artist can survive in the dance world by carving out an independent path for herself. Primarily narrated by Cohen, the half hour documentary spans 70 years, encompassing her life as a young dancer in Israel, work in the U.S. as soloist with Anna Sokolow's Dance Company, pioneering 12 year solo repertory concerts, choreography for diverse dance companies, as well as work at Princeton University, where she founded and directed the dance program from 1969 to 2009. Following the documentary, this video includes the 28 minute Passing It On: Four Princeton Alumni Look Back - conversations with Jose Mateo '74 (Jose Mateo Dance Theatre), David Rousseve '81 (David Rousseve/REALITY), Jill Sigman '89 *98 (jill sigman/thinkdance), and Mariah Steele '06 (Quicksilver Dance), who reflect on Ze'eva's teaching and profound influence on them and their subsequent careers as dancers and choreographers. Performances include Negotiations (1996), If Eve Had A Daughter: Mother's Tongue/I Love You (1996), Ariadne (1985), Rainwood (1977), and Mothers of Israel (1975) - a few of the full length iconic representations of Ze'eva's 40-year career.

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