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Book
1 online resource (1 online resource (x, 221 pages))
  • When Structure Met Agency
  • Institutional Context: "And It Was Kind of Hard to Get Information"
  • Gender: "Men Work, Women Have Children"
  • Social Context: "It's Just What My Family Does"
  • Role of Policy: "We're Supposed to be Learning"
  • Role of Theory: Choosing to Labour?
  • App. A Profile of Participants
  • App. B Data and Methodology.
Young people about to leave high school argue that they are determining their own destinies. Scholarly debates also suggest that the influence of structural factors such as social class on an individual's life course is decreasing. Wolfgang Lehmann challenges this view and offers a detailed comparative analysis of the inter-relationships between social class, institutional structures, and individual educational and career choices. Through a qualitative study of academic-track high school students and participants in youth apprenticeships in Germany and Canada, Lehmann shows how the range of available school-work transition options are defined by both gender and social class. Highlighting the importance of the institutional context in understanding school-work transitions, particularly in relation to Germany's celebrated apprenticeship system, which rests on highly streamed secondary schooling and a stratified labour market, Lehmann argues that social inequalities are maintained in part by the choices made by young people, rather than simply by structural forces. Choosing to Labour? concludes with an exploration of how public policy can meet the dual challenge of providing young people with meaningful and equitable educational experiences, while simultaneously fulfilling the need for a skilled workforce.
(source: Nielsen Book Data)9780773532809 20180521
Database topics
Germanic Studies; Religious Studies; History; Art, Architecture and Design
DigiZeitschriften provides access to core German research journals across multiple disciplines: German language and literature, History, Religious studies, Arts, Comparative Literature, Economics, Law, Mathematics. It is the premier collection of backfiles for German scholarly journals. Modeled on JSTOR, DigiZeitschriften is a collaboration of 14 German libraries and 37 publishers supported by the German Research Foundation (DFG). As of mid-2011, the archive contains 148 German academic titles in 19 subject areas, including 340,000 articles and 3.6 million pages. Additional material is added monthly.

3. Englera [1979 - ]

4. Willdenowia [1954 - ]

5. Juristenzeitung [1951 - ]

Journal/Periodical
volumes ; 20 cm

12. New German critique [1973 - ]

Journal/Periodical
v. 23 cm.
Green Library, SAL3 (off-campus storage)
Book
1 online resource (viii, 151 pages) : illustrations, music.
  • He liked to hear the music of others : individuality and variety in the works of Bach and his German contemporaries / Wolfgang Hirschmann
  • Aesthetic mediation and tertiary rhetoric in Telemann's VI Ouvertures à 4 ou 6 / Steven Zohn
  • Bach, Graupner, and the rest of their contented contemporaries / Andrew Talle
  • The famously little-known Gottlieb Muffat / Alison J. Dunlop
  • Bach versus Scheibe : hitherto unknown battlegrounds in a famous conflict / Michael Maul.
In this volume, Wolfgang Hirschmann proposes an ethnographic approach that contextualizes Bach's works, addressing the aesthetic paths he took as well as those he did not pursue. Steven Zohn's essay considers Telemann's contribution to the orchestral Ouverture genre, observering how Telemann's approach to integrating the national styles of his time was quite different from, but no less rich than, Bach's Andrew Talle compares settings and strategies of Vergnüte Ruh, beliebte Seelenlust by Bach and Graupner. Alison Dunlop presents valuable primary research on Muffat, the most commonly cited keyboard music composer in Vienna during Bach's lifetime. Finally, Michael Maul sheds new light on the Scheibe-Birnbaum controversy, contextualizing the most famous critique of J.S. Bach's compositional style by discussing the other composers that Scheibe critiqued.

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