The US presidential election in 2016 brought to a head myriad political activism around the world, around the rights of minorities, women, the LGBTQ community, and the environment. In the midst of this turmoil, nearly 300 designers from around the world answered the call to create this collection of 50 tear-out posters for people who want to make their voices heard in a time of unprecedented uncertainty and apprehension. A foreword by Avram Finkelstein, a designer for the AIDS art activist collective Gran Fury, looks at the crucial role of graphic activism in the current political climate.
(source: Nielsen Book Data)

• Introduction
• Propaganda and Persuasion
• 2 Persuading for the Great War
• 3 The Organization of the Persuasive Apparatus
• 4 Attracting Attention Children as decoy Beauty as decoy
• Repeating the Message
• The Power of Questions
• The Persuasion of the Source The authority of source The authority of quotations
• Unity is Strength Silencing the critics Origins unite The call of the banner Other patriotic symbols of unity
• Target
• 1: The Home Front Out of duty and solidarity To educate, inform Persuading to invest Children and the principle of familiarity Women as weapons of persuasion Reciprocity. I am fighting for you! 9.6.1 Reciprocity and the strategy of shame 9.6.2 The veterans 9.6.3 The intellectuals 9.6.4 The Afro-Americans 9.6.5 The immigrants
• Target
• 2: Men to Enlist Follow the example Follow the example of your ancestors Follow the example of your countrymen Follow the example of sportsmen Follow the example of your friends The propaganda of fear Denouncing the crimes of the enemy Demonizing the enemy The principle of scarcity. Illustrating threats Democracy Liberty Honour and justice ã 10.4 The Family Conclusion List of Images.
• (source: Nielsen Book Data)

How to persuade citizens to enlist? How to convince them to fight in a war which was, for many, distant in terms of kilometres as well as interest? Modern persuasion techniques, both political and commercial, were used to motivate enlistment and financial support to build a factory of consensus. The propagandists manipulated the public, guiding their thoughts and actions according to the wishes of those in power and were therefore the forerunners of spin doctors and marketing and advertising professionals. Their posters caught the attention of members of the public with images of children and beautiful women, involving them, nourishing their inner needs for well-being and social prestige, motivating them by showing them testimonials in amusing and adventurous situations, and inspiring their way of perceiving the enemy and the war itself, whose objective was to "make the world safe for democracy". In the discourse of this strategy we find storytelling, humour, satire and fear, but also the language of gestures, recognized as important for the completeness of messages. Were the propagandists hidden persuaders who knew the characteristics of the human mind? We do not know for certain. However, their posters have a personal and consistent motivation which this book intends to demonstrate.
(source: Nielsen Book Data)

• Une brève histoire de l'affiche contestataire avant 1968
• Des affiches pour changer le monde : 1968-1973
• Pouvoir populaire
• Liberté
• Egalité
• Travail
• Mortalité
• Engagement public
• Répression
• Autorité
• Nouveau féminisme
• Survivre.

"Protest ! explore l'univers graphique des affiches créées par les mouvements contestataires de 1968 a 1973. Six années d'une intense agitation politique et sociale, marque en France, par les mouvements étudiants et ouvriers de Mai 6S, aux États-Unis, Par la poursuite des luttes des minorités, les manifestations contre la guerre du Vietnam, la montée du féminisme et de l'écologie et, dans le monde entier, par une aspiration à plus de liberté, d'égalité, de dignité et de justice. "Sois jeune et tais-toi", "Power to the people", "Make love not war", "Black Power" sont quelques-uns des slogans provocateurs mis en image et diffusés par milliers, à la faveur d'une technique nouvelle et rapide, la sérigraphie. Étudiants et artistes inventent un langage visuel simple et concis, d'une force expressive inédite. Les 400 affiches rassemblées ici, replacées dans leur contexte historique, attestent ce bouillonnement créatif. Cinquante ans plus tard, elles n'ont rien perdu de leur puissance et trouvent un écho dans les combats de notre temps."--Page 4 of cover.

• Introduction: You're Either on the Bus or Off the Bus *
• 1. Haight-Ashbury to Altamont `66-'69 *
• 2. Counter Culture Takes Centre Stage `70-'77 *
• 3. Monsters of Rock `78-'88.
• (source: Nielsen Book Data)

As part of the '60s and '70s fashion movement, Peter Golding's famous ACE boutique in London's Chelsea brought him into regular contact with the biggest names in rock 'n' roll, and he went on to create one of the most comprehensive collections of rock 'n' roll graphics in existence. Showcasing the cream of this collection, Rock Graphic Originals is packed with vibrant poster art, logos, stage set designs and promotional ephemera created for artists such as the Grateful Dead, Jimi Hendrix, Bob Dylan, Pink Floyd, The Doors, Bruce Springsteen, Eric Clapton, Kiss, The Who and Alice Cooper. Organized chronologically into three sections, the book presents the evolution of highly wrought psychedelic poster art from its beginnings in the Beat era to its culmination in the vast stage sets of 1980s stadium rock. Original drawings, studies, paintings, finished artwork and separated plates are shown side by side, revealing the complete process involved in creating each printed poster and logo, and giving extraordinary insight into the creative minds of design giants such as Rick Griffin, Stanley Mouse and Alton Kelley. Barry Miles's concise introduction places the key protagonists and their work within their cultural and political context, while reflections from the artists themselves lend unique perspectives on their influences and methods.
(source: Nielsen Book Data)

This is the exhibition catalogue for the joint exhibition of the American Numismatic Society hosted by the Frances Lehman Loeb Art Center, featuring the medallic art and posters of the Great War.
(source: Nielsen Book Data)

Artist Tony Both worked in Liverpool during the early 1960s, just around the corner from The Cavern Club and close to the Beatles' manager Brian Epstein's office in Whitechapel. Tony's work caught Epstein's eye, and he would go on to produce posters, printed leaflets and a wide variety of publicity and display materials for Epstein's artists, most notably for a young four-piece beat combo called the Beatles. Alongside his work for Epstein, Tony produced hand-painted gig posters for many promoters, including Sam Leach, Allan Williams and The Cavern Club's DJ Bob Wooler, who also promoted many of the big events. Tony's original posters now fetch a considerable sum of money, and The Beatles in Posters features these as well as exact replicas of those that have been lost to time. This is the first book of its type and is a must-buy for all fans of the Fab Four and the Merseybeat scene.
(source: Nielsen Book Data)

During the Golden Age of Magic--the 1880s to the 1940s--magicians and prestidigitators fought a veritable advertising war. In the United States, Canada, and Europe, city walls were plastered with posters offering tantalizing previews of magician's most spectacular tricks. Poster designers and printers were inspired by all variety of phantasmagoric imagery: devils and demons, skeletons and skulls, cards and rabbits, alluring assistants and symbols of exoticism. Here, 250 breathtaking posters, mostly dating from the late 19th and early 20th centuries, retrace the social history of this still-active phenomenon. These magnificent, large-format chromolithographs immortalize the magicians and the acts that marked the world of modern magic. Seven authors recognized as experts in their respective fields introduce this fabulous array of color and imagery. Published to accompany an exhibition at the McCord Museum in Montreal, which was gifted in 2015 with one of the largest collections of magic posters and documents in the world, the Allan Slaight Collection, this book will delight graphic designers, illustrators, and magic enthusiasts alike.
(source: Nielsen Book Data)

• Dank
• Einleitung
• Diskursbegriff und Konzertprogramm : theoretische und methodische Aspekte
• Zum Forschungsstand
• Geschichte und Funktion des Konzertprogramms
• Musikhören im bürgerlichen Konzert
• Zum Begriff des Bürgertums
• Der aufmerksame Zuhörer : die Entstehung eines Ideals
• Konzert und musikalische Bildung
• Musikalischer Kanon
• Stand der musikwissenschaftlichen Kanonforschung
• Musikalisches Bildungswissen
• Musikalisches Werkkonzept
• Musikalischer Titelkomplex
• Stand der musikalischen Titelforschung
• Bestandteile und Funktionen des musikalischen Titelkomplexes
• Name des Komponisten
• Gattungstitel und Gattungsangaben
• Thematische Titel
• Beinamen
• Besetzungsangaben
• Tonarten
• Nummerierungen
• Opuszahlen und Werkverzeichnisnummern
• Formale Ersatztitel
• Zwischentitel und Satzbezeichnungen
• Musikalischer Titelkomplex und Ankündigungsformen im Konzertprogramm
• Ankündigungsformen im Konzertprogramm
• Die Abonnentenkonzerte des Leipziger Gewandhauses
• Musikdirektoren und Kapellmeister
• Konzertdirektion
• Publikum
• Repertoire und Programmgestaltung
• Die Programmzettel der Abonnentenkonzerte
• Analyse der Ankündigungsformen
• Die Anfänge : 1781-1806
• Der Titelkomplex beginnt zu wachsen : 1806-1819
• Die Sonderrolle Beethovens : 1819-1835
• Die Ära Mendelssohn : 1835-1847
• Allmähliche Angleichung : 1847-1870
• Konsolidierung : 1870-1900
• Ankündigungsformen im Kontext von Hören, Bildung und Kanon : damals und heute
• Literatur- und Quellenverzeichnis
• Abbildungsverzeichnis
• Anhang.

• Introducción
• Perón y Evita
• La nueva Argentina
• Las elebraciones
• Acción social
• Los artistas.

Prominent Ukrainians is a project about famous Ukrainian people. It promotes Ukrainian history and culture in terms of modern graphic art. The new look at outstanding personalities expressed on the posters offers an alternative to conventional portraits in school textbooks. In the first stage of its development, the project focuses on the personalities of culture, and it also provides extention of a number of Ukrainian historical figures.--Colophon.

This book explores that world through a remarkable poster whose words and image have influenced millions of people across the world. Well researched and thorough presentations of new and interesting facts about the 'Kitchener' poster, the book goes on to explore why this poster, among hundreds of others, has survived as such a cultural and design icon.Evidence is provided to prove that the poster was indeed seen across the UK, debunking the ideas of previous work who have questioned the very existence of the poster.One hundred years from Lord Kitchener's death aboard HMS Hampshire on 5th June 1916, the book shows how the great man is remembered from the image on the poster rather than from what he really looked like and how, like Chinese whispers, facts change over the years.Published 100 years after Lord Kitchener's death.Foreword by Lady Kenya Tatton Brown (Great niece of Lord Kitchener)Edited by respected First World War historian Prof Peter Doyle.
(source: Nielsen Book Data)

• Introduction.-
• 1. The Genealogy of the Line and the Role of Resemblances.-
• 2. The Poster as a Functional Object.-
• 3. The Static Representation of Movement in Art and War.-
• 4. Representing the Real in the Aesthetics of Conflict.-
• 5. Propaganda and the Wider Visual Ecology of the Era.- Conclusion.
• (source: Nielsen Book Data)

Propaganda and Hogarth's 'Line of Beauty' in the First World War assesses the literal and metaphoric connotations of movement in William Hogarth's eighteenth-century theory of a 'line of beauty', and subsequently employs it as a mechanism by which the visual propaganda of this era can be innovatively explored. Hogarth's belief that this line epitomises not only movement, but movement at its most beautiful, creates conditions of possibility whereby the construct can be elevated from traditional analyses and consequently utilised to examine movement in artworks from both literal and metaphorical perspectives. Propagandist promotion of an alternate reality as a challenge to a current 'real' lends itself to these dual viewpoints; the early years of the twentieth century saw growth in the advertising of conflict via the pictorial poster, instigating intentionally or otherwise an aesthetic response from soldier-artists embroiled on the battlefields. The 'line of beauty' therefore serves as a productive mechanism by which this era of propaganda art can be appraised.
(source: Nielsen Book Data)

• Prologo ¡Agitación! La necesidad de insistir sobre los valores entre grafica y política / Fernando Carvajal
• Introducción. Acercarse a la trama
• Utopía gráfica
• Márgenes
• Trastienda gráfica
• Caja de herramientas
• Conclusiones. Tramas y matrices políticas del presente.

This book studies the period of the Chilean political graphic art (posters, public art). The author inquires into the unexplored area between the "golden age" of the political poster during the Popular Unity and the poster produced after the 1973 coup d'état in exile. And it does so by taking the experience of two graphic collectives that until now had been left in darkness: the Association of Young Plastics APJ (1979-1987) and Tallersol (1977). In this sense, this book does more than fill a void, for "filling" already announces a fiction of totality; As we know, a field of knowledge is never completely saturated: there is always emptiness and there is full, and such dynamics is what produces possibility and future. This is well known by Nicole Cristi and Javiera Manzi, the authors of this book, who have the audacity to construct with rigor and passion a story that places and restores the artistic-political itinerary of two essential collectives of graphic action of the dictatorial period, In turn, are the tip of a much wider skein of coordinations, groupings and experiences still very little explored by historiography and local criticism. A plot of which the posters shown here - almost for the first time - are a historical and technical mark. So, this book does not come to fill, but to reopen the discussion about graph and politics, a book that also has the generosity to leave offered multiple edges to explore on the field of cultural resistance to the dictatorship of Augusto Pinochet.

Just in time for the 2016 centennial anniversary of the National Parks Service, the Creative Action Network has partnered with the National Parks Conservation Association to revive and reimagine the historical legacy of WPA travel posters. Artists from all over the United States have participated in the creation of this new, crowdsourced collection of See America posters from and for our era.This book compiles artwork from over 75 national parks and landmarks across all 50 states and pairs it with key stats about each of the parks. The result is a fresh and engaging keepsake celebrating our nation's parks, landmarks, and treasured wilderness.For more about the project, see their website: http://seeamericaproject.com/.
(source: Nielsen Book Data)

Published during the war's centennial, this is the story of the First World War through forty propaganda posters. Revealing essays explain each poster, unpacking the visual imagery and setting the poster within the military, political, social, and cultural history of the war. * Informative, provocative, and entertaining analysis of posters that are historical documents and sometimes works of art * Tracks the history of the war, from mobilization and recruitment to war bond drives and efforts to sustain morale amid costly battles * Covers the United States, Britain, Canada, Germany, Austria, and France.
(source: Nielsen Book Data)

This book is a visual survey of posters printed by the United States, the Allies, and the Axis, and offers an overview of the various categories of propaganda posters created in support of the war effort: recruiting, conservation, careless talk/anti-espionage, bond/fundraising, morale, and more. With posters from all combatants, here is a look at propaganda used as a tool used by all parties in the conflict and how similar themes crossed national borders.
(source: Nielsen Book Data)

• v.1. Xin Zhongguo xuan chuan hua (1949-1960)
• v. 2. Xin Zhongguo xuan chuan hua (1961-1976)
• v. 3. Xin Zhongguo xuan chuan hua (1977-2016).

• v. 1. 新中国宣传画 (1949-1960)
• v. 2. 新中国宣传画 (1961-1976)
• v. 3. 新中国宣传画 (1977-2016).