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"Spanning nearly three thousand years of history-from the ancient Secession of the Plebs to the 2017 protests of the Confederate Soldiers Monument in Durham; from Sojourner Truth to Naoto Matsumura-the posters in Celebrate People's History pay tribute to the long-standing human legacy of revolution, activism, and grassroots organizing. In this book, contemporary artists imagine often-overlooked events and figures in movements for racial justice, women's rights, queer liberation, labor organizing, and climate justice. The second edition features nearly one hundred new posters, an expanded introduction by Josh MacPhee, and forewords by Rebecca Solnit and Charlene Carruthers"-- Provided by publisher

The music scene that sprang up across the Bay Area from 1965 to 1970 was energetic, immensely creative, and loudly outspoken. Bands needed theaters to play in, music promoters needed to get the word out about the shows, and a group of talented young artists producing dreamy, free-form work needed a medium of expression. Thus was born the psychedelic rock poster, one of the most explosively inventive, instantly recognizable, and profoundly influential aesthetic movements of the last century. A group of young visual artists provided perfectly trippy visuals to accompany soundtracks by bands like the Grateful Dead, Jefferson Airplane, Santana, the Doors, and many more. These artists - including Lee Conklin, Rick Griffin, Alton Kelley, Bonnie Maclean, Victor Moscoso, Stanley Mouse, Wes Wilson, and others created a new artistic genre: the collectible rock concert poster. Some are household names today while others are largely forgotten, but the poster art that gave visual life to the amazing music lives on in Dreams Unreal.
(source: Nielsen Book Data)

The Green New Deal is a comprehensive legislative plan to fight climate change, transition to a green-energy economy, clean up our air and water, and promote racial and economic equality through family-sustaining job opportunities. In its breadth and boldness, it's a vision that mirrors President Franklin Delano Roosevelt's original New Deal, implemented to pull the country out of the Great Depression in the 1930s. And just as Roosevelt and his administration used art, particularly posters designed by WPA artists, to rally support for the New Deal, here is a collection of 50 vibrant tear-out posters that celebrate the pillars of the Green New Deal, including environmental sustainability, renewable energy, equality, job creation, and community. The posters are designed by more than 40 illustrators representing a wide range of artistic styles--but all reflecting the urgency and passion of these issues. They are oversized, colorful, and visually striking. Perforated pages make them easy to tear out to hang or to use as signs at marches and demonstrations. The back of each poster features text explaining the issue and how the Green New Deal seeks to address it. The book also features a foreword by Massachusetts Senator Ed Markey, co-sponsor of the bill, and helpful resources for getting involved in the fight.
(source: Nielsen Book Data)

• Introduction
• 1. The World Wants New Knowledge and Skills
• 2. The Art of Reading
• 3. Posters, Preservation, and Ecological Blindness
• 4. Marching on To Health
• 5. One Third of a Nation - Ill-Housed
• Conclusion.
• (source: Nielsen Book Data)

This book examines posters produced by the Works Progress Administration (WPA), a federal relief program designed to create jobs in the United States during the Great Depression. Cory Pillen focuses on several issues addressed repeatedly in the roughly 2,200 extant WPA posters created between 1935 and 1943: recreation and leisure, conservation, health and disease, and public housing. As the book shows, the posters promote specific forms of knowledge and literacy as solutions to contemporary social concerns. The varied issues these works engage and the ideals they endorse, however, would have resonated in complex ways with the posters' diverse viewing public, working both for and against the rhetoric of consensus employed by New Deal agencies in defining and managing the relationship between self and society in modern America. This book will be of interest to scholars in design history, art history, and American studies.
(source: Nielsen Book Data)

• Inventing Buffalo Bill's Wild West. The art of Buffalo Bill's Wild West, William F. Cody, and the American West
• Advertising the Wild West : Cody and Cooke
• The Wild West Company and commercial printers
• Visualizing Buffalo Bill's Wild West. The visual culture of the Wild West in the United States
• The Strobridge Lithographing Company and Cincinnati hhow printers
• Wild West diplomacy and going global.

• Biennial posters
• Fair directories (2011-2019)
• Annual keepsake broadsides
• Postcards
• Promotional materials for Codex publications
• Gala dinner coasters
• Gala dinner tickets
• Book fair tickets
• Annual newsletters
• Fundraising invitations
• Fair badges and table tents

Red cloth box with cream paper-covered sides containing 12 years' worth of ephemera related to the Codex Book Fair and Symposium. A contents list identifies 11 categories of ephemera and lists each item with design and printing credits. The items are organized by category and held in labeled mylar sleeves.

Minimalist artists' book exploring nihilism, angst, and loneliness through phrases printed with movable type in various colors.

-These propaganda posters are of great historical interest, as they reflect different important events and periods since the foundation of the People's Republic of China and demonstrate how news was related to the Chinese population -In an innovative design feature, this book uses a 'red line' to connect the development of New China with various styles of propaganda posters -Contains a gallery of splendid posters organized by theme, which demonstrate the passion and fervor of the designers Packed with pictures, Red Print tells the story of modern-day China through its propaganda regime. It encourages us to review the past of this fascinating country through how the governing bodies presented themselves to the Chinese people.In the current era, where mass communication and information explosion is the norm, such simple propaganda posters are a source of historical interest and design inspiration. This book will be a vital addition to any collector's library, and the simple, yet aesthetically attractive style of these posters will appeal to designers worldwide.
(source: Nielsen Book Data)
Packed with pictures, Red Print tells the story of modern-day China through its propaganda regime. It encourages us to review the past of this fascinating country through how the governing bodies presented themselves to the Chinese people.In the current era, where mass communication and information explosion is the norm, such simple propaganda posters are a source of historical interest and design inspiration. This book will be a vital addition to any collector's library, and the simple, yet aesthetically attractive style of these posters will appeal to designers worldwide.
(source: Nielsen Book Data)

• Povos indígenas
• Canudos
• Romarias
• Dia do trabalhador rural
• Reforma agrária
• Violência no campo
• Mártires
• Campanhas e jornadas
• Cultura
• Congressos encontros e debates
• Solidariedade internacional
• Homenagens
• MST
• Novas expressões

• Presentación / Sara Ladrón de Guevara
• Las imágenes y la historia de un año inolvidable / Hipólito Rodríguez Herrero
• México 68/18, 100 carteles / José Manuel Morales
• Carteles por el 50 aniversario del movimiento estudiantil / Arnulfo Aquino
• 100 carteles

"This catalog includes the work of six generations of poster designers, some of whom enjoy great national and international prestige, as well as academics, members of the student committee of 68, and generations of young students who are making their way. The response and the generous participation of all of them, the effort and importance of gathering in a collection a hundred outstanding artists, and the historical, political, social and cultural value of this episode of national life leads us to consider this testimony as an exercise in the rescue and continuation of individual and collective memory, as an ethical exercise, aesthetic and intergenerational justice." (HKB Translation)--Page 13

The US presidential election in 2016 brought to a head myriad political activism around the world, around the rights of minorities, women, the LGBTQ community, and the environment. In the midst of this turmoil, nearly 300 designers from around the world answered the call to create this collection of 50 tear-out posters for people who want to make their voices heard in a time of unprecedented uncertainty and apprehension. A foreword by Avram Finkelstein, a designer for the AIDS art activist collective Gran Fury, looks at the crucial role of graphic activism in the current political climate.
(source: Nielsen Book Data)

• Introduction
• Propaganda and Persuasion
• 2 Persuading for the Great War
• 3 The Organization of the Persuasive Apparatus
• 4 Attracting Attention Children as decoy Beauty as decoy
• Repeating the Message
• The Power of Questions
• The Persuasion of the Source The authority of source The authority of quotations
• Unity is Strength Silencing the critics Origins unite The call of the banner Other patriotic symbols of unity
• Target
• 1: The Home Front Out of duty and solidarity To educate, inform Persuading to invest Children and the principle of familiarity Women as weapons of persuasion Reciprocity. I am fighting for you! 9.6.1 Reciprocity and the strategy of shame 9.6.2 The veterans 9.6.3 The intellectuals 9.6.4 The Afro-Americans 9.6.5 The immigrants
• Target
• 2: Men to Enlist Follow the example Follow the example of your ancestors Follow the example of your countrymen Follow the example of sportsmen Follow the example of your friends The propaganda of fear Denouncing the crimes of the enemy Demonizing the enemy The principle of scarcity. Illustrating threats Democracy Liberty Honour and justice ã 10.4 The Family Conclusion List of Images.
• (source: Nielsen Book Data)

How to persuade citizens to enlist? How to convince them to fight in a war which was, for many, distant in terms of kilometres as well as interest? Modern persuasion techniques, both political and commercial, were used to motivate enlistment and financial support to build a factory of consensus. The propagandists manipulated the public, guiding their thoughts and actions according to the wishes of those in power and were therefore the forerunners of spin doctors and marketing and advertising professionals. Their posters caught the attention of members of the public with images of children and beautiful women, involving them, nourishing their inner needs for well-being and social prestige, motivating them by showing them testimonials in amusing and adventurous situations, and inspiring their way of perceiving the enemy and the war itself, whose objective was to "make the world safe for democracy". In the discourse of this strategy we find storytelling, humour, satire and fear, but also the language of gestures, recognized as important for the completeness of messages. Were the propagandists hidden persuaders who knew the characteristics of the human mind? We do not know for certain. However, their posters have a personal and consistent motivation which this book intends to demonstrate.
(source: Nielsen Book Data)

• Une brève histoire de l'affiche contestataire avant 1968
• Des affiches pour changer le monde : 1968-1973
• Pouvoir populaire
• Liberté
• Egalité
• Travail
• Mortalité
• Engagement public
• Répression
• Autorité
• Nouveau féminisme
• Survivre.

"Protest ! explore l'univers graphique des affiches créées par les mouvements contestataires de 1968 a 1973. Six années d'une intense agitation politique et sociale, marque en France, par les mouvements étudiants et ouvriers de Mai 6S, aux États-Unis, Par la poursuite des luttes des minorités, les manifestations contre la guerre du Vietnam, la montée du féminisme et de l'écologie et, dans le monde entier, par une aspiration à plus de liberté, d'égalité, de dignité et de justice. "Sois jeune et tais-toi", "Power to the people", "Make love not war", "Black Power" sont quelques-uns des slogans provocateurs mis en image et diffusés par milliers, à la faveur d'une technique nouvelle et rapide, la sérigraphie. Étudiants et artistes inventent un langage visuel simple et concis, d'une force expressive inédite. Les 400 affiches rassemblées ici, replacées dans leur contexte historique, attestent ce bouillonnement créatif. Cinquante ans plus tard, elles n'ont rien perdu de leur puissance et trouvent un écho dans les combats de notre temps."--Page 4 of cover.

• Introduction: You're Either on the Bus or Off the Bus *
• 1. Haight-Ashbury to Altamont `66-'69 *
• 2. Counter Culture Takes Centre Stage `70-'77 *
• 3. Monsters of Rock `78-'88.
• (source: Nielsen Book Data)

As part of the '60s and '70s fashion movement, Peter Golding's famous ACE boutique in London's Chelsea brought him into regular contact with the biggest names in rock 'n' roll, and he went on to create one of the most comprehensive collections of rock 'n' roll graphics in existence. Showcasing the cream of this collection, Rock Graphic Originals is packed with vibrant poster art, logos, stage set designs and promotional ephemera created for artists such as the Grateful Dead, Jimi Hendrix, Bob Dylan, Pink Floyd, The Doors, Bruce Springsteen, Eric Clapton, Kiss, The Who and Alice Cooper. Organized chronologically into three sections, the book presents the evolution of highly wrought psychedelic poster art from its beginnings in the Beat era to its culmination in the vast stage sets of 1980s stadium rock. Original drawings, studies, paintings, finished artwork and separated plates are shown side by side, revealing the complete process involved in creating each printed poster and logo, and giving extraordinary insight into the creative minds of design giants such as Rick Griffin, Stanley Mouse and Alton Kelley. Barry Miles's concise introduction places the key protagonists and their work within their cultural and political context, while reflections from the artists themselves lend unique perspectives on their influences and methods.
(source: Nielsen Book Data)

This is the exhibition catalogue for the joint exhibition of the American Numismatic Society hosted by the Frances Lehman Loeb Art Center, featuring the medallic art and posters of the Great War.
(source: Nielsen Book Data)

Artist Tony Both worked in Liverpool during the early 1960s, just around the corner from The Cavern Club and close to the Beatles' manager Brian Epstein's office in Whitechapel. Tony's work caught Epstein's eye, and he would go on to produce posters, printed leaflets and a wide variety of publicity and display materials for Epstein's artists, most notably for a young four-piece beat combo called the Beatles. Alongside his work for Epstein, Tony produced hand-painted gig posters for many promoters, including Sam Leach, Allan Williams and The Cavern Club's DJ Bob Wooler, who also promoted many of the big events. Tony's original posters now fetch a considerable sum of money, and The Beatles in Posters features these as well as exact replicas of those that have been lost to time. This is the first book of its type and is a must-buy for all fans of the Fab Four and the Merseybeat scene.
(source: Nielsen Book Data)

During the Golden Age of Magic--the 1880s to the 1940s--magicians and prestidigitators fought a veritable advertising war. In the United States, Canada, and Europe, city walls were plastered with posters offering tantalizing previews of magician's most spectacular tricks. Poster designers and printers were inspired by all variety of phantasmagoric imagery: devils and demons, skeletons and skulls, cards and rabbits, alluring assistants and symbols of exoticism. Here, 250 breathtaking posters, mostly dating from the late 19th and early 20th centuries, retrace the social history of this still-active phenomenon. These magnificent, large-format chromolithographs immortalize the magicians and the acts that marked the world of modern magic. Seven authors recognized as experts in their respective fields introduce this fabulous array of color and imagery. Published to accompany an exhibition at the McCord Museum in Montreal, which was gifted in 2015 with one of the largest collections of magic posters and documents in the world, the Allan Slaight Collection, this book will delight graphic designers, illustrators, and magic enthusiasts alike.
(source: Nielsen Book Data)

• Dank
• Einleitung
• Diskursbegriff und Konzertprogramm : theoretische und methodische Aspekte
• Zum Forschungsstand
• Geschichte und Funktion des Konzertprogramms
• Musikhören im bürgerlichen Konzert
• Zum Begriff des Bürgertums
• Der aufmerksame Zuhörer : die Entstehung eines Ideals
• Konzert und musikalische Bildung
• Musikalischer Kanon
• Stand der musikwissenschaftlichen Kanonforschung
• Musikalisches Bildungswissen
• Musikalisches Werkkonzept
• Musikalischer Titelkomplex
• Stand der musikalischen Titelforschung
• Bestandteile und Funktionen des musikalischen Titelkomplexes
• Name des Komponisten
• Gattungstitel und Gattungsangaben
• Thematische Titel
• Beinamen
• Besetzungsangaben
• Tonarten
• Nummerierungen
• Opuszahlen und Werkverzeichnisnummern
• Formale Ersatztitel
• Zwischentitel und Satzbezeichnungen
• Musikalischer Titelkomplex und Ankündigungsformen im Konzertprogramm
• Ankündigungsformen im Konzertprogramm
• Die Abonnentenkonzerte des Leipziger Gewandhauses
• Musikdirektoren und Kapellmeister
• Konzertdirektion
• Publikum
• Repertoire und Programmgestaltung
• Die Programmzettel der Abonnentenkonzerte
• Analyse der Ankündigungsformen
• Die Anfänge : 1781-1806
• Der Titelkomplex beginnt zu wachsen : 1806-1819
• Die Sonderrolle Beethovens : 1819-1835
• Die Ära Mendelssohn : 1835-1847
• Allmähliche Angleichung : 1847-1870
• Konsolidierung : 1870-1900
• Ankündigungsformen im Kontext von Hören, Bildung und Kanon : damals und heute
• Literatur- und Quellenverzeichnis
• Abbildungsverzeichnis
• Anhang.

• Introducción
• Perón y Evita
• La nueva Argentina
• Las elebraciones
• Acción social
• Los artistas.