• 2014 (Mario Prata ; Affonso Romano de Sant'Anna)
• 2016 (Miguel Sanches Neto ; Silviano Santiago ; Mário Bortolotto)
• 2017 (Ruy Castro ; Paulo Venturelli ; Fabrício Carpinejar ; Marcelino Freire ; Ana Miranda ; José Luiz Passos ; Lira Neto ; Marina Colasanti ; Paulo Lins ; Daniel Galera)
• 2018 (Assis Brasil ; Beatriz Bracher ; Paulo Henriques Britto ; Laurentino Gomes ; Angélica Freitas ; Alice Ruiz ; Mel Duarte ; João Silvério Trevisan).

• Introduction
• Writers, film, and the visual landscape of Rio de Janeiro. Documenting new urban experiences: the cinematic work of the Crônica
• Comic visions of the new city: writers and film production during the Belle Époque
• Writers, film, and alternative visions of Rio de Janeiro. Envisioning a new political landscape: writers, anarchism, and film in Martins Fontes's Fantastic screenplay
• Rio, modernity, and film's visual pleasures: Benjamin Costallat's Mademoiselle cinema
• Conclusion. Reviving the lettered city: Brazilian modernism and the art of the movies.

Consuming Visions explores the relationship between cinema and writing in early twentieth-century Brazil, focusing on how the new and foreign medium of film was consumed by a literary society in the throes of modernisation. Maite Conde places this relationship in the specific context of turn-of-the-century Rio de Janeiro, which underwent a radical transformation to a modern global city, becoming a concrete symbol of the country's broader processes of change and modernisation. Analysing an array of literary texts, from journalistic essays and popular women's novels to anarchist treatises and vaudeville plays, the author shows how the writers' encounters with the cinema were consistent with the significant changes taking place in the city. The arrival and initial development of the cinema in Brazil were part of the new urban landscape in which early Brazilian movies not only articulated the processes of the city's modernisation but also enabled new urban spectators - women, immigrants, a new working class, and a recently liberated slave population - to see, believe in, and participate in its future. In the process, these early movies challenged the power of the written word and of Brazilian writers, threatening the hegemonic function of writing that had traditionally forged the contours of the nation's cultural life. An emerging market of consumers of the new cultural phenomena - popular theatre, the department store, the factory, illustrated magazines - reflected changes that not only modernised literary production but also altered the very life and everyday urban experiences of the population. Consuming Visions is an ambitious and engaging examination of the ways in which mass culture can become an agent of intellectual and aesthetic transformation.
(source: Nielsen Book Data)

• Preface Introduction Interview with Moacyr Scliar Marcos Iolovitch
• Excerpts from On a Clear April Morning Clarice Lispector
• Passage
• Me and Jimmy Elisa Lispector
• Excerpt from In Exile
• Out of Sheer Despair Jaco Guinsburg
• Miriam
• Figures in the Darkness Samuel Rawet
• Christmas without Christ
• Moira Rosa Palatnik
• Two Mothers Judith Grossmann
• Mrs. Buchern in Lebenswald Alberto Dines
• Excerpts from Death in Paradise: The Tragedy of Stefan Zweig Sonia Rosenblatt
• Excerpts from Clouded Memories Samuel Malamud
• Excerpt from Stops in Time Francisco Dzialovsky
• Excerpt from The Third Testament Eliezer Levin
• New York, New York
• A Schoolmaster's Requiem
• The Seed from Safed
• The Tenth Man
• Mr. Samuel Paulo Jacob
• Excerpts from A Patch of Moonlight Fell on the Jungle Amalia Zeitel
• Strawberries with Cream Esther Largman
• Excerpt from Polish Girls Bernardo Ajzenberg
• Excerpt from Goldstein & Camargo Roney Cytrynowicz
• The Secret Life of the Clocks
• Shed II Samuel Reibscheid
• My Name Is Job Moacyr Scliar
• In the Bosom of Abraham
• The Children of the Androgyne
• The Necrologists Jaime Lerner
• Legacy Cintia Moscovich
• Sheine Meidale Acknowledgments.
• (source: Nielsen Book Data)

Contemporary Jewish Writing in Brazil showcases a diverse range of modern Jewish writers from one of South America's most vibrant, multicultural communities. Brazil's population is largely Catholic; its Jewish population today numbers about 120,000 mostly upwardly mobile Jews living in Rio de Janeiro, Sao Paulo, and Porto Alegre. Brazilian Jewish writers often use the testimonial and fantastic modes of Latin American literature to expose anti-Semitism, explore the challenges and opportunities for the Jewish diaspora in South America, and reexamine historical and cultural connections to the Old World. This anthology features the work of such internationally recognized figures as Moacyr Scliar and Clarice Lispector, including two early stories by Lispector that have never before appeared in English translation. Of special note are Samuel Rawet, the father of modern Jewish writing in Brazil; Alberto Dines, a prominent public and literary figure in the 1970s and 1980s; and more recently acclaimed writers such as Cintia Moscovich.
(source: Nielsen Book Data)

• The building process : legitimation and self-legitimation
• Literary historiography and the canonization of modernism in Brazil
• Paulo Prado and the modernists
• Mario de Andrade and the quest for the pure national
• Atavistic modernity in Oswald de Andrade's Pau-Brasil.

The Triumph of Brazilian Modernism studies the first steps of the movement in Brazil and some of its texts. Its first part explains how modernists produced a meta-discourse that legitimized their own work, and how state cultural policies assured their canonization by disseminating overviews, anthologies, and histories of Brazilian Modernism throughout the educational system. From the 1950s onwards, Brazilian criticism and historiography incorporated many of these self-legitimizing arguments into a totalizing narrative of triumph and maturity of Brazilian literary expression. The second part looks at aspects of Brazilian Modernism that were overlooked by this totalizing narrative. Its three chapters examine the ambiguous relationship with modernity expressed in themes of Paulista identity and hegemony in the works of Paulo Prado, Mario de Andrade, and Oswald de Andrade.
(source: Nielsen Book Data)

• t. 1-7. A-Z
• t. 8-13 (1-6 do supplemento) A-Lourenço Maximiano Pecegueiro
• t. 14-15 (7-8 do supplemento) Luiz de Camoes
• t. 16-20. (9-12 do supplemento) Luiz de Campos-Zophimo Consiglieri Pedroso. Segundo supplemento. A-Antonio Maria Sande Vasconcellos
• t. 21 (14 do supplemento) Alexandre Herculano
• t. 22 (15 do supplemento) Abel Pereira do Vale-Autos.

• Discurso pronunciado por Luis Guimarães (filho) ao ser recebido na Academia Brazileira de Lettras, em sessão solemne, a 19 de julho de 1917
• Discurso pronunciado por João do Rio recebendo Luis Guimarães (filho) na Academia Brazileira de Lettras, em sessão solemne, a 19 de julho de 1917.

• Convivência literária
• Olhar de Narciso.