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Ausgehend von Berlin als Standort aktueller Strömungen in der Bildenden Kunst reflektiert die Publikation gesellschaftlich relevante Themen und Perspektiven der heutigen KünstlerInnengeneration. Anhand von 16 ausgewählten internationalen, in Berlin lebenden KünstlerInnen werden unterschiedliche Arbeitsmethoden und künstlerische Ausdrucksweisen im Umgang mit der eigenen Geschichte sowie der deutschen Geschichte aufgezeigt. Exhibition: Neuen Berliner Kunstverein, Berlin, Germany (28.02-26.04.2015).

• To the reader / Mahmoud Darwish
• 14: Iterability and otherness: learning and working in Athens / Adam Szymczyk
• Étant Donnés / Sylvère Lotringer
• Folio 1: "What color is hunger? What color paper?"
• Unpayable debt: reading scenes of value against the arrow of time / Denise Ferreira da Silva
• (Documents of empire/Documents of decoloniality): Code Noir
• My body doesn't exist / Paul B. Preciado
• Folio 2: "The body as body or body politic."
• (Documents of empire/Documents of decoloniality): Aboriginals Protection Act
• The inner-outer sound matrix / Pauline Oliveros
• Presentist democracy: reconceptualizing the present / Isabell Lorey
• (Documents of empire/Documents of decoloniality): Indian Act
• Folio 3: "If gold symbolizes the conflation of money and misery..."
• The gilded gaze: wealth and economies of the colonial frontier / Candice Hopkins
• The temptation of Saint Anthony / Gustave Flaubert
• Signs, sounds, metals, fires, or an economy of her reader / Quinn Latimer
• What is it to read? / Ross Birrell
• Folio 4: "Among the scattered shadows and traces of the revolution..."
• Exhibition, truth, power: reconsidering 'The exhibitionary complex' / Tony Bennett
• The exhibitionary complex
• (Documents of empire/Documents of decoloniality): General Act of the Berlin Conference
• Exile / Souleymane Bachir Diagne
• Three poems about the road / Hiva Panahi
• From the subject of the crisis to the subject in crisis: middle voice on Greek walls / Maria Boletsi
• Folio 5: "When, and where, do German-Greek relations begin?"
• Some debts can never be repaid: the archaeo-politics of the crisis / Yannis Hamilakis
• (Documents of empire/Documents of decoloniality) : Marshall Plan
• Exercises of freedom / Antonio Negri
• The negro and the Warsaw ghetto / W.E.B. Du Bois
• (Documents of empire/Documents of decoloniality) : McKee Treaty
• The new art of making books / Ulises Carrión
• (Documents of empire/Documents of decoloniality): Sámi Act
• Environmental dialogue / Pauline Oliveros
• Folio 6: "The time of the ritual is not linear but cyclical."
• In struggle to change the world: women, reproduction, and resistance in Latin America / Silvia Federici
• (Documents of empire/Documents of decoloniality): Zapatista (EZLN) Women's Revolutionary Law
• In human: parasites, posthumanism, and Paptūānuku / Emilie Rākete
• (Documents of empire/Documents of decoloniality): Treaty of Waitangi
• Folio 7: "Technology suggests the hand..."
• Of hospitality / Jacques Derrida and Anne Dufourmantelle
• Pauline's solo / Pauline Oliveros.

First conceived in 1955 by Arnold Bode, the inaugural documenta exhibition endeavored to bring Germany back into artistic dialogue with the rest of the post-war world. More than sixty years later, documenta 14 returns to its initial motivation by extending its base in the city of Kassel, Germany to Athens, Greece. Accompanying documenta 14, this book functions as a "reader, " evoking the various meanings associated with that term. Emphasizing the importance of literature, storytelling, performance, and pedagogy, it features illustrations and critical writings that address and expand upon the exhibition's theme of economic and cultural realities in a new world. As the current social and political trends in Europe and the world have divided people geographically and economically, this documenta returns to its roots-bringing to light another significant moment in world history.
(source: Nielsen Book Data)

This is not a book of good intentions. It attempts to introduce a chorus of voices that speak from different positions on 'aneducation', the education program for Learning from Athens, documenta 14 in Athens and Kassel. Instead of objectives and overviews, target groups and outcomes, successes or failures, the program was determined by process and experience. In thinking through the body it was possible to examine how we come together and recognize knowledge not as a one-way transmission but as a form of exchange that can be circulated. Further, the aim was to listen and learn as an institution, be receptive, and acknowledge the complexities of hearing, from eavesdropping to listening to one's inner voice. The mode of 'being with' guided our program and publication, both of which seek to lay bare the opaque relationships between education, exhibition making, and their publics. Forty-eight entries are organized alphabetically as a lexicon, each written by various members of the 'aneducation' team and documenta 14 Chorus, as well as curators, artists, and educators who contributed to the program. The publication's many points of departure present just as many desires for other sites of learning. Cross references among the entries show the deep relationships that existed, and continue to deepen, between the methods, programs, and locations of 'aneducation'.

Die Region Frankfurt/RheinMain prägt seit jeher eine ständige Zu- und Abwanderung von Menschen. Auch viele Künstler kamen und gingen, verbrachten hier eine zeitlich begrenzte Lebens- und Schaffensphase. Künstlerische, wirtschaftliche, politische und zwischenmenschliche Beweggründe spielten eine ausschlaggebende Rolle, sich in der Region niederzulassen beziehungsweise wieder aufzubrechen. An ausgewählten Künstlerpersönlichkeiten, beispielsweise Gustave Courbet und Bernhard Hoetger, August Babberger und Max Beckmann, Karl Otto Goetz und Per Kirkeby, thematisiert die Ausstellung die Wechselbeziehungen der Künstler mit ihrer temporären Wahlheimat: Mit welchen Erwartungen kamen sie? Was brachten sie an künstlerischem Potential mit? Wie engagierten sie sich in der Kunstszene und weshalb zogen sie wieder fort? Spuren hinterließen sie alle und bereicherten die Geschichte der Kunst in der Kulturregion Frankfurt/RheinMain. Exhibition: Museum Giersch, Goethe-Universität Frankfurt am Main, Germany (25.09.2016 - 22.01.2017).

Nach 1918 etablierte sich in der Malerei mit der Neuen Sachlichkeit und in der Fotografie mit dem Neuen Sehen eine moderne Stilrichtung, die eine realistischveristische Wiedergabe anstrebte. Anhand zentraler Genres wie Porträt, Stadtansicht und Stillleben treten die Wechselbeziehungen zwischen den beiden Medien zutage. Dabei spannt sich der Bogen bis zur Architektur und Bedeutung des Neuen Bauens. Künstlerische Darstellungen von Industrie und Technik sowie die politische Fotomontage veranschaulichen gesellschaftliche Entwicklungen. In hochkarätigen Bildern und Texten ausgewiesener Experten ersteht eine turbulente Epoche wieder, in der sich die Spannungen verdichteten

Wild New Territories showcases new visual art, media, and performance works that explore the interplay between the urban and the wild. The book features work by a broad cross-section of award-winning contemporary artists exploring the relationship between the urban and the wild, and challenging the rural/ urban binary. Bringing diverse perspectives to the multifaceted and unresolved relationship between urban growth and the environment with all its ecological and social implications, the book brings new insight into an evolving urban and 'wild' relationship.Featured artists include Julie Henry/Debbie Bragg, Gordon Cheung, Dana Claxton, Ron den Daas, Jamie Griffiths, Edgar Heap of Birds, Foreign Investment, Mars Kaliszewski, Kathy Kenny, Max Kimber, Michael Landy, Glenn Lewis, Michael Morris, Bo Myers, Diego Samper, Rob Scharein, Vincent Trasov, Gillian Wearing, Alma Tischler Wood and Cornelia Wyngaarden.
(source: Nielsen Book Data)

Das Ausstellungsprojekt DEKALOG zeigt zehn assoziative Denkräume, bei denen die zehn Gebote in ein oszillierendes Verhältnis von Geschichte und Gegenwart gestellt werden. Das ungewöhnliche Projekt von Eugen Blume, Matthias Flügge, Frizzi Krella und Mark Lammert geht dabei ganz besondere Wege, indem es weder kunsthistorisch noch theologische zu fassende Denk- und Assoziationsräume eröffnet. In einer Art medialem Kaleidoskop verdeutlichen dabei Bilder, Artefakte, Dokumente, Literatur und Filmsequenzen das gemeinsame Prinzip dieses Assoziationsexperimentes, das in der begleitenden Publikation dokumentiert wird. Exhibition: Guardini Galerie, Berlin, Germany (2013-2017)