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• v. 1. A to Lys
• v. 2. M to Z.

• Encyclopedia Preface Preface to Australia, New Zealand, and the Pacific Islands
• PART 1: Overview of Dress and Fashion in Australia, New Zealand, and the Pacific Islands Geographical and Geopolitical Introduction, Margaret Maynard Economies and Cultures of Dress, Margaret Maynard
• PART 2: First Nation Peoples of Australia Aboriginal Dress in Australia: Evidence and Resources, Philip Jones Aboriginal Dress in Southeast Australia, Sylvia Kleinert SNAPSHOT: Aboriginal Skin Cloaks, Fabri Blacklock Dressing the Body in the Western Desert, Australia, Diana Young Aboriginal Dress in Arnhem Land, Louise Hamby Aboriginal Dress in North Queensland, Australia, Kate Khan Aboriginal Dress in the Kimberley, Western Australia, Kim Akerman Torres Strait Islander Dress, Australia, Anna Edmundson
• PART 3: European Dress in Australia Images as a Resource for the Study of Australian Dress, Margot Riley Resources: Collections of Colonial Dress and Fashion in Australia, Catherine Reade Settler Dress in Australia, Damayanthie Eluwawalage Retailing, Clothing, and Textiles Production in Australia, Sally Weller Jews in the Melbourne Garment Trade, Anna Epstein The Wool Industry in Australia, Prudence Black and Anne Farren Rural Dress in Australia, Jennifer Craik Swimwear, Surfwear, and the Bronzed Body in Australia, Jennifer Craik
• PART 4: Fashion in Australia Urban Fashion Culture in Australia, Juliette Peers Making and Retailing Exclusive Dress in Australia-1940s to 1960s, Roger Leong The Melbourne Cup and Racewear in Australia, Juliette Peers Cosmetics and Beauty Culture in Australia, Jennifer Craik The Australiana Phenomenon in Australia, Sally Gray Urban Menswear in Australia, Vicki Karaminas Fashion Photography in Australia, Daniel Palmer and Kate Rhodes Independent Australian Fashion, Danielle Whitfield Global Positioning of Australian Fashion, Robyn Healy
• PART 5: Types of Dress in Australia Footwear in Australia, Lindie Ward Ceremonial and Religious Dress in Australia, Lynne Hume Military and Civil Uniforms in Australia, Craig Wilcox Sportswear in Australia, Andrea Mitchell, Christine Schmidt, and Jinna Tay
• PART 6: People and Dress in Australia Convict Dress in Australia, Julia Clark, Linda Clark, Kim Simpson, Ian Terry, and Elspeth Wishart Subcultural and Alternative Dress in Australia, Glynis Jones Queer Dress in Australia, Peter McNeil Popular Music and Dress in Australia, Sue Ryan SNAPSHOT: Kylie Minogue Children's Wear in Australia, Michelle Bakar and Vicki Karaminas
• PART 7: First Nation People (Maori) of New Zealand Introduction to Maori Dress, Patricia Te Arapo Wallace Maori and European Dress: Cultural Exchanges in New Zealand, Jennifer Qu r e Moko Maori: Skin Modifi cation, Ngahuia Te Awekotuku, Linda Waimarie Nikora, and Mohi Robert Rua The Maori Pari (Bodice), Jo Diamond SNAPSHOT: The Pari as Personal Cultural Property
• PART 8: European (Pakeha) Dress and Fashion in New Zealand Resources for the Study of European Dress and Fashion in New Zealand, Laura Jocic Dress and Fashion in New Zealand, Angela Lassig SNAPSHOT: Paua Shell Costume Jewelry in New Zealand, Petronella J. M. van de Wijdeven New Zealand Textiles and Apparel Sectors, Raechel M. Laing and Cheryl A. Wilson Black and New Zealand Dress, Bronwyn Labrum Designer Fashion in New Zealand, Alison Goodrum SNAPSHOT: A Maori Fashion Designer, Bronwyn Labrum
• PART 9: People and Dress in New Zealand Liturgical Robes in New Zealand, Sandra Heffernan Antarctic Explorer Wear, Natalie Cadenhead The Social Signifi cance of Institutional Dress in New Zealand, Bronwyn Labrum SNAPSHOT: The Swanndri in New Zealand, Bronwyn Labrum School Uniforms in New Zealand, Elaine Webster Wearable Art in New Zealand, Natalie Smith Pacific Sisters: Urban Pacific Art, Fashion, and Performance, Feeonaa Wall Pacific Street Styles in Auckland, Giles Peterson and Billie Lythberg
• PART 10: Peoples of the Pacific: Overview Introduction to the Dress of the Pacific Islands, Adrienne L. Kaeppler Photographic Representations of Pacific Peoples, Max Quanchi The Social World of Cloth in the Pacific Islands, Susanne K chler and Graeme Were
• PART 11: Polynesia Hawaiian Dress Prior to 1898, Linda Boynton Arthur Niue: Dress, Hats, and Woven Accessories, Hilke Thode-Arora Missionary Dress in Samoa, Prue Ahrens Dressing the Body in Samoa, Sean Mallon SNAPSHOT: Ta'ovala and Kiekie of Tonga, Fanny Wonu Veys Barkcloth Body Wrapping in Tonga, Fanny Wonu Veys Dance Costumes in French Polynesia, Jane Freeman Moulin Tahitian Tattoos, Makiko Kuwahara Dress and Appearance in Tahiti, Karen Stevenson Fijian Dress and Body Modifi cations, Roderick Ewins Dress of the Cook Islands, Kalissa Alexeyeff SNAPSHOT: The Mu'umu'u
• PART 12: Melanesia Bilas: Dressing the Body in Papua New Guinea, Michael Mel Textiles and Dress of the Motu Koita People, Jacquelyn A. Lewis-Harris Dressing the Body in Bariai, Naomi M. McPherson Asmat Dress, Pauline van der Zee Dress of Vanuatu, Lissant Bolton and Jean Tarisesei Dress in New Caledonia, Fr d ric Angleviel (Translated by Marissa Dooris and Vikram Iyer) Body Ornaments of Solomon Islands, Ben Burt
• PART 13: Micronesia Dress in Kiribati, Petra M. Autio SNAPSHOT: Te Be and Te Tibuta Lavalava (Cloth) of the Rei Metau, Carmen C. H. Petrosian-Husa Dress of the Chamorro, Judith S. Flores Dress in the Marshall Islands SNAPSHOT: The Bikini, Nancy J. Pollock Index

Collectively, the Pacific Islands, Australia and New Zealand represent a varied and culturally complex region. It is home to peoples leading time-honored ways of life, those gradually accepting cultural changes and those inhabiting industrialized society and engaging with all the trappings of the modern world. The influence of colonialism, trade, Aboriginal and Pacific Islander heritage, and the significance of the environment on bodily adornment are some of topics thoroughly addressed in this volume, which provides general overviews of the dress practices of the region's various peoples. Snapshots focus on specialist topics relating to traditional dress as well as recent phenomena, such as the performance fashions of pop star and style icon Kylie Minogue. Throughout, articles are supported by a significant number of previously unpublished photographs. Australia, New Zealand and the Pacific Islands will be of enduring value to anyone curious to learn more about dress in this fascinating region.

This book is unique in its comprehensiveness and its recognition of cultural diversity and community. In Dr Whiteoak's words: "Instead of taking a 'Who's Who' approach it will emphasise the what, when and how of music and dance in Australia as a more effective way of revealing the breadth, complexity and rich variegation of these related performance cultures. In creating a contents list that expresses this breadth and diversity, we considered the fact that all forms of music and dance activity in Australia have cultural significance or commonly appreciated meanings for one group or another." The book not only covers the history of concert music, opera and ballet in Australia; of music teaching, composition, instruments, venues, union activity; of Aboriginal music and dance and its appropriation, and all forms of popular and folk music and dance, but embraces the wide variety of immigrant influences from Europe, America and particularly the Pacific; sound art, computer music and electroacoustics; belly dance, debutante balls, subcultures, music videos -- and much more. Over 200 researchers contribute to each volume -- academics, practitioners and private researchers from all parts of Australia and beyond. The general editors are respected Melbourne musicologists. Dr Whiteoak's field is the history of popular music-making; and Dr Scott-Maxwell's doctoral thesis was in Asian and Pacific musical influences.
(source: Nielsen Book Data)

Behind the iconic images of Australian homesteads, beach houses and the billowing sails of the Sydney Opera House lies a rich and enthralling history of how Australians have responded to natural and urban environments, and in turn shaped Australian culture and society. The Encyclopedia of Australian Architecture is the first major work of reference to be published on Australian architecture. This magnificent book documents and analyses Australian architecture and architects from indigenous beginnings to colonial, modern and contemporary eras. With over 1000 entries from 200 contributors, and 500 photographs and drawings, The Encyclopedia of Australian Architecture provides an unparalleled compendium of architectural knowledge. It is essential reading for all who care about the built environment.
(source: Nielsen Book Data)

• Part I. Introduction
• Part II. Indigenous Religions
• Part III. Anglicans
• Part IV. Buddhists
• Part V. Catholics
• Part VI. Islam
• Part VII. Jews
• Part VIII. Lutheranism
• Part IX. Orthodox
• Part X. Pentecostals
• Part XI. Presbyterians (see also Uniting Church)
• Part XII. Uniting Church (see also Congregationals, Methodist).
• (source: Nielsen Book Data)

Australia is a country rich in religious diversity. While constitutionally-speaking Australia is a secular society, waves of immigration over its short history have had a large impact on its religious and cultural make-up. The Encyclopedia of Religion in Australia is the first major work of reference to describe the beliefs, practices and organisation of religion in Australia. It examines religion in several different ways: historical development, belief systems and controversies, as well as the social role each faith plays in modern Australian society. This comprehensive volume includes entries on indigenous spirituality, Scientology, hillsong, and atheism, and features all of the major religions. Richly illustrated, it includes a section dedicated to current debates and issues in modern-day Australia, such as the place of religion in politics, fundamentalism, religious education and social cohesion.
(source: Nielsen Book Data)

• Ch. 1. Navigating the atlas
• Section I: The Socio-Cultural Space. Ch. 2. Representations of space and place. Ch. 3. Environment, ecology and country. Ch. 4. Migration and deep history. Ch. 5. Technology and material culture. Ch. 6. Population and patterns of residence. Ch. 7. Languages past and present. Ch. 8. Social and cultural life. Ch. 9. The southern night sky. Ch. 10. The visual arts. Ch. 11. Performing arts, sport and games
• Section II: The Socio-Economic Space. Ch. 12. Land and water ownership and use. Ch. 13. Health and wellbeing. Ch. 14. Housing and infrastructure. Ch. 15. Economic life. Ch. 16. Education and training
• Section III: The Socio-Political Space. Ch. 17. The colonial encounter. 18. Governance and political participation. Ch. 19. Social justice. Ch. 20. Placenames of indigenous origin. Ch. 21. Evolving patterns of research

The Macquarie Atlas of Indigenous Australia is a unique tool for exploring and understanding the lives and cultures of Australia's First Peoples. An atlas can represent - in graphic form - a pattern of human activities in space and time. This second edition of the award-winning Macquarie Atlas of Indigenous Australia opens a window onto the landscape of Australian Aboriginal and Torres Strait Islander lives, from over 60 000 years ago to the present time. Each chapter has been extensively revised and updated by one or more experts in the field, under the general editorship of Bill Arthur and Frances Morphy of the Centre for Aboriginal Economic Policy Research at the Australian National University. The maps, which form the core of the book, are supplemented by explanatory text and numerous diagrams, photographs and illustrations, including Indigenous artworks. This book is a collaborative publication between the Australian National University (ANU), the Australian Bureau of Statistics (ABS) and Macquarie Dictionary

This unique publication will provide a wide-ranging and intellectually challenging reference to indigenous Australian art, covering documented archaeologically traditions, art styles of the early contact period and the nineteenth century, and the development of the remarkably diverse contemporary Aboriginal and Torres Strait Islander art practices that have attracted so much attention in recent years. The Companion will draw upon much original research on art and culture in remote Aboriginal communities, and on the emergence of Aboriginal art in urban institutions, markets, and exhibitions. Academics, graduates, and general readers will find concise and authoritative analysis on specific topics and regional traditions, unavailable even in specialist databases. Distinguished indigenous and non-indigenous scholars have been commissioned to write on individuals, artistic traditions, and historical shifts. The Companion will address more fully than any previous book important regional variations and historical developments in relation to colonial occupation and white Australian society over time. The Companion's primary emphasis is upon visual art, though survey entries on indigenous literature, theatre, and music among other areas provide a wider context. Essays, 'boxes' and 'voices' will be commissioned from well-established and emerging indigenous and non-indigenous writers. The presence of key historical figures such as Oodgeroo Noonucal and Kevin Gilbert will be heard through excerpts from previously published material or the use of archival sources made available for the first time. The visual component in the Companion is not viewed as simply an adjunct to or illustration of the written text, but is seen to be vitally important to its rationale. Visuality has contributed to the growing critical acclaim and widespread popularity of Aboriginal and Torres Strait Islander art nationally and internationally. Therefore extensive illustrations in colour and in black and white will be included to not only offer a critical understanding of objects and events but to acknowledge the key role visuality plays in Aboriginal and Torres Strait Islander culture. The 400 illustrations will be extensively captioned and some of the entries will be read as visual storyboards, equally as important as the essays. Complementing this focus on visuality, there will be additional reference material: maps, diagrams, chronologies providing a comprehensive listing of the major exhibitions of Aboriginal and Torres Strait Islander art, locally and oveseas and guides to further reading.
(source: Nielsen Book Data)