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• Le Sacco = der Sessel Sacco / un film de Hélène Guétary
• Le téléviseur Algol = Der Algor Fernseher / un film de Danielle Schirman
• Le fauteuil Paimio = Der Sessel Paimio / un film de Sébastien Jaudeau
• Le Walkman = Der Walkman / un film de Anna-Celia Kendall
• La Valentine = Der Schreibmaschine "Valentine" / un film de Danielle Schirman
• Jaguar E-type / un film de Heinz Peter Schwerfel.

Short films on six iconic products which are masterpieces of design.

• [disc 1]. Bac ou crève
• [disc 2]. Master chômage et mastre classe
• La vie ca̧ commence quand?

A survey of 18-34 year olds in France, discussing their ideals, society, hopes for the future, etc.

"Between her date of birth, on the 2nd of July 1901, and her deportation to Auschwitz, on the 18th of July 1943, in a wagon train leaving from Drancy, Odette Bernstein's life left few traces, except those found in the administrative archives. This young and independent woman, from a well-off family of Neuilly-sur-Seine, was the filmmaker's great aunt. Before World War II, she created her own hatmaking business, and changed name at the same time, becoming Fanny Berger. She set up rue Balzac, near the Champs Elysées. German occupation didn't stop immediately her booming business, but anti-Jewish laws from Vichy government would quickly get hold of it. The noose tightened around her: contacts with her clients were forbidden as well as the opening of a bank account, obligation to get her name registered and to hold the yellow star... until Fanny Berger tried to escape to reach the free zone, got caught and was interned in Drancy camp. In the meantime, French administration managed to make 'Aryan' most Jewish firms, and Fanny Berger's hatmaking business was sold, supervised by a temporary administrator. In 1942, Fanny Berger found herself with no home, no business and no rights"--Dissidenz International.

• Besançon. A bientôt, j'espère (1967-1968) ; La charnière (1968) ; Classe de lutte (1968) ; Rhodia 4/8 (1969) ; Nouvelle société
• 5. "Kelton" (1969) ; Nouvelle société
• 6. "Biscuiterie Buhler" (1969) ; Nouvelle société
• 7. "Augé découpage" (1970) ; Lettre à mon ami Pol Cèbe (1971) ; Le traîneau-échelle (1971)
• Sochaux. Sochaux, 11 juin 1968 (1970) ; Les trois-quarts de la vie (1971) ; Week-end à Sochaux (1971-1972) ; Avec le sang des autres (1974) ; Septembre chilien (1973).

Presents films created between 1967 and 1973 by groups of workmen-turned-cinematographers. Inspired by the techniques of the Russian director Alexander Medvedkin, the workers teamed up with French filmmakers to make films which described and denounced their working conditions.

• [pt. 1]
• v. 1. Pacification (52 min.) ;
• v. 2. Engrenages (52 min.) --[pt. 2]
• v. 3. Etats d'Ames (100 min.).

From 1954 to 1962, without acknowledging it, France made war on Algeria, although since Algeria was French, France could not officially be at war with itself. The enemy was within and intimate. Besides general theories and global hypotheses, this film strives to understand what happened through 22 interviews, accounts of events, and historical film footage.

• Why I'm a feminist (1975, 50 min.)
• "Premier plan" program (1959, 40 min.).

"Two interviews, recorded 16 years apart, illuminating the historic role, personality and thoughts of the novelist, philosopher and political activist who paved the way for Second-Wave Feminism"--Container.

• Part 1: Le départ
• Part 2: Le retour.

"Khalil, réfugié dans le camp de Chatila, au Liban, tente de tirer du coma Younès, vieux combattant de la cause palestinienne, en lui racontant les épisodes marquants de sa propre histoire"--Container.

In 1939 French citizens enjoyed a peaceful life. In mere months they would be at war and within a year conquered by Germany. From the tranquil times before the war, through the German occupation and liberation of Europe, experience scenes of civilian daily life; footage of Hitler recorded by Eva Braun; military maneuvers documented by Hollywood directors Darryl Zanuck and George Stevens; and celebrity visits by Ernest Hemingway, Edward G. Robinson and Clark Gable.

On December 7, 1941, Japan launched its attack on Pearl Harbor. The result was that the United States was thrust full force into World War II - turning it into a truly global conflict. American Marines and many of the great filmmakers of the day captured footage of the events as they unfolded - in color. Battles such as the Coral Sea in flames; Guadalcanal littered with corpses; rarely seen images of the deportation of U.S. citizens of Japanese descent and much more.

"This program is not a typical travelogue, highlighting must-see tourist spots. Instead it captures the feeling of the city and the life for Madrileños"--Bibliographic record for English version.

"Through the lives of Bouba, the video club operator, and Jules Cesar, the djembe maker and player who sees the djembe, a skin-covered hand drum, as the big brother of cinema, Jean-Marie Teno turns the portrait of the Ouagadougou neighborhood of St. Leon into an introspection on his craft as a filmmaker, as well as a personal reflection on art, popular culture, and business in Africa today.."--website

André Lefèvre talks about the architecture that he and his partner Jean Aubert created in their careers in the south of France, and their sensitivity to the quality of the natural areas.

First feature film of director Matteo Garrone is a triptych of shorts about marginalized foreigners in Rome.

Documenary film on the Festival d'Avignon.

A young woman is told her mother went to work in Paris and never returned. Twenty-five years later her father confesses that her mother actually died during a back-alley abortion.

Alex's wedding (46 min.): From the preparations to the minister's blessing, the wedding party to the awkward end of the festivities, Teno films a polygamous marriage ceremony.
Head in the clouds (34 min.): Teno looks at the informal sector of the Cameroon economy, in which people try to survive in spite of the economic bureaucracy inherited from colonialism.