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Music recording
1 audio disc (76:37) : digital, CD audio, stereo ; 4 3/4 in. Sound: digital; optical; stereo. Digital: audio file. CD audio.
  • Anglia tibi turbidas / anon. (5:44)
  • Sub artoro plebs ; Fons citharizancium ; In omnem terram / Johannes Adanus (4:03)
  • Ascendit Christus super celos ; Alma Redemptoris Mater / Forest (5:00)
  • Preco preheminecie ; Precursor premittitur ; Inter natos mulierum / John Dunstaple (5:45)
  • Lanuam quam clauserat ; Iacintus in saltibus ; [Iacet granum] / anon. (1:43)
  • Gloria 'ad thome memoriam / Leonel Power (3:49)
  • Pastor cesus in gregis medio : chant (1:08)
  • Open nobis O Thoma ; Salve, Thoma ; [Pastor cesus] / anon. (:40)
  • Credo 'Opem nobis, O Thoma' / Leonel Power (4:33)
  • De flore martyrum ; Deus tuorum militum ; [Ave Rex gentis anglorum] / anon. (1:45)
  • Ave miles ; Ave rex, Patrone ; Ave Rex gentis anglorum / anon. (1:47)
  • Gaude martyr ; Collaudemus venerantes ; [Celestium contemplator] / Forest (4:11)
  • Ecce mitto angelum : chant (3:04)
  • Missa da gaudiorum premia (18:41) ; Veni sancte spiritus ; Veni creator spiritus (5:16) / John Dunstaple
  • The Agincourt carol (3:42) ; Kyrie...Domine miserere-Ab inimicis nostris (5:35) / anon.
Music Library
Music recording
1 online resource (1 sound file) Sound: digital. Digital: audio file.
  • Violin concerto no. 2 in G minor, op. 63 / Sergei Prokofiev (26:07)
  • Violin concerto no. 2, BB117 / Béla Bartók (36:34).
Music recording
1 online resource (1 sound file) Sound: digital. Digital: audio file.
  • Aria della Battaglia a 8 / Annibale Padovano (5:54)
  • La Battaglia per cantar e sonar a 8 / Francesco Usper (4:18)
  • Canzon in echo a 8 / bastian Chilese (4:36)
  • Canzon a 12 in echo / Giovanni Gabrieli (3:29)
  • Pianto d'Erinna / Nicolo Fontei (7:54)
  • Il lamento: "Su'l Rodano severo" / Barbara Strozzi (15:08)
  • Pavana: El Bisson a 4 / anonymous (3:16)
  • Lamento di Iole / Jacopo Peri (10:05).
Jordi Savall is hugely respected both as an instrumentalist and as a music director across early music. Throughout his career he has made outstanding period instrument recordings, exploring the roots of European Musical tradition, and his masterly playing of the viola da gamba gave immense depth to the success of the film 'Tous les matins du monde'. In the 17th Century, battles were celebrated with musical compositions which inspired soldiers with the glory of the past. But battles breed as much grief as grandeur. "Bataglie e Lamenti" is a musical journey which takes listeners through exhilarating and sombre landscapes, masterfully depicted by Savall, Figueras and Hesperion XX. Recorded in 1982, this is Savall's only recording for the Archiv Label.
Music recording
1 online resource (1 sound file) Sound: digital. Digital: audio file.
  • Sonata in E flat major, H 39 (1904) / Frank Bridge (15:28)
  • Sonata no. 1 in D minor (1908-09, revised 1917, 1944) / John Ireland (27:37)
  • Sonata, F 192 (approximately 1914-16) / Sir Arthur Bliss (11:31)
  • Two pieces for violin and piano (?1912-14) / Ralph Vaughan Williams (8:34)
  • The gardens at Eastwell : a late summer impression : (approximately 1980) / William Lloyd Webber (2:50).
Music recording
1 online resource (1 sound file) Sound: digital. Digital: audio file.
  • The butterfly lovers piano concerto
  • Rose, Rose, I love you
  • First love
  • Please don't leave
  • Remembrance in Autumn
  • Lovely morning
  • The fisherman's daughter
  • Congratulations
  • Eternal smile
  • Live through the cold winter.
Music recording
1 online resource (1 sound file) Sound: digital. Digital: audio file.
  • Domenico Galli (1649-97)
  • Sonata III for cello solo
  • Giovanni Battista degli Antonii (?1636-96)
  • Ricercata Decima for cello solo
  • Domenico Gabrielli (1659-90)
  • Sonata in G major for cello and b.c.
  • Georg Philipp Telemann (1681-1767)
  • Sonata in D major for cello and b.c.
  • Joseph Bodin de Boismortier (1689-1755)
  • Sonata II in G major for cello and b.c.
  • Luigi Boccherini (1743-1805)
  • Sonata in B flat major for cello and b.c. ; Sonata in A major for cello and b.c.
Music recording
1 online resource (1 sound file) Sound: digital. Digital: audio file.
  • Spirituals for orchestra / Gould (18:40)
  • Dance symphony / Copland (19:03)
  • Variations on "America" (6:30) ; Symphony no. 1 (34:18) ; The unanswered question (6:57) / Ives
  • The sleeping beauty suite, op. 66a. Waltz (4:27) ; Serenade in C major, op. 48. Walzer (4:05) ; The nutcracker suite, op. 71a (excerpts) (11:36) ; Swan Lake suite, op. 20a. Waltz (7:09) ; Valse-bluette (3:07) ; Swan Lake suite, op. 20a. Dance of the swans (2:25) ; Symphony no. 5 in E minor, op. 64. Valse (5:39) ; Eugene Onegin. Act II. Waltz (6:03)
  • Clarinet concerto (31:30) ; Symphony no. 2 : "The four temperaments" (33:07) / Nielsen
  • Chicago (that toddlin' town) / Fisher (2:33)
  • Orchestral set no. 2 (15:39) ; Putnam's camp (5:48) ; Robert Browning overture (20:17) / Ives
  • Symphony no. 2 : "Antar" / Rimsky-Korsakoff (29:57) ; Symphony no. 21 / Miaskovsky (14:22).
Music recording
1 online resource (1 sound file) Sound: digital. Digital: audio file.
  • Doshas. Pitta ; Khapa ; Vatta (1988) / Andrea Chamizo Alberro (10:00)
  • Dogma (1989) / Pablo Mariña (6:30)
  • Annabel (1990) / Oswaldo Torres (9:00)
  • Navío al Garete (1992) / Luis Fernando Amaya (8:00)
  • Aurora en deterioro (1989) / Rodolfo Téllez Girón Vidal (8:30)
  • Gritos y Plegarias (1985) / Juanra Urrusti (9:30).
Music recording
1 online resource (1 sound file) Sound: digital. Digital: audio file.
  • Pavana del povero soldato / Moritz von Hessen-Kassel
  • Pavane de la guerre ; Gaillarde de la guerre / Pierre Phalèse
  • Adieu mes amours / Josquin Desprez
  • Vecchie letrose / Adrian Willaert
  • Basse dance 1 / Anonymous (16th century)
  • Entrée du fol / Tielman Susato
  • Im Maien hört man die Hanen kreen / Ludwig Senfl
  • La Morra / Heinrich Isaac
  • Les Bouffons / Jean d'Estrées
  • Pavana Ferrareze ; Gaillarda Ferrareze / Pierre Phalèse
  • Patientia, muss ich han, wohl kann / Ludwig Senfl
  • Die vollem Brüedern / Anonymous (16th century)
  • Symphonia nobili sirene organa ; In laudem summi Regis / Anonymous (16th century)
  • Belle qui tiens ma vie / Jehan Tabourot
  • Pastorella / Moritz von Hessen-Kassel
  • Amoroso / Giovanni Ambrosio
  • Mille regretz / Josquin Desprez
  • Pavane mille regretz / Tielman Susato
  • Pastorella / Moritz von Hessen-Kassel
  • Nichts werders ist / Paul Kugelmann
  • O partita crudele / Anonymous (15th century)
  • Scaramella / Josquin Desprez
  • Allemande / Anonymous (16th century).

10. Herzens-lieder [2015]

Music recording
1 online resource (1 sound file) Sound: digital. Digital: audio file.
  • Kantate "Mein Herz schwimmt in Blut", GWV 1152/12b / Christoph Graupner (13:43)
  • Kantate "Weicht, ihr Sorgen, aus dem Hertzen" / Johann Kuhnau (15:47)
  • Quartett in G-Dur / Georg Philipp Telemann (9:32)
  • Kantate "Mein Herze schwimmt im Blut", BWV 199 / Johannes Sebastian Bach (25:04).
Music recording
1 online resource (1 sound file) Sound: digital. Digital: audio file.
  • Óró mhór a mhóirin ; The gorum
  • Sir Uillioc de búrca
  • An drumadóir
  • Cuckold come out the amery
  • Edward Corcoran
  • Síle bheag ní chonnalláin
  • Sir Arthur Shaen ; Colonel Irwin ; Clonmell lassies
  • Tiarna mhaigh eo
  • Soggarth Shamus O'Finn
  • When she cam ben, she bobbit ; Kitty's wishes
  • Do chuirfinnse féin mo leanbh a chodladh
  • The banks of Barrow
  • James Betagh ; Lady Wrixon
  • O'Neill's riding Barrack Hill ; Petrie no. 94 ; Irish air
  • King of the blind
  • Molly nic ailpín
  • The cunning young man
  • The high road to Kilkenny ; Toss the feathers ; The mill stream ; Money musk.

12. Italian arias [2015]

Music recording
1 online resource (1 CD) Sound: digital. Digital: audio file.
  • No. 1. Se pensi cangiar quel core (8:51)
  • No. 2. Povera fede sei pur mal spesa (9:35)
  • No. 3. E voi siete d'altri (10:06)
  • No. 4. Non si trova, ne si da (6:38)
  • No. 5. Se ha per guida la costanza (6:38)
  • No. 6. Non so se piu vi rivedro (7 min. )
  • No. 7. Senti ti voglio ancor (7:15)
  • No. 8. Son da piu venti (10:20).
If we speak about the late works of Jan Dismas Zelenka (1679-1745) we usually refer to his masses, oratorios or litanies, which have today finally acquired the attention and acclaim they fully deserve. But among these works we also find secular vocal compositions such as the serenata 'Il Diamante and a collection of Italian arias. Throughout the 1720s Zelenka composed mainly sacred music for the Catholic church but after Johann David Heinichen's death Zelenka petitioned officially for the post of Kapellmeister in 1733, writing a set of eight Italian arias as the court wished to re-establish opera in Dresden. It has to be admitted that the surviving arias - even though masterpieces - reflect a certain negligence of the standard principles of theatrical style, which may have been difficult or, more likely, unimportant for a composer who had devoted his life to church music. However, these unorthodox arias represent a good example of Zelenka's unique style. The Prague based Ensemble Tourbillon and Petr Wagner present the first complete recording of the eight Italian arias. Singers are Czech soprano star Hana Blazikova (five arias) assisted by the promising mezzo-soprano Marketa Cukrova (two arias) and the Slovakian bass Tomas Selc (one aria).
Music recording
1 online resource (1 sound file) Sound: digital. Digital: audio file.
  • La muerte del ángel (3:18) ; Milonga del ángel (6:39) / Astor Piazzolla ; arr. Zinger
  • Se equivocó la paloma (2:26) ; Desde que te conocí (1:36) ; Elegía para un gorrión (2:39) / Carlos Guastavino
  • Libertango / Astor Piazzolla ; arr. Zinger (5:17)
  • Mañanitas de San Juan (3:05) ; Llámale con el pañuelo (2:07) ; No quiero tus avellanas (4:36) / Jesús Guridi
  • Poema del pastor coya. Con la chola y el changuito (3:36) ; Quena (3:42) ; Danzando (3:08) / Ángel Lasala
  • Tonada y Cueca / Carlos Guastavino (5:59)
  • Evocação (3:36) ; Lundú da Marqueza de Santos (2:18) ; Melodia sentimental (3:09) / Heitor Villa-Lobos ; arr. Zinger
  • Introducción y Allegro / Carlos Guastavino (8:25)
  • Milonga en Re / Astor Piazzolla ; arr. A. Pagani (4:02)
  • Fuga y misterio / Astor Piazzolla ; arr. Abend (4:24).
Music recording
1 online resource (1 sound file) Sound: digital. Digital: audio file.
  • Sonata in D minor, K. 1, Sonata in C major, K.159 / Domenico Scarlatti
  • Concerto en ré mineur ; in D minor, BWV 974 / Johann Sebastian Bach
  • Ground en do mineur ; in C minor, Zd 221 / Henry Purcell
  • Les Indes galantes. Air pour les Esclaves affricians ; Rigaudon 1, Rigaudon 2, en Rondeau ; Les Sauvages / Jean-Philippe Rameau
  • Prélude, fugue & postlude en sol mineur ; in G minor / Georg Böhm
  • Correnti / Girolamo Frescobaldi
  • Toccata en mi mineur ; in E minor, BWV 914 / Johann Sebastian Bach
  • Pavane en fa dièse ; in F-sharp minor / Louis Couperin
  • Suite en ré mineur ; in D minor, HWV 437 / George Frideric Handel.
Music recording
1 online resource (1 sound file) Sound: digital. Digital: audio file.
  • Beatissimi Miniatis Martyris [Magnificat: Archiepiscopal Archive Florence, 12th Century] / Anonymous (Federico Bardazzi, conductor ; Coro Viri Galilaei)
  • Laudemus Dominum [Nocturno I: Archiepiscopal Archive Florence, 12th Century] / Anonymous (Enzo Ventroni, conductor ; Coro Viri Galilaei)
  • Imperante Decio romane rei publice [Nocturno I: Archiepiscopal Archive Florence, 12th Century] / Anonymous (Enzo Ventroni, conductor ; Coro Viri Galilaei)
  • Beatus Sixtus una cum Laurentio [Nocturno I: Archiepiscopal Archive Florence, 12th Century] / Anonymous (Enzo Ventroni, conductor ; Coro Viri Galilaei)
  • Dumque Decius moraretur in urbe [Nocturno I: Archiepiscopal Archive Florence, 12th Century] / Anonymous (Enzo Ventroni, conductor ; Coro Viri Galilaei)
  • Dumque iste impius Decius [Nocturno I: Archiepiscopal Archive Florence, 12th Century] / Anonymous (Enzo Ventroni, conductor ; Coro Viri Galilaei)
  • Cum venisset Decius in civitate Florentia [Nocturno I: Archiepiscopal Archive Florence, 12th Century] / Anonymous (Enzo Ventroni, conductor ; Coro Viri Galilaei)
  • Tu es Minias sectator [Nocturno I: Archiepiscopal Archive Florence, 12th Century] / Anonymous (Enzo Ventroni, conductor ; Coro Viri Galilaei)
  • Ministri presidis comprehendent [Nocturno I: Archiepiscopal Archive Florence, 12th Century] / Anonymous (Enzo Ventroni, conductor ; Coro Viri Galilaei)
  • Accipe ergo [Nocturno I: Archiepiscopal Archive Florence, 12th Century] / Anonymous (Enzo Ventroni, conductor ; Coro Viri Galilaei)
  • Preses dixit ad beatum [Nocturno I: Archiepiscopal Archive Florence, 12th Century] / Anonymous (Enzo Ventroni, conductor ; Coro Viri Galilaei)
  • Dum agnovisset Decius [Nocturno II: Archiepiscopal Archive Florence, 12th Century] / Anonymous (Enzo Ventroni, conductor ; Coro Viri Galilaei)
  • Quo vocaris nomine? [Nocturno II: Archiepiscopal Archive Florence, 12th Century] / Anonymous (Enzo Ventroni, conductor ; Coro Viri Galilaei)
  • Interrogabat Decius Miniatem [Nocturno II: Archiepiscopal Archive Florence, 12th Century] / Anonymous (Enzo Ventroni, conductor ; Coro Viri Galilaei)
  • Sanctus Minias dixit ad Decium [Nocturno II: Archiepiscopal Archive Florence, 12th Century] / Anonymous (Enzo Ventroni, conductor ; Coro Viri Galilaei)
  • Sanctus Minias dixit ad Decium [Nocturno II: Archiepiscopal Archive Florence, 12th Century] / Anonymous (Enzo Ventroni, conductor ; Coro Viri Galilaei)
  • Decius imperator dixit [Nocturno II: Archiepiscopal Archive Florence, 12th Century] / Anonymous (Enzo Ventroni, conductor ; Coro Viri Galilaei)
  • Beatus Christi miles [Nocturno II: Archiepiscopal Archive Florence, 12th Century] / Anonymous (Enzo Ventroni, conductor ; Coro Viri Galilaei)
  • Sanctus Minias dixit [Nocturno II: Archiepiscopal Archive Florence, 12th Century] / Anonymous (Enzo Ventroni, conductor ; Coro Viri Galilaei)
  • Beatus Minias respondens dixit [Nocturno II: Archiepiscopal Archive Florence, 12th Century] / Anonymous (Enzo Ventroni, conductor ; Coro Viri Galilaei)
  • Nulla Maleficia [Nocturno III: Archiepiscopal Archive Florence, 12th Century] / Anonymous (Federico Bardazzi, conductor ; Ensemble San Felice)
  • Theasurus vel substantia tua [Nocturno III: Archiepiscopal Archive Florence, 12th Century] / Anonymous (Federico Bardazzi, conductor ; Ensemble San Felice)
  • Tunc iratus Decius [Nocturno III: Archiepiscopal Archive Florence, 12th Century] / Anonymous (Federico Bardazzi, conductor ; Ensemble San Felice)
  • Et cum vidisset beatus Minias [Nocturno III: Archiepiscopal Archive Florence, 12th Century] / Anonymous (Federico Bardazzi, conductor ; Ensemble San Felice)
  • Cum vidisset beatus Minias [Nocturno III: Archiepiscopal Archive Florence, 12th Century] / Anonymous (Federico Bardazzi, conductor ; Ensemble San Felice)
  • Et extendens manus ad coelum [Nocturno III: Archiepiscopal Archive Florence, 12th Century] / Anonymous (Federico Bardazzi, conductor ; Ensemble San Felice)
  • Ministri presidis dixerunt Miniati [Nocturno III: Archiepiscopal Archive Florence, 12th Century] / Anonymous (Federico Bardazzi, conductor ; Ensemble San Felice)
  • Gratias ago tibi [Nocturno III: Archiepiscopal Archive Florence, 12th Century] / Anonymous (Federico Bardazzi, conductor ; Ensemble San Felice)
  • Gratias ago tibi, Domine [Nocturno III: Archiepiscopal Archive Florence, 12th Century] / Anonymous (Federico Bardazzi, conductor ; Ensemble San Felice)
  • Vox de caelo facta est [Nocturno III: Archiepiscopal Archive Florence, 12th Century] / Anonymous (Federico Bardazzi, conductor ; Ensemble San Felice)
  • Pretiosus Christi martyr Minias [Nocturno III: Archiepiscopal Archive Florence, 12th Century] / Anonymous (Federico Bardazzi, conductor ; Ensemble San Felice)
  • Decius dixit ad Miniatem [Ad laudes: Archiepiscopal Archive Florence, 12th Century] / Anonymous (Enzo Ventroni, conductor ; Coro Viri Galilaei)
  • Minias dixit ad Decium [Ad laudes: Archiepiscopal Archive Florence, 12th Century] / Anonymous (Enzo Ventroni, conductor ; Coro Viri Galilaei)
  • Tunc imperator iussit [Ad laudes: Archiepiscopal Archive Florence, 12th Century] / Anonymous (Enzo Ventroni, conductor ; Coro Viri Galilaei)
  • Sanctus Minias orabat: Canticum Danielis Benedicite omnia opera [Ad laudes: Archiepiscopal Archive Florence, 12th Century] / Anonymous (Enzo Ventroni, conductor ; Coro Viri Galilaei)
  • Minias dixit ad Decium [Ad laudes: Archiepiscopal Archive Florence, 12th Century] / Anonymous (Enzo Ventroni, conductor ; Coro Viri Galilaei)
  • Almam hunc diem celebremus cum Benedictus [Ad laudes: Archiepiscopal Archive Florence, 12th Century] / Anonymous (Enzo Ventroni, conductor ; Coro Viri Galilaei).
Music recording
1 online resource (1 sound file) Sound: digital. Digital: audio file.
  • Arghawan = The Judas tree / Ustad Mohammed Omar (3:34)
  • Dast be Dast: Allah Hu = This is God : (2014) (5:09) ; Gulistan-e Nur : The rosegarden of light : (2015) (24:06) / Sadie Harrison
  • Qataghani folksong / trad. Afghan (4:09)
  • Ay Shakhe Gul = Oh flower branch : (1950) / Ustad Salim Sarmast ; arr. Kevin Bishop (3:25)
  • Logari folksong (2:18) ; Pesta Farosh = The pistachio seller / arr. Kevin Bishop ; Ghunchai-e-Sorkh = Red rosebud (3:15) / trad. Afghan.

17. Stances du Cid [2015]

Music recording
1 online resource (1 sound file) Sound: digital. Digital: audio file.
  • Gravement (from Les Nations. La Piémontaise) / François Couperin (1668-1733)
  • Stances du Cid. Percé jusques au fond du cœur ; Que je sens de rudes combats ; Père, maîtresse, honneur, amour / Marc-Antoine Charpentier
  • Passacaille (from Les Nations. L'Espagnole) ; Air, gracieusement (from Les Nations. L'Espagnole) / François Couperin
  • Auprès du feu l'on fait l'amour ; Ruisseau qui nourrit dans ce bois bois ; Non, non je ne l'aime plus / Marc-Antoine Charpentier
  • Tombeau de Mademoiselle... / Jacques Morel (fl.c.1700-1749)
  • Ma bergère / Michel Lambert (1610-1696)
  • Sans frayeur / Marc-Antoine Charpentier
  • Gravement (from Les Nations. L'Espagnole) / François Couperin
  • Rendez-moi mes plaisirs ; Amour, vous avez beau redoubler mes alarmes / Marc-Antoine Charpentier
  • Vivement et marqué (from Les Nations. La Piémontaise) / François Couperin
  • Ah, qu'ils sont courts les beaux jours / Marc-Antoine Charpentier
  • Air (from Les Nations. La Piémontaise) / François Couperin
  • Rentrez trop indiscrets soupirs ; Retirons-nous, fuyons / François Couperin
  • Vos mépris chaque jour / Michel Lambert
  • Chaconne (from Les Nations. L'Impériale) / François Couperin.
Music recording
1 online resource (1 sound file). Sound: digital. Digital: audio file.
  • Te Deum, HM 28
  • Diligam te, Domine, HM 22.
Music recording
1 online resource (1 sound file) Sound: digital. Digital: audio file.
  • Much ado about nothing : suite from the incidental music, op. 11 ; Marietta's Lied from Die tote Stadt : op. 12 ; Tanzlied des Pierrot from Die tote Stadt : op. 12 / Erich Wolfgang Korngold
  • Sonata for violin and piano ; Two pieces for violin and piano / Aaron Copland.

20. Western wind [2015]

Music recording
1 online resource (1 sound file) Sound: digital. Digital: audio file.
  • The western wynde / anon. (:38)
  • Kyrie : chant (1:46)
  • Mass 'The western wynde.' Gloria / Taverner (6:37)
  • My lady Careys dompe / anon. (2:18)
  • Mass 'The western wynde.' Credo (7:07)
  • If love now reynyd (II) / Henry VIII (1:36)
  • Preface : chant (1:41)
  • Mass 'The western wynde.' Sanctus / Taverner (7:28)
  • My lady Wynkfylds rownde / anon. (:57)
  • Mass 'The western wynde.' Agnus / Taverner (7:26)
  • O blessed Lord, how may this be / anon. (1:36)
  • Yow and I and Amyas / Cornysh (5:50)
  • A hornepype / Aston (4:16)
  • Wher be ye my love? / anon. (5:59)
  • Fa la sol / Cornysh (6:58)
  • Taunder naken / Henry VIII (2:20)
  • Audivi vocem de caelo (3:29) ; In nomine (2:42) ; Dum transisset sabbatum (I) (7:01) / Taverner
  • Westron wynde (:46) ; Western winds (:50) / anon.
Andrew Parrott and his Taverner Choir and Players turn to music of their namesake alongside works by his contemporary King Henry VIII, an exceptionally musical monarch, as well as two composers of the previous generation, William Cornysh and Hugh Ashton. This recording takes its lead from the unashamedly secular character of the work and ventures beyond the chapel door to explore the parallel world of courtly vernacular song and instrumental music.