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Book
xiv, 295 pages : forms ; 25 cm
  • Management agreements
  • Production company deals (... and the contract from hell which no artist should sign)
  • Artist recording contracts with record companies
  • A simple guide to sync deals
  • Producer agreements
  • Music publishing and songwriter contracts
  • Music and the movies : composer agreements / written with Robert Seigal
  • Live performance and booking agreements (a lawyer's guide to structuring paid music gigs
  • Music video production contracts
  • Band agreements and essential business actions a band (or solo artist) can take at little to no cost without the services of an attorney
  • Investment agreements.
The 11 Contracts Every Artist, Songwriter, and Producer Should Know is an in-depth guide to help artists, songwriters, and producers navigate the tricky world of contract negotiations in the music industry. This book analyses the most common, and important, contracts including management, production company, sync license, and producer agreements all paired with professional commentary and exclusive interviews with top industry moguls. Readers will learn the ins and outs of both the legal and business side of contracts in the music industry so that they will never find themselves stuck on the wrong side of a bad deal. Features invaluable information on these 11 crucial music industry contracts: Management Agreements Production Company and New Artist Indie Label Deals Sync Licenses Producer Agreements Music Publishing Deals Composer Agreements Live Performance Contracts Music Video Production Contracts Band Agreements & Business Actions Artists Can Take Without an Attorney Investment Agreements.
(source: Nielsen Book Data)9781495076701 20170403
Law Library (Crown)
Book
viii, 224 pages : illustrations ; 22 cm.
  • 1. Introduction 2. A short economic history 3. Music as an economic good 4. Copyright 5. Publishing 6. Recording 7. Live music 8. Secondary markets 9. Labour 10. Digital.
  • (source: Nielsen Book Data)9781911116073 20170717
This book offers a concise, rigorous presentation of the economic fundamentals of the music industry in particular and the music economy in general. It highlights the economic principles that govern the music business as an economic good protected by copyright law. The book examines the core sectors of the industry - music publishing, sound recording, the live music market, and secondary markets such as advertising and merchandising - and shows how they operate together. It includes analysis of the income streams of musicians and the wider music lobby. The impact of digitization and the economic relevance of new digital formats is given special attention - download services, streaming platforms, mobile music providers, cloud music services as well as music recognition and recommendation systems are all discussed. The book shows how a combination of established publishers (Universal, Sony/ATV, Warner/Chappell), new promoters (LiveNation), and a new generation of music providers (Apple, Google, Amazon) has created a heady mix of competing and collaborative economic models. Throw in the problem of piracy and ever-changing consumer behavior and, the author shows, we have one of the most dynamic and fascinating business sectors in the world.
(source: Nielsen Book Data)9781911116073 20170717
Music Library
Book
xviii, 457 pages : illustrations ; 24 cm
  • Why music?
  • The new industry
  • Recording
  • The release
  • Building a fanbase one fan at a time
  • Playing live
  • Booking and promotion
  • Touring
  • How to make real money playing colleges
  • Sponsorships and investments
  • How to master the Internet --The new asking economy: the difference between asking and begging
  • How to get all the royalties you never knew existed (and other business things you need to know)
  • How to get music placed in film and television
  • Bump everyone else off the cover
  • Outro.
In the last decade, no industry has been through as much upheaval and turmoil as the music industry. It is a democratic, "DIY" business and any guide to success in these new waters must be told by someone who has survived them. Ari Herstand's How to Make It in the New Music Business is not only a brilliantly compiled tutorial on how to accomplish specific tasks-routing a tour, negotiating contracts, getting paid for streamed plays or licensing music-but also a manifesto, encouraging musicians to pave their own path.
(source: Nielsen Book Data)9781631491504 20170213
Music Library
Book
1 online resource (1 volume) : illustrations
  • Part I. Music Creation and Globalization 1. A Global Industry In Search of Entrepreneurs 2. How Music Is Created and Brought to the Marketplace Part II. Contacts and Contracts 3. Who Owns It and Why Does It Matter? Spotlight on Copyright 4. Performing the Music: Rights and Royalties 5. Monetizing Emotions: Branding, Music Publishing, and Sponsorships Part III. Artists and Their Publics 6. I'm My Own Record Label: Recorded Music Today 7. On the Road: Touring and Merchandising 8. The Artist's Professional Team: Managers, Agents, and Attorneys Part IV. Artist as Entrepreneur 9. Case Study: Astral Artists 10. Case Study: Pickathon Music Festival Chapter 11. Guide to Starting a Business Appendix: History of International Copyright and Trade Agreements.
  • (source: Nielsen Book Data)9781138924802 20170502
Introduction to the Music Industry: An Entrepreneurial Approach, Second Edition is an introductory textbook that offers a fresh perspective in one of the fastest-changing businesses in the world today. It engages students with creative problem-solving activities, collaborative projects and case studies as they explore the inner workings of the music business, while encouraging them to think like entrepreneurs on a path toward their own successful careers in the industry. This new edition includes a revised chapter organization, with chapters streamlined to focus on topics most important to music business students, while also maintaining its user-friendly chapter approach. Supported by an updated companion website, this book equips music business students and performance majors with the knowledge and tools to adopt and integrate entrepreneurial thinking successfully into practice and shape the future of the industry.
(source: Nielsen Book Data)9781138924802 20170502
Book
1 online resource (1 volume) : illustrations
  • Introduction: Take a Look at This! Chapter 1: The Perfect Storm Chapter 2: The Three Wows Chapter 3: The Rules of the Game Chapter 4: The Entertainment Business Chapter 5: The Significance of Narration Chapter 6: Music Publishing-What's the Deal? Chapter 7: Recording Lightning in a Bottle Chapter 8: The Label Business-Recording Budgets Chapter 9: Odds of the Game Chapter 10: Promotion/Publicity and Media Chapter 11: Representation Chapter 12: The Concert and Event Business Appendix A Appendix B Illustrations Index.
  • (source: Nielsen Book Data)9781317499459 20170502
Monetizing Entertainment: An Insider's Handbook for Careers in the Entertainment & Music Industry offers a thorough, guided exploration of the current state of the industry, with an emphasis on trends in copyright, digital streaming, and practical advice for developing a career as an artist, technician, or industry executive. This book investigates a variety of topics within the entertainment and music industry, ranging from traditional and emerging business models to intellectual property rights to the creative destruction happening currently. The book strategically outlines the existing gaps that make being successful as an artist a dynamic interaction between creativity and business. This book includes the following: An overview of the creative destruction process that has destroyed some of the old business models and created a number of career options. A look at innovative, entrepreneurial career options. A step-by-step examination for both creative and business professionals of the administrative and financial structures of the industry. Detailed analysis of trends and topics shaping the current entertainment and music industry drawn from insiders' perspectives and other contemporary resources. An accompanying website (www.routledge.com/cw/wacholtz), hosting case studies, videos, data, infographics, and blog posts on business models, is the perfect companion to this authoritative resource.
(source: Nielsen Book Data)9781317499459 20170502

6. Music and the law [2017]

Book
xxii, 294 pages ; 24 cm
  • An introduction to music and the law
  • The making of contracts and agreements
  • Recording and distribution
  • Copyright
  • Licensing sound recordings
  • Publishing : musicla and literary works
  • The death and rebirth of live music in Australia
  • Alternative dispute resolution
  • The industry perspective.
Music and the Law is a book that examines the relationship between the law and the music industry in Australia. The book is specifically aimed at assisting and educating law and music students, as well as individuals involved in the music industry including musicians, managers, agents and music enthusiasts. The book's introductory chapter considers the importance of music from a social, cultural and political perspective and provides an introduction to the Australian legal system. The book then looks specifically at various aspects of the music industry and, in particular, provides a summary of the following key aspects: Contracts Recording and distribution Copyright Musical works, literary works and sound recordings Live performance and the live music industry in Australia Alternative dispute resolution The final chapter of the book provides commentary from various members of the Australian music industry including lawyers, managers, distributors and musicians. Music and the Law is an indispensable tool to anyone attempting to navigate the world of music today, covering the wide spectrum of legal issues that those in the music industry may encounter.
(source: Nielsen Book Data)9781760020811 20170424
Law Library (Crown)
Book
xxviii, 584 pages : illustrations (some color) ; 26 cm
  • Part 1: Setting the Stage Chapter 1: Overture Music and Society: We've Got Music in Us Art Versus Commerce: Music Changes Everything Historical Development Chapter 2: The Digital Millennium The Double-Edged Sword Internet Synergy Labels Sow Seeds of Self-Destruction Smaller, Cheaper, Faster, Better (?) The Economics of Digital Distribution: Change and Evolution The New Economic Order The Digital Future Chapter 3: The Music Business System Help Wanted! Getting Through the Maze Show Me the Money Tools of the Trade: Everybody's Gotta Learn Sometime Part 2: Copyright, Songwriting, Publishing, and Licensing Chapter 4: Music Copyright Background Essential Provisions Key Terms Coverage Exclusive Rights Fair Use of Copyrighted Material Copyright Ownership Transfer or Assignment Work Made for Hire Musical Arrangements Sound Recordings Compulsory Mechanical License Royalty Payments (Section 115[c]) Duration of Copyright Formalities Infringement, Remedy Record Counterfeiting, Penalties Changing Laws Rights in Names and Trademarks A Final Note on Law Chapter 5: Professional Songwriting The Market Predictors of Success The Craft The Business of Writing Income Sources Publishing Options Evaluating Publishers The Songwriters Guild of America Contract Reassignment or Default Breaking In Chapter 6: Music Publishing Types of Publishers Subpublishing Administration Contracts With Writers Split Publishing, Copublishing Copyright Protection: Sampling Promotion, Advertising Income Sources Trade Associations and Rights Administration Chapter 7: Music Licensing Music Rights: An Overview Performing Rights Organizations Keeping Track of the Music Membership Options Mechanical Licenses Synchronization Licenses Cable Television Licenses Video Licenses Transcription Licenses Special Use Permits Jukebox Licenses Dramatic Music Rights Creative Commons Part 3: Managing Artist Relationships Chapter 8: Agents, Managers, and Attorneys Agents Managers Attorneys Chapter 9: Artist Management Discovering Each Other The Financial Relationship Manager's Commission The Manager's Role Advancing the Career Personal Management Agreement Chapter 10: Unions and Guilds American Federation of Musicians SAG-AFTRA American Guild of Musical Artists American Guild of Variety Artists Actors' Equity Association International Alliance of Theatrical Stage Employees Other Unions and Guilds Part 4: The Recorded Music Industry Chapter 11: Record Labels Perspective Major Labels Independent Labels Specialty Labels Record Company Structure Trade Associations Chapter 12: Artists' Recording Contracts AFTRA Agreements AFM Agreements Royalty Artist Contracts Chapter 13: Record Production Record Producers Matching Producer to Artist Production Deals The Recording Studio: Operation and Selection The Five Stages of Record Production Getting Started in the Business Professional Associations Chapter 14: Record Label Marketing and Distribution The Marketing Plan The Elements of a Marketing Plan Record Distribution Chapter 15: Marketplace Research Understanding the Consumer Research Topics Data Sources Part 5: Live Performance Chapter 16: Concert Production Concert Promotion Getting Started Booking the Artist Making an Offer The Art of the Deal Contracts Marketing Publicity and Public Relations Sponsorships The Future of Live Chapter 17: Concert Venues Venue Contracts Ticketing Licensed Merchandise Venue Trade Association Chapter 18: Arts Administration Perspective Representative Organizations Symphonic Music Funding the Arts Classical Artist Management Administration Part 6: Music in the Marketplace Chapter 19: Music in Radio Types of Broadcast Radio Stations Audience Identification and Market Research Spectrum of Formats How Commercial Radio Stations Work Chapter 20: Music in Television and Video Variety and Talk Shows Music Specials/Events/Awards Shows Theme Songs Background Music and Foreground Spotlights The Evolving TV Picture MTV and the Rise of the Music Video Music Video Economics and Distribution Chapter 21: Dramatic Scoring for Movies, TV, and Games Background The Craft Music Scoring for TV Music Scoring for Video Games Production Music Libraries Hiring Practices Chapter 22: Music in Advertising Influences on Style Jobs Music Uses Budgets Station Branding Logos The Agency Role Spot Production Chapter 23: Music and Theater Types of Musical Theater Theater Associations Production Components Chapter 24: Music Products Music Retailers Sales Leaders Promotion of Musical Products A Changing Industry Trade Associations Opportunities for Employment Chapter 25: Business Music and Production Libraries Foreground and Background Music Business Music Production Music Libraries Part 7: The Entrepreneurial Musician Chapter 26: The DIY Toolkit The Economics of Indie The Direct-to-Fan Era Doing the Math Making Money With "Free" Tools of the Trade Online Platforms: Now You See It, Now You Don't Conclusion Chapter 27: Starting Your Own Business Getting the Process Started Choosing a Name Forms of Ownership Permits and Legal Issues Raising Funds Marketing Accounting and Finance Keeping Track of the Money Operations Management Management Where To From Here? Part 8: Career Planning and Development Chapter 28: Career Options Creative Careers Directing/Producing Careers Performing Careers Teaching Careers Broadcasting/Film/Video Game Careers Music-Related Careers Entrepreneurs/Starting Your Own Business Chapter 29: Career Development Defining Goals Climbing the Ladder Finding Work Part 9: The Global View Chapter 30: The World Outside the United States Chapter 31: International Copyright Copyright Conventions Multilateral Agreements Bilateral Treaties Intergovernmental Bodies and International Industry Organizations.
  • (source: Nielsen Book Data)9781506309538 20160619
This powerhouse best-selling text maintains is the most comprehensive, up-to-date guide to the music industry. Music business newcomers and professionals alike will find Baskerville's handbook an indispensable resource, whatever their specialty is within the field music. Key Features: * Expanded and enhanced coverage of state-of-the-art technology and its implications for the music industry, including digital downloads, changing production technologies, marketing via social networking, and new distribution channels including video games * Discusses new and emerging business models and their implications including the topics of Internet outlets, the independent musician, the evolving role of producers, and satellite and Internet radio * Information on careers, especially in the context of a changing business environment * Discussion of the concert business, once a minor source of revenue but now as robust as the revenue stream of recorded music * Coverage of alternatives to radio airplay and to incentivising teens to visit local record stores, in light of the weakened format of radio and the disappearance of neighborhood music shops * Examination of sophisticated marketing research tools for the industry, due to consumer clicks that illuminate customer buying behavior and changes in tastes and desires * Reflection on the global shift of the music business world as it becomes less centered on American companies and culture. It is ideal as the core textbook in courses such as Introduction to the Music Business, Music and Media, Music Business Foundations, and survey courses. This book can also be used for more specialized courses on the record industry, music merchandising, music careers, artist management, music and the law, arts administration, and music in popular culture.
(source: Nielsen Book Data)9781506309538 20160619
Music Library
Book
xii, 243 pages : illustrations ; 24 cm
  • Introduction: culture, capitalism, globalization, music
  • The absence of culture in the study of music
  • Music and affect in the West: the first 2,000 years
  • The commodification of music at the dawn of the era of "mechanical music"
  • The role of opera in the rise of radio in the US
  • Stravinsky and others
  • World music festivals as spectacles of genrefication and diversity
  • Fields, genres, brands
  • Neoliberal capitalism, UNESCO, and the reenchantment of culture
  • Globalized neoliberal capitalism and the commodification of taste
  • Valuing music.
In music studies, Timothy D. Taylor is known for his insightful essays on music, globalization, and capitalism. Music and the World is a collection of some of Taylor's most recent writings essays concerned with questions about music in capitalist cultures, covering a historical span that begins in the late nineteenth and early twentieth centuries and continues to the present. These essays look at shifts in the production, dissemination, advertising, and consumption of music from the industrial capitalism of the nineteenth century to the globalized neoliberal capitalism of the past few decades. In addition to chapters on music, capitalism, and globalization, Music and the World includes previously unpublished essays on the continuing utility of the culture of concept in the study of music, a historicization of treatments of affect, and an essay on value and music. Taken together, Taylor's essays chart the changes in different kinds of music in twentieth- and twenty-first-century music and culture from a variety of theoretical perspectives.
(source: Nielsen Book Data)9780226442396 20170605
Music Library
Book
vi, 297 pages : illustrations ; 28 cm
  • Part I: Getting Started - Music as a Business 1. Entertainment Gorup Names: Selection and Protection (Stephen Bigger) 2. Business Entities (Edward R. Hearn) 3. How to Set Up a Money Deal for Your Music Project (Edward R. Hearn) 4. Music Attorneys (Mark Halloran) Part II: Protecting Your Compositions 5. Music Copyright: A Search for Certainty (Mark Halloran) 6. Sampling (Greg "Skins" Victoroff) 7. Collaborator/Songwriter Agreements (Mark Halloran and Edward R. Hearn) 8. Digital Downloads and Streaming: Copyright and Distribution Issues (Edward R. Hearn) 9. YouTube Music (Mark Halloran and Edward R. Hearn) 10. International Copyright (E. Scott Johnson) Part III: Music Publishing 11. Performing Rights Organizations in the United States: An Overview (Mark Halloran and Diane Rapaport) 12. Music Publishing (Neville L. Johnson and Bernard M. Resnick) Part IV: Managers and Agents 13. What a Manager Does (Alfred Schlesinger) 14. Analysis of a Personal Management Agreement (Neville L. Johnson and Bernard M. Resnick) 15. Talent Agents: New Thinking on an Old Business (Matthew Burrows and Kelly Weiss) 16. Club Contracts (Edward R. Hearn) 17. TV Talent Competitions: The Legacy of American Idol (Mark Halloran and Thomas A. White) Part V: Recording 18. Independent Record Labels and Record Deals (Loren S. Wells) 19. Recording and Distribution Contracts with Independent and Major Labels (Edward R. Hearn) 20. Producer Agreements are Stupid (Daniel K. Stuart) 21. How 360 Deals Became Necessary and How to Negotiate Them (Daniel K. Stuart) 22. Social Media Law for Musicians (Stephanie Furgang Adwar) 23. Royalty Statements: Audits and Lawsuits (Steven Ames Brown).
  • (source: Nielsen Book Data)9781138672970 20170515
The Musician's Business and Legal Guide provides vital information to help demystify the music business and the complex body of law that shapes it. This book answers such questions as how to protect name and copyright; what is and is not legal about sampling; what are the legal issues surrounding digital downloads and streaming; what are the jobs of managers, talent agents and publishers; what are common contractual relationship between independent and major labels. The new edition includes chapters not covered in depth by other books: social media law, TV talent shows, YouTube, and international copyright. As in previous editions, the book features clause-by-clause contract analyses for 360 record deals, music publishing, management, and producer agreements.
(source: Nielsen Book Data)9781138672970 20170515
Music Library
Book
vii, 200 pages ; 24 cm
  • Acknowledgements Introduction: Popular Music, Branding, and Promotional Culture 1 From Commodities to Commercials? The Rise of Promotion in the Music Industries 2 Capitalizing on Music: From Sound Recordings to 'Artist-Brands' 3 Brands: The New Gatekeepers 4 'Flexible' Capitalism and Popular Music: Branding Culture, Designing 'Difference' 5 Conclusions Notes References Index.
  • (source: Nielsen Book Data)9780745692227 20170213
'Business-as-usual' has been transformed across the music industries in the post-CD age. Against widespread hype about the purported decline of the major music labels, this book provides a critique of the ways these companies have successfully adapted to digital challenges and what is at stake for music makers and for culture. Today, recording artists are positioned as 'artist-brands' and popular music as a product to be licensed by consumer and media brands. Leslie M. Meier examines key consequences of shifting business models, marketing strategies, and the new 'common sense' in the music industries: the gatekeeping and colonization of popular music by brands. Popular Music as Promotion is important reading for students and scholars of media and communication studies, cultural studies and sociology, and will appeal to anyone interested in new intersections of popular music, digital media and promotional culture.
(source: Nielsen Book Data)9780745692227 20170213
Music Library
Book
vii, 181 pages ; 23 cm
To be a great singer, talent and technique are obviously important, as are having excellent songs and being able to move an audience. But there's more to it than that, including two critical skills that are rarely, if ever, addressed in vocal training: managing the technology on stage and in the studio, and interacting with the people who run it. No matter how fantastic your voice is or how much money is behind you, if you don't know how to work with performing and recording technology, you're in for a tough ride. Countless phenomenal singers stagnate professionally and even leave the business because they can't figure out how to deliver when using studio headphones and stage monitors, or how to communicate their needs to producers and engineers. And many less-capable singers get ahead because they can. The Art of Singing on Stage and in the Studio is the only book that comprehensively addresses these critical issues in an easy-to-read, accessible style. Starting with a discussion of the evolution of technology and the voice in our culture, it also explores the root causes of anxiety-related performance issues and, more importantly, how to overcome them. Singers, performers, producers, and engineers will all come away from this book more knowledgeable about the origins of their fields, empowered in the tools of their trade, and clearer on how to best communicate with one another.
(source: Nielsen Book Data)9781495050268 20160711
Music Library
Book
xiii, 276 pages : illustrations ; 23 cm
  • Preface: Down Crenshaw Boulevard
  • Introduction: rap dreams and existential urgency
  • Becoming rappers
  • Growing up in gangland
  • Masters of ceremony
  • Freestyle
  • The battle
  • Trying to blow up
  • Cautionary tales
  • Almost famous
  • Ditching the day job
  • Gang violence and dreams derailed
  • Conclusion: nurturing the creative lives of young black men
  • Shout outs
  • Methods appendix: videos in ethnography.
Dr. Dre. Snoop Dogg. Ice Cube. Some of the biggest stars in hip hop made their careers in Los Angeles. And today there is a new generation of young, mostly black, men busting out rhymes and hoping to one day find themselves blowin up getting signed to a record label and becoming famous. Many of these aspiring rappers get their start in Leimart Park, home to the legendary hip hop open-mic workshop Project Blowed. In "Blowin Up, " Jooyoung Lee takes us deep inside Project Blowed and the surrounding music industry, offering an unparalleled look at hip hop in the making. While most books on rap are written from the perspective of listeners and the market, "Blowin Up" looks specifically at the creative side of rappers. As Lee shows, learning how to rap involves a great deal of discipline, and it takes practice to acquire the necessary skills to put on a good show. Along with Lee who is himself a pop-locker we watch as the rappers at Project Blowed learn the basics, from how to hold a microphone to how to control their breath amid all those words. And we meet rappers like E. Crimsin, Nocando, VerBS, and Flawliss as they freestyle and battle with each other. For the men at Project Blowed, hip hop offers a creative alternative to the gang lifestyle, substituting verbal competition for physical violence, and provides an outlet for setting goals and working toward them. Engagingly descriptive and chock-full of entertaining personalities and real-life vignettes, "Blowin Up" not only delivers a behind-the-scenes view of the underground world of hip hop, but also makes a strong case for supporting the creative aspirations of young, urban, black men, who are often growing up in the shadow of gang violence and dead-end jobs.".
(source: Nielsen Book Data)9780226348896 20160619
Music Library
Book
vii, 233 pages : illustrations ; 25 cm
Music Library
Book
351 pages : illustrations ; 22 cm
East Asia Library
Book
ix, 173 pages : illustrations ; 23 cm.
  • "Nothing but realism": early hillbilly music's blend of rural and urban
  • "Country comes to town": a new urban identity for country music in the 1960s
  • "You sound like us but you look like them": the racial politics of country music in the city of Nashville
  • "Country music is wherever the soul of a country music fan is": Opryland U.S.A. and the importance of "home" in country music
  • "They're not as backward as they used to be": country music's commercial success in the 1990s and the transformation of downtown Nashville.
Country music evokes a simple, agrarian past, with images of open land and pickup trucks. While some might think of the genre as a repository of nostalgia, popular because it preserves and reveres traditional values, Jeremy Hill argues that country music has found such expansive success because its songs and its people have forcefully addressed social and cultural issues as well as geographic change. Hill demonstrates how the genre and its fans developed a flexible idea of ""country, "" beyond their rural roots, and how this flexibility allowed fans and music to ""come to town, "" to move into and within urban spaces, while retaining a country ""character."" To understand how the genre has become the far-reaching commercial phenomenon that it is today, Hill explores how various players within the country music fold have grappled with the notion of place. He shows both how the industry has transformed the city of Nashville and how country music -- through song lyrics, imagery associated with the music, and branding -- has reshaped ideas about the American landscape and character. As the genre underwent significant change in the last decades of the twentieth century, those who sought to explain its new styles and new locations relied on a traditional theme: ""You can take the boy out of the country, but you can't take the country out of the boy."" Hill demonstrates how this idea -- that you can still be ""country"" while no longer living in a rural place -- has been used to expand country's commercial appeal and establish a permanent home in the urban space of Nashville.
(source: Nielsen Book Data)9781625341723 20160619
Music Library
Book
vii, 128 pages : illustrations ; 23 cm.
  • Chapter 1. Introduction to the Economics of the Music Industry Chapter. 2. Producer Theory Record Labels and Musicians Chapter 3. Consumer Theory How We Consume Music Chapter 4. Technology.
  • (source: Nielsen Book Data)9781137468970 20160704
The Economics of the Popular Music Industry provides an overview of the music industry from an economics perspective, using modelling from Microeconomic theory and Industrial Organization.
(source: Nielsen Book Data)9781137468970 20160704
Music Library
Book
x, 324 pages : illustrations ; 25 cm.
  • The long 19th century in Portugal and the transformation of Lisbon
  • Opera, operetta, and revista : music and entertainment in Lisbon
  • Song collection in Portugal : between domestic entertainment and scientific objectivity
  • Programs, postcards, coplas and sheet music
  • The mechanization of everyday life : mechanical instruments, phonography and modernity.
During the decades leading up to 1910, Portugal saw vast material improvements under the guise of modernization while in the midst of a significant political transformation - the establishment of the Portuguese First Republic. Urban planning, everyday life, and innovation merged in a rapidly changing Lisbon. Leisure activities for the citizens of the First Republic began to include new forms of musical theater, including operetta and the revue theater. These theatrical forms became an important site for the display of modernity, and the representation of a new national identity. Author Joao Silva argues that the rise of these genres is inextricably bound to the complex process through which the idea of Portugal was presented, naturalized, and commodified as a modern nation-state. Entertaining Lisbon studies popular entertainment in Portugal and its connections with modern life and nation-building, showing that the promotion of the nation through entertainment permeated the market for cultural goods. Exploring the Portuguese entertainment market as a reflection of ongoing negotiations between local, national, and transnational influences on identity, Silva intertwines representations of gender, class, ethnicity, and technology with theatrical repertoires, street sounds, and domestic music making. An essential work on Portuguese music in the English language, Entertaining Lisbon is a critical study for scholars and students of musicology interested in Portugal, and popular and theatrical musics, as well as historical ethnomusicologists, cultural historians, and urban planning researchers interested in the development of material culture.
(source: Nielsen Book Data)9780190215705 20161108
Green Library
Book
xvii, 486 pages : illustrations ; 25 cm.
Heaven Was Detroit: From Jazz to Hip-hop and Beyond is the first of its kind to capture the full spectrum of Detroit popular music from the early 1900s to the twenty-first century. Readers will find in this unique and stimulating anthology new essays, and a few classics, by widely known and respected music writers, critics, and recording artists who weigh in on their careers and experiences in the Detroit music scene, from rock to jazz and everything in between. With a foreword by the acclaimed rock writer Dave Marsh and iconic photos by Leni Sinclair, the book features such well-known writers as Greil Marcus, Jaan Uhelszki, Al Young, Susan Whitall, Gary Graff, John Sinclair, and many others. Divided into nine sections, the book moves chronologically through the early days of jazz in Detroit, to the rock 'n' roll of the 1960s, and on to today's electronica scene, with so many groundbreaking moments in between. Topics in this collection of essays include Motown's connection to the Civil Rights Movement and the Black Power Movement through its side label, Black Forum Records; Lester Bangs's exemplary piece on Alice Cooper; the story behind the emergence of rap legend Eminem; and Craig Maki's enlightening history on "hillbilly rock" - just to name a few. With a rich musical tradition to rival Nashville, Detroit serves as the inspiration, backdrop, and playground for some of the most influential music artists of the past century. Heaven Was Detroit captures the essence of the Detroit music scene: the grit, the spark, the desire to tell a story set to the rhythm of the city. Fans of any music genre will find something that speaks to them in the pages of this collection.
(source: Nielsen Book Data)9780814341223 20170117
Music Library
Book
xxxii, 256 pages : illustrations ; 23 cm
  • "... aus dem Stegereif in die Feder dictiret" : Irreführende Werbung mit Spätfolgen bei der postumen Veröffentlichung von J. S. Bachs "Kunst der Fuge" / Christian Brückner
  • Das kartellrechtliche Damoklesschwert über dem Immaterialgüterrecht / David Mamane
  • Deals, Daten, Datenschutz / Roland Mathys, Oliver Triebold
  • M&A Transaktionen im Technologiebereich : ein besonderes Risikoprofil / Lukas Morscher
  • "Promitto et spondeo" / Kaspar Müller
  • Geistiges Eigentum als typisches Produkt moderner Rechtsentwicklung / Peter Münch
  • Die Pressefotografie im Revisionsentwurf zum Urheberrecht : von einem Prokrustesbett ins nächste? / Daniel Plüss
  • Die konkursfeste Softwarelizenz / Georg Rauber
  • Wenn Daten über Grenzen fliessen / David Rosenthal
  • Baselstädtische Liegenschaftstransaktionen : einige steuerliche Hinweise aus notarieller Optik / Markus W. Stadlin
  • Kennzeichnung von Wein / Martin Thomann.
Law Library (Crown)
Book
512 pages : illustrations (some color) ; 25 cm.
  • Einführung / Stefan Keym und Peter Schmitz
  • Leipzig : Buchstadt, Verlagsstadt und Musikstadt? / Thomas Keiderling
  • Leipziger Notendrücke des 16. Jahrhunderts / Jürgen Heidrich
  • Symbolisch oder kommerziell? Johann Hermann Schein und der Leipziger Notendruck 1600-1650 / Stephen Rose
  • Wieviel kostete Musik im 18. Jahrhundert? / Rudolf Rasch
  • Carl Philipp Emanuel Bachs sechs "Flügel-Concerte" Wq 43, H 471-476 im Selbstverlag / Hans-Günter Ottenberg
  • Musikverlag und Musikalienhandel in Leipzig in der zweiten Hälfte des 18. Jahrhunderts / Axel Beer
  • Zwischen Zwangskartell und berufsständischer Vereinigung : der Leipziger Verlegerverein gegen Nachdruck von 1829 / Friedemann Kawohl
  • Carl Maria von Weber und das Urheberrecht / Janine Wolf
  • Die Entwicklung des Musikurheberrechts im 19. Jahrhundert im internationalen Vergleich / Bernd-Rüdiger Kern
  • Leipzig : Mailand hin und zurück : die internationalen Beziehungen zwischen Ricordi und Breitkopf & Härtel als Weg zur Geburt von Nationalismen / Luca Aversano
  • Musikverlag Friedrich Hofmeister Leipzig : Bemerkungen zur frühen Verlagstätigkeit : mit einem Anhang zu den Ouverturen-Editionen / Hans Rheinfurth
  • Alfred Dörffel : Verlagsmitarbeiter und -inhaber, Musikgelehrter und -bibliothekar / Klaus Burmeister
  • "Für den Verleger gerade die misslichste Gattung" : zum Symphonik-Repertoire der Leipziger Musikverlage und seiner Re-Internationalisierung im 'langen 19. Jahrhundert / Stefan Keym
  • Aspekte der institutioneilen Vernetzung um 1900 : zur Gutachtertätigkeit Carl Reineckes und Arthur Nikischs für Breitkopf Sc Härtel sowie Oskar von Hases Rolle im Allgemeinen Deutschen Musikverein / Peter Schmitz
  • Kurt Eulenburg und die "Arisierung" der Firma Ernst Eulenburg : zur Geschichte des Leipziger Musikverlagswesens im "Dritten Reich" / Sophie Fetthauer
  • System-Umbruch : Breitkopf Sc Härtel in Leipzig von 1944 bis 1959 / Christoph Hust
  • Musikverlage : Aktueller Stand und zukünftige Entwicklungen / Christian Baierle
  • Verlagsforschung in Leipzig : Desiderate und Perspektiven / Axel Beer
  • "Da ist Musik drin" : zu einer Ausstellung im Sächsischen Staatsarchiv : Staatsarchiv Leipzig / Thekla Kluttig
  • Personen- und Verlagsregister.
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