xiv, 295 pages : forms ; 25 cm
  • Management agreements
  • Production company deals (... and the contract from hell which no artist should sign)
  • Artist recording contracts with record companies
  • A simple guide to sync deals
  • Producer agreements
  • Music publishing and songwriter contracts
  • Music and the movies : composer agreements / written with Robert Seigal
  • Live performance and booking agreements (a lawyer's guide to structuring paid music gigs
  • Music video production contracts
  • Band agreements and essential business actions a band (or solo artist) can take at little to no cost without the services of an attorney
  • Investment agreements.
Law Library (Crown)
xviii, 457 pages : illustrations ; 24 cm
  • Why music?
  • The new industry
  • Recording
  • The release
  • Building a fanbase one fan at a time
  • Playing live
  • Booking and promotion
  • Touring
  • How to make real money playing colleges
  • Sponsorships and investments
  • How to master the Internet --The new asking economy: the difference between asking and begging
  • How to get all the royalties you never knew existed (and other business things you need to know)
  • How to get music placed in film and television
  • Bump everyone else off the cover
  • Outro.
In the last decade, no industry has been through as much upheaval and turmoil as the music industry. It is a democratic, "DIY" business and any guide to success in these new waters must be told by someone who has survived them. Ari Herstand's How to Make It in the New Music Business is not only a brilliantly compiled tutorial on how to accomplish specific tasks-routing a tour, negotiating contracts, getting paid for streamed plays or licensing music-but also a manifesto, encouraging musicians to pave their own path.
(source: Nielsen Book Data)9781631491504 20170213
Music Library

3. Music and the law [2017]

xxii, 294 pages ; 24 cm
Law Library (Crown)
xxviii, 584 pages : illustrations (some color) ; 26 cm
  • Part 1: Setting the Stage Chapter 1: Overture Music and Society: We've Got Music in Us Art Versus Commerce: Music Changes Everything Historical Development Chapter 2: The Digital Millennium The Double-Edged Sword Internet Synergy Labels Sow Seeds of Self-Destruction Smaller, Cheaper, Faster, Better (?) The Economics of Digital Distribution: Change and Evolution The New Economic Order The Digital Future Chapter 3: The Music Business System Help Wanted! Getting Through the Maze Show Me the Money Tools of the Trade: Everybody's Gotta Learn Sometime Part 2: Copyright, Songwriting, Publishing, and Licensing Chapter 4: Music Copyright Background Essential Provisions Key Terms Coverage Exclusive Rights Fair Use of Copyrighted Material Copyright Ownership Transfer or Assignment Work Made for Hire Musical Arrangements Sound Recordings Compulsory Mechanical License Royalty Payments (Section 115[c]) Duration of Copyright Formalities Infringement, Remedy Record Counterfeiting, Penalties Changing Laws Rights in Names and Trademarks A Final Note on Law Chapter 5: Professional Songwriting The Market Predictors of Success The Craft The Business of Writing Income Sources Publishing Options Evaluating Publishers The Songwriters Guild of America Contract Reassignment or Default Breaking In Chapter 6: Music Publishing Types of Publishers Subpublishing Administration Contracts With Writers Split Publishing, Copublishing Copyright Protection: Sampling Promotion, Advertising Income Sources Trade Associations and Rights Administration Chapter 7: Music Licensing Music Rights: An Overview Performing Rights Organizations Keeping Track of the Music Membership Options Mechanical Licenses Synchronization Licenses Cable Television Licenses Video Licenses Transcription Licenses Special Use Permits Jukebox Licenses Dramatic Music Rights Creative Commons Part 3: Managing Artist Relationships Chapter 8: Agents, Managers, and Attorneys Agents Managers Attorneys Chapter 9: Artist Management Discovering Each Other The Financial Relationship Manager's Commission The Manager's Role Advancing the Career Personal Management Agreement Chapter 10: Unions and Guilds American Federation of Musicians SAG-AFTRA American Guild of Musical Artists American Guild of Variety Artists Actors' Equity Association International Alliance of Theatrical Stage Employees Other Unions and Guilds Part 4: The Recorded Music Industry Chapter 11: Record Labels Perspective Major Labels Independent Labels Specialty Labels Record Company Structure Trade Associations Chapter 12: Artists' Recording Contracts AFTRA Agreements AFM Agreements Royalty Artist Contracts Chapter 13: Record Production Record Producers Matching Producer to Artist Production Deals The Recording Studio: Operation and Selection The Five Stages of Record Production Getting Started in the Business Professional Associations Chapter 14: Record Label Marketing and Distribution The Marketing Plan The Elements of a Marketing Plan Record Distribution Chapter 15: Marketplace Research Understanding the Consumer Research Topics Data Sources Part 5: Live Performance Chapter 16: Concert Production Concert Promotion Getting Started Booking the Artist Making an Offer The Art of the Deal Contracts Marketing Publicity and Public Relations Sponsorships The Future of Live Chapter 17: Concert Venues Venue Contracts Ticketing Licensed Merchandise Venue Trade Association Chapter 18: Arts Administration Perspective Representative Organizations Symphonic Music Funding the Arts Classical Artist Management Administration Part 6: Music in the Marketplace Chapter 19: Music in Radio Types of Broadcast Radio Stations Audience Identification and Market Research Spectrum of Formats How Commercial Radio Stations Work Chapter 20: Music in Television and Video Variety and Talk Shows Music Specials/Events/Awards Shows Theme Songs Background Music and Foreground Spotlights The Evolving TV Picture MTV and the Rise of the Music Video Music Video Economics and Distribution Chapter 21: Dramatic Scoring for Movies, TV, and Games Background The Craft Music Scoring for TV Music Scoring for Video Games Production Music Libraries Hiring Practices Chapter 22: Music in Advertising Influences on Style Jobs Music Uses Budgets Station Branding Logos The Agency Role Spot Production Chapter 23: Music and Theater Types of Musical Theater Theater Associations Production Components Chapter 24: Music Products Music Retailers Sales Leaders Promotion of Musical Products A Changing Industry Trade Associations Opportunities for Employment Chapter 25: Business Music and Production Libraries Foreground and Background Music Business Music Production Music Libraries Part 7: The Entrepreneurial Musician Chapter 26: The DIY Toolkit The Economics of Indie The Direct-to-Fan Era Doing the Math Making Money With "Free" Tools of the Trade Online Platforms: Now You See It, Now You Don't Conclusion Chapter 27: Starting Your Own Business Getting the Process Started Choosing a Name Forms of Ownership Permits and Legal Issues Raising Funds Marketing Accounting and Finance Keeping Track of the Money Operations Management Management Where To From Here? Part 8: Career Planning and Development Chapter 28: Career Options Creative Careers Directing/Producing Careers Performing Careers Teaching Careers Broadcasting/Film/Video Game Careers Music-Related Careers Entrepreneurs/Starting Your Own Business Chapter 29: Career Development Defining Goals Climbing the Ladder Finding Work Part 9: The Global View Chapter 30: The World Outside the United States Chapter 31: International Copyright Copyright Conventions Multilateral Agreements Bilateral Treaties Intergovernmental Bodies and International Industry Organizations.
  • (source: Nielsen Book Data)9781506309538 20160619
This powerhouse best-selling text maintains is the most comprehensive, up-to-date guide to the music industry. Music business newcomers and professionals alike will find Baskerville's handbook an indispensable resource, whatever their specialty is within the field music. Key Features: * Expanded and enhanced coverage of state-of-the-art technology and its implications for the music industry, including digital downloads, changing production technologies, marketing via social networking, and new distribution channels including video games * Discusses new and emerging business models and their implications including the topics of Internet outlets, the independent musician, the evolving role of producers, and satellite and Internet radio * Information on careers, especially in the context of a changing business environment * Discussion of the concert business, once a minor source of revenue but now as robust as the revenue stream of recorded music * Coverage of alternatives to radio airplay and to incentivising teens to visit local record stores, in light of the weakened format of radio and the disappearance of neighborhood music shops * Examination of sophisticated marketing research tools for the industry, due to consumer clicks that illuminate customer buying behavior and changes in tastes and desires * Reflection on the global shift of the music business world as it becomes less centered on American companies and culture. It is ideal as the core textbook in courses such as Introduction to the Music Business, Music and Media, Music Business Foundations, and survey courses. This book can also be used for more specialized courses on the record industry, music merchandising, music careers, artist management, music and the law, arts administration, and music in popular culture.
(source: Nielsen Book Data)9781506309538 20160619
Music Library
vii, 200 pages ; 24 cm
  • Acknowledgements Introduction: Popular Music, Branding, and Promotional Culture 1 From Commodities to Commercials? The Rise of Promotion in the Music Industries 2 Capitalizing on Music: From Sound Recordings to 'Artist-Brands' 3 Brands: The New Gatekeepers 4 'Flexible' Capitalism and Popular Music: Branding Culture, Designing 'Difference' 5 Conclusions Notes References Index.
  • (source: Nielsen Book Data)9780745692227 20170213
'Business-as-usual' has been transformed across the music industries in the post-CD age. Against widespread hype about the purported decline of the major music labels, this book provides a critique of the ways these companies have successfully adapted to digital challenges and what is at stake for music makers and for culture. Today, recording artists are positioned as 'artist-brands' and popular music as a product to be licensed by consumer and media brands. Leslie M. Meier examines key consequences of shifting business models, marketing strategies, and the new 'common sense' in the music industries: the gatekeeping and colonization of popular music by brands. Popular Music as Promotion is important reading for students and scholars of media and communication studies, cultural studies and sociology, and will appeal to anyone interested in new intersections of popular music, digital media and promotional culture.
(source: Nielsen Book Data)9780745692227 20170213
Music Library
vii, 181 pages ; 23 cm
To be a great singer, talent and technique are obviously important, as are having excellent songs and being able to move an audience. But there's more to it than that, including two critical skills that are rarely, if ever, addressed in vocal training: managing the technology on stage and in the studio, and interacting with the people who run it. No matter how fantastic your voice is or how much money is behind you, if you don't know how to work with performing and recording technology, you're in for a tough ride. Countless phenomenal singers stagnate professionally and even leave the business because they can't figure out how to deliver when using studio headphones and stage monitors, or how to communicate their needs to producers and engineers. And many less-capable singers get ahead because they can. The Art of Singing on Stage and in the Studio is the only book that comprehensively addresses these critical issues in an easy-to-read, accessible style. Starting with a discussion of the evolution of technology and the voice in our culture, it also explores the root causes of anxiety-related performance issues and, more importantly, how to overcome them. Singers, performers, producers, and engineers will all come away from this book more knowledgeable about the origins of their fields, empowered in the tools of their trade, and clearer on how to best communicate with one another.
(source: Nielsen Book Data)9781495050268 20160711
Music Library
xiii, 276 pages : illustrations ; 23 cm
  • Preface: Down Crenshaw Boulevard
  • Introduction: rap dreams and existential urgency
  • Becoming rappers
  • Growing up in gangland
  • Masters of ceremony
  • Freestyle
  • The battle
  • Trying to blow up
  • Cautionary tales
  • Almost famous
  • Ditching the day job
  • Gang violence and dreams derailed
  • Conclusion: nurturing the creative lives of young black men
  • Shout outs
  • Methods appendix: videos in ethnography.
Dr. Dre. Snoop Dogg. Ice Cube. Some of the biggest stars in hip hop made their careers in Los Angeles. And today there is a new generation of young, mostly black, men busting out rhymes and hoping to one day find themselves blowin up getting signed to a record label and becoming famous. Many of these aspiring rappers get their start in Leimart Park, home to the legendary hip hop open-mic workshop Project Blowed. In "Blowin Up, " Jooyoung Lee takes us deep inside Project Blowed and the surrounding music industry, offering an unparalleled look at hip hop in the making. While most books on rap are written from the perspective of listeners and the market, "Blowin Up" looks specifically at the creative side of rappers. As Lee shows, learning how to rap involves a great deal of discipline, and it takes practice to acquire the necessary skills to put on a good show. Along with Lee who is himself a pop-locker we watch as the rappers at Project Blowed learn the basics, from how to hold a microphone to how to control their breath amid all those words. And we meet rappers like E. Crimsin, Nocando, VerBS, and Flawliss as they freestyle and battle with each other. For the men at Project Blowed, hip hop offers a creative alternative to the gang lifestyle, substituting verbal competition for physical violence, and provides an outlet for setting goals and working toward them. Engagingly descriptive and chock-full of entertaining personalities and real-life vignettes, "Blowin Up" not only delivers a behind-the-scenes view of the underground world of hip hop, but also makes a strong case for supporting the creative aspirations of young, urban, black men, who are often growing up in the shadow of gang violence and dead-end jobs.".
(source: Nielsen Book Data)9780226348896 20160619
Music Library
vii, 233 pages : illustrations ; 25 cm
Music Library
351 pages : illustrations ; 22 cm
East Asia Library
ix, 173 pages : illustrations ; 23 cm.
  • "Nothing but realism": early hillbilly music's blend of rural and urban
  • "Country comes to town": a new urban identity for country music in the 1960s
  • "You sound like us but you look like them": the racial politics of country music in the city of Nashville
  • "Country music is wherever the soul of a country music fan is": Opryland U.S.A. and the importance of "home" in country music
  • "They're not as backward as they used to be": country music's commercial success in the 1990s and the transformation of downtown Nashville.
Country music evokes a simple, agrarian past, with images of open land and pickup trucks. While some might think of the genre as a repository of nostalgia, popular because it preserves and reveres traditional values, Jeremy Hill argues that country music has found such expansive success because its songs and its people have forcefully addressed social and cultural issues as well as geographic change. Hill demonstrates how the genre and its fans developed a flexible idea of ""country, "" beyond their rural roots, and how this flexibility allowed fans and music to ""come to town, "" to move into and within urban spaces, while retaining a country ""character."" To understand how the genre has become the far-reaching commercial phenomenon that it is today, Hill explores how various players within the country music fold have grappled with the notion of place. He shows both how the industry has transformed the city of Nashville and how country music -- through song lyrics, imagery associated with the music, and branding -- has reshaped ideas about the American landscape and character. As the genre underwent significant change in the last decades of the twentieth century, those who sought to explain its new styles and new locations relied on a traditional theme: ""You can take the boy out of the country, but you can't take the country out of the boy."" Hill demonstrates how this idea -- that you can still be ""country"" while no longer living in a rural place -- has been used to expand country's commercial appeal and establish a permanent home in the urban space of Nashville.
(source: Nielsen Book Data)9781625341723 20160619
Music Library
vii, 128 pages : illustrations ; 23 cm.
  • Chapter 1. Introduction to the Economics of the Music Industry Chapter. 2. Producer Theory Record Labels and Musicians Chapter 3. Consumer Theory How We Consume Music Chapter 4. Technology.
  • (source: Nielsen Book Data)9781137468970 20160704
The Economics of the Popular Music Industry provides an overview of the music industry from an economics perspective, using modelling from Microeconomic theory and Industrial Organization.
(source: Nielsen Book Data)9781137468970 20160704
Music Library
x, 324 pages : illustrations ; 25 cm.
  • The long 19th century in Portugal and the transformation of Lisbon
  • Opera, operetta, and revista : music and entertainment in Lisbon
  • Song collection in Portugal : between domestic entertainment and scientific objectivity
  • Programs, postcards, coplas and sheet music
  • The mechanization of everyday life : mechanical instruments, phonography and modernity.
During the decades leading up to 1910, Portugal saw vast material improvements under the guise of modernization while in the midst of a significant political transformation - the establishment of the Portuguese First Republic. Urban planning, everyday life, and innovation merged in a rapidly changing Lisbon. Leisure activities for the citizens of the First Republic began to include new forms of musical theater, including operetta and the revue theater. These theatrical forms became an important site for the display of modernity, and the representation of a new national identity. Author Joao Silva argues that the rise of these genres is inextricably bound to the complex process through which the idea of Portugal was presented, naturalized, and commodified as a modern nation-state. Entertaining Lisbon studies popular entertainment in Portugal and its connections with modern life and nation-building, showing that the promotion of the nation through entertainment permeated the market for cultural goods. Exploring the Portuguese entertainment market as a reflection of ongoing negotiations between local, national, and transnational influences on identity, Silva intertwines representations of gender, class, ethnicity, and technology with theatrical repertoires, street sounds, and domestic music making. An essential work on Portuguese music in the English language, Entertaining Lisbon is a critical study for scholars and students of musicology interested in Portugal, and popular and theatrical musics, as well as historical ethnomusicologists, cultural historians, and urban planning researchers interested in the development of material culture.
(source: Nielsen Book Data)9780190215705 20161108
Green Library
xvii, 486 pages : illustrations ; 25 cm.
Heaven Was Detroit: From Jazz to Hip-hop and Beyond is the first of its kind to capture the full spectrum of Detroit popular music from the early 1900s to the twenty-first century. Readers will find in this unique and stimulating anthology new essays, and a few classics, by widely known and respected music writers, critics, and recording artists who weigh in on their careers and experiences in the Detroit music scene, from rock to jazz and everything in between. With a foreword by the acclaimed rock writer Dave Marsh and iconic photos by Leni Sinclair, the book features such well-known writers as Greil Marcus, Jaan Uhelszki, Al Young, Susan Whitall, Gary Graff, John Sinclair, and many others. Divided into nine sections, the book moves chronologically through the early days of jazz in Detroit, to the rock 'n' roll of the 1960s, and on to today's electronica scene, with so many groundbreaking moments in between. Topics in this collection of essays include Motown's connection to the Civil Rights Movement and the Black Power Movement through its side label, Black Forum Records; Lester Bangs's exemplary piece on Alice Cooper; the story behind the emergence of rap legend Eminem; and Craig Maki's enlightening history on "hillbilly rock" - just to name a few. With a rich musical tradition to rival Nashville, Detroit serves as the inspiration, backdrop, and playground for some of the most influential music artists of the past century. Heaven Was Detroit captures the essence of the Detroit music scene: the grit, the spark, the desire to tell a story set to the rhythm of the city. Fans of any music genre will find something that speaks to them in the pages of this collection.
(source: Nielsen Book Data)9780814341223 20170117
Music Library
xxxii, 256 pages : illustrations ; 23 cm.
  • "... aus dem Stegereif in die Feder dictiret" - Irreführende Werbung mit Spätfolgen bei der postumen Veröffentlichung von J. S. Bachs "Kunst der Fuge" / Christian Brückner
  • Das kartellrechtliche Damoklesschwert über dem Immaterialgüterrecht / David Mamane
  • Deals, Daten, Datenschutz / Roland Mathys, Oliver Triebold
  • M&A Transaktionen im Technologiebereich: ein besonderes Risikoprofil / Lukas Morscher
  • "Promitto et spondeo" / Kaspar Müller
  • Geistiges Eigentum als typisches Produkt moderner Rechtsentwicklung / Peter Münch
  • Die Pressefotografie im Revisionsentwurf zum Urheberrecht - von einem Prokrustesbett ins nächste? / Daniel Plüss
  • Die konkursfeste Softwarelizenz / Georg Rauber
  • Wenn Daten über Grenzen fliessen / David Rosenthal
  • Baselstädtische Liegenschaftstransaktionen: einige steuerliche Hinweise aus notarieller Optik / Markus W. Stadlin
  • Kennzeichnung von Wein / Martin Thomann.
Law Library (Crown)
512 pages : illustrations (some color) ; 25 cm.
  • Einführung / Stefan Keym und Peter Schmitz
  • Leipzig : Buchstadt, Verlagsstadt und Musikstadt? / Thomas Keiderling
  • Leipziger Notendrücke des 16. Jahrhunderts / Jürgen Heidrich
  • Symbolisch oder kommerziell? Johann Hermann Schein und der Leipziger Notendruck 1600-1650 / Stephen Rose
  • Wieviel kostete Musik im 18. Jahrhundert? / Rudolf Rasch
  • Carl Philipp Emanuel Bachs sechs "Flügel-Concerte" Wq 43, H 471-476 im Selbstverlag / Hans-Günter Ottenberg
  • Musikverlag und Musikalienhandel in Leipzig in der zweiten Hälfte des 18. Jahrhunderts / Axel Beer
  • Zwischen Zwangskartell und berufsständischer Vereinigung : der Leipziger Verlegerverein gegen Nachdruck von 1829 / Friedemann Kawohl
  • Carl Maria von Weber und das Urheberrecht / Janine Wolf
  • Die Entwicklung des Musikurheberrechts im 19. Jahrhundert im internationalen Vergleich / Bernd-Rüdiger Kern
  • Leipzig : Mailand hin und zurück : die internationalen Beziehungen zwischen Ricordi und Breitkopf & Härtel als Weg zur Geburt von Nationalismen / Luca Aversano
  • Musikverlag Friedrich Hofmeister Leipzig : Bemerkungen zur frühen Verlagstätigkeit : mit einem Anhang zu den Ouverturen-Editionen / Hans Rheinfurth
  • Alfred Dörffel : Verlagsmitarbeiter und -inhaber, Musikgelehrter und -bibliothekar / Klaus Burmeister
  • "Für den Verleger gerade die misslichste Gattung" : zum Symphonik-Repertoire der Leipziger Musikverlage und seiner Re-Internationalisierung im 'langen 19. Jahrhundert / Stefan Keym
  • Aspekte der institutioneilen Vernetzung um 1900 : zur Gutachtertätigkeit Carl Reineckes und Arthur Nikischs für Breitkopf Sc Härtel sowie Oskar von Hases Rolle im Allgemeinen Deutschen Musikverein / Peter Schmitz
  • Kurt Eulenburg und die "Arisierung" der Firma Ernst Eulenburg : zur Geschichte des Leipziger Musikverlagswesens im "Dritten Reich" / Sophie Fetthauer
  • System-Umbruch : Breitkopf Sc Härtel in Leipzig von 1944 bis 1959 / Christoph Hust
  • Musikverlage : Aktueller Stand und zukünftige Entwicklungen / Christian Baierle
  • Verlagsforschung in Leipzig : Desiderate und Perspektiven / Axel Beer
  • "Da ist Musik drin" : zu einer Ausstellung im Sächsischen Staatsarchiv : Staatsarchiv Leipzig / Thekla Kluttig
  • Personen- und Verlagsregister.
Music Library
291 pages : illustrations ; 23 cm
  • Musical experience as transaction
  • Transience to permanence
  • The rise of commercial markets
  • Media revolutions
  • Convergence and crossover
  • Masssification
  • Scaling and selling live performance
  • Visual media
  • Artists, audiences, and brands
  • Digitization
  • State of the art.
Making Money, Making Music offers tools to encourage creative and adaptive entrepreneurship in the music business. Written for the classroom and the workplace, it introduces readers to core principles and processes and shows how to apply them adaptively to new contexts, facilitating a deeper understanding of how and why things work in the music business. By applying essential concepts to a variety of real-life situations, readers improve their capacity to critically analyze and solve problems and to predict where music and money will converge in a rapidly evolving culture and marketplace.
(source: Nielsen Book Data)9780520292598 20161108
Music Library
xviii, 254 pages : illustrations ; 28 cm.
  • The life stages of the music industry
  • How the music world has changed
  • The new music industry
  • The new masters of the domain
  • The new marketing : part 1
  • The new marketing : part 2
  • Marketing with social media
  • Social media management
  • Making money in today's music world
  • The new distribution
  • The new publishing paradigm
  • When music is your product
  • Monetizing video views
  • The music 4.1 rules for survival
  • Living in music 4.1.
Today's music industry is constantly changing at a dizzying pace, and this second edition of Music 4.0: A Survival Guide for Making Music in the Internet Age has been fully updated to help you navigate it. Written for artists overwhelmed by the seemingly endless options of the quickly evolving Internet, this is the only book that offers a comprehensive strategy for online success. In this updated edition, Bobby Owsinski includes an in-depth look at the economics of streaming music, with the real information about royalties that distributors and record labels don't want you to know and that simply can't be found anywhere else. The book also looks at how revenue is generated from YouTube and other video streaming services, and it provides techniques for optimizing both videos and channels for maximum success. Also included are lists of effective tips (both high- and low-tech) and checklists with every chapter, as well as a reference list of online tools for inexpensive music and merchandise distribution, sales, marketing, and promotion. With fresh interviews from several of today's successful music industry innovators, this update of Music 4.0 reveals new and proven pathways to success in the new paradigm of the modern music world.
(source: Nielsen Book Data)9781495045219 20160704
Music Library
xviii, 217 pages : illustrations ; 24 cm.
  • Introduction : capitalism, music, and social theory
  • A brief history of music and capitalism before the rise of neoliberalism
  • Neoliberal capitalism and the cultural industries
  • Globalization
  • Digitalization
  • Singing in the shadows of neoliberal capitalism
  • Conclusions : capitalism is people, too.
"In this book, Timothy D. Taylor explores just how pervasively capitalism has shaped music over the last few decades. Examining changes in the production, distribution, and consumption of music, he offers an incisive critique of the music industry's shift in focus from creativity to profits, as well as stories of those who are laboring to find and make musical meaning in the shadows of the mainstream cultural industries. Taylor explores everything from the branding of musicians to the globalization of music to the emergence of digital technologies in music production and consumption. Drawing on interviews with industry insiders, musicians, and indie label workers, he traces both the constricting forces of bottom-line economics and the revolutionary emergence of the affordable home studio, the global internet, and the mp3 that have shaped music in different ways. A sophisticated analysis of how music is made, repurposed, advertised, sold, pirated, and consumed, Music and Capitalism is a must read for anyone who cares about what they are listening to, how, and why"--Provided by publisher.
Music Library
xiii, 314 pages : illustrations ; 20 cm
  • Part One - the Music Environment: Introduction: The Need for the Music Entrepreneur-- Chapter One: The Music Environment-- Chapter Two: The Music Entrepreneur in the Global Marketplace-- Chapter Three: Music as Space and Place Identity. Part Two - Case Studies: Case-study One: Recorded Music-- Case-study Two: Live Performance-- Case-study Three: Festival and Spectacle-- Case-study Four: Publishing-- Case-study Five: Artist and Artist Management-- Case-study Six: Digital Media.
  • (source: Nielsen Book Data)9781472525406 20160619
The music industries hinge on entrepreneurship. The recent, rapid convergence of media and the parallel ongoing evolution of music businesses have again seen the focus shift to independent companies and individual entrepreneurs. Opportunities tend not to be advertised in professional music and practically everyone begins on their own: forming a band, starting a record label, running events, or building a website. But it's not an easy territory to navigate or get a handle on. Music Entrepreneurship features an analysis of the changing landscape of the music industries and the value of the entrepreneur within them through a series of focused chapters and case studies. Alongside contributions from key academics across the globe, expert contributors from across the industry highlight successful entrepreneurs and offers practical help to the reader trying to navigate the business. Sectors examined include: The value of the music industries Recorded music Live events Branding in music Artist management Digital distribution.
(source: Nielsen Book Data)9781472525406 20160619
Music Library
xix, 328 pages : illustrations ; 26 cm
  • 1 Introduction Paul Rutter 2 Music into industry Paul Rutter Contribution by Pete Astor 3 The live music industry sector Paul Rutter Contributions by Dave Robinson and Phil Pethybridge 4 Music ownership into copyright Paul Rutter 5 Music publishing Paul Rutter 6 The recorded music industry sector Paul Rutter Contributions by Phil Harding, Mike Smith, Peter Leathem and Lynne McDowell 7 Managing music Paul Rutter Contribution by Colin Lester 8 Promoting music Paul Rutter Contribution by Fiona Sturges 9 Music synchronisation and non-music brand relationships Stu Lambert Contribution by Simon May 10 The classical music business Marius Carboni 11 Music venture strategies Paul Rutter 12 Trading in the music industry Paul Rutter 13 Into the future: the nascent music industries Paul Rutter.
  • (source: Nielsen Book Data)9781138910508 20161031
The Music Industry Handbook, Second edition is an expert resource and guide for all those seeking an authoritative and user-friendly overview of the music industry today. The new edition includes coverage of the latest developments in music streaming, including new business models created by the streaming service sector. There is also expanded exploration of the music industry in different regions of the UK and in other areas of Europe, and coverage of new debates within the music industry, including the impact of copyright extensions on the UK music industry and the business protocols involved when music is used in film and advertising. The Music Industry Handbook, Second edition also includes: * in-depth explorations of different elements of the music industry, including the live music sector, the recording industry and the classical music business * analysis of business practices across all areas of the industry, including publishing, synchronisation and trading in the music industry * profiles presenting interviews with key figures workings in the music industry * detailed further reading for each chapter and a glossary of essential music industry terms.
(source: Nielsen Book Data)9781138910508 20161031
Music Library

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