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Book
125 pages : color illustrations, music ; 21 cm.
  • La puissance évolutive -- La grande épopée des sonorités historiques -- Piano historique -- Pédales transformant le timbre -- Le modernisme industriel et son incidence sur la facture pianistique -- Équilibre et déséquilibre des registres -- Culte et dénigrement des pianos -- Pianos anciens, copies modernes -- L'unicité de chaque instrument acoustique -- Pianoforte ou piano ancien ? -- Dévotion pour un passé lointain -- Rivaliser avec le vieillissement ? -- Innovations contemporaines -- Conservatisme -- Les facteurs novateurs -- Cent huit touches pour le piano du futur? -- Le Fluid piano : premier piano universel?
"Depuis que le piano a détrôné le clavecin, le gain de puissance sonore incarné par les pianos neufs ne s'est jamais arrêté. Sa facture a été tributaire d'un progrès technologique qui trace la route du futur en incitant à croire qu'aujourd'hui est mieux qu'hier et que demain sera mieux qu'aujourd'hui jusqu'à atteindre une perfection indépassable. Mais, en réalité, le piano a-t-il musicalement progressé au cours de son histoire ? Qu'est-ce qu'un piano ancien ? Peut-on en refaire ? Le piano moderne, héritage de la seconde moitié du XIXe siècle, vénéré majoritairement par le monde du piano, est-il adapté à notre monde actuel ? Quelles ont été les incidences de son succès au siècle passé ? Qui sont ceux qui combattent aujourd'hui sa standardisation? Existe-t-il un piano pouvant jouer tous les tempéraments ethniques ? Cet ouvrage examine l'expressivité de la facture du piano, selon ses métamorphoses anciennes et modernes, son héritage et ses innovations les plus récentes. Il convie à une lecture historique qui sort des sentiers battus."--Page 4 of cover.
Music Library
Book
1 online resource : illustrations (black and white)
This comprehensive study offers practical strategies for overcoming the unique challenges of practicing and performing as a small-handed pianist. Informed by established scientific and pedagogical principles and illustrated by hundreds of examples, it is an incomparable resource for pianists and teachers.
(source: Nielsen Book Data)9780190616847 20171204
Book
117 pages : music ; 28 cm
  • NOTATION 1 Musical Sound White Key Names The Keyboard Octave and Middle C Posture and Hands C position Playing Keyboards Step, Skip and Repeat Pitch Motion 2 Hand Positions Changing Position Playing Music Composition One 3 Rhythm Notes and Rests Treble Clef and Staff Beats and Notes Lines and Spaces Notated Pitch Motion Playing Melodies 4 Time Signatures Notes and Beats Bass Clef and Staff Beats and Notes Stems & Grand Staff Composition Two 5 Dots & Ties Partial Measures 6 Shorter Notes and Rests Composition Three CHORDS 7 Overtones Intervals Notated Intervals 8 Chords Notated Chords Chord Progressions 9 Chord Structure Chord Inversion 5 Fingers, 7 pitches Improvised Endings Composition Four 10 Lead Sheets Composition Five 11 Chording Styles Song Accompaniment Rock Styles F MAJOR 12 Half and Whole Steps C Major Scale Black Key Names Notated Accidentals Scales & The Blues 13 Transposition Key Signatures 14 Scale Degrees Chord Structure Chord Inversion Key Change Composition Six 15 Chording Styles Hand Changes Partial Chords 16 Song Accompaniment Composition Seven G MAJOR 17 Transposition Key Signatures 18 Scale Degrees Chord Structure Chord Inversion Ledger Lines 19 Dotted Quarter Notes Composition Eight 20 Chording Styles Song Accompaniment 21 Hand Changes Expression Composition Nine MINOR 22 Major and Minor Chords Chord Symbols Scale Degrees Key of C Chords 23 Three Pitch Chords Any Triad, Any Key Four Pitch Chords Seventh Chords Dominant Seventh Basic Chord Types Key of C 7th Chords Altered Chords 24 Major and Minor Modes Minor Chords Scale Degrees Harmonic Minor Scale 25 Perfect Fifths & Signatures Circle of Fifths Keys with Flats and Sharps Composition Ten.
  • (source: Nielsen Book Data)9781475835410 20170724
This book is concise, practical, and has modular content that can be taught in several flexible formats. The introduction of one hundred musical elements is supported by three hundred activities.Ten core melodies and seventeen other authentic pieces are carefully sequenced in mostly fixed hand positions. The intervallic reading of melodic notation is emphasized. Melodic repetition and gradually more demanding accompaniments help students with divergent abilities to play successfully. Students with prior musical experience will find that this course introduces them to aspects of musicianship that will enhance their future efforts. This book will facilitate meeting the Core Music Standards for grades 5 through 8, and the novice/intermediate Harmonizing Instruments Strand. It will help prepare students for the novice/intermediate Ensemble Strand, the proficient Composition/Theory Strand and the proficient Technology Strand. It will also facilitate introductory college instruction.
(source: Nielsen Book Data)9781475835410 20170724
Music Library
Book
lxxvi, 890 pages : illustrations (chiefly color) ; 24 cm
Music Library
Book
xvi, 285 pages : illustrations ; 29 cm.
  • Pitch Chart Preface A Few Words About Recordings The Dictionary Appendixes Appendix A Dictionary Entries Listed by Category Appendix B A Brief Overview of the Acoustic Piano's Action for the Performer Appendix C Historical Pianos and their Relationship to the Standard Repertoire by Edmund Michael Frederick Appendix D Digital Pianos in the Modern Pianist's World by S. David Berry Appendix E The Player Piano and the Reproducing Piano by Robert J. Berkman.
  • (source: Nielsen Book Data)9780810888791 20170123
A Dictionary for the Modern Pianist combines nearly four hundred entries covering classical and popular pianists, noted teachers, terminology germane to the piano's construction, and major manufacturers. Speaking to the needs of the modern performer, it also includes entries on jazz and pop artists, digital pianos, and period instruments. Transcending simple alphabetical definitions, Stephen Siek's careful attention both to legacy and detail make the dictionary an invaluable addition to any pianist's library.
(source: Nielsen Book Data)9780810888791 20170123
Music Library
Book
xviii, 234 pages : illustrations ; 26 cm
  • Acknowledgements List of Figures Preface Introduction Section 1 Background of Group-Piano & Working With Groups Chapter 1 Group-Piano 101 Objectives Historical Overview of Group-Piano and Its Context Today Categories of Group-Piano Lessons Occasional Group Classes Regular Group Classes 3 Weeks of Private Lessons-- Group Lesson Only During 4th Week 4 Weeks of Private Lessons-- Group Lesson Also During 4th Week Private (or Partner) Lesson & Group Class Every Week A Note About Partner Lessons A Private Lessons and a Group Lesson on Alternating Weeks Occasional Group Camps Group-Piano Only and the Teaching Space Benefits of Group-Piano for Student and Teacher Considerations Regarding Group-Piano Special Skills Required of a Group-Piano Teacher Student Readiness for Group-Piano Lessons Teacher Readiness for Group-Piano Lessons A Final Note of Caution Pedagogy in Action (Questions to Answer) References for Chapter 1 Chapter 2 Brief Overview of Learning Theories That Teachers Should Consider Objectives Introduction Learning Theories What is Learning? Behaviorism Psychosocial Development, Cognitive Development & Human Learning Other Theorists & Theories for Teachers to Consider and Explore Discussion & Implementation in the Piano Class Reflection on the Use of Learning & Developmental Theories in the Group-Piano Setting Two Sample Classes Pedagogy in Action References for Chapter 2 Chapter 3 Group Theory and Group Dynamics in the Piano Class Objectives Two Vignettes of Group-Piano Students Vignette One: First-Year Group Piano Vignette Two: Beginning Seven-Year-Old Group Piano The Power of the Group Group Dynamics and Group Growth: Background & Relevance to Group-Piano Stages of Group Growth Forming Storming Norming & Performing Adjourning Discussions of the Stages of Group Growth and Cohesiveness Priming the Group for Success and Considerations for Group-Piano Instructors Pedagogy in Action Additional Reading & Exploration References for Chapter 3 Chapter 4 Addressing Individual Learning Styles Within the Group-Piano Class Objectives Preferred Learning Modes Individual Personality Types & Learning Styles Myers-Briggs Type Indicator Kiersey & Golay Personality Types Kolb's Learning-Style Preferences Reinforcing Cognitive Strategies & Learning Styles in the Piano Lab Useful Cognitive Strategies Using Learning Theories & Kolb's Learning Styles in the Group-Piano Class Engaging Active Experimenters & Reflective Observers in Technical Exercises Engaging Thinkers & Feelers in Improvisation Conclusion Pedagogy in Action References for Chapter 4 Section 2 Group-Piano Students: Adults Chapter 5 The Music Major: College-Level Group Piano Objectives Introduction Philosophy for Including Piano Proficiency in the Undergraduate Music Curriculum Suggested & Required Skills Placement Tests NASM Requirements & Recommendations Overview of Piano Skills Required of Music Majors Assessment Syllabus Purpose & Materials Piano Proficiency Exam After the Proficiency & Supplemental Resources College Text Overviews Alfred's Group Piano for Adults Piano for the Developing Musician Keyboard Musicianship Contemporary Class Piano Piano Lab Pedagogy in Action References for Chapter 5 Chapter 6 The Non-Major: Adults Groups for College Credit Objectives The Non-Music Major Philosophy & Theory Assessment Individual Assessment Piano Placements College Texts for Non-Majors Piano 101 Piano for Pleasure Keyboard Fundamentals Pedagogy in Action References for Chapter 6 Chapter 7 Leisure Adults in the Independent Studio, Community Schools, and Other Locations Objectives Introduction Grouping Adults Andragogy Lifespan Development Characteristics of Adult Learners Common Characteristics of Adults & Considerations for Teachers Cognitive Changes Associated with Age Physical Changes Associated with Age Other Implications of Age on Piano Study: The Importance of Clarity Needs of the Leisure Student and the Curriculum Serious Music Study or RMM: Two Paths Toward Musical Development Considerations when Designing Curriculum and Choosing Materials Adult Leisure Text Review Adult Piano Adventures Adult Piano Method (Hal Leonard Student Library) Piano Fun for Adult Beginners & Piano Fun Play Piano Now! I Used to Play Piano Returning to the Piano Handbooks for Teachers of Adults Making Music at the Piano: Learning Strategies for Adult Students Recreational Music Making Handbook for Piano Teachers Pedagogy in Action References for Chapter 7 Section 3 Group-Piano Students: Children Chapter 8 Overview of Group Music Programs for Children Objectives Introduction Historic Group Programs for Children - European Influences Dalcroze Eurythmics Applications to Group-Piano The Kodlay Method Applications to Group-Piano Orff-Schulwerk Applications to Group-Piano Asian Influences The Suzuki Method Applications to Group-Piano Yamaha Music Education Program Applications to Group-Piano North American Influences Kindermusik International Musikgarten Music for Young Children Pedagogy in Action References for Chapter 8 Chapter 9 Group-Piano for Children in the Independent Studio & K-12 Schools Objectives Overview of Group-Piano for Children Philosophy & Theory of Teaching Children in Groups Typical Types of Group-Piano for Children & Curricular Considerations Methods & Materials for Children in Beginning Group-Piano Average-Age Beginning Methods Alfred's Basic Group Piano Course The Music Tree Other Methods That May Be Used Resources for Advancing Groups Ensemble Resources Alfred Basic Piano Library Ensemble Books Hal Leonard Student Piano Library Ensemble Books Ogilvy Music Ensembles Ensemble Music for Group Piano PianoTeams Games Teacher Books on Games Useful Books for Theory, Improvisation, Composition, & Music History General Resources for Teachers Theory Resources for Teachers Books for Students Improvisation Composition Books for Teachers Books for Students Music History & World Music Materials Designed for Group-Piano Camps Books Specifically for K-12 Piano Classes Pedagogy in Action References & Teacher Resources for Chapter 9 Section 4 The Group-Piano Instructor Chapter 10 Advantages and Disadvantages of Group Teaching & Additional Thoughts on Assessment from the Instructor's Perspective Objectives Advantages of Group-Piano Teaching Disadvantages of Teaching Group-Piano Assessment Pedagogy in Action References for Chapter 10 Chapter 11 Characteristics of Effective Group-Piano Teachers Objectives Effective Group Teachers Curriculum Lesson Planning & Realization Group Engagement Measurement of Individual Outcomes Student Motivation Conclusions Pedagogy in Action References & Resources for Chapter 11 Chapter 12 Common Pitfalls of Beginning Group-Piano Instructors & How to Avoid These Mistakes Objectives Introduction Policy & Procedural Issues Lesson Scheduling & Length of Term Unclear or Unstated Expectations for Students and Families Curricular Issues Inappropriate Lessons & Materials Lack of Specific Long-Term Goals & Objectives Inadequate Reinforcement Teaching Difficulties, Issues, & Assessment Concerns Teaching Not Telling Pacing, Flexibility, & Wasted Time Too Few Group Activities & Little Serious Learning or Musicianship Classroom Management Individual & Group Assessment Final Thoughts & Ideas Pedagogy in Action References for Chapter 12 Chapter 13 Establishing Trust Within the Group Objectives Introduction Teacher's Role Sample Student Activities Rehearsing Ensemble Repertoire Improvising Accompaniments Pedagogy in Action References for Chapter 13 Chapter 14 Logistics of Teaching Group-Piano Objectives Scheduling Surveys Optimal Time of Day Marketing Space in the Studio - Considerations Ancillary Materials Books & Multiple Copies of Music Games & Manipulatives Pedagogy in Action References for Chapter 14 Chapter 15 Technology for the Group-Piano Instructor Objectives Introduction Basic Technology Digital & Electronic Pianos Computers, Audio, & Visual Aids Additional Technology to Enhance the Learning Experience Keeping Up With Technological Change Pedagogy in Action References & Resources for Chapter 15 Appendix A.1 Appendix A.2 Appendix A.3 Appendix B Appendix C.1 Appendix C.2 Appendix C.3 Appendix D.1 Appendix D.2 Appendix E.1 Appendix E.2 Appendix E.3 Appendix E.4 Appendix E.5 References Index.
  • (source: Nielsen Book Data)9781138241435 20170829
Dynamic Group-Piano Teaching provides future teachers of group piano with an extensive framework of concepts upon which effective and dynamic teaching strategies can be explored and developed. Within fifteen chapters, it encompasses learning theory, group process, and group dynamics within the context of group-piano instruction. This book encourages teachers to transfer learning and group dynamics theory into classroom practice. As a piano pedagogy textbook, supplement for pedagogy classes, or resource for graduate teaching assistants and professional piano teachers, the book examines learning theory, student needs, assessment, and specific issues for the group-piano instructor.
(source: Nielsen Book Data)9781138241435 20170829
Music Library
Book
xiii, 492 pages : illustrations (some color) ; 27 cm
  • PrefaceAcknowledgmentsIntroduction1. Bartolomeo Cristofori 2. Giving Cristofori's nuovo cimbalo a Name: Terminology Problems throughout the Eighteenth Century 3. Domenico Scarlatti4. New inventions in Germany, Pantalone Instruments, and Gottfried Silbermann 5. Johann Sebastian Bach and the "Piano et Forte"6. Pianoforte Builders in Germany around 1750 7. The Generation of Bach's Older Sons 8. From Alberti, Platti, and Rutini to Eckard and the Younger Sons of Bach 9. Developments in the Second Half of the Century: Johann Andreas Stein and Sebastien Erard10. Joseph Haydn-Wenzel and Johann Schantz, Young Mozart and Nannette Stein11. Anton Walter and Wolfgang Amadeus Mozart 12. From Broadwood, Merlin, and Clementi to BeethovenEpilogueAppendix: Scipione Maffei's Article of 1711Selected BibliographyIndex.
  • (source: Nielsen Book Data)9780253022639 20180122
In the late 17th century, Italian musician and inventor Bartolomeo Cristofori developed a new musical instrument-his cembalo che fa il piano e forte, which allowed keyboard players flexible dynamic gradation. This innovation, which came to be known as the hammer-harpsichord or fortepiano grand, was slow to catch on in musical circles. However, as renowned piano historian Eva Badura-Skoda demonstrates, the instrument inspired new keyboard techniques and performance practices and was eagerly adopted by virtuosos of the age, including Scarlatti, J. S. Bach, Clementi, Haydn, Mozart, and Beethoven. Presenting a rich array of archival evidence, Badura-Skoda traces the construction and use of the fortepiano grand across the musical cultures of 18th-century Europe, providing a valuable resource for music historians, organologists, and performers.
(source: Nielsen Book Data)9780253022639 20180122
Music Library
Book
xlii, 511 pages : illustrations ; 24 cm.
Music Library
Book
240 pages : illustrations (chiefly color) ; 31 cm + 1 audio disc (4 3/4 in).
  • Vorwort
  • Firmen-, bau- und kulturhistorische Skizzen
  • Clavier und Gesellschaft : Einleitung
  • Ein firmenhistorischer Abriss
  • Bis zu Johann Lorenz Schiedmayers Tod : 1809 bis 1860
  • Bis zum Jubil̃um : 1860 bis 1909
  • Bis zur Übernahme : 1909 bis 1969
  • Die Idiophone der Sammlung
  • Celesta und Celestina : zur Baugeschichte
  • Vibrolesta und Elektrolesta : zur Kulturgeschichte
  • Clavier und Gesellschaft : Ausblick
  • Katalog
  • Vorbemerkungen
  • Bestandsübersicht
  • Aufbau der Katalogeintr̃ge
  • Mess- und Darstellungsmethoden
  • Glossar
  • Idiophone
  • Schiedmayer-Instrumente
  • Instrumente anderer Hersteller
  • Chordophone
  • Schiedmayer-Instrumente
  • Instrumente anderer Hersteller
  • Aerophone (Andreas Wolfgang Flad)
  • Schiedmayer-Instrumente
  • Quellen und Literatur
  • Quellen des Firmenarchivs
  • Bildnachweise
  • Klangbeispiele [Auf der beiliegenden CD].
Music Library
Book
31 pages : illustrations ; 21 cm.
  • Les raisons d'un mythe -- Les sonorités du piano de Sienne -- Le Temple de Salomon.
"Instrument légendaire réputé par ses sonorités sans équivalent de par le monde, apprécié par des musiciens tels que Liszt ou Saint-Saëns, le piano de Sienne est entouré d'une aura de mystère, en raison de son histoire étonnante. Ainsi, sa table d'harmonie aurait été fabriquée à partir de piliers de bois de l'antique temple de Salomon, en Israël. Volé par les soldats allemands durant la dernière guerre mondiale, il est retrouvé à moitié enfoui dans le sable du désert africain ! Sauvé in extremis de la destruction, restauré par un artisan juif, il a suscité un grand engouement médiatique avant de retomber dans un certain oubli."--Page 4 of cover.
Music Library
Book
xiii, 236 pages : illustrations, music ; 23 cm
In this newly revised edition of a comprehensive guide to piano technique, performance, and music interpretation, renowned performing musician, recording artist, and teacher Boris Berman addresses virtually every aspect of musical artistry and pedagogy. Ranging from such practical matters as sound, touch, and pedaling to the psychology of performing and teaching, this essential volume provides a master class for the performer, instructor, and student alike. It is also available as a multimedia e-Book.
(source: Nielsen Book Data)9780300221527 20180129
Music Library
Book
380 pages : illustrations, music ; 24 cm.
  • Vorwort
  • Veranstaltungsübersicht
  • "Sangbar und zusammenhängend spielen" : Aspekte der Kantabilität im Spiel des Clavichords, dargestellt anhand von Quellen der Zeit Carl Philipp Emanuel Bachs / Bernhard Klapprott
  • Die wahre Art, Ciavier und Piano-Forte zu spielen bei Carl Philipp Emanuel Bach und Johann Nepomuk Hummel / Arthur Schoonderwoerd
  • Rückblick und Ausblick : Carl Czernys Ausführungen über den Vortrag im Licht von Beethovens Umsetzung seiner eigenen Klavierwerke / Harald Ossberger
  • From C. P. E. Bach's Probestücke to Schumann's Studien op. 3. Two ways of thinking about body and sound on the keyboard / Pablo Gómez Ábalos
  • Instrumentalunterricht zwischen 1800 und 1830 in Ungarn und die Ciavierschule von István Gáti / Eszter Fontana
  • Die Hammerflügel Bartolomeo Cristoforis und Gottfried Silbermanns : zwei verschiedene Klangwelten trotz gleicher Mechanik / Kerstin Schwarz
  • Das Pantalon : ein verkanntes "Clavier" des 18. Jahrhunderts / Michael Günther
  • The development of piano technique in England c. 1790-1810 / David Rowland
  • English with a French accent? The identity of the French classical piano / Christopher Clarke
  • Erard's "double pilote" action and its significance / Christopher Clarke
  • Comparison in structure and proportion of Pleyel 1830 and Boisselot 1846 : new piano sounds change musical tastes / Paul McNulty
  • Von Stein zu Steinweg : Clara Schumann und ihre Klavierbauer / Thomas Synofzik
  • "... Strahlte doch das Dreigestirn : Liszt, Chopin und Henselt" : Bemerkungen zum Interpreten und Klavierpädagogen Adolph von Henselt in Russland / Klaus-Peter Koch
  • Aufführungspraktische Erkenntnisse aus Klavierbearbeitungen des frühen 19. Jahrhunderts / Hartmut Krones
  • Zum Aspekt des Symphonischen in den Klavierkonzerten Beethovens und Schumanns / Arnfried Edler
  • Autorenverzeichnis
  • Abkürzungen
  • Register der Musikinstrumente
  • Register der Orte
  • Register der Namen und musikalischen Werke.
Music Library
Book
1 volume (unpaged) : color illustrations ; 31 cm
"A bear finds a piano in the woods, learns to play it, and travels to the big city to become rich and famous, but ultimately discovers that his old friends in the forest back home are still the best audience of all"-- Provided by publisher.
Education Library (Cubberley)
Book
301 pages : 39 illustrations ; 22 cm
  • Bechstein und Bechstein
  • Bechstein : mehr als ein Klavier
  • Von einem, der auszog, das Glück zu suchen
  • Revolutions- und Flügeljahre
  • Künstler und Revolutionäre
  • In kreativer Balance
  • Denys Proshayev : Denken mit den Fingern
  • Lisztomanie
  • Kit Armstrong : Klange, die man nicht vergisst
  • Selfmademan in Berlin
  • Klaviermage
  • Moritz Eggert : ein Flügel ist ein Flügel
  • Klavierfieber
  • Gerrit Zitterbart : Fünf Flügel mit Personlicnkeit
  • Tusculum in Erkner
  • Frauenklavierfieber
  • Ulrike Haage : Reichlich weiblich
  • Brieffreunde
  • Wagner, München und der König
  • Der Beflügler
  • Das Erbe
  • Vier Jahreszeiten
  • Unterweisungen im Salon
  • Die Weggefährtinnen
  • Von Landsberg nach Bayreuth
  • Bechstein gegen Bechstein
  • Obersalzberg
  • Ein mutiger Aufbruch
  • Familiengeschichten
  • Anhang
  • Quellen
  • Dank
  • Bildnachweis.
Music Library
Book
422 pages : illustrations (some color), music ; 24 cm + 1 folded facsimile.
  • Jeux de l'âme, variabilité et coloris pianistiques au temps de Chopin Avant-propos de Florence Gétreau
  • Chopin ou l'œuvre en progrès : de l'improvisation ̉ l'enseignement / Jean-Jacques Eigeldinger
  • Late style, last style, and Chopin's Waltz in a flat major, op. 64 no. 3 / Jeffrey Kallberg
  • Playing with the Chopin sources / John Rink
  • L'œuvre de Frédéric Kalkbrenner (1785-1849) et ses rapports avec Frédéric Chopin (1810-1849) / Hervé Audéon
  • Concerts publics ou productions privées ? Les lieux de musique de la pianiste et compositrice genevoise Caroline Boissier-Butini (1786-1836) dans le miroir de son professionnalisme / Irène Minder-Jeanneret
  • À l'aube du romantisme musical : Couleurs, effets et pédales dans l'œuvre pianistique de Daniel Steibelt (1765-1823) / Hervé Audéon
  • 'Nourishment for the soul' or 'a feast for the ear'? A comparative study of the Stein and Walter fortepiano actions / Stephen Birkett
  • Färbung, Schmelz, Schattierung oder starker Ton : der Antagonismus zwischen Wiener und englischer Mechanik am Beispiel der Klavierbauerfamilie Streicher / Uta Goebl-Streicher
  • Notes on the history of the Viennese piano, 1800 to 1830 / Michael Latcham
  • The restoration of a fortepiano by Conrad Graf, ca. 1838, in the collection of the metropolitan museum of art / Stewart Pollens
  • La manufacture Ignace Pleyel & C..ie entre 1830 et 1850 / Jean-Claude Battault
  • Jean Henri Pape (1789-1875) : au bonheur des dames / Catherine Michaud-Pradeilles
  • Affect in action : hammer design in French romantic pianos / Christopher Clarke
  • Machines ̉ faire les artistes / Jean Haury
  • Katalog
  • Annexes
  • Annexe 1 : Notice sur les inventions et perfectionnemens apportés par H. Pape dans la fabrication des pianos (1839)
  • Annexe 2 : Le piano de Madame Coignet
  • Biographies des auteurs
  • Inserted in the back cover : Catalogue des Pianos de la Manufacture de H. Pape [1838].
Music Library
Book
xxxii, 717 pages : illustrations, music ; 28 cm + 1 foldout keyboard
Music Library
Book
240 pages : illustrations (chiefly color) ; 30 cm
SAL3 (off-campus storage)
Book
262 pages : music, illustrations ; 24 cm.
SAL3 (off-campus storage)
Book
251 pages : illustrations ; 29 cm
Music Library
Book
133 pages : illustrations (some color) ; 24 cm
Music Library

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