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1538 p. : ill. ; 24 cm.
  • Eighteenth century forerunners. The tree ; from The petition for an absolute retreat ; To the nightingale ; A nocturnal reverie / Anne, Countess of Winchilsea
  • A fairy tale ; A night-piece on death ; A hymn to contentment / Thomas Parnell
  • The highland laddie ; My Peggy ; Sweet William's ghost ; Through the wood laddie ; An thou were my ain thing ; from The gentle shepherd. Patie and Peggy / Allan Ramsay
  • Preface to the evergreen / Allan Ramsay
  • The braes of Yarrow / William Hamilton of Bangour
  • William and Margaret ; The Birks of Endermay / David Mallet
  • Grongar Hill ; The fleece. from Book I / John Dyer
  • The seasons. from Winter ; from Summer ; from Autumn / James Thomson
  • A hymn on the seasons ; The castle of indolence. from Canto I / James Thompson
  • Tell me, thou soul of her I love ; To Amanda ; Preface to winter / James Thomson.
  • Eighteenth century forerunners. Night thoughts. from Night I ; from Night III ; from Night V ; from Night VI ; from Night IX / Edward Young
  • from Conjectures on original composition / Edward Young
  • from The grave / Robert Blair
  • from The schoolmistress / William Shenstone
  • The pleasures of the imagination. from Part I / Mark Akenside
  • For a grotto ; Ode to the evening star / Mark Akenside
  • A song from Shakespear's Cymbelyne ; Ode to simplicity ; Ode on the poetical character ; Ode written in the beginning of the year 1746 ; Ode to evening ; The passions ; Ode on the death of Mr. Thomson ; An ode on the popular superstitions of the Highlands of Scotland / William Collins
  • Ode on the spring ; Ode on a distant prospect of Eton College ; Hymn to adversity ; Elegy written in a country churchyard ; The progress of poesy ; The bard ; Ode on the pleasure arising from vicissitude ; Song (Thyrsis, when we parted, swore) ; The fatal sisters ; The descent of Odin ; The triumphs of Owen ; The death of Hoel ; Caràdoc ; Conan ; from Journal in France ; From Gray's letters. To Mrs. Dorothy Gray ; To Richard West ; To Horace Walpole ; To Richard Stonehewer ; To Thomas Wharton To the Reverend William Mason ; from Journal in the lakes / Thomas Gray.
  • from The pleasures of melancholy ; from Ode on the approach of summer ; The crusade ; Sonnets. Written in a blank leaf of Dugdale's monasticon ; Written at Stonehenge ; While summer suns o'er the gay prospect play'd ; On King Arthur's Round Table at Winchester / Thomas Warton
  • from Observations on the Fairy queen of Spenser / Thomas Warton
  • The enthusiast : or the lover of nature ; Ode to fancy ; from Essay on the genius and writing of Pope / Joseph Warton
  • Carthon : a poem ; Oina-Morul : a poem ; from Fingal : an ancient epic poem. Book I / James Macpherson
  • from Letters on chivalry and romance. Letter I ; Letter VI / Richard Hurd
  • from The castle of Otranto. Chapter I / Horace Walpole.
  • Eighteenth century forerunners. from Reliques of ancient English poetry. Robin Hood and Guy of Gisborne ; The ancient ballad of Chevy-Chase ; Sir Patrick Spence ; Edom o'Gordon ; Lord Thomas and Fair Ellinor / Thomas Percy
  • Retirement ; The minstrel, or, The progress of genius ; from Book I / James Beattie
  • Bristowe tragedie, or, The dethe of Syr Charles Bawdin ; The accounte of W. Canynges feast ; from Ælla : a tragycal enterlude. Mynstrelles song (the boddynge flourettes bloshes atte the lyghte) ; Mynstrelles song (o! synge untoe mie ruondelaie) / Thomas Chatterton
  • An excelente balade of charitie ; Epitaph on Robert Canynge / Thomas Chatterton
  • from The history of the Caliph Vathek / William Beckford
  • from Olney hymns. Lovest thou me ; Light shining out of darkness / William Cowper
  • The task. from Book I. The sofa ; from Book II. The time-piece ; from Book VI. The winter walk at noon / William Cowper
  • The poplar-field ; The Negro's complaint ; On the receipt of my mother's picture out of Norfolk ; Yardley Oak ; To Mary ; The castaway / William Cowper
  • from The village. Book I ; from The borough. Letter I. General description / George Crabbe
  • At Tynemouth Priory ; The bells, Ostend ; Bereavement ; Bamborough Castle ; Hope ; Influence of time on greif ; Approach of summer ; Absence / William Lisle Bowles
  • from Poetical sketches. To spring ; To the evening star ; Song : "How sweet I roam'd" ; Song : "My silks and fine array" ; Song : "Love and harmony combine ; Song : "I love the jocund dance" ; Song : "Memory, hither come ; Mad song ; Song : Fresh from the dewy hill" ; To the muses / William Blake
  • from Songs of innocence. Introduction ; A dream ; The lamb ; The echoing green ; The divine image ; The chimney sweeper ; Infant joy ; The shepherd ; A cradle song ; Nurse's song ; Holy Thursday ; On another's sorrow ; Laughing song ; The little black boy / William Blake
  • The book of Thel ; from The marriage of heaven and hell. The voice of the Devil ; A memorable fancy : as I was walking among the fires of hell" ; Proverbs of hell ; A memorable fancy : "The Prophets Isaiah and Ezekiel" ; A memorable fancy : an angel came to me and said" ; A memorable fancy : "once I saw a devil in a flame" / William Blake
  • A song of liberty ; from Visions of the daughters of Albion ; from America : a prophecy ; from Songs of experience. Introduction ; Earth's answer ; The clod and the pebble ; Holy Thursday ; The chimney sweeper ; Nurse's song ; The sick rose ; The fly ; The angel ; The tyger ; Ah, sunflower ; The garden of love ; London ; The human abstract ; Infant sorrow ; A poison tree ; A little boy lost / William Blake
  • A cradle song ; A divine image ; To Tirzah ; Love's secret ; Couplet : "Great things" ; from The four Zoas. from Night II / William Blake
  • Auguries of innocence ; The mental traveller ; from Milton. Preface ; from Book the second / William Blake
  • from Jerusalem. from To the public ; from To the deists ; from To the Christians / William Blake
  • Dedication of the illustrations to Blair's "The grave" ; from The letters. To the Rev Dr. Trusler ; To John Flaxman / William Blake
  • from Annotations to Sir Joshua Reynold's discourses ; from Annotations to "Poems" by William Wordsworth / William Blake.
  • Eighteenth century forerunners. O, once i lov'd a bonie lass ; A prayer in the prospect of death ; Mary Morison ; My nanie, O ; Poor Mailie's elegy ; Green grow the rashes O ; To Davie ; Epistle to J. Lapraik ; Epistle to the Rev. John M'Math ; The jolly beggars ; The Holy Fair ; The cotter's Saturday night ; To a mouse ; Address to the deil ; A bard's epitaph ; Address to the unco guide, or, The rigidly righteous ; To a mountain daisy ; To a louse ; The silver tassie ; Of a' the airts ; Auld Lang Syne ; Whistle o'er the lave o't ; My heart's in the Highlands ; John Anderson my Jo ; Sweet Afton ; Willie brew'd a peck of maut ; Tam Glen ; Thou ling'ring star ; Tam o' Shanter ; Ye flowery banks ; Ae fond kiss ; The deil's awa wi' th' exciseman ; Saw ye bonie Lesley ; Highland Mary ; Last May a braw wooer ; Scots, wha hae ; A red, red rose ; My nanie's awa ; Contented wi' little ; Lassie wi' the lint-white locks ; Is there for honest poverty ; O, wert thou in the cauld blast ; O, lay thy loof in mine, lass ; Preface to the first, or Kilmarnock edition of Burns's poems / Robert Burns.
  • Nineteenth century Romanticists. The pleasures of memory ; from Part I ; An Italian song ; Written at midnight
  • Written in the Highlands of Scotland ; An inscription in the Crimea ; The boy of Egremond ; from Italy ; The lake of Geneva ; The gondola ; The fountain / Samuel Rogers
  • Enquiry concerning political justice. from Book I. Of the powers of man considered in his social capacity ; from Book V. Of the legislative and executive power / William Godwin
  • Extract from the conclusion of a poem, composed in anticipation of leaving school.
  • Written in very early youth ; from An evening walk ; Lines left upon a seat in a yew-tree ; The reverie of poor Susan ; We are seven ; The thorn ; Goody Blake and Harry Gill ; Her eyes are wild ; Simon Lee ; Lines written in early spring ; To my sister ; A whirl-blast from behind the hill ; Expostulation and reply ; The tables turned ; Lines composed a few miles above Tintern Abbey ; The old Cumberland beggar ; Nutting ; Strange fits of passion have I known ; She dwelt among the untrodden ways ; I travelled among unknown men ; Three years she grew in sun and shower ; A slumber did my spirit seal ; A poet's epitaph ; Matthew ; The two April mornings ; The fountain ; Lucy Gray ; The prelude ; from Book I Introduction--childhood and school-time ; from Book II School-time ; from Book III Residence at Cambridge ; from Book IV Summer vacation ; from Book V Books ; from Book VI Cambridge and the Alps ; Book VIII Retrospect : love of nature leading to love of man ; from Book XI France ; from Book XII Imagination and taste, how impaired and restored--(concluded) ; Michael / William Wordsworth
  • It was an April morning ; "Tis said that some have died for love ; The excursion. from Book I The wanderer ; Pelion and Ossa ; The sparrow's nest ; To a butterfly ; My heart leaps up ; Written in March ; To the small celandine ; To the same flower ; Resolution and independence ; I grieved for Buonaparté ; Composed upon Westminster Bridge, September 3, 1803 ; Composed by the sea-side, near Calais, August, 1802 ; It is a beauteous evening, calm and free ; On the extinction of the Venetian Republic ; To Toussaint L'Ouverture ; Composed in the valley near Dover, on the day of landing ; Near Dover, September, 1802 ; Written in London, September, 1802 ; London, 1802 ; Great men have been among us ; It is not to be thought of that the flood ; When I have borne in memory ; To H.C. ; To the daisy ; To the same flower ; To the daisy ; The green linnet ; Yew-trees ; At the grave of Burns ; To a Highland girl ; Stepping westward ; The solitary reaper ; Yarrow unvisited ; October, 1803 ; To the men of Kent ; Anticipation, October, 1803 ; To the cuckoo ; She was a phantom of delight ; I wandered lonely as a cloud ; The affliction of Margaret ; Ode to duty ; To a skylark ; Elegiac stanzas ; To a young lady ; Character of the happy warrior ; Power of music ; Yes, it was the mountain echo ; Nuns fret not at their convent's narrow room ; Personal talk ; Admonition ; How sweet it is, when mother fancy rocks ; Composed by the side of Grasmere Lake ; The world is too much with us; late and soon ; To sleep ; November, 1806 ; Ode : intimations of immortality ; Thought of a Briton on the subjugation of Switzerland ; Characteristics of a child three years old ; Here pause : the poet claims at least this praise ; Laodamía ; Yarrow visited ; Hast thou seen, with flash incessant ; Composed upon an evening of extraordinary splendor and beauty ; To a snowdrop ; There is a little unpretending rill ; Between Namur and Liege ; Composed in one of the Catholic cantons ; from The river Duddon. Sol listener, Duddon ; After-thought / William Wordsworth
  • from Ecclesiastical sonnets mutability ; Inside of King's College Chapel, Cambridge / William Wordsworth
  • To a skylark ; Scorn not the sonnet ; To the cuckoo ; Yarrow revisited ; On the departure of Sir Walter Scott from Abbotsford, for Naples ; The Trosachs ; If thou indeed derive thy light from heaven ; If this great world of joy and pain ; "There!" said a stripling, pointing with meet pride ; Most sweet it is with unuplifted eyes ; To a child ; Extempore effusion upon the death of James Hogg ; Hark! 'Tis the thrush ; A poet!--he hath put his heart to school ; So fair, so sweet, withal so sensitive ; The unremitting voice of nightly streams ; Preface to the second edition of several of the foregoing poems (lyrical ballads) / William Wordsworth.
  • Nineteenth century Romanticists. Life ; Pantisocracy ; To a young ass ; La Fayette ; Koskiusko ; To the Reverend W.L. Bowles ; The Eolian harp ; Reflections on having left a place of retirement ; Sonnet to a friend who asked how I felt when the nurse first presented my infant to me ; Ode on the departing year ; This lime-tree bower my prison ; The dungeon ; The rime of the ancient mariner ; Christabel ; Frost at midnight ; France : an ode ; Lewti, or, The circassian love-chant ; Fears in solitude ; The nightingale ; The ballad of the dark ladie ; Kubla Khan ; Lines written in the album at Elbingerode ; Love ; Dejecton : an ode ; Hymn before sunrise, in the Vale of Chamouni ; Inscription for a fountain on a heath ; Answer to a child's question ; The pains of sleep ; To a gentleman ; Time real and imaginary ; from Remorse hear, sweet spirit, hear the spell ; from Zapolya a sunny shaft did I behold ; The knight's tomb ; To nature ; Youth and age ; Work without hope ; The garden of Boccaccio ; Phantom or fact ; Epitaph ; The wanderings of Cain ; from Biographia literaria. Chapter XIV ; Chapter XVII ; from Chapter XVIII ; Chapter XXII / Samuel Taylor Coleridge
  • Characteristics of Shakespeare's dramas / Samuel Taylor Coleridge.
  • Sonnet concerning the slave trade ; The battle of Blenheim ; The holly tree ; The old man's comforts ; God's judgement on a wicked bishop ; from The curse of Kehama. The funeral ; The march to Moscow ; Ode written during the negotiations with Buonaparte ; My days among the dead are past ; from A vision of judgement. The beatification ; The cataract of Lodore ; from The life of Nelson. The battle of Trafalgar / Robert Southey.
  • The pleasures of hope. from Part I ; Ye mariners of England ; Hohenlinden ; Lochiel's warning ; Lord Ullin's daughter ; Battle of the Baltic ; The last man ; The death-boat of Heligoland / Thomas Campbell. The lake of the dismal swamp ; A Canadian boat song ; from Irish melodies. Oh, breathe not his name ; When he who adores thee ; The harp that once through Tara's halls ; Oh! blame not the bard ; Lesbia hath a beaming eye ; The young May moon ; The minstrel boy ; Farewell!--but whenever you welcome the hour ; The time I've lost in wooing ; Dear harp of my country ; She is far from the land / Thomas Moore
  • from National airs. Oh, come to me when daylight sets ; Oft, in the stilly-night / Thomas Moore
  • Lalla Rookh from the light of the haram ; from Fables for the Holy Alliance. The dissolution of the Holy Alliance / Thomas Moore
  • The burial of Sir John Moore at Corunna ; Sonnet (my spirit's on the mountians, where the birds) ; Oh say not that my heart is cold / Charles Wolfe.
  • Nineteenth century Romanticists. William and Helen ; The violet ; To a lady ; Glenfinlas, or Lord Ronald's coronach ; Cadyow castle ; from The minstrelsy of the Scottish border. Kinmont Willie ; Lord Randal / Sir Walter Scott
  • The lay of the last minstrel. from Canto VI ; Harold (the lay of Rosabelle) / Sir Walter Scott
  • The maid of Neidpath ; Hunting song ; from Marmion. Where shall the lover rest ; Lochinvar / Sir Walter Scott
  • from The lady of the lake. Canto I. The chase ; from Canto II. Boat song ; from Canto III. Coronach ; Canto VI. The guard-room / Sir Walter Scott
  • from Rokeby. Brignall banks ; Allen-a-Dale / Sir Walter Scott
  • from Waverley. Hie away, hie away ; from Guy Mannering. Twist ye, twine ye ; Wasted, weary, wherefore stay / Sir Walter Scott
  • Lines on the lifting of the banner of the house of Buccleuch ; Jock of Hazeldean ; Pibroch of Donuil Dhu ; from The antiquary. Why sitt'st thou by that ruin'd hall? ; from Old mortality. And what through winter will pinch severe ; Clarion / Sir Walter Scott
  • The dreary change ; from Rob Roy. Farewell to the land ; from The heart of Midlothian. Proud maisie ; from Ivanhoe. The barefooted friar ; Rebecca's hymn / Sir Walter Scott
  • from The monastery. Border march ; from The pirate. The song of the Reim-Kennar ; Farewell to the muse ; from Quentin Durward. County guy ; from The talisman. What brave chief ; from The doom of Devergoil. Robin Hood ; Bonny Dundee ; When friends are met / Sir Walter Scott
  • from Woodstock. Glee for King Charles ; The foray / Sir Walter Scott
  • from The beacon. Fishermann's song ; Woo'd and married and a' ; A Scotch song / Joanna Baillie
  • The lovely lass of Preston Mill ; Gane were but the winter cauld ; A wet sheet and a flowing sea / Allan Cunningham
  • When the kye comes hame ; The skylark ; When Maggy gangs away ; from The queen's wake. Kilmeny ; The witch o' Fife ; A boy's song ; M'Kimman ; Lock the door, Lariston ; The maid of the sea ; / James Hogg.
  • Nineteenth century Romanticists. Lachin y Gair ; Farewell! if ever fondest prayer ; Bright be the place of thy soul! ; When we two parted ; from English bards and Scotch reviewers ; Maid of Athens, ere we part ; The bride of Abydos ; Ode to Napoleon Buonaparte ; She walks in beauty ; Oh! snatch'd away in beauty's bloom ; My soul is dark ; Song of Saul before his last battle ; Herod's lament for Mariamne ; The destruction of Sennacherib ; Stanzas for music (there's not a joy the world can give) ; Fare thee well ; Stanzas for music (there be none of beauty's daughters) ; Sonnet on Chillon ; The prisoners of Chillon ; Stanzas to Augusta ; Epistle to Augusta ; Darkness ; Prometheus ; Sonnet to Lake Leman ; Stanzas for music (they say that hope is happiness) ; from Childe Harold's pilgrimage. Canto III ; from Canto IV / George Noel Gordon, Lord Byron
  • Manfred ; So, we'll go no more a-roving ; My boat is on the shore ; Strahan, Tonson, Lintot of the Times ; Mazeppa ; from Don Juan. Dedication ; from Canto I ; from Canto II ; from Canto III. The isles of Greece ; from Canto IV ; from Canto XI / George Noel Gordon, Lord Byron
  • When a man hath no freedom to fight for at home ; The world is a bundle of hay ; Who kill'd John Keats? ; For Orford and for Waldegrave ; The vision of judgment ; Stanzas written on the road between Florence and Pisa ; On this day I complete my thirty-sixth year / George Noel Gordon, Lord Byron.
  • Nineteenth century Romanticists. Queen Mab. from Section II ; Section VIII / Percy Bysshe Shelley
  • Mutability (we are as clouds that veil the midnight moon) ; To---(oh! there are spirits of the air) ; To Wordsworth ; Feelings of a republican on the fall of Bonaparte ; Alastor, or The spirit of solitude ; Hymn to intellectual beauty ; Mont Blanc ; Lines (the cold earth slept below ; To Mary ; Death (they die--the dead return not) ; Lines to a critic ; Ozymandias ; The past ; On a faded violet ; Lines written among the Euganean Hills ; Stanzas (the sun is warm, the sky is clear) ; Lines written during the Castlereagh administration ; The mask of anarchy ; Song to the men of England ; England in 1819 ; Ode to the west wind ; The Indian serenade ; Love's philosophy ; The poet's lover ; Proemtheus unbound ; The sensitive plant ; The cloud ; To a skylark ; To---(I fear thy kisses, gentle maiden) ; Arethusa ; Hymn of Apollo ; Hymn of Pan ; The question ; The two spirits : an allegory ; Autumn : a dirge ; The waning moon ; To the moon ; Death (death is here, and death is there) ; The world's wanderers ; Time long past ; An allegory ; The witch of Atlas ; Epipsychidion ; Song (rarely, rerely comest thou) ; To night ; Time ; To Emilia Viviani ; To---(music, when soft voices die) ; To---(when passion's trance is overpast) ; Mutability (the flower that smiles today) ; A lament ; Sonnet : political greatness ; Adonais ; from Hellas. Life may change, but it may fly not ; Worlds on worlds are rolling ever ; Darkness has dawned in the east ; The world's great age begins anew / Percy Bysshe Shelley
  • Evening ; To---(one word is too often profaned) ; On Keats ; Tomorrow ; Remembrance ; To Edward Williams ; Music ; Lines (when the lamp is shattered) ; With a guitar : to Jane ; To Jane ; from Charles the first a widow bird sate mourning for her love ; A dirge ; Lines (we meet not as we parted) ; The isle ; from A defense of poetry / Percy Bysshe Shelley.
  • Nineteenth century Romanticists. Imitation of Spenser ; To Byron ; To Chatterton ; Woman! when I behold thee flippant, vain ; Written on the day that Mr. Leigh Hunt left prison ; To a young lady who sent me a laurel crown ; How many bards gild the lapses of time ; Keen, fitful gusts are whisp'ring here and there ; On first looking into Chapman's Homer ; As from the darkening gloom a silver dove ; Sonnet to solitude ; To one who has been long in city pent ; Oh! how I love on a fair summer's eve ; I stood tiptoe upon a little hill ; Sleep and poetry ; Addressed to Benjamin Robert Haydon ; To G.A.W. ; Stanzas (in a drear-nighted December) ; Happy is England ; On the grasshopper and the cricket ; After dark vapors have oppress'd our plains ; Written on the blank space at the end of Chaucer's tale of "The floure and the lefe" ; On a picture of Leander ; To Leigh Hunt, esq. ; On seeing the Elgin marbles ; On the sea ; Lines (unfelt, unheard, unseen) ; On Leigh Hunt's poem "The story of Rimini" ; When I have fears that I may cease to be ; On sitting down to read "King Lear" once again ; Lines on the Mermaid Tavern ; Robin Hood ; To the Nile ; To Spenser ; The human seasons ; Endymion ; Isabella, or The pot of basil ; To Homer ; Fragment of an ode to Maia ; To Ailsa Rock ; Fancy ; Ode (bards of passion and of mirth) ; Ode on melancholy ; Ode on a Grecian urn ; Ode on indolence ; La belle dame sans merci ; On fame ; Another on fame ; To sleep ; Ode to Psyche ; Ode to a nightingale ; Lamia ; The Eve of St. Agnes ; The Eve of St. Mark ; Hyperion ; To Autumn ; To Fannie ; Bright star, would I were steadfast as thou art ; from Keats letters to Benjamin Bailey ; To John Hamilton Reynolds ; To John Taylor ; To James Augustus Hessey ; To George and Georgiana Keats ; To John Hamilton Reynolds ; To Percy Bysshe Shelley / John Keats.
  • Nineteenth century Romanticists. The story of Rimini. from Canto III ; To Hampstead ; To the grasshopper and the cricket ; The Nile ; Mahmoud ; Song of fairies robbing orchard ; Abou Ben Adhem and the angel ; The glove and the lions ; Rondeau ; The fish, the man, and the spirit ; Hearing music ; The old lady ; Getting up on cold mornings ; from On the realities of imagination ; A "now," descriptive of a hot day ; Shaking hands ; from Dreams on the borders of the land of poetry . I. The demands of poetry ; II. My bower ; III. On a bust of Bacchus / James Henry Leigh Hunt
  • Of the sight of shops. from Part II ; Proem to selection from Keats's poetry / James Henry Leigh Hunt
  • from Crabbe's poems ; from Alison's Essays on the nature and principles of taste ; from Wordsworth's The excursion ; from Wordsowrth's The white doe of Rylstone ; from Childe Harold's pilgrimage, Canto the third / Francis Jeffrey
  • Endymion : a poetic romance by John Keats / John Wilson Croker.
  • Nineteenth century Romanticists. The midnight wind ; Was it some sweet device of faery ; It from my lips some angry accents fell ; Childhood ; The old familiar faces ; Hester ; The three graves ; The gipsy's malison ; On an infant dying as soon as born ; She is going ; Letter to Wordsworth ; from Characters of dramatic writers contemporary with Shakespeare. Thomas Heywood ; John Webster ; John Ford ; George Chapman ; Francis Beaumont-- John Fletcher / Charles Lamb
  • from On the tragedies of Shakespeare, considered with reference to their fitness for stage representation ; The south-sea house ; Christ's Hospital five and thirty years ago ; The two races of men ; Mrs. Battle's opinions on whist ; Mackery End, in Hertfordshire ; Dream children ; A dissertation upon roast pig ; Old China ; Poor relations ; Sanity of true genius ; The death of Coleridge / Charles Lamb.
  • Nineteenth century Romanticists. from Gebir book I ; Rose Aylmer ; Child of a day, thou knowest not ; For an epitaph at Fiesole ; Lyrics to Ianthe. Homage ; On the smooth brow and clustering hair ; Heart's-ease ; It often comes into my head ; All tender thoughts that e'er possess'd ; Thou hast not raised, Ianthe, such desire ; Pleasure! Why thus desert the heart ; Renunciation ; You smiled, you spoke, and I believed ; So late removed from him she swore ; I held her hand, the pledge of bliss ; Absence ; Flow, precious tears! Thus shall my rival know ; Mile is the parting year, and sweet ; Past ruin'd Ilion Helen lives ; Here ever since you went abroad ; Years after ; She I love (alas in vain!) ; No, my own love of other years ; I wonder now that youth remains ; Your pleasures spring like daisies in the grass ; Years, many parti-colored years ; Well I remember how you smiled / Walter Savage Landor
  • A Fiesolan Idyl
  • from The citation and examination of William Shakespeare. The maid's lament ; Upon a sweet-briar / Walter Savage Landor
  • from Pericles and Aspasia. Corinna to Tanagra, from Athens ; I will not love ; The death of Artemidora ; Life passes not as some men say ; Little Aglae to her father, on her statue being called like her ; We mind not how the sun in the mid-sky ; Sappho to Hesperus ; Dirce / Walter Savage Landor
  • On seeing a hair of Lucretia Borgia ; To Wordsworth ; To Joseph Ablett ; To the sister of Elia ; On his own Agamemnon and Iphigeneia ; I cannot tell, not I, why she ; You tell me I must come again ; Remain, ah not in youth alone ; "You must give back," her mother said ; The maid I love ne'er thought of me ; Very true, the linnets sing ; To a painter ; Dull is my verse : not even thou ; Sweet was the song that youth sang once ; To sleep ; Why, why repine ; Mother, I cannot mind my wheel ; To a bride, Feb. 17, 1846 ; One year ago my path was green ; Yes; I write verses now and then ; The leaves are falling; so am I ; The place where soon I think to lie ; Give me the eyes that look on mine ; Twenty years hence my eyes may grow ; Proud word you never spoke ; Alas, how soon the hours are over ; My hopes retire, my wishes as before ; Various the roads of life; in one ; It is not better at an early hour ; Pursuits! alas, I now have none ; With an album ; The day returns, my natal day ; How many voices gaily sing ; To Robert Browning ; from The Hellenics. On the Hellenics ; Thrasymedes and Eunöe ; Iphigeneia and Agamemnon ; The Hamadryad / Walter Savage Landor
  • Shakespeare and Milton ; To youth ; To age ; The chrysolites and rubies Bacchus brings ; So then, I feel not deeply ; On music (many love music but for music's sake) ; Death stands above me ; On his seventy-fifth birthday ; I entreat you, Alfred Tennyson ; To E. Arundell ; Age ; To his young rose an old man said ; Nay, thank me not again for those ; One lovely name adorns my song ; Separation ; All is not over while the shade ; God scatters beauty as he scatters flowers ; Thou needst not pitch upon my hat ; To a cyclamen ; On Southey's death ; The three roses ; Lately our songsters loiter'd in green lanes ; from Heroic Idyls Theseus and Hippolyta ; They are sweet flowers that only blow by night ; Memory ; An aged man who loved to doze away ; To my ninth decade ; from Imaginary conversations. Tiberius and Vipsania ; Marcellus and Hannibal ; Metellus and Marius ; Leofric and Godiva / Walter Savage Landor
  • from Pericles and Aspasia. Pericles to Aspasia ; Aspasia to Pericles ; Aspasia to Cleone / Walter Savage Landor
  • The Pentameron. from Fifth day's interview. The dream of Boccaccio ; from On the statue of Ebenezer Elliott / Walter Savage Landor.
  • Nineteenth century Romanticists. Beneath the Cypress shade ; from Headlong Hall. Hail to the Headlong ; from Nightmare Abbey. Seamen three! what men be ye? ; from Maid Marian. For the slender beech and the sapling oak ; Though I be now a gray, gray friar ; Oh! bold Robin Hood is a forester good ; Ye woods, that oft at sultry noon / Thomas Love Peacock
  • Margaret Love Peacock ; from The misfortunes of Elphin. The circling of the mead horns ; The war song of Dinas Vawr / Thomas Love Peacock
  • from Crochet Castle. In the days of old ; From Gryll Grange. Love and age / Thomas Love Peacock
  • from Rural rides / William Cobbett.
  • from Characters of Shakespear's plays. Hamlet ; On familiar style ; The fight ; On going a journey ; My first acquaintance with poets ; On the feeling of immortality in youth / William Hazlitt
  • Confessions of an English opium eater. from Preliminary confessions ; The pleasures of opium ; from Introduction to the pains of opium ; The pains of opium / Thomas De Quincey
  • On the knocking at the gate in Macbeth ; from Recollections of Charles Lamb ; Style. from Part 1 ; from Autobiographic sketches. The affliction of childhood ; from Suspiria de profundis. Levana and our ladies of sorrow ; Savannah-la-Mar / Thomas De Quincey
  • from The poetry of Pope. Literature of knowledge and literature of power ; The English mail-coach. Section I--The glory of motion ; Section II--The vision of sudden death ; Secton III--Dream-fugue / Thomas De Quincey.
  • Nineteenth century Romanticists. Lines (write it in gold--a spirit of the sun) ; from The bride's tragedy. Poor old pilgrim misery ; A ho! a ho! / Thomas Lovell Beddoes
  • from The second brother. Strew not earth with empty stars ; from Torrismond. How many times do I love thee, dear? ; from Death's jest book. To sea, to sea! ; The swallow leaves her nest ; If thou wilt ease thine heart ; Lady, was it fair of thee ; A cypress-bough, and a rose-wreath sweet ; Old Adam, the carrion crow ; We do lie beneath the grass / r Thomas Lovell Beddoes
  • The boding dreams ; Dream-pedlary ; Let the dew the flowers fill / Thomas Lovell Beddoes
  • from The Christian year. First Sunday after Trinity ; Twentieth Sunday after Trinity / John Keble
  • United States / John Keble
  • Song ; Faithless Nelly Gray ; Fair Ines ; Ruth ; I remember, I remember ; The stars are with the voyager ; Silence ; False poets and true ; Song (there is dew for the flow'ret) ; Autumn ; Ballad (it was not in the winter) ; The dream of Eugene Aram, the murderer ; The death-bed ; Sally Simpkin's lament ; The song of the shirt ; The bridge of sighs ; The lay of the laborer ; Stanzas (farewell, life! My senses swim) ; Queen Mab / Thomas Hood
  • from The troubador. Spirits, that walk and wail tonight ; Oh fly with me! 'tis passion's hour / Winthrop Mackworth Praed
  • Time's song ; from Letters from Teignmouth. I--our ball ; from Every-day characters. The belle of the ball-room ; Tell him I love him yet ; Fairy song ; Stanzas (o'er yon churchyard the storm may lower) ; The talented man ; Stanzas on seeing the speaker asleep / Winthrop Mackworth Praed.
  • Nineteenth century Romanticists. The song of the western men ; Clovelly ; The first fathers ; Mawgan of Melhuach ; Featherstone's doom ; The silent tower of Bottreaux ; "Pater vester pascit illa" ; Death song ; Are they not all ministering spirits? ; Queen Guennivar's round ; To Alfred Tennyson / Robert Stephen Hawker
  • from Noctes Ambrosaine / John Wilson "Christopher North"
  • A dirge ; England's dead ; The graves of a household ; The landing of the pilgrim fathers in New England ; The homes of England / Felicia Dorothea Heman
  • The sword chant of Thorstein Raudi ; Jeanie Morrison ; My heid is like to rend, Willie ; The forester's carol ; Song (if to thy heart I were as near) / William Motherwell
  • Song (child, is thy father dead?) ; Battle song ; The press ; Preston Mills ; Spenserian ; A poet's epitaph ; Sabbath morning ; The way broad-leaf ; Religion ; Plaint / Ebenezer Elliott
  • The sea ; The stormy petrel ; The hunter's song ; Life ; Peace! what do tears avail ; A poet's thought ; The poet's song to his wife ; Inscription for a fountain ; A petition to time / Bryan Waller Procter, "Barry Cornwall"
  • Song (she is not fair to outward view) ; An old man's wish ; Whither is gone the wisdom and the power ; November ; Night ; To Shakespeare ; May, 1840 ; "Multum dilexit" ; Homer ; Prayer / Hartley Coleridge.
  • Appendix. Principal writers and historical backgrounds. Three Neo-Classicists, a basis for comparison. from Windsor Forest ; from An essay on criticism. Part I ; from An essay on man. Epistle I / Alexander Pope
  • from Preface to Shakespeare ; The lives of the English poets from Pope ; Letter to Macpherson / Samuel Johnson
  • from Reflections on the revolution in France / Edmund Burke.
SAL3 (off-campus storage)
Music recording
1 sound disc : analog, 33 1/3 rpm, stereo. ; 12 in.
  • The temple of Minerva. Great Minerva : pasticcio / Francis Hopkinson (1:21)
  • A Christmas anthem. The Lord of Hosts / William Selby (:54)
  • Bind kings with chains, from Psalm 149 / Hans Gram (1:57)
  • The feast of tabernacles. Hallelujah / Charles Zeuner (2:00)
  • Flower festival cantata. Sunset / C. Johnson (2:46)
  • The flower queen. Hymn to night / G.F. Root (1:50)
  • Ruth the gleaner. Work boys, work / J.A. Butterfield (1:50)
  • Esther. Praise ye the Lord / W.B. Bradbury (:59)
  • Haymakers. Yes! to the work / G.F. Root (1:38)
  • Christ the victor. Alleluia, Christ is risen / Dudley Buck (1:57)
  • The coming of the King. The caravan of the Magi / Dudley Buck (2:26) --The Nativity. It was the winter world / J.K. Paine (2:59)
  • The Holy Child. In far-off eastern country / Horatio Parker (2:05)
  • Ruth and Naomi. The Lord bless thee (1:48) ; The Lord make the woman (2:35) / L. Damrosch
  • Noel. Praise Him, o ye heaven / G.W. Chadwick (3:02)
  • The celestial country. Flash the streets with jasper / Charles Ives (1:36).
SAL3 (off-campus storage)
Music recording
1 online resource.
  • The temple of Minerva. Great Minerva / Francis Hopkinson
  • A Christmas anthem. The Lord of Hosts / William Selby
  • Bind kings with chains, from Psalm 149 / Hans Gram
  • The feast of tabernacles. Hallelujah / Charles Zenner
  • Flower festival cantata. Sunset / C. Johnson
  • The flower queen. Hymn to night / G.F. Root
  • Ruth the gleaner. Work boys, work / [J.A. Butterfield]
  • Esther. Praise ye the Lord / W.B. Bradbury
  • Haymakers. Yes! to the work / G.F. Root
  • Christ the victor. Alleluia, Christ is risen / Dudley Buck
  • The coming of the King. The caravan of the Magi / Dudley Buck
  • The Nativity. It was the winter world / J.K. Paine
  • The Holy Child. In far-off eastern country / Horatio Parker
  • Ruth and Naomi. The Lord bless thee / L. Damrosch
  • Ruth and Naomi. The Lord make the woman / L. Damrosch
  • Noel. Praise Him, o ye heaven / G.W. Chadwick
  • The celestial country. Flash the streets with jasper / Charles Ives.
1 online resource (v, 311 p.).
  • Queen Elizabeth at Theobalds' / by the Author of "London in the olden time"
  • The heir presumptive
  • The Numidians
  • The Abbey of Laach / by Mrs. Charles Gore
  • The last heir of Glenkerrin / by James Emerson
  • The bride of Glenmoy / by one of the authors of the "Odd volume"
  • The ring : a Spanish tale
  • The bridal of Wintoun-Tower / by the Author of "The legend of Genevieve"
  • Lord Eustace d'Ambreticourt / by the Author of "Tales of chivalry and romance"
  • Rosalie Berton / by G.F. Richardson.
171 p. : ill., maps, ports. ; 18 cm.
  • 1. Reflections on the revolutions-- 2. Industrial development-- 3. Reform and religion-- 4. The wars abroad-- 5. Roads to freedom-- 6. Coping with reform-- 7. Unless the Lord build the city-- 8. The ringing grooves of change-- 9. Politics and diplomacy: Palmerstons years-- 10. Incorporation-- 11. Free trade: an industrial economy rampant-- 12. A shifting population: town and country-- 13. The masses and the classes: the urban worker-- 14. Clerks and commerce: the lower middle class-- 15. The propertied classes-- 16. Pomp and circumstance-- 17. A great change in manners-- 18. Villa Tories: the Conservative resurgence-- 19. Ireland, Scotland, Wales: Home Rule frustrated-- 20. Reluctant imperialists?-- 21. The fin-de-siecle reaction: new views of the State-- 22. Old Liberalism, New Liberalism, Labourism, and tariff reform-- 23. Edwardian years: a crisis of the State contained-- 24. Your English summers done-- Further reading-- Chronology-- Prime ministers 1789-1914-- Index.
  • (source: Nielsen Book Data)9780192853981 20160528
First published as part of the best-selling The Oxford Illustrated History of Britain, Christopher Harvie and Colin Matthew's Very Short Introduction to Nineteenth-Century Britain is a sharp but subtle account of remarkable economic and social change and an even more remarkable political stability. Britain in 1789 was overwhelmingly rural, agrarian, multilingual, and almost half Celtic. By 1914, when it faced its greatest test since the defeat of Napoleon, it was largely urban and English. Christopher Harvie and Colin Matthew show the forces behind Britain's rise to its imperial zenith, and the continuing tensions within the nations and classes of the 'union state'.
(source: Nielsen Book Data)9780192853981 20160528
Green Library
xlvii, 496 p. ; 18 cm.
  • Alphabetical Order of Poets. Preface. Introduction. Scotland. Ossian (James Macpherson) (1736--1796). The Songs of Selma. Oithona. Germany. Friedrich Gottlieb Klopstock (1724--1803). The Spring Festival. Thuiskon. Gottfried August Burger (1747--1794). Lenore. Johann Wolfgang von Goethe (1749--1832). Prometheus. Ganymede. Wanderer's Nightsong II. Erlking. Do you know the land? Friedrich Schiller (1759--1805). The Gods of Greece (1788 version). The Gods of Greece (1800 version). The Walk. The Glove. Naenia. Friederike Brun (1765--1835). Chamouny at Sunrise (in May 1791). Friedrich Holderlin (1770--1843). The Sanctimonious Poets. The German's Song . Bread and Wine. The Poet's Vocation. Ganymede. Half of Life. In the lovely blue ... Sophie Mereau (1770--1806). To a Tree on a Trellis. Friedrich Schlegel (1772--1829). The Poet (1). The Thicket. Novalis (Friedrich von Hardenberg) (1772--1801). Hymn to the Night II. Hymn to the Night V. When numbers and figures ... I see thee in a thousand pictures ... Ludwig Tieck (1773--1853). Love. Miracle of Love. Friedrich Schelling (1775--1854). Animal and Plant. Clemens Brentano (1778--1842). Lore Lay. O Cool Wood. Serenade. Resonance of Beethoven's Music. Cradle Song. Karoline von Gunderode (1780--1806). Ariadne on Naxos. The Kiss in the Dream. Bright Red. The Balloonist. Adelbert von Chamisso (1781--1838). Lord Byron's Last Love. Chateau Boncourt. Ludwig Uhland (1787--1862). Faith in Springtime. Bertran de Born. Joseph von Eichendorff (1788--1857). The Broken Ring. Conversation in the Forest. Departure. The Lark. Evening. Longing. On the Death of My Child. Moonlit Night. The Hermit. Divining Rod. Pleasure in Death. Annette von Droste-Hulshoff (1797--1848). The Heath-Man. In the Moss. On the Tower. In the Grass. Heinrich Heine (1797--1856). The Grenadiers. Alone a spruce is standing. A star is falling slowly. A young man loves a maiden. On wings of song ... Lorelei or I do not know what it means ... Death is the chilly night. The Gods of Greece. Bertrand de Born. The Silesian Weavers. Childe Harold. Nikolaus Lenau (1802--1850). Entreaty. The Oak Grove. Loneliness. All around a silencing. Eduard Morike (1804--1875). On a Winter Morning, Before Sunrise. September Morning. At Midnight. The Forsaken Girl. Withdrawal. To an Aeolian Harp. The Beautiful Beech. On a Lamp. Think of It, O Soul! France. Andre Chenier (1762--1794). The Young Captive. Marceline Desbordes-Valmore (1786--1859). Elegy (Maybe I was yours ...). A Woman's Letter. To Leopardi's Book. The Roses of Saadi. Alphonse de Lamartine (1790--1869). The Lake Glory. Enthusiasm . Isolation. Autumn. Man (excerpt). The West. Alfred de Vigny (1797--1863). Moses. Address to Europe on the Death of Lord Byron. The Organ. The Death of the Wolf. Amable Tastu (1798--1885). To Mr. Victor Hugo. Victor Hugo (1802--1805). Buonaparte. The Lyre and the Harp. The Poet. To My Friend S.-B. The Fiancee of the Timbalier. Enthusiasm . Moonlight. The Captive Girl. Ecstasy. Setting Suns II. Suddenly, some day ... One last word ... Since flowering May is calling us outside ... Stella . The Expiation (Part I). At dawn tomorrow ... The poet goes away into the fields ... Charles-Augustin Sainte-Beuve (1804--1869). Sonnet: To Ronsard. The Circle. To My Friend V. H. The Yellow Rays. Gerard de Nerval (1808--1855). The Dark Blot. A Fancy. Golden Verses. Delphica. Thought from Byron. Alfred de Musset (1810--1857). Pale star of evening ... To Julie. Rolla (opening section). A Night in May. To Sainte-Beuve. Sonnet (Beatrix Donato ...). A Wasted Evening. Sorrow. Sonnet (To see you every day ...). Theophile Gautier (1811--1872). Sonnet I. The Wishes. Art. Charles Baudelaire (1821--1867). Correspondences. I love the thought ... The Albatross. The Setting of the Romantic Sun. Italy. Vittorio Alfieri (1749--1803). To Dante (Great father Dante ... ). On Tasso's Tomb (Here, in so poor a tomb ... ). On His Escutcheon (A crooked beak ... ). Diodata Saluzzo (1774--1840). The War of 1793. Ugo Foscolo (1778--1827). To Evening. To Zakynthos. On the Death of my Brother Giovanni. On Sepulchers. Giovanni Berchet (1783--1851). The Hermit of Mount Cenis. The Troubadour. Alessandro Manzoni (1785--1873). The Fifth of May. Giacomo Leopardi (1798--1837). The Infinite. To the Moon. The Evening After the Holy Day. Sappho's Last Song. To Spring, or, Concerning the Ancient Myths. To Himself. Spain. Jose de Espronceda (1808--1842). The Beggar. For Jarifa, at the Revels. Gertrudis Gomez de Avellaneda (1814--1873). To Him. Jose Zorrilla y Moral (1817--1893). To the Unhappy Memory of ... Larra. Oriental (Across the plain at a gallop). Carolina Coronado (1823--1911). Sunflower. Freedom . Gustavo Adolfo Becquer (1836--1870). Rima I (I know a strange, gigantic hymn). Rima XIV (A glimpse of you ...). Rima LIII (Once more, the dark swallows will return). Rosalia de Castro (1837--1835). My illness is incurable ... Be Silent. You will say of these verses ... Justice by the Hand. Russia. Vasily Zhukovsky (1783--1852). Song (When I was loved ... ). Svetlana. Song (Enchantment of my past existence). Konstantin Batyushkov (1787--1855). Shade of a Friend. Awakening . You wake, O Baia ... Pyotr Vyazemsky (1792--1878). Remembrance. To Friends. Kondraty Ryleev (1795--1826). The Citizen. Wilhelm Kuchelbecker (1797--1846). 19 October. Anton Delvig (1798--1831). Inspiration. Alexander Pushkin (1799--1837). Napoleon. To Ovid. To the Sea. The Bridegroom. Andre Chenier. 19 October. The Prophet. The Poet. Deep in the ore beds of Siberia. Arion. I loved you ... To the Poet. Autumn. The Bronze Horseman. I have built though not in stone ... Evgeny Baratynsky (1800--1844). An Admission. Tempest. Death. I didn't love her ... What is the freedom of dreams ... Song heals the aching spirit Thought, yet more thought! ... Alexander Odoevsky (1802--1839). The Poet's Dream. Response to A. S. Pushkin. Fyodor Tyutchev (1803--1873). A Gleam of Light. Silentium. Dusk. Autumn. Alexei Khomyakov (1804--1860). The Poet. Karolina Pavlova (1807--1893). Life calls us ... Three Souls. Mikhail Lermontov (1814--1841). Ossian's Grave. I Am No Byron. The Death of a Poet. The Neighbor. Meditation. My Native Land. A Dream. The Prophet. Poland. Adam Mickiewicz (1798--1855). The Romantic. The Akkerman Steppes. Bakhchisaray by Night. To ***. In the Alps at Splugen, 1829. The Monument of Peter the Great. To My Russian Friends. The Year 1812. Spin Love. Hungary. Mihaly Vorosmarty (1800--1855). The Soliloquy of the Night. Sandor Petofi (1823--1849). Fate, give me space ... One thought keeps tormenting me ... Homer and Ossian. The Song of the Dogs. The Song of the Wolves. The skylark sings ...
  • (source: Nielsen Book Data)9780321131447 20160527
A collection of European Romantic poetry in English translation. The anthology features some sixty poets in seven languages in recent or new verse translations, from Ossian to Baudelaire, Heine, and Mermontov.
(source: Nielsen Book Data)9780321131447 20160527
Green Library


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