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Imperial suite of eight horsemen ride left to right in foreground while infantry battle rages in midsection; one cavalry charge in upper left beneath image of Sebastopol; canonballs fly in upper right between city's foritifications and ships in water.

Showing trunk conditions as of April 1, 1938. Includes a detail map of Minneapolis-Saint Paul and Vicinity.

Album of fifty black and white photographs showing restoration works of cultural monuments in the Lithuanian SSR between 1950 and 1975

• Peña cultural / Diego Cornejo Choperena
• Unión popular de inquilinos de la col. Morelos / Felipe Hernández Moreno
• Fusión de la UPICM y le PM en UPICM-PM / Eduardo Juárez
• Mujeres / Adriana Hernández Sosa
• Solidaridad / Refugio Solís
• Sismos / Cinthia Chávez Ruiz
• Reconstrucción / Jorge Fuentes
• Coordinadora unica de damnificados cud / Iseo Noyola Isgleas
• La asamblea de barrios / Wilberto Sosa
• Superbarrio / Sublevarte
• Convención del Anahuac / Mario López
• La peña y las elecciones / Pablo Ortega Campos
• OIR, PRT, ACNR / Antonio Valverde
• Zapatismo / Cuatémoc Venancio Sánchez "Tenoch" (in memoriam)
• CMATC / Creación Colectiva
• Caracoles zapatistas / Norberto Hernández
• Comisiones: salud / Maria Elena Castillo Brena
• Comisiones: vivienda / Lizandra Aparicio
• Comisiones: cultura / Gregorio Cruz Santiago
• Comisiones: jurídico / Ruben Balderas
• Presentación / Enrique Hernández Sosa

21 screen prints by 21 artists in tribute to the Peña Morelos art collective with roots in Mexico City's Tepito neighborhood.

3DPRK is a collaborative project between Slovenian photographer Matjaž Tančič and Koryo Studio. The team of five (photographer, producer, two North Korean guides, one driver) photographed soldiers at the tense Demilitarised Zone at the North-South Korean border, and visited the schools, hospitals and newly completed leisure facilities considered the pride of the reclusive state. Invited to document North Korea in 3D, Slovenian photographer Matjaž Tančič wanted to show something of the people who live there, stripped of rhetoric. It is the uniqueness and beauty of the 3D technique used for each photograph that ultimately highlights the individual nature of the people posing for each shot, and the various layers that make up the surreal theatrical set that is the DPRK today.-from Koryo Studio.

"With Ruwedel's artists' books, social commentary may masquerade as humorous visual anecdote. What is the $40.00 difference referred to in the title? The left facing photo shows a green panel truck, “2 Maids Cleaning – Commercial & Residential – $59,” while the right facing page shows a hot pink panel truck, “Topless Maids – $99.” The humor and despair of life in contemporary Southern California is presented via a very simple and straightforward book design."--Curator's comments by Peter Blank, Stanford Libraries Photography Curator (2018-2021)

"Ruwedel often finds what he refers to as "Artifacts" around the abandoned houses that comprise his "Desert Houses" series. Often he finds vinyl records, singles (45s, 7" in diameter) and albums (78s, 12" in diameter). The obvious, yet unstated, reference is to Edward Ruscha's artists' book, Records (1978). Ruwedel often creates homages, or "nods," to artists he admires, with several such nods towards Ruscha."--Curator's comments by Peter Blank, Stanford Libraries Photography Curator (2018-2021)

Statistical tables of quality of life indicators of African countries, statistical maps, and a listing of the millennium development goals.

Collection of 6900 postcards of Algeria, Tunisia, and Morocco.

"This piece is a collaboration between Chandler O’Leary of Anagram Press and Jessica Spring of Springtide Press. The series features quotes by historical feminists, tied in with current political and social issues. Each limited-edition broadside is letterpress printed from hand-drawn lettering and illustrations on an antique Vandercook Universal One press. Each piece is printed on archival, 100% rag (cotton) paper, and individually signed and numbered by both artists. A portion of the proceeds of each piece is donated to a cause that aligns with the issue highlighted by the artwork. Jessica and Chandler have released 23 broadsides since the series began in 2008."-- Dead Feminists website, viewed June 28, 2016.
"We created this piece amid a barrage of media and cultural images that urge women to criticize their own appearance. Unsurprisingly, we are taught to find ourselves lacking in one way or many, and to compare ourselves with an impossible ideal. Amid the impossible ideals and immortal tales of the ancient Greeks, one honey-tongued lyrical poet spoke the plain truth. At issue: body image and self-esteem"--Dead Feminists website, viewed June 28, 2016.

Two broadsides with same title and photo illustration of the airplane China Clipper. One has postage rates in English, the other in Chinese.

The front side of the poster has color pictures of the earth with brief descriptions of the causes and effects of climatic and environmental change. The back side of the poster is in black and white and gives a brief description of normal atmospheric phenomenon, a mission sampler, classroom activities ... etc.

• 1. Vid na zdanie Akademii nauk s vysoty Isaakievskogo sobora
• 2. Glavnoe zdanie Akademii nauk
• 3. Muzeĭ antropologii i ėtnografii, byvshee zdanie Kunstkamery
• 4. Muzeĭ antropologii i ėtnografii, vid s Tamozhennogo pereulka
• 5. Muzeĭ antrolopolgii i ėtnografii, Otdel Sibiri i Severa Evropy
• 6. Muzeĭ antropologii i ėtnografii, Galerei͡a shamanov
• 7. Fiziko-matematicheskiĭ institut, gravitat͡sionnyĭ variometr konstrukt͡sii Instituta 1924
• 8. Fiziko-matematicheskiĭ institut, mekhanicheskai͡a masterskai͡a
• 9. Mineralogicheskiĭ muzeĭ, vid s linii Mendeleeva
• 10. Mineralogicheskiĭ muzeĭ, zal mestorozhdeniĭ, kollekt͡sii i vid radievogo rudnika v Fergane
• 11. Mineralogicheskiĭ muzeĭ, zheleznyĭ meteorit, upavshiĭ 18 okti͡abri͡a 1916 g. v d. Boguslavke v Sibiri
• 12. Geologicheskiĭ muzeĭ, vid s naberezhnoĭ Nevy
• 13. Vid na Nevu iz Geologicheskogo muzei͡a
• 14. Geologicheskiĭ muzeĭ, severo-dvinskai͡a gallerei͡a, skelet pareĭazavra
• 15. Geologicheskiĭ muzeĭ, preparatorskai͡a
• 16. Geologicheskiĭ muzeĭ, zal bespozvonochnykh
• 17. Pochvennyĭ muzeĭ
• 18. Zoologicheskiĭ muzeĭ, vid s Respublikanskogo mosta (b. Dvort͡sovyĭ)
• 19. Zoologicheskiĭ muzeĭ, zal I. kitoobraznye i sireny
• 20. Zoologicheskiĭ muzeĭ, zal III. gruppa volkov
• 21. Zoologicheskiĭ muzeĭ, zal III, skelet mamonta
• 22. Biologicheskiĭ institut (laboratorii: fiziologicheskai͡a, osobai͡a zoologicheskai͡a, po anatomii i fiziologii rasteniĭ)
• 23. Fiziologicheskai͡a laboratorii͡a, obshchiĭ vid glavnogo koridora
• 24. Fiziologicheskai͡a laboratorii͡a, odna iz kamer dli͡a rabot po uslovnym refleksam
• 25. Zdanie akademicheskikh komisiĭ i laboratoriĭ
• 26. Biblioteka Akademii nauk (v period postroĭki)
• 27. Biblioteka akademii nauk, knizhnoe khranilishche
• 28. Biblioteka akademii, rukopisnoe otdelenie
• 29. Aziatskiĭ muzeĭ, otdel Dalʹnego Vostoka
• 30. Biblioteka aziatskogo muzei͡a, knizhnoe khranilishche
• 31. Aziatskiĭ muzeĭ, otdel Dalʹnego Vostoka, Makharatnakutasutra, gl. 17, rukopisʹ na tangutskom i͡az. iz nakhodok P.K. Kozlova v Kara-Khoto
• 32. Tolstovskiĭ muzeĭ, komnata VIII, 1900-ye gody
• 33. Tolstovskĭ muzeĭ, komnata X, ukhod i smertʹ Tolstogo
• 34. Pushkinskiĭ dom, zal naturalʹnoĭ shkoly: Turgenev, Tolstoĭ, Dostoevskiĭ
• 35. Pushkinskiĭ doma, zal Pushkina
• 36. Pushkinskiĭ dom, zal Pushkina i Lermontova
• 37. Paleograficheskiĭ muzeĭ, vystavka po istorii pisʹmen
• 38. Paleograficheskiĭ muzeʹ, biblioteka
• 39. Tipografii͡a Akademii nauk
• 40. Tipografii͡a Akademii nauk, nabornai͡a.

• 1. Вид на здание Академии наук с высоты Исаакиевского собора
• 2. Главное здание Академии наук
• 3. Музей антропологии и этнографии, бывшее здание Кунсткамеры
• 4. Музей антропологии и этнографии, вид с Таможенного переулка
• 5. Музей антролополгии и этнографии, Отдел Сибири и Севера Европы
• 6. Музей антропологии и этнографии, Галерея шаманов
• 7. Физико-математический институт, гравитационный вариометр конструкции Института 1924
• 8. Физико-математический институт, механическая мастерская
• 9. Минералогический музей, вид с линии Менделеева
• 10. Минералогический музей, зал месторождений, коллекции и вид радиевого рудника в Фергане
• 11. Минералогический музей, железный метеорит, упавший 18 октября 1916 г. в д. Богуславке в Сибири
• 12. Геологический музей, вид с набережной Невы
• 13. Вид на Неву из Геологического музея
• 14. Геологический музей, северо-двинская галлерея, скелет парейазавра
• 15. Геологический музей, препараторская
• 16. Геологический музей, зал беспозвоночных
• 17. Почвенный музей
• 18. Зоологический музей, вид с Республиканского моста (б. Дворцовый)
• 19. Зоологический музей, зал I. китообразные и сирены
• 20. Зоологический музей, зал III. группа волков
• 21. Зоологический музей, зал III, скелет мамонта
• 22. Биологический институт (лаборатории: физиологическая, особая зоологическая, по анатомии и физиологии растений)
• 23. Физиологическая лаборатория, общий вид главного коридора
• 24. Физиологическая лаборатория, одна из камер для работ по условным рефлексам
• 25. Здание академических комисий и лабораторий
• 26. Библиотека Академии наук (в период постройки)
• 27. Библиотека академии наук, книжное хранилище
• 28. Библиотека академии, рукописное отделение
• 29. Азиатский музей, отдел Дальнего Востока
• 30. Библиотека азиатского музея, книжное хранилище
• 31. Азиатский музей, отдел Дальнего Востока, Махаратнакутасутра, гл. 17, рукопись на тангутском яз. из находок П.К. Козлова в Кара-Хото
• 32. Толстовский музей, комната VIII, 1900-ые годы
• 33. Толстовскй музей, комната X, уход и смерть Толстого
• 34. Пушкинский дом, зал натуральной школы: Тургенев, Толстой, Достоевский
• 35. Пушкинский дома, зал Пушкина
• 36. Пушкинский дом, зал Пушкина и Лермонтова
• 37. Палеографический музей, выставка по истории письмен
• 38. Палеографический музеь, библиотека
• 39. Типография Академии наук
• 40. Типография Академии наук, наборная.

Photographs contain aerial, exterior and interior views of Academy of Sciences buildings.

"(Japanese popular print). 1943. A large, colored lithographic print measuring 15 x 21 1/2 inches. Issued in the series "Japanese Educational History for Youth" and being the 1943 reprint of the original 1940 edition. The image is possibly from the popular story "The Tale of the 47 Ronan."--From dealer description.

• [Decorated title print]
• 1. Vidʺ Shilki, pri ustʹi͡e ri͡eki Luchui͡a
• 2. Vidʺ Shilki u ruchʹi͡a Bondikovo
• 3. Vidʺ Shilki okolo 45 verstʺ vyshe Ustʹ-Stri͡elki
• 4. Vidʺ Amura pri vkhodi͡e vʺ Khinganskīĭ khrebetʺ
• 5. Vidʺ Amura po vykhodʺ Khinganskago khrebta
• 6. Zhiteli ustʹi͡a r. Syngari
• 7. Vidʺ Amura u skalistago berega Dërki
• 8. Vidʺ Amura, blizʹ derevni Dyrenʹ
• 9. Golʹdīi i͡edushchīe na sobakakhʺ
• 10. I͡Ezzhalyi͡a i okhotnichʹi sobaki na Amuri͡e
• 11. Manguny
• 12. Zimnikʺ Mangunovʺ
• 13. Vnutrennostʹ Mangunskago zimnika
• 14. Mangunskai͡a grobnit͡sa
• 15. Grobnit͡sa Mangunskago shamana
• 16. Vidʺ sʺ Marīinskago posta
• 17. Zhiteli beregovʺ Amura
• Tab. 1-6 [multiple images on each print of huts, religious object, tools and other implements, clothing, boats and fishing gear and decorative patterns].

• [Decorated title print]
• 1. Видъ Шилки, при устьѣ рѣки Лучуя
• 2. Видъ Шилки у ручья Бондиково
• 3. Видъ Шилки около 45 верстъ выше Усть-Стрѣлки
• 4. Видъ Амура при входѣ въ Хинганскій хребетъ
• 5. Видъ Амура по выходъ Хинганскаго хребта
• 6. Жители устья р. Сынгари
• 7. Видъ Амура у скалистаго берега Дёрки
• 8. Видъ Амура, близь деревни Дырень
• 9. Гольдіи ѣдущіе на собакахъ
• 10. Ѣзжалыя и охотничьи собаки на Амурѣ
• 11. Мангуны
• 12. Зимникъ Мангуновъ
• 13. Внутренность Мангунскаго зимника
• 14. Мангунская гробница
• 15. Гробница Мангунскаго шамана
• 16. Видъ съ Маріинскаго поста
• 17. Жители береговъ Амура
• Таб. 1-6 [multiple images on each print of huts, religious object, tools and other implements, clothing, boats and fishing gear and decorative patterns].

• [Tom 2] Vʺ poiskakhʺ za Vilʹgelʹmomʺ, kazaki privozi͡atʹ mnogo pli͡ennykhʺ ni͡emt͡sevʺ sʺ usami svoego kaĭzera
• Kogda avstrīĭt͡sy byvai͡utʺ dzhentelʹmenami
• Turet͡skīĭ matrosʺ: (drugomu), Allakhʺ-alberʺ!
• Kogotokʺ uvi͡azʺ, vseĭ ptichki͡e propastʹ!
• Turet͡skīĭ utoplennikʺ vʺ tevtonskomʺ boloti͡e
• Keĭzerʺ vamʺ posylaetʺ na pomoshchʹ svoĭ vozdushnyĭ vlotʺ
• Konet͡sʺ karʹery Napoleona i T͡Sezari͡a
• Vozhdʹ svoego plemeni
• [Tom 3] Razdumʹe orla
• Vilʹgelʹmʺ (Viktoru Ėmmanuilu)
• My na vraga vtroemʺ udarimʺ razomʺ!
• Avstrīĭskīĭ polkovnikʺ: (ubi͡egai͡a sʺ poli͡a bitvy).

• [Том 2] Въ поискахъ за Вильгельмомъ, казаки привозять много плѣнныхъ нѣмцевъ съ усами своего кайзера
• Когда австрійцы бываютъ джентельменами
• Турецкій матросъ: (другому), Аллахъ-алберъ!
• Коготокъ увязъ, всей птичкѣ пропасть!
• Турецкій утопленникъ въ тевтонскомъ болотѣ
• Кейзеръ вамъ посылаетъ на помощь свой воздушный влотъ
• Конецъ карьеры Наполеона и Цезаря
• Вождь своего племени
• [Том 3] Раздумье орла
• Вильгельмъ (Виктору Эммануилу)
• Мы на врага втроемъ ударимъ разомъ!
• Австрійскій полковникъ: (убѣгая съ поля битвы).

Depictions of German, Austrian and Turkish soldiers, sailors and officers with text captions.

• Pervyĭ list 1883-1901, I.V. Stalin v period borʹby za sozdanie sot͡sial-demokraticheskoĭ rabocheĭ partii v Rossii
• Vtoroĭ list 1901-1904, I.V. Stalin v period obrazovanii͡a Rossiĭskoĭ sot͡sial-demokraticheskoĭ rabocheĭ partii i poi͡avlenii͡a vnutri partii frakt͡siĭ bolʹshevikov i menʹshevikov
• Tretiĭ list 1904-1907, I.V. Stalin v period pervoĭ russkoĭ revoli͡ut͡sii
• Chetvertyĭ list 1908-1912, I.V. Stalin v period stolypinskoĭ reakt͡sii i oformlenii͡a bolʹshevikov v samostoi͡atelʹnui͡u marksistskui͡u partii͡u
• Pi͡atyĭ list 1912-1914, I.V. Stalin v gody podʺema rabochego dvizhenii͡a pered pervoĭ imperialisticheskoĭ voĭny
• Shestoĭ list 1914-1917, I.V. Stalin v period imperialisticheskoĭ voĭny i vtoroĭ russkoĭ fevralʹskoĭ revoli͡ut͡sii
• Sedʹmoĭ list 1917-1918, I.V. Stalin v period podgotovki i provedenii͡a Okti͡abrʹskoĭ sot͡sialisticheskoĭ revoli͡ut͡sii
• Vosʹmoĭ list 1917-1918, I.V. Stalin v period podgotovki i provedenii͡a Okti͡abrʹskoĭ sot͡sialisticheskoĭ revoli͡ut͡sii
• Devi͡atyĭ list 1918-1920, I.V. Stalin v period inostrannoĭ voennoĭ intervent͡sii i grazhdanskoĭ voĭny
• Desi͡atyĭ list 1921-1925, I.V. Stalin v period perekhoda na mirnui͡u rabotu po vosstanovlenii͡u narodnogo khozi͡aĭstva
• Odinnadt͡satyĭ list 1926-1929, I.V. Stalin v borʹbe za sot͡sialisticheskui͡u industrializat͡sii͡u strany
• Dvenadt͡satyĭ list 1930-1934, I.V. Stalin v borʹbe za kollektivizat͡sii͡u selʹskogo khozi͡aĭstva
• Trinadt͡satyĭ list 1935-1937, I.V. Stalin v borʹbe za zavershenie stroitelʹstva sot͡sialisticheskogo obshchestva
• Chetyrnadt͡satyĭ list 1937, I.V. Stalin, tvoret͡s novoĭ sot͡sialisticheskoĭ Konstitut͡sii
• Pi͡atnadt͡satyĭ list I.V. Stalin.

• Первый лист 1883-1901, И.В. Сталин в период борьбы за создание социал-демократической рабочей партии в России
• Второй лист 1901-1904, И.В. Сталин в период образования Российской социал-демократической рабочей партии и появления внутри партии фракций большевиков и меньшевиков
• Третий лист 1904-1907, И.В. Сталин в период первой русской революции
• Четвертый лист 1908-1912, И.В. Сталин в период столыпинской реакции и оформления большевиков в самостоятельную марксистскую партию
• Пятый лист 1912-1914, И.В. Сталин в годы подъема рабочего движения перед первой империалистической войны
• Шестой лист 1914-1917, И.В. Сталин в период империалистической войны и второй русской февральской революции
• Седьмой лист 1917-1918, И.В. Сталин в период подготовки и проведения Октябрьской социалистической революции
• Восьмой лист 1917-1918, И.В. Сталин в период подготовки и проведения Октябрьской социалистической революции
• Девятый лист 1918-1920, И.В. Сталин в период иностранной военной интервенции и гражданской войны
• Десятый лист 1921-1925, И.В. Сталин в период перехода на мирную работу по восстановлению народного хозяйства
• Одиннадцатый лист 1926-1929, И.В. Сталин в борьбе за социалистическую индустриализацию страны
• Двенадцатый лист 1930-1934, И.В. Сталин в борьбе за коллективизацию сельского хозяйства
• Тринадцатый лист 1935-1937, И.В. Сталин в борьбе за завершение строительства социалистического общества
• Четырнадцатый лист 1937, И.В. Сталин, творец новой социалистической Конституции
• Пятнадцатый лист И.В. Сталин.

• El Capitan
• Yosemite
• Three Brothers
• Vernal
• Half Dome
• Cathedral Spires
• [lacks caption]

• Roger Minick, "Airstream at Monument Valley, Arizona," 1979 (from "Sightseer" series), black-and-white gelatin silver print (matted)
• Mark Klett, "Storm Clouds over Eastern Idaho, near Craters of the Moon," 1980 (photographed at the side of U.S. 20, about five miles East of Carey ID), black-and-white gelatin silver print
• Henry Wessel, "Tucson, Arizona," 1974, black-and-white gelatin silver print
• Harold Jones, "Baptism, Sabino Canyon," 1976 (photographed in Tucson AZ), black-and-white gelatin silver print
• Frank Gohlke, "Aerial View, Tulsa, Oklahoma," 1981 (from Tulsa International Airport mural commission), black-and-white gelatin silver print
• Tod Papageorge, "Burbank, California," 1973, black-and-white gelatin silver print
• Jim Alinder, "A Joy Forever, Roadside, Florida," 1974 (photographed at the side of an inland two-lane blacktop between Key West and Disney World), black-and-white gelatin silver print
• Nathan Lyons, "Untitled," 1968, 1969 (from Notations in Passing (1974); photographed in Vancouver BC and Los Angeles CA), black-and-white gelatin silver prints (matted)
• Robbert Flick, "East of Lancaster, along Highway 14, California, SV 044-81," 1981 (from "Sequential Views" series), black-and-white gelatin silver print
• Elaine Mayes, "Pegasus," 1972 (photographed on the New York Thruway I87), black-and-white gelatin silver print (matted)
• Barbara Crane, "Bus People," 1975 (from Baxter/Travenol Laboratories mural commission; photograph printed from negatives made in the vicinity of Chicago IL), black-and-white gelatin silver print
• Steve Fitch, "Dinosaur, Highway 40, Vernal, Utah," 1974 (from Diesels and Dinosaurs (1976)), sepia-toned silver print (matted)
• Michael Becotte, "Untitled," 1974 (from Space Capsule (1975); photographed on the northern East Coast), sepia and gold-toned gelatin silver print (matted)
• Michael Bishop, "Untitled," no. 74-1107, 1974 (photographed at the side of U.S. 1, Los Angeles CA), Ektacolor print (matted)
• Ken Brown, "Pink Trailer Tilt," 1976 (photographed near Cherokee NC), Ektacolor print (matted)
• Robert Fichter, "Air Power," 1979 (photographed in Tallahassee FL), black-and-white gelatin silver print with air-brushed color and rubber stamps (matted)
• Joel Sternfeld, "Exhausted Renegade Elephant, Woodland, Washington," 1979, Ektacolor print
• Victor Landweber, "S.N. Ward and Son Mobil Service, Pasadena CA," 1978 (photographed at the side of Highway 11), Cibachrome print (matted)
• Barbara Jo Revelle, "Untitled," 1981 (three photographs made in the vicinity of Chicago IL; one made in Los Angeles CA), Ektacolor print
• Robert A. Widdicombe, "Cadillac Ranch, Amarillo, Texas," 1979 (photographed at the side of U.S. 66), Ektacolor print

A portfolio of twenty photographers' images of American highways, streets and roadside attractions, dating from 1974-1981. The portfolio was compiled and published by Victor Landweber and his firm, Landweber/Artists, in 1982. Prints are in various photographic media and are signed by the photographers, with images measuring 16 x 20 inches or presented in museum-board mats measuring 16 x 20 inches. The prints are housed in individual folders imprinted with the artist's name. The portfolio is housed in a custom-designed solander case with a copy print affixed to its lid of a Dorothea Lange photograph known as "The Road West," which shows United States Highway 54 in southern New Mexico in 1938. An eight-page pamphlet accompanies the portfolio. It features a copy print of a Walker Evans photograph mounted on its cover that shows hitchhikers near Vicksburg, Mississippi in February 1936, a short story, "Records of a Travel-worn Camera," by James Richard Hugunin, a sequence of photographs by Nathan Lyons, an index to the prints, biographical data about the photographers, and a map that shows where the photographers were living and where each photograph was made

The print is about the fictional incident, in which five American sailors were captured after attacking Gojima, Hizen no Kuni, on August 12, 1853. The print shows the five American sailors, their hands tied behind their backs, kneeling, with one Japanese official holding the ropes that tied Americans' hands, while another Japanese official interrogates them. With accompanying text.

Publicity poster for the 19th congress of the International League of Antiquarian Booksellers in San Francisco and Los Angeles, Sept. 15-10, 1967

Portfolio of 10 prints created by students in "Printmaking and activism" (ARTSTUDI 144), a course held at Stanford University in the Art and Art History Department, demonstrating various printmaking techniques. Each print is signed and numbered by the artist. Sizes vary

A group of sailors smoke and rest surrounded by barrels and crates on two boats moored by a walled garden in the town of Kaub in the foreground at left, with view of Pfalzgrafenstein Castle on the Falkenau Island at right and Rhine river and hills in the background.

Five figures on a road by the Rhine in the foreground, with sailboat at right and view of Bonn, its Minster and the Kurfürstliches Schloss in the background.

Groups of figures promenade, rest, and ride horses on the west bank of the Rhine outside Koblenz in the foreground, with Electoral Palace beyond at left and view of Festung Ehrenbreitstein on the east bank in the background.

A man and three women walk on a road by the Rhine outside the town wall of Sankt Goar in the foreground, with Rheinfels Castle on a hill at right, crane and boats linked by chains on the river at left and view of the town of Sankt Goarhausen on the opposite bank in the background.

A couple with a young child and a dog talk to two pedlars on a road by the Rhine in the foreground, with view of the town of Bacharach on the opposite bank and ruins of Stahleck Castle and old city walls on a hill in the background.

Children play and people walk by the Nette River on the south-eastern outskirts of Andernach, with ruins of medieval castle next to the Koblenzer Tor (Koblenz Gate) beyond and apse and spire of Christuskirche seen at the end of the street in the background.

Vineyards by the Rhine in the foreground, with hills (Siebengebirge) in the background.

A passenger boat sails on the Rhine in the foreground, with view of the town of Bingen am Rhein, ruins of Klopp Castle on a hill at left, chapel of Saint Roch (Rochuskapelle) and Romanesque bridge (Drususbrücke) at right in the background.

A passenger boat sails on the Rhine approaching the Bayenturm on the south side of Cologne's walls in the foreground, with view of the harbour and the city in the background.

Gardeners at work and visitors promenading on the grounds of Lustschloss Favorite by the Rhine in the foreground, with view of the city of Mainz in the background.

Shepherds with their flocks, men, women and children rest near some ruins on a field west of Bonn in the foreground at left, with two artists looking at a view placed on an easel by a young man leaning over a portfolio full of drawings at right and view of the city with its Minster and the surrounding countryside in the background.

Archduke Maximilian Franz of Austria talks to two men in a terrace overlooking the fields surrounding the Kurfürstliches Schloss in Bonn, with visitors walking under the trees at right in the foreground, labourers harvesting at left and view of the palace in the background.

Priests and shepherds walk on a field next to the unfinished cathedral of Cologne, with part of one of the towers and its apse seen above the roofs of the adjacent houses in the background.

Boats moored outside an inn overlooking the Rhine in the foreground at left, with ruins of the castles of Liebenstein and Sterrenberg on the opposite bank at right and Franciscan convent of Kloster Bornhofen in the background.

Five men walk among the ruins of the Königsstuhl, or the medieval octagonal building where the proclamation of new kings took place, in a park by the Rhine outside Rhens in the foreground, with Lahnstein seen between the trees on the opposite bank of the river in the background.

A huntsman and his two hounds walk on a road near two gardeners standing in the foreground, with a woman talking to a shepherd looking after a herd of cows beyond at right and view of the hunting lodge of the Elector of Cologne and its surrounding grounds, or Kottenforst.

A group of men, women and children rest under a tree by the Rhine, with boats moored nearby, Mouse Tower (Mäuseturm) beyond at left and ruins of Ehrenfels Castle on the opposite bank of the river in the background.

Women and children gather around the public fountain in Markplatz in the village of Remagen, with town hall behind and view of the Rhine in the background.

Five figures rest next to a vineyard among the ruins of Lahneck Castle.

Figures on a road in the borough of Rolandseck by the Rhine in the foreground, with the ruins of Rolandseck Castle on top of a hill beyond, the town of Honnef on the opposite bank and Franciscan abbey on Nonnenwerth Island in the background.

A group of people rest under the trees on a meadow by a stone wall in the foreground at right, with boats on the Rhine at left and view of Maus Castle on a hill above the village of Wellmich in the background.

Horsemen and carriages approach the Redoute palace in Bad Godesberg.

View of the village of Assmannhausen by the Rhine in the foreground, with ruins of Rheinstein Castle on the opposite bank and ruins of Falkenburg Castle in the background.

A boat carrying passengers, crates and barrels sails on the Rhine in the foreground, with view of the town of Boppard, its Roman town walls, the church of Saint Severus and the Electoral Castle in the background.

Boats on the Rhine in the foreground, with view of the village of Braubach and Marksburg Castle in the background.

Boats on the Rhine in the foreground, with view of the village of Braubach and Marksburg Castle in the background.

Men mooring their boats and washerwomen working by the Rhine outside a Gothic building in Kapellen-Stolzenfels in the foreground at left, with view of the Charterhouse near Koblenz in the background.

People walk by the Rhine in the outskirts of Kaub in the foreground at right, with view of Pfalzgrafenstein Castle on Falkenau Island at left, Gutenfels Castle on a hill at right and town of Oberwesel in the background.

Two men board a boat at Pfaffendorf in Koblenz in the foreground, with boats sailing on the Rhine beyond, Electoral Palace on the west bank and Festung Ehrenbreitstein on the east bank in the background.

Boats and ships sailing on the Rhine approach the Elfeld and Erbach quarters in the town of Eltville am Rhein, with Electoral Castle in the foreground at right and spire of the church of Saints Peter and Paul beyond.

Two men and a woman carrying a basket on her head talk in the middle of a road surrounded by vineyards in the foreground, with the church of Saints Peter and Paul at right and view of the town of Hochheim am Main by the Rhine in the background.

A park in Mainz-Kostheim by the Rhine at the point where it is joined by the Main River, with visitors promenading and gardeners sleeping in the foreground and view of Hochheim am Main in the background.

A man walks before a cart next to the toll-gate outside the village of Leutesdorf at left with a group of figures fishing and resting under the trees by the Rhine at right in the foreground and view of Hammerstein on the opposite bank in the background.

A shepherd and his dog sleep under a tree next to a flock of sheep in the foreground, with a couple contemplating the fields beyond and view of the city of Mannheim by the Rhine in the background.

In the foreground, a group of men and women sit by the Rhine near a road leading to the town of Oberlahnstein and to the ruins of Martinsburg Castle at right, with shepherds and cattle grazing on a meadow by the river on the opposite bank and view of Niederlahnstein and its Johanniskirche in the background.

Two women carrying baskets walk among vineyards by the Rhine in the foreground at right, with sailboat at left and view of the town of Oberwesel, its city walls, Schönburg Castle, and the Church of Our Lady (Liebfrauenkirche) in the background.

Sailors and workers gather among barrels, crates and bales around the Oestricher Kran, or wine loading crane, by the Rhine in the foreground, with a mother and two children sitting by a stone wall at right and view of the town of Mittelheim and Schloss Johannisberg on top of a hill surrounded by vineyards in the background.

Two women travel on an open carriage while two other women walk holding a parasol on a road in the foreground, with shepherds looking after their flock at right, women working the fields beyond and view of the town of Oppenheim and its cathedral in the background.

Four passengers wait for a ferry-boat by the Rhine in the foreground, with view of the town of Rüdesheim, the church of Saint Jacob (Pfarrkirche St. Jakobus) and the ruins of Brömserburg Castle in the background at left and Bingen seen in distance.

Workers rest by the Rhine among barrels, sacks and bales after unloading a boat at left and labourers walk behind a cart loaded with hay after finishing their working day at right in the foreground, with view of the town of Speyer and of its cathedral surrounded by trees in the background.

Groups of figures walk on the left bank of the Rhine in the foreground looking at the basalt quarry in the middle of the river near the basalt reef or Unkelstein, with view of the village of Unkel and its Church of Saint Pantaleon in the background.

Travellers on a road by whose side two shepherds look after their flock of sheep in the foreground, with labourers returning from work in the fields beyond and view of the city of Worms and its cathedral in the background.

• Aimé Césaire
• Julia de Burgos
• Alejo Carpentier
• Juan Pablo Duarte
• Leonardo Padura Fuentes
• Franz Fanon
• José Luis González
• Eugenio María de Hostos
• Pedro Mir
• Juan Antonio Carreter
• Jamaica Kincaid
• José Lezama Lima
• José Martí
• V.S. Naipaul
• Arcadio Díaz Quiñones
• Rosario Ferré
• Luis Palés Matos
• René Marquéz María García Ramis
• Luis Rafael Sánchez
• Marie Vieux Chauvet
• Pedro Henríquez Ureña
• Ana Lydia Vega
• Kamau Brathwaite
• Derek Walcott
• Mayra Montero
• Juan López Bauzá.

Visual images of the Great Kanto Earthquake of 1923

Visual images of the Great Kanto Earthquake of 1923.