• Introduction
• 1. Unlawful wounding: projectiles, politics and propaganda
• 2. Bodies in Objects: Material culture from Sarajevo
• 3. CWGC's colonial policy and World War One: "white graves" and Natives
• 4. White lies and weighted coffins: (re) materialising World War Two air-crash casualties
• 5. Repatriation, illegal repatriation, and expatriation of the bodies of the First World War
• 6. My closest enemy
• 7. Remembering Vietnam with Blackfeet
• 8. The meaning of mud: British combatants in the First World War
• 9. Prisoner clothing in Nazi concentration camps 1933-1945
• 10. Soldiers of the Great War: Archaeololgical investigations of the A19 Motorway extension
• 11. Material culture and the 'after-care' of disabled soldiers in First World War Britain
• 12. The black male body in the white imagination during the First World War
• 13. Absent Bodies: The fate of the vanquished in the Spanish Civil War
• 14. In their shoes: The conservation and display of victim's shoes at the United States Holocaust Memorial
• 15. Men in Pain: Silence, Stories and Soldiers' Bodies
• 16. Making the Soldier Body: Training in the Royal Marine Commandos.
• (source: Nielsen Book Data)

Twentieth-century war is a unique cultural phenomenon and the last two decades have seen significant advances in our ability to conceptualize and understand the past and the character of modern technological warfare. At the forefront of these developments has been the re-appraisal of the human body in conflict, from the ethics of digging up First World War bodies for television programmes to the contentious political issues surrounding the reburial of Spanish Civil War victims, the relationships between the war body and material culture (e.g. clothing, and prostheses), ethnicity and identity in body treatment, and the role of the 'body as bomb' in Iraq, Afghanistan and beyond. Focused on material culture, Bodies in Conflict revitalizes investigations into the physical and symbolic worlds of modern conflict and that have defined us as subjects through memory, imagination, culture and technology. The chapters in this book present an interdisciplinary approach which draws upon, but does not privilege archaeology, anthropology, military and cultural history, art history, cultural geography, and museum and heritage studies. The complexity of modern conflict demands a coherent, integrated, and sensitized hybrid approach which calls on different disciplines where they overlap in a shared common terrain - that of the materiality of conflict and its aftermath in relation to the human body. Bodies in Conflict brings together the diverse interests and expertise of a host of disciplines to create a new intellectual engagement with our corporeal nature in times of conflict.
(source: Nielsen Book Data)