• DVD
• 1. Šestaja čast' mira (1926, 73 min.)
• DVD
• 2. Odinnadcatyi (1928, 53 min.)
• Im Schatten der Maschine (1928, 22 min.)
• Vertov in Blum : eine Untersuchung (2009, 14 min.).

Shestai͡a chastʹ mira: A "state of the USSR report", an extraordinary compilation of images from throughout the Soviet Union that chronicles the spread of the Bolshevik Revolution as well as the technological changes affecting the lives of Soviet citizens. Constructed like a piece of music (a contrapuntal structure, recurring themes, crescendos and diminuendos, prestos and lentos, etc.)"--Seagullfilms.com (viewed Aug. 11, 2010).
Odinnadt͡satyĭ: An anthem for the industrialization of the Soviet Union, employing the same lyrical use of screen shots used in Vertov's previous film Shestai͡a chastʹ mira.

"Produced in response to the kidnapping and murder of a prominent industrialist by a German terrorist group 30 years ago ... consists of a series of nonfiction and fiction segments bookended by two funerals--the industrialist's at the beginning and the terrorists' at the end. More of an essay than a straightforward documentary, the film captures impressions of this explosive and emotive moment in Germany's history by several directors of the New German Cinema"--Container.
"Eleven leading filmmakers collaborated on this protest against Fascist tendencies in West Germany by reflecting on the tragic events of autumn 1977, when public official Hanns Martin Schleyer was kidnapped and murdered by the Baader-Meinhof group, whose members mysteriously died in prison. The contents of this quasi-documentary, omnibus film range from an elegiac sequence of the burial of the prisoners to newsreel clips of Rommel's cortege and a fictitious argument among TV executives about a controversial production of Antigone. In the amazing Fassbinder sequence, he interviews his mother, who had endorsed the dictatorship, then physically abuses his boyfriend. Political history and film history intersect in this dynamic film that deftly combines art and politics."--Distributor website.

The story of a Jewish girl from Paris sent to a concentration camp during World War II and her struggle to survive by stealing another's identity and becoming a warden.

• disc
• 1: An Vertov (1 min.)
• Abschied von gestern = Yesterday girl (1966, 84 min.) / written and produced by Alexander Kluge ; photographed by Thomas Mauch and Edgar Reitz ; edited by Beata Mainka ; featuring Alexandra Kluge
• Nachricht aus Venedig (1966, 1 min.)
• Brutalität in Stein (1961, 10 min.) / written by Alexander Kluge and Peter Schamoni ; co-directed by Peter Schamoni ; phorographed by Wolf Wirth
• Ein Liebesversuch (1998, 13 min.) --

• disc
• 2: Sam remembers Papa Kong (1 min.)
• Gelegenheitsarbeit einer Sklavin (1973, 87 min.) / written by Alexander Kluge ; photographed by Thomas Mauch ; edited by Beata Mainka
• Lehrer im Wandel (1963, 11 min.) / co-directed by Karen Kluge ; photographed by Alfred Tichawsky --

• disc
• 3: 5 Stunden Parsifal in 90 Sekunden (2 min.)
• Die Artisten in der Zirkuskuppel: Ratlos (1967, 99 min.) / written and produced by Alexander Kluge ; photographed by Thomas Mauch and Guenter Hoermann ; edited by Beata Mainka ; featuring Hannelore Hoger and Sigi Graue
• Hinrichtung eines Elefanten (2007,15 min.) --

• disc
• 4: Die traurige Nachricht (2 min.)
• Die unbezähmbare Leni Peickert (1970, 33 min.) / written and produced by Alexander Kluge ; photographed by Thomas Mauch and Guenter Hoermann ; edited by Beata Mainka ; featuring Hannelore Hoger
• Reformzirkus (126 min.) --

• disc
• 5: Learning processes with a deadly outcome (1 min.)
• Der grosse Verhau (1971, 89 min.) / written by Alexander Kluge ; photographed by Thomas Mauch and Alfred Tichawsky ; edited by Beata Mainka and Maximiliane Mainka ; featuring Sigi Graue
• Triebwerkhusten (1996, 15 min.) --

• disc
• 6: Das gab's nur einmal (1 min.)
• Willi Tobler und der Untergang der
• 6. Flotte (1972, 77 min.) / written by Alexander Kluge ; photographed by Thomas Mauch, Dietrich Lohmann and Alfred Tichawsky ; edited by Beata Mainka and Maximiliane Mainka ; featuring Alfred Edel, Hark Bohm and Kurt Jürgens
• Der Tag ist nah (1997, 15 min.)
• Raumfahrt als inneres Erlebnis (1997, 15 min.) --

• disc
• 7: Die Frau auf dem Schlachtfeld (1 min.)
• In Gefahr und grösster Not bringt der Mittelweg den Tod (1974, 86 min.) / written by Alexander Kluge and Edgar Reitz ; photographed by Günther Hörmann, Alfred Hürmer and Edgar Reitz ; edited by Beata Mainka
• Biermann-Film (3 min.) / co-directed by Edgar Reitz
• Porträt einer Bewährung (1964, 12 min.) / produced and written by Alexander Kluge ; photographed by Günther Hörmann and Wilfried E. Reinke ; edited by Beata Mainka.

• disc
• 8: Habanera (1 min.)
• Der starke Ferdinand (1976, 91 min.) / written by Alexander Kluge ; photographed by Thomas Mauch and Martin Schäfer ; edited by Heidi Genée and Agape von Dorstewitz ; featuring Joachim Hackethal and Gert Günther Hoffmann
• Ich wars Hitlers Bodyguard (1999, 45 min.) --

• disc
• 9: Neonröhren des Himmels (1 min.)
• Deutschland im Herbst = Germany in autumn (1978, 119 min.) / produced by Theo Hinz and Eberhard Junkersdorf ; written by Heinrich Böll, Alf Brustellin, Hans Peter Cloos, Rainer Werner Fassbinder, Alexander Kluge, Beate Mainka-Jellinghaus, Maximiliane Mainka, Edgar Reitz, Katja Rupé, Volker Schlöndorff, Peter Schubert, Bernhard Sinkel and Peter F. Steinbach ; directed by Alf Brustellin, Hans Peter Cloos, Rainer Werner Fassbinder, Alexander Kluge, Beate Mainka-Jellinghaus, Maximiliane Mainka, Edgar Reitz, Katja Rupé, Volker Schlöndorff, Peter Schubert and Bernhard Sinkel
• Nachrichten von den Stauffern (1977, 22 min.) / co-directed by Maximiliane Mainka --

• disc
• 10: 100 Jahre deutscher Rhein (1 min.)
• Die Patriotin (1979, 118 min.) / written by Alexander Kluge, Christel Buschmann and Willi Segler ; edited by Beata Mainka ; featuring Alfred Edel, Hannelore Hoger and Kurt Jürgens
• Die Menschen, die das Staufer-Jahr vorbereiten (1977, 39 min.) / co-directed by Maximiliane Mainka.

• disc
• 11: So tückisch sind Friedensschlüsse (1 min.)
• Krieg und Frieden = War and peace (1982, 117 min.) / written by Stefan Aust, Heinrich Böll, Axel Engstfeld, Alexander Kluge and Volker Schlöndorff ; directed by Stefan Aust, Axel Engstfeld, Alexander Kluge and Volker Schlöndorff ; featuring Jürgen Prochnow, Günther Kaufmann and Manfred Zapatka
• Auf der Suche nach einer praktisch-realistischen Haltung (1983, 12 min.) --

• disc
• 12: Sturm über Ägypten (1 min.)
• Der Kanditat (1980, 124 min.) / produced by Theo Hinz ; written and directed by Stefan Aust, Alexander Kluge, Volker Schlöndorff and Alexander von Eschwege
• Grosse Reich muss man leiten, wie man kleine Fischlein brät (1993, 15 min.) --

• disc
• 13: Das tödliche Dreieck (1 min.)
• Die Macht der Gefühle (1984, 110 min.) / written by Alexander Kluge ; photographed by Thomas Mauch and Werner Lüring ; edited by Beata Mainka and Carola Mai ; featuring Hannelore Hoger and Alexandra Kluge
• Feuerlöscher E.A. Winterstein (10 min.) --

• disc
• 14: La Palma (1 min.)
• Serpentine Gallery program (6 Minutenfilme (7 min.) ; Der flexible Unternehmer: Tiermehlfabrikant Fred Eicke weiß Auswege (15 min.) ; Die kalte Liebe stört der Tod: Balladen-Magazin Nr. 9 (24 min.) ; Wer immer hofft, stirbt singend: Wieso aktuelle Schrecken trösten können (15 min.) ; Eine Frau wie ein Vulkan: Das Finale I in Bellinis Meisterwerk NORMA (15 min.) ; Als Offizier und Philosoph: Eberhard von Erbst, Nietzsche-Forscher und Major (24 min.))
• Rennen (1961, 9 min.) / co-directed by Paul Kruntorad
• Protokoll einer Revolution (1963, 11 min.).

• disc
• 15: Zwischen Mitternacht und der vierten Nachtstunde (1 min.)
• Der Angriff der Gegenwart auf die übrige Zeit (1985, 106 min.) / produced by Alexander Kluge and Willi Segler ; written by Alexander Kluge ; photographed by Thomas Mauch, Hermann Fahr and Werner Lüring ; edited by Jane Seitz ; featuring Jutta Hoffmann and Armin Mueller-Stahl
• Blinde Liebe (2001, 24 min.) / featuring Jean-Luc Godard
• 16 Minutefilme (16 min.) --

• disc
• 16: Jedes Mal nach dem Untergang (1 min.)
• Vermischte Nachrichten (1986, 97 min.) / written by Alexander Kluge ; edited by Beata Mainka
• Frau Blackburn wird gefilmt (1967, 13 min.) / written by Alexander Kluge ; photographed by Thomas Mauch ; edited by Beata Mainka
• Ein Arzt aus Halberstadt (1970, 28 min.) / written by Alexander Kluge ; photographed by Günther Hörmann and Alfred Tichawsky ; edited by Maximiliane Mainka
• Besitzbürgerin, Jahrgang 1908 (1973, 11 min.) / written by Alexander Kluge ; photographed by Thomas Mauch ; edited by Beata Mainka.

• Disc
• 1. Machorka-Muff, 1962 (16:51 : b&w) ; Non réconciliés, ou, Seule la violence aide où la violence règne = Nicht versöhnt, oder, Es hilft nur Gewalt, wo Gewalt herrscht, 1964-1965 (49:53 : b&w)
• Disc
• 2. Moïse et Aaron = Moses und Aron, 1974 (102:18 : col.)
• Disc
• 3. Introduction à la "Musique d'accompagnement pour une scène de film" de Arnold Schoenberg = Einleitung zu Arnold Schoenbergs Begleitmusik zu einer Lichtspielscene, 1972 (15:43 : b&w and col.)
• Du jour au lendemain = Von heute auf morgen, 1996 (59:00 : b&w).

Machorka-Muff: an ex-Nazi officer, Colonel Machorka-Muff has been reactivated and is summoned to the West German capital of the Ministry of Defence where he is to establish an Academy for Military Memories. It is considered to be a satirical attack on the revival of militarism in West Germany.
Nicht versöhnt: the story of a family of architects over three successive generations, covering the years 1914 to 1954, when their lives were influenced by war, National Socialism, and German capitulation and reconstruction.
Einleitung zu Arnold Schoenbergs Begleitmusik zu einer Lichtspielscene: images of the Holocaust are shown as letters by Schoenberg are read aloud regarding his anti-Semitism dispute with Brecht and Kandinsky.