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Book
91 pages ; 23 cm.
SAL3 (off-campus storage)
Book
204 pages ; 21 cm.
SAL3 (off-campus storage)

3. Alma Mahler [2018]

Book
62 pages : illustrations ; 22 cm
  • Death
  • Symphony no. 1 Titan
  • Symphony no. 2 Resurrection
  • Symphony no. 3
  • Symphony no. 4
  • Symphony no. 5 Adagietto
  • Symphony no. 6 Andante moderato
  • Symphony no. 7 Night music
  • Symphony of a thousand
  • Symphony no. 9 Rondo-burleske: allegro assai
  • Sketch for symphony no. 10.
"Alma Mahler presents the imagined memories of a talented, passionate woman living in the shadow of a famous husband. The novel deals with Alma's marriage to the distant and introverted Gustav Mahler, the Austrian late-Romantic composer and conductor, and with the many intellectual and emotional sacrifices Alma makes in order to be a support for him. Throughout, Alma wrestles with the tension between her desire to be near genius and her growing awareness that all she will ever receive in return for her sacrifice are the great man's silence and the pains of solitude"-- Provided by publisher.
Green Library
Book
xi, 147 pages ; 24 cm
  • Introduction 1.A Proletarian Existentialist Realism 2.Chevengur and the Movement of the Revolution 3.The Foundation Pit and the Problem of Time 4.Happy Moscow and Universal Love 5.Dzhan: Retrieving the Inner 6.Reka Potudan: Love in Existential Poverty 7.The Ecstasy of Common Being and the Ecstasy of Existence in Common: "Inspired People" and "The Return" Afterword: The Memory of Utopia and the Utopia of Memory Bibliography About the Author.
  • (source: Nielsen Book Data)9781498547758 20180702
This book traces the originality of Andrey Platonov's vision of the Revolution in readings of his works. It has been common in Platonov scholarship to measure him within the parameters of a political pro et contra the October Revolution and Soviet society, but the proposal of this book is to look for the way in which the writer continuously asked into the disastrous aspects of the implementation of a new proletarian community for what they could tell us about the promise of the Revolution to open up the experience of the world as common. In readings of selected works by Andrei Platonov I follow the development of his chronicle of revolutionary society, and from within it the outline of the forgotten utopian dream of a common world. I bring Platonov into a dialogue with certain questions that arise from the philosophy of Martin Heidegger and that were later re-addressed in the works of Maurice Blanchot, Georges Bataille and Jean-Luc Nancy, related to the experience of the modern world in terms of communality, groundlessness, memory, interiority. I show that Platonov writes the Revolution as an implementation of common being in society that needs to retrieve the forgotten memory of what being in common means.
(source: Nielsen Book Data)9781498547758 20180702
Green Library
Book
387 pages ; 24 cm
From award-winning author Eugene Vodolazkin comes this poignant story of memory, love and loss spanning twentieth-century Russia A man wakes up in a hospital bed, with no idea who he is or how he came to be there. The only information the doctor shares with him is his name: Innokenty Petrovich Platonov. As memories slowly resurface, Innokenty begins to build a vivid picture of his former life as a young man in Russia in the early twentieth century, living through the turbulence of the Russian Revolution and its aftermath. Soon, only one question remains: how can he remember the start of the twentieth century, when the pills by his bedside were made in 1999? Reminiscent of the great works of twentieth-century Russian literature, with nods to Dostoevsky's Crime and Punishment and Bulgakov's The White Guard, The Aviator cements Vodolazkin's position as the rising star of Russia's literary scene.
(source: Nielsen Book Data)9781786072719 20180625
Green Library
Book
660 pages : illustrations ; 24 cm
  • Alexander Zholkovsky: from the life of meaning to the meaning of life = Aleksandr Zholkovskiĭ: Ot zhizni logosa k logosu zhizni / Dennis Ioffe, Marcus Levitt, Joe Peschio, and Igor Pilshchikov
  • "Dear Iosif Vissarionovich": the unmaking of Kalatozov's Mountain Eagles / Anthony Anemone
  • Notes towards an evolutionary poetics / David Bethea
  • "Protiv invarianta ne popreshʹ" / Mikhail Bezrodny
  • Nepodt͡senzurnye redakt͡sii kak podtekst: k literaturnoĭ istorii poslanii͡a Pushkina "K.A. Timashevoĭ" / Alina Bodrova
  • Zametki o pesni͡akh Bulata Okudzhavy / Nikolai Bogomolov
  • Pobedy realizma / John E. Bowlt
  • "I'll permit myself to continue for Pasternak": the reflections on Olga Sedakova's long modernist century / Marijeta Bozovic
  • Rezhisser kak zvezda: Sergeĭ Ėĭzenshteĭn v portretakh i avtoportretakh / Oksana Bulgakowa
  • Ot Varrona do Panara: Kommentariĭ k "Obedam" Baratynskogo / Andrei Dobritsyn
  • Vosled Zholkovskomu. Pi͡at' zametok o rasskaze Nabokova "Vesna v Fial'te" / Alexander Dolinin
  • Paradoksal'nye rechevye akty v literature: transformativy i kontraformativy / Mikhail Epstein
  • Creating a sincere voice: one poetic device in Pushkin's lyrics of the 1830s / Stuart Goldberg
  • Sacred violence in blok's "Dvenadtsat'" / Vladimir Golstein
  • Chto takoe semanticheskoe izdanie i pochemu v budushchem vse izdanii͡a stanut semanticheskimi? / Mikhail Gronas, Boris Orekhov
  • "Scribo, quia absurdum" u Daniila Kharmsa: tramvaĭnye voprosy / Aage Hansen-Löve
  • "I͡A
  • gorod" iz stekla, ili Prozrachnost' i zver' v romane Zami͡atina "My" / Leonid Heller
  • Bomba / Yuri Leving
  • Trikster vs. trikster: "Uchiteli͡a" i "ucheniki" u Ėrenburga, Oleshi, Bulgakova i Babeli͡a / Mark Lipovetsky
  • "Wordlets": one of Zholkovsky's major contributions to the notion of deep-syntactic structure / Igor Mel'čuk
  • "Indii͡a pustʹ": Obosnovanie chuzhoĭ odushevlennosti / Michael Meylac
  • Fedor Pavlovich Karamazov
  • chelovek pushkinskoĭ ėpokhi / Igor Nemirovsky
  • Magii͡a starinnogo slova: O li͡ubovnoĭ ėlegii Osipa Mandel'shtama "Tristia" / Lada Panova
  • Dmitry Golynko and the weaponization of discourse poetry / Kevin M.F. Platt
  • Small talk, whimsy, and gravitas: a few quasi-Zholkovskian vignettes of encounters with Lidiia Ginzburg / Sarah Pratt
  • "I bezdny mrachnoĭ na krai͡u" / Oleg Proskurin
  • Seeing the forest through the trees: the underlying structure of Gumilev's "Les" / Barry P. Scherr
  • Kniga Iova v "Brat'i͡akh Karamazovykh", ili "nadryvnai͡a" teodit͡sei͡a / Wolf Schmid
  • Structures of time and the topos of ruin in Kira Muratova's "Among Grey Stones" / Andreas Schönle
  • The paradox of Tolstoyan interiority / Thomas Seifrid
  • Obnazhenie mastera, zasekrechivai͡ushchego priem (Istochniki gruneval'dskogo ėpizoda v romane Vladimira Nabokova "Dar") / Igor P. Smirnov
  • Organicity: from the history of a discourse / Galin Tihanov
  • Iz gogolevskoĭ antroponimiki / Boris Uspensky
  • La Leçon d'Anatomie: kak t͡sar' Petr svoikh poddannykh ot brezglivosti ne otuchil / Ilya Vinitsky
  • "Though I speak with the tongues of men and of angels ... ": some notes on Velimir Khlebnikov's "Liminal" neology / Ronald Vroon
  • Four notes on Pushkin's prose / Michael Wachtel
  • Can we know the writer from his work? The case of Alexander Zholkovsky / Willem G. Weststeijn
  • Aleksei Balabanov's "Cinema about Cinema" / Frederick H. White
  • Simvolika peresechenii͡a granit͡s v vostochnoslavi͡anskikh zagovorakh / Aleksey Yudin
  • Imperator ili kni͡azʹ? (Kommentatorskai͡a vin'etka) / Andrei Zorin.
This bilingual collection in honor of the great scholar and writer Alexander Zholkovsky brings together new work from forty-four leading scholars in nine countries. Like Zholkovsky's oeuvre, this volume covers a broad range of subjects and employs an array of approaches. Topics range from Russian syntax to Peter the Great, literary theory, and Russian film. The articles are rooted in computational analysis, literary memoir, formal analysis, cultural history, and a host of other methodological and discursive modes. This collection provides not only a fitting tribute to one of the most fascinating figures of Russian letters but also a remarkable picture of the shape of Russian literary scholarship today.
(source: Nielsen Book Data)9781618117786 20180409
Green Library
Book
vii, 367 pages : illustrations ; 25 cm.
Green Library
Book
140, [2] strony ; 21 cm.
Green Library

9. Bornholm, Bornholm [2018]

Book
267 pages ; 24 cm
SAL3 (off-campus storage)
Book
74 pages ; 25 cm.
Green Library

11. Collected stories [2018]

Book
xiv, 269 pages ; 23 cm
  • Foreword by Rivka Galchen
  • Translator's note
  • Cinnamon shops
  • August
  • A visitation
  • Birds
  • Mannequins
  • A treatise on mannequins; or, The second book of genesis
  • A treatise on mannequins, continued
  • A treatise on mannequins, conclusion
  • Nimrod
  • Pan
  • Uncle Karol
  • Cinnamon shops
  • The street of crocodiles
  • Cockroaches
  • The windstorm
  • The night of the great season
  • The sanatorium under the hourglass
  • The book
  • The age of genius
  • Spring
  • A July night
  • My father joins the firefighters
  • A second autumn
  • The dead season
  • The sanatorium under the hourglass
  • Dodo
  • Edzio
  • The pensioner
  • Loneliness
  • Father's final escape
  • Uncollected stories
  • Autumn
  • The Republic of Dreams
  • The comet
  • Fatherland.
Collected Stories is an authoritative new translation of the complete fiction of Bruno Schulz, whose work has influenced writers as various as Salman Rushdie, Cynthia Ozick, Jonathan Safran Foer, Philip Roth, Danilo Kis, and Roberto Bolano. Schulz's prose is renowned for its originality. Set largely in a fictional counterpart of his hometown of Drohobycz, his stories merge the real and the surreal. The most ordinary objects-the wind, an article of clothing, a plate of fish-can suddenly appear unfathomably mysterious and capable of illuminating profound truths. As "Father, " one of his most intriguing characters, declaims: "Matter has been granted infinite fecundity, an inexhaustible vital force, and at the same time, a seductive power of temptation that entices us to create forms." This comprehensive volume includes all of The Cinnamon Shops, restoring the original Polish title to Schulz's most famous collection (sometimes titled The Street of Crocodiles in English), and Sanatorium under the Hourglass. Also included are four previously uncollected short stories that pay tribute to Schulz's enduring genius. Madeline G. Levine's masterful new translation shows contemporary readers how Schulz, often compared to Proust and Kafka, reveals the workings of memory and consciousness.
(source: Nielsen Book Data)9780810136601 20180521
Green Library
Book
297 pages : illustrations (some color) ; 23 cm
SAL3 (off-campus storage)
Book
vi, 409 pages : illustrations ; 24 cm.
  • Introduction / Jasmina Grković-Major, Björn Hansen, and Barbara Sonnenhauser
  • The noun phrase
  • Some observations on the usage of adnominal genitives and datives in middle Bulgarian Church Slavonic / Jürgen Fuchsbauer
  • Quantifying syntactic influence : word order, possession and definiteness in old Church Slavonic and Greek / Hanne Martine Eckhoff
  • The decay of cases in Molise Slavonic / Silvia Luraghi and Milena Krstić
  • The verbal phrase and related topics
  • Null subjects and person in old North Russian / Hakyung Jung
  • On the permeability of grammars : syntactic pattern replications in heritage croatian and heritage Serbian spoken in Germany / Björn Hansen
  • Possessive resultative constructions in old and middle Polish / Imke Mendoza
  • Mechanisms of word order change in 12th and 13th century Serbian / Slobodan Pavlović
  • Historical development and contemporary usage of discourse structuring elements based on verba dicendi in croatian / Sandra Birzer
  • The complex sentence
  • The status and origin of the accusativus cum infinitivo construction in old Church Slavonic / Marina Kurešević
  • On triangulation in the domain of clause linkage and propositional marking / Björn Wiemer
  • The development of perception verb complements in the Serbian language / Jasmina Grković-Major
  • A tale of two pathways : on the development of relative clause chaining in East Slavonic / Andrii Danylenko
  • Relativisation strategies in Slovene : diachrony between language use and language description / Barbara Sonnenhauser
  • Index.
TRENDS IN LINGUISTICS is a series of books that open new perspectives in our understanding of language. The series publishes state-of-the-art work on core areas of linguistics across theoretical frameworks as well as studies that provide new insights by building bridges to neighbouring fields such as neuroscience and cognitive science. TRENDS IN LINGUISTICS considers itself a forum for cutting-edge research based on solid empirical data on language in its various manifestations, including sign languages. It regards linguistic variation in its synchronic and diachronic dimensions as well as in its social contexts as important sources of insight for a better understanding of the design of linguistic systems and the ecology and evolution of language. TRENDS IN LINGUISTICS publishes monographs and outstanding dissertations as well as edited volumes, which provide the opportunity to address controversial topics from different empirical and theoretical viewpoints. High quality standards are ensured through anonymous reviewing.
(source: Nielsen Book Data)9783110529395 20180530
Green Library
Book
143 pages ; 21 cm
SAL3 (off-campus storage)
Book
460 pages : illustrations ; 23 cm
  • Vorwort
  • Einleitung
  • "Dostojewskij-Trip"
  • Grenzen
  • Aufbrüche und Absturze (1821-1849)
  • Eine Moskauer Kindheit
  • Lehrjahre
  • Der Weg in die Literatur
  • Ein Senkrechtstart : "Arme Leute"
  • Kritik und Kränkung
  • Wie soll man schreiben?
  • Dostojewskij und die Petraschewzen
  • Das Imperium schlägt zurück
  • "Wiedergeburt"
  • Das erste Exil : Sibirien (1850-1859)
  • Im Totenhaus
  • Soldat Dostojewskij
  • Heimkehr mit Hindernissen
  • Literarische Auferstehung (1860-1867)
  • Neuanfänge
  • Das Comeback : "Die Erniedrigten und Beleidigten"
  • Wieder in der Erfolgsspur : "Aufzeichnungen aus einem Totenhaus"
  • Unruhige Zeiten
  • Europa für Fortgeschrittene
  • Neue Krisen
  • Irr- und Leidenswege einer "Beziehung"
  • 1864 : Annus horribilis
  • Hamlet als beleidigte Maus : "Aufzeichnungen aus einem Kellerloch"
  • Ein riskanter Plan
  • Hasard in Roulettenburg : "Der Spieler"
  • Spaltungen : "Schuld und Sühne"
  • Wieder auf Freiersfüssen
  • Das zweite Exil : Europa (1867-1871)
  • Touristen wider Willen
  • Arbeiten oder spielen?
  • Genf, "die gemeine Republik"
  • Ein russischer Christus : "Der Idiot"
  • Italien und Dresden : "Der ewige Gatte"
  • Auf slawophilem Kurs
  • Die letzten Monate in Europa : Wunderbare Heilung von der Spielsucht
  • Ein Vaudeville der Teufel : "Die Dämonen"
  • Ankünfte (1871-1876)
  • Die Heimkehr
  • Werden und Scheitern eines Kapitalisten : "Der Jüngling"
  • "Wie Bienenschwärme wimmelt es von Paradoxen" : das "Tagebuch eines Schriftstellers"
  • Auf dem Gipfel (1876-1881)
  • Land und Kinder : Neue Pflichten : vom Richtplatz zum Marmorpalais
  • Ein Denkmal, zwei Propheten : die Puschkin-Feier von 1880
  • Das literarische Vermächtnis : "Die Brüder Karamasow"
  • Tod und Verklärung
  • Anmerkungen
  • Literaturhinweise
  • Bildnachweis
  • Personenregister.
SAL3 (off-campus storage)
Book
647 pages ; 21 cm
SAL3 (off-campus storage)
Book
575 pages : illustrations (partly color), facsimiles ; 25 cm.
  • Vorbemerkung
  • Einleitung
  • Epistolija o nedele : Abhandlung
  • Verzeichnis der Handschriften
  • Editionen
  • Choždenie Bogorodicy po mukam
  • Abhandlung
  • Verzeichnis der Handschriften
  • Editionen
  • Son Bogorodicy
  • Abhandlung
  • Verzeichnis der Handschriften
  • Editionen
  • Skazanie o pjatnicach
  • Abhandlung
  • Verzeichnis der Handschriften
  • Editionen
  • Ausgewählte Übersetzungen
  • Epistolija o nedele
  • Choždenie Bogorodicy po mukam
  • Son Bogorodicy
  • Skazanie o pjatnicach
  • Ikonographische Parallelen
  • Zu Epistolija o nedele
  • Zu Choždenie Bogorodicy po mukam
  • Mytarstva und Muki auf Ikonen, Fresken und Miniaturen
  • Zu Son Bogorodicy
  • Zu Skazanie o pjatnicach
  • Faksimile
  • Farbige Abbildungen
  • Beschreibung der Handschriften und Teileditionen
  • Ausblick
  • Resümee (russisch, englisch)
  • Akürzungsverzeichnis
  • Ausgewählte Bibliographie.
SAL3 (off-campus storage)
Book
xviii, 404 pages : illustrations ; 23 cm
  • Openings
  • Odessa
  • Shabbos Nahamu
  • Elya Isaakovich and Margarita Prokofyevna
  • Mama, Rimma, and Alla
  • Through a crack
  • The sin of Jesus
  • Line and color
  • Bagrat-Ogly and the eyes of his bull
  • My first advance
  • Guy de Maupassant
  • The road
  • The story of my dovecot (childhood cycle). Childhood. at grandmother's
  • The story of my dovecot
  • First love
  • Awakening
  • In the basement
  • Grasso
  • Odessa stories. The king
  • How it was done in Odessa
  • The father
  • Justice in brackets
  • Lyubka the cossack
  • Sunset
  • Froim the rook
  • The end of the poorhouse
  • You missed the boat, Captain!
  • Karl-Yankel
  • Red cavalry. The crossing of the Zbruch
  • The church at Novograd
  • A letter
  • Chief of the remount service
  • Pan Apolek
  • The sun of Italy
  • Gedali
  • My first goose
  • The rebbe
  • The way to Brody
  • A teaching on the Tachanka
  • Dolgushov's death
  • Brigcom 2
  • Sashka Christ
  • The life story of Pavlichenko, Matvei Rodionych
  • The cemetery in Kozin
  • Prishchepa
  • The story of a horse
  • Konkin
  • Berestechko
  • Salt
  • Evening
  • Afonka Bida
  • At Saint Valentine's
  • Squadron commander Trunov
  • The Ivans
  • The story of a horse, continued
  • The widow
  • Zamoste
  • Treason
  • Chesniki
  • After the battle
  • The song
  • The rebbe's son
  • Red cavalry: additions. Argamak
  • The kiss
  • Closings. Our Batko Makhno
  • The end of Saint Hypatius
  • Dante Street
  • The trial (from a notebook)
  • The Ivan & Marya
  • Crude
  • Sulak
  • Gapa Guzhva
  • Kolyvushka.
The Essential Fictions offers contemporary readers seventy-two short stories by one of twentieth-century Russia's premier storytellers, Isaac Babel. This unique volume, which includes Babel's famous Red Cavalry series and his Odessa Stories, is translated, edited, introduced, and annotated by Val Vinokur, a 2008 Guggenheim Fellow in Translation, and features illustrations by Yefim Ladyzhensky, a painter known for his depictions of everyday life under Soviet rule in Babel's native Odessa.Babel was born in 1894 into multicultural Odessa's thriving Jewish community. Working as a journalist, he witnessed the Bolshevik Revolution and Civil War, and accompanied the Cossack horsemen of the Red Cavalry during the 1920 Polish-Soviet War, distilling these experiences into his fiction. Vinokur highlights Babel's "horrified hopefulness" and "doleful and bespectacled Jewish comedy" in the face of the bloody conflicts that plagued his generation.On the centenary of the revolution that toppled the Romanov tsars, Babel's fictions continue to absorb and fascinate contemporary readers interested in eastern European and Jewish literature as well as the history and politics of the twentieth century.
(source: Nielsen Book Data)9780810135956 20171227
Green Library
Book
410 pages : illustrations ; 20 cm
Set in a luxurious grand hotel just outside Lisbon, at the height of the Second World War, Estoril is a delightful and poignant novel about exile, divided loyalties, fear and survival. The hotel's guests include spies, fallen kings, refugees from the Balkans, Nazis, American diplomats and stateless Jews. The Portuguese secret police broodingly observe the visitors, terrified that their country's neutrality will be compromised. The novel seamlessly fuses the stories of its invented characters with appearances by historical figures like the ex-King Carol of Romania, the great Polish pianist Jan Paderewski, the British agent Ian Fleming, the Russian chess grandmaster Alexander Alekhine and the French writer and flyer Antoine de St Exupery, who forms a poignant friendship with a young Jewish boy living alone in the hotel.
(source: Nielsen Book Data)9781786698155 20180514
Green Library
Book
xvi, 377 pages : illustrations ; 22 cm.
One of the first Russian writers to make a name for herself on the Internet, Linor Goralik writes conversational short works that conjure the absurd in all its forms, reflecting post-Soviet life and daily universals. Her mastery of the minimal, including a wide range of experiments in different forms of micro-prose, is on full display in this collection of poems, stories, comics, a play, and an interview, here translated for the first time. In Found Life, speech, condensed to the extreme, captures a vivid picture of fleeting interactions in a quickly moving world. Goralik's works evoke an unconventional palette of moods and atmospheres-slight doubt, subtle sadness, vague unease-through accumulation of unexpected details and command over colloquial language. While calling up a range of voices, her works are marked by a distinct voice, simultaneously slightly naive and deeply ironic. She is a keen observer of the female condition, recounting gendered tribulations with awareness and amusement. From spiritual rabbits and biblical zoos to poems about loss and comics about poetry, Goralik's colorful language and pervasive dark comedy capture the heights of absurdity and depths of grief.
(source: Nielsen Book Data)9780231183512 20171227
Green Library