• Text & commentary: Foreword
• Introduction
• I. Color recollection : visual memory
• II. Color reading and contexture
• III. Why color paper : instead of pigment and paint
• IV. A color has many faces : the relativity of color
• V. Lighter and/or darker : light intensity, lightness
• VI. 1 color appears as 2 : looking like the reversed grounds
• VII. 2 different colors look alike : subtraction of color
• VIII. Why color deception? : after-image, simultaneous contrast
• IX. Color mixture in paper : illusion of transparence
• X. Factual mixtures : additive and subtractive
• XI. Transparence and space-illusion Color boundaries and plastic action
• XII. Optical mixture : after-image revised
• XIII. The Bezold Effect
• XIV. Color intervals and transformation
• XV. The middle mixture again : intersecting colors
• XVI. Color juxtaposition : harmony : quantity
• XVII. Film color and volume color : 2 natural effects
• XVIII. Free studies : a challenge to imagination
• XIX. The Masters : color instrumentation
• XX. The Weber-Fechner Law : the measure in mixture
• XXI. From color temperature to humidity in color
• XXII. Vibrating boundaries : enforced contours
• XXIII. Equal light intensity : vanishing boundaries
• XXIV. Color theories : color systems
• XXV. On teaching color : some color terms
• XXVI. In lieu of a bibliography : my first collaborators

• Resources: History of Interaction of color (video)
• Albers as a teacher (video)
• Color in practice (video)

The Interaction of color complete digital edition allows users to explore the book's ideas and experiment with color the way Albers intended. Users can navigate between the text, commentary, and 122 plates from the new complete edition (Yale University Press in association with the Josef and Anni Albers Foundation, 2009); take notes, highlight text, and bookmark chapters; use an embedded glossary to define key terms; and zoom into plates for additional detail. Inspired by Albers' teaching methodologies, each plate is designed to reproduce the experience of working with cut and colored paper. By moving the "pieces" of the plate, users can see how the same color can look different when shown on different grounds; create, save, and share their own color design exercises by downloading the SVG file to their favorite design software. Includes archival audio and video of Josef Albers and contemporary interviews with his former students on his teaching methods, as well as contemporary interviews with artists, designers, and architects discussing their use of color

Contains the the backfile of Artforum and Artforum International, from its start in 1962 to 2020
"The 100,000+ page archive includes six decades of premier news, reporting and commentary about key developments in the art world. Its coverage spans all forms of contemporary art, including painting, sculpture, installation, body art, video/audio art, performance art and more. The Artforum Archive contains features, reviews and interviews about artists, exhibitions and publications. It has notably published original art, photography and essays by major practitioners. These include Robert Smithson, Jasper Johns, Nan Goldin, Laurie Anderson, Bruce Conner and Robert Mapplethorpe. It has been equally renowned throughout its history for featuring leading critics, some of whom - for example, Michael Fried and Barbara Rose - wrote for the magazine early in their careers. Artforum also covers adjacent cultural forms, including architecture, film, fashion, photography and music. The archive supports research across a range of topics in popular culture, as well as in 20th-century history, politics and the history of economics/marketing"--ProQuest website, viewed June 15, 2022

• Listening Between the Images: African Filmmakers' Take on the Soviet Union, Soviet Filmmakers' Take on Africa / Lindiwe Dovey
• Machines, Nations, and Faciality: Cultivating Mental Eyes in Soviet Books for Children / Serguei Oushakine
• Beauty and Quality for All: A Vision of Fashion under Cuban Socialism / María A. Cabrera Arús
• The Montage Connection Between John Heartfield and László Lakner: Artistic Dissidence and a New Leftism in Sixties Europe / Cristina Cuevas-Wolf
• Television and the Good Times of Socialism / Anikó Imre
• Futures Remembered: Kosmonauts, the GDR, and the Retrospective Impulse / Nick Hodgin
• Red Stars, Biorhythms, and Circuit Boards: Do-it-Yourself Aesthetics of Computing and Computer Games in Late Socialist Czechoslovakia / Jaroslav Švelch
• Who Doesn't Like Aleksander Kobzdej? State Artist's Career in the People's Republic of Poland / Magdalena Moskalewicz
• Visions and Visualization of Sustainability: Leningrad Designers in Search of Soviet Recycling System, 1981-84 / Yulia Karpova.

This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online.

"Library Stack is a living collection of independent ebooks, audio files, videos and digital documents being published within the fields of contemporary art, design, media studies, cinema, architecture and philosophy."--About

EAI's Educational streaming site is a special subscription-access layer of the EAI online catalogue and provides access to full-length streaming videos for selected artists from EAI's full collection

Based on a merger of databases from EBSCO Publishing and H.W. Wilson, and including many unique sources that were never previously available, this database covers a broad range of related subjects, from fine, decorative and commercial art, to various areas of architecture and architectural design. This database features full-text articles as well as detailed indexing and abstracts for an array of journals, books, podcasts and more. International in scope, Art Source includes periodicals published in French, Italian, German, Spanish and Dutch and is designed for use by a diverse audience, including art scholars, artists, designers, students and general researchers.

Content is based on the 2006 English-language edition of Emmanuel Bénézit's Dictionary of artists. Contains artist biographies, auction records, exhibition histories, museum listings, bibliographies, images of artists signatures and monograms.

Europeana.eu is a digital library containing 4 million items, including images, texts, audio and video, from European museums, galleries, libraries, archives and audio-visual collections.

The bibliography provides authoritative coverage of international scholarship within the following broad parameters: European art from late antiquity to the present, American art from the colonial era to the present, and global art since 1945 ; Visual arts in all media, plus decorative and applied arts, museum studies and conservation, archaeology and classical studies, antiques and architectural history, and related fields; Scholarship from at least 500 core journals, plus detailed coverage of monographs, essay collections, conference proceedings and exhibition catalogues; Very international coverage, with at least 60% of records from non-English-language publications (principally German, French, Italian and Spanish)

Featuring content from filmed performances and fiction films to documentaries and instructional videos, Bloomsbury Video Library has been designed and curated with academic libraries in mind. Bloomsbury Video Library launches with the Arts and Humanities Collection (formerly known as Artfilms). With an international range of content across the visual arts and performing arts, film, history, and more, this collection features exclusive indie films and shorts, avant-garde performances, interviews with renowned writers, artists, choreographers, performers and practitioners, documentaries on an international range of themes, traditions, and historical figures, and much more.

Descriptive records of art auction and rare book catalogs for sales from the late sixteenth century to scheduled auctions not yet held. Records include the dates and places of sales, the auction houses, sellers, institutional holdings, and titles of works. Updated daily.

Based on The index of Christian art, a thematic and iconographic index of early Christian and medieval art objects begun at Princeton University in 1917. As of July 1, 2017, the Index of Christian Art became The Index of Medieval Art. The change reflects the broad evolution of the institution's scope and mission since its founding in 1917, when its work was limited to cataloguing religious themes and subjects in early Christian art up to 700 C.E. A century later, records have expanded to encompass both religious and secular imagery, including Jewish and Islamic works, from the first centuries of the Common Era until the sixteenth century.