• Listening Between the Images: African Filmmakers' Take on the Soviet Union, Soviet Filmmakers' Take on Africa / Lindiwe Dovey
• Machines, Nations, and Faciality: Cultivating Mental Eyes in Soviet Books for Children / Serguei Oushakine
• Beauty and Quality for All: A Vision of Fashion under Cuban Socialism / María A. Cabrera Arús
• The Montage Connection Between John Heartfield and László Lakner: Artistic Dissidence and a New Leftism in Sixties Europe / Cristina Cuevas-Wolf
• Television and the Good Times of Socialism / Anikó Imre
• Futures Remembered: Kosmonauts, the GDR, and the Retrospective Impulse / Nick Hodgin
• Red Stars, Biorhythms, and Circuit Boards: Do-it-Yourself Aesthetics of Computing and Computer Games in Late Socialist Czechoslovakia / Jaroslav Švelch
• Who Doesn't Like Aleksander Kobzdej? State Artist's Career in the People's Republic of Poland / Magdalena Moskalewicz
• Visions and Visualization of Sustainability: Leningrad Designers in Search of Soviet Recycling System, 1981-84 / Yulia Karpova.

This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online.

Content is based on the 2006 English-language edition of Emmanuel Bénézit's Dictionary of artists. Contains artist biographies, auction records, exhibition histories, museum listings, bibliographies, images of artists signatures and monograms.

The bibliography provides authoritative coverage of international scholarship within the following broad parameters: European art from late antiquity to the present, American art from the colonial era to the present, and global art since 1945 ; Visual arts in all media, plus decorative and applied arts, museum studies and conservation, archaeology and classical studies, antiques and architectural history, and related fields; Scholarship from at least 500 core journals, plus detailed coverage of monographs, essay collections, conference proceedings and exhibition catalogues; Very international coverage, with at least 60% of records from non-English-language publications (principally German, French, Italian and Spanish)

Based on The index of Christian art, a thematic and iconographic index of early Christian and medieval art objects begun at Princeton University in 1917. As of July 1, 2017, the Index of Christian Art became The Index of Medieval Art. The change reflects the broad evolution of the institution's scope and mission since its founding in 1917, when its work was limited to cataloguing religious themes and subjects in early Christian art up to 700 C.E. A century later, records have expanded to encompass both religious and secular imagery, including Jewish and Islamic works, from the first centuries of the Common Era until the sixteenth century.

Art Full Text is a bibliographic database that indexes and abstracts articles on art and related disciplines from periodicals, yearbooks, and museum bulletins published throughout the world. There is full-text coverage for selected periodicals. In addition to articles, Art Full Text indexes reproductions of works of art that appear in indexed periodicals. Indexing coverage begins 1984; abstracting coverage begins with 1994; full-text coverage begins with 1997. It is an online counterpart to: Art Index, published in print from 1929. For indexing of articles covering the period 1929-1984, there is a related database, Art Retrospective.